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--INSTRUMENTS--
ACCORDEON
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665
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1 398
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50
Orgue
39
Piano, Voix et Guitare
26
Instruments en Do
12
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7
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6
Piano Facile
6
Accompagnement Piano
5
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
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1
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Accordéon
1
+ 9 instrumentations
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Guitare
122
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41
Dulcimer
7
4 Guitares (Quatuor)
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Ukulele
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Piano, Guitare (duo)
1
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1
Ensemble de guitares
1
+ 8 instrumentations
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99
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28
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20
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14
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8
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7
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7
Voix basse, Piano
6
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Voix Tenor, Piano
4
Voix moyenne, Piano
4
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3
Voix duo, Piano
2
Voix Soprano
2
Voix basse
1
Chorale
1
Voix Mezzo-Soprano, Piano
1
Chorale 2 parties
1
+ 16 instrumentations
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218
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103
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56
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53
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48
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45
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41
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39
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37
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29
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26
2 Flûtes traversières, Piano
25
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23
Ensemble de Clarinettes
23
Saxophone Soprano et Piano
22
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19
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15
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14
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12
2 Clarinettes (duo)
11
2 Flûtes traversières (duo)
11
Clarinette Basse, Piano
9
3 Saxophones (trio)
9
Saxophone Baryton, Piano
9
2 Saxophones (duo)
9
Flûte, Hautbois, Clarinette, Basson
8
Ensemble de Flûtes
7
Quintette de Clarinettes: 5 clarinettes
6
Quintette de Flûte : 5 flûtes
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Clarinette, Guitare (duo)
6
3 Clarinettes (trio)
6
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5
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5 Flûtes à bec
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Saxophone
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1
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1
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42
Trombone
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Trompette
37
Trompette, Piano
29
Cor et Piano
25
Trombone et Piano
25
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19
Cor
14
Quatuor de Cuivres
13
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11
Tuba et Piano
10
Tuba
10
Trompette (partie séparée)
9
Euphonium, Tuba (duo)
7
Quatuor de cuivres: 4 cors
6
Ensemble de Trompettes
6
Quatuor de cuivres: 4 trombones
6
Euphonium
5
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5
Euphonium, Piano (duo)
5
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4
2 Cors (duo)
4
2 Trombones (duo)
4
Trompette, Trombone (duo)
4
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3
2 Trompettes (duo)
3
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2
Trombone basse et Piano
1
4 Tubas
1
Cor anglais, Guitare (duo)
1
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83
Violon et Piano
81
Violon
69
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66
Violoncelle
52
Violoncelle, Piano
41
Alto, Piano
37
Violon, Violoncelle (duo)
36
Alto seul
24
Contre Basse
22
Trio à Cordes: violon, alto, violoncelle
19
Trio à Cordes: 2 violons, violoncelle
12
2 Violoncelles (duo)
11
Alto (partie séparée)
7
Harpe, Violon (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Trio à cordes: 3 violins
5
Alto et Harpe
4
Contrebasse, Piano (duo)
4
Harpe, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
4
Violoncelle , Guitare (duo)
4
Trio à cordes: 3 altos
3
Harpe, Flûte (duo)
3
Violon, Alto (duo)
3
2 Violons (duo)
3
Violon, Guitare (duo)
2
Ensemble de Violons
2
2 Altos (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble d'Altos
2
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1
Violon, Orgue
1
Violoncelle (partie séparée)
1
Ensemble de Violoncelles
1
Violoncelle, Orchestre
1
Quatuor à cordes: 4 violons
1
Violon, Basse continue
1
Alto, Violoncelle (duo)
1
Violoncelle, Orgue
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111
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87
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73
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50
Orchestre à Cordes
45
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31
Marimba
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Jazz combo
8
Vibraphone
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Cloches
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Fanfare
3
Ensemble de Percussions
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Batterie
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Xylophone, Piano
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RACHMANINOFF Sergei: Oh, never sing to me, an art song with transcription and translation (F minor)
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Voix moyenne, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sergei RACHMANINOFF
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Sergei PICHUGIN
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RACHMANINOFF Sergei: Oh, never
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Really Good Music, LLC.
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 4 - SKU: A0.868891 Composed by Sergei RACHMANINOFF (1873 – 1943). Arranged by Sergei PICHUGIN. 20th Century,Conce...
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Medium Voice,Vocal Solo - Level 4 - SKU: A0.868891 Composed by Sergei RACHMANINOFF (1873 – 1943). Arranged by Sergei PICHUGIN. 20th Century,Concert,Instructional,Standards,World. 8 pages. Really Good Music, LLC. #4806889. Published by Really Good Music, LLC. (A0.868891). The art song (romance) Oh, never sing to me («Ðе пой, краÑавица, при мне») (Op. 4, No. 4) was composed by Sergei RACHMANINOFF (1873 – 1943) in 1893. In present edition of the masterpiece of the nineteen-year-old genius the lyrics by the greatest Russian poet Alexander Pushkin with transliteration and English translation are inserted into the score. The romance is available in the key of F minor (C4 – F5) for low voice.
$5.95
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
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Voix moyenne, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jacques Leguerney
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Jacques Leguerney: Sept Poème
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Musik Fabrik Music Publishing
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SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publi...
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Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
$19.95
In the Beginning...
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Voix moyenne, Piano
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INTERMÉDIAIRE/AVANCÉ
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James P
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In the Beginning...
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KeySynth Studios
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 4 - SKU: A0.857901 Composed by James P. Colman. 20th Century,Contemporary,Sacred. 4 pages. KeySynth Studios #1790741. Pu...
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Medium Voice,Vocal Solo - Level 4 - SKU: A0.857901 Composed by James P. Colman. 20th Century,Contemporary,Sacred. 4 pages. KeySynth Studios #1790741. Published by KeySynth Studios (A0.857901). Based on the opening verses of the Bible (Genesis 1:1-3), this composition for medium voice seeks to convey the beginning of the world as God creates light. The piece begins with the chaos of nothingness which is changed by the presence of God. The extended range of the piece allows a strong singer to demonstrate competence with several registers. The chromatic harmonies also provide a very interesting tonal palette. NOTE: The demo uses an instrument for the voice part. This composition is also available for low voice and high voice. Need a different key? Complete your purchase here and then contact us directly at www.keysynthstudios.com. Range: Bb3-Eb5.
$4.95
VIVALDI Antonio: Se lascio d’adorare, an aria from the opera "Il Tigrane", - Voice and
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Voix moyenne, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Sergei PICHUGIN
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VIVALDI Antonio: Se lascio d&r
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Really Good Music, LLC.
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 4 - SKU: A0.868947 Composed by Antonio Vivaldi. Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standar...
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Medium Voice,Vocal Solo - Level 4 - SKU: A0.868947 Composed by Antonio Vivaldi. Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5292329. Published by Really Good Music, LLC. (A0.868947). Se lascio d’adorare is a mezzo-soprano (baritone) aria from the opera-pasticcio La virtù trionfante dell’amore e dell’odio, ovvero Il Tigrane (1724). Antonio VIVALDI (1678 – 1741) composed the music of the second act of the opera. The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (C4 – E5) for low voice.
$5.95
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