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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
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UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Great I Am - Flute
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126
Piano & claviers
Piano seul
69
Piano, Voix
36
Piano, Voix et Guitare
34
Orgue
14
Piano Facile
12
Instruments en Do
2
1 Piano, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
6
Guitare
6
Guitare notes et tablatures
6
2 Guitares (duo)
2
Ukulele
1
Paroles et Accords
1
Basse electrique
1
4 Guitares (Quatuor)
1
Mandoline
1
+ 4 instrumentations
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Voix
Chorale SATB
49
Pack Instrumental pour Chorale
36
Chorale Unison
12
Chorale 3 parties
12
Chorale 2 parties
10
Voix duo
4
Voix duo, Piano
2
Voix Alto, Piano
2
Voix moyenne, Piano
1
Voix Tenor, Piano
1
Voix seule
1
Chorale TTBB
1
Chorale SSATB
1
Chorale SSAA
1
Chorale
1
+ 10 instrumentations
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Vents
2 Saxophones (duo)
12
2 Clarinettes (duo)
10
Quatuor de Saxophones: 4 saxophones
8
Clarinette et Piano
8
Saxophone Alto et Piano
7
Saxophone Alto
5
Clarinette
5
Saxophone Tenor et Piano
4
Saxophone Soprano et Piano
4
Quintette de Saxophone: 5 saxophones
3
Hautbois, Piano (duo)
3
Clarinette, Basson (duo)
2
Saxophone Tenor
2
Hautbois, Basson (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone Soprano
1
Clarinette et Alto
1
Ensemble de saxophones
1
+ 14 instrumentations
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Cuivres
Trombone et Piano
12
Trombone
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette, Piano
7
2 Trompettes (duo)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette
6
2 Trombones (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette (partie séparée)
3
2 Cors (duo)
3
Trompette, Trombone (duo)
2
Quatuor de Cuivres
2
Cor et Piano
2
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
Trompette, Cor (duo)
1
Bass Clef Instruments
1
2 Cors, Piano
1
Trombone basse et Piano
1
+ 15 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
27
Violon
10
2 Violons (duo)
8
Violon, Violoncelle (duo)
7
Violon et Piano
6
2 Violoncelles (duo)
6
2 Altos (duo)
6
Violon, Alto (duo)
6
Alto, Piano
6
Violoncelle, Piano
5
Alto seul
5
Violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Piano Trio: Violon, Alto, Piano
3
Harpe, Voix
3
Trio à Cordes: violon, alto, violoncelle
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon (partie séparée)
1
Alto (partie séparée)
1
Trio à cordes: 3 violins
1
Alto, Violoncelle (duo)
1
Violoncelle, Orchestre
1
+ 17 instrumentations
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Fanfare
20
Orchestre d'harmonie
8
Orchestre
7
Orchestre à Cordes
5
Ensemble Jazz
5
Ensemble de cuivres
4
Jazz combo
3
Orchestre de chambre
1
Cloches
1
Vibraphone
1
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--INSTRUMENTS--
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AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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LIVRES
LUTH
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MARIMBA
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Great I Am - Flute
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Cello Concerto
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Violoncelle, Orchestre
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Gavin Bryars
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Cello Concerto
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Schott Music - Digital
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SheetMusicPlus
2 (2:picc.) · 1 · c.a. · 2 (2: b.cl.) · 2 (2: cbsn.) - 2 · 0 · 0 · 0 - perc. (timp., b.d., tam-tam, sus. cym., vibra., glock., tub. bells, ...
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2 (2:picc.) · 1 · c.a. · 2 (2: b.cl.) · 2 (2: cbsn.) - 2 · 0 · 0 · 0 - perc. (timp., b.d., tam-tam, sus. cym., vibra., glock., tub. bells, marimba) (2 players) - hp - str. (6 · 6 · 4 · 4 · 2 minimum) cello and orchestra - SKU: S9.Q3688 Farewell to philosophy. Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 35 minutes. Schott Music - Digital #Q3688. Published by Schott Music - Digital (S9.Q3688). I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars.
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