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PIANO & CLAVIERS
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1705
Instruments en Do
478
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460
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Orgue
57
1 Piano, 4 mains
51
Piano Trio: piano, violon, violoncelle
29
2 Pianos, 4 mains
22
Piano Facile
21
Piano Quatuor: piano, violon, alto, violoncelle
18
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8
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2 Pianos, 8 mains
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Guitare
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31
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23
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Piano, Guitare (duo)
6
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2
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244
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Chorale 3 parties
63
Chorale SSAA
48
Voix Soprano, Piano
37
Voix haute
29
Voix duo, Piano
17
Chorale 2 parties
14
Voix duo
10
Voix Alto, Piano
10
Voix seule
8
Voix moyenne, Piano
7
Voix Tenor
7
Chorale Unison
6
Voix basse, Piano
6
Voix basse
4
Voix Soprano
3
Chorale
3
Voix Mezzo-Soprano, Piano
2
Voix Baryton, Piano
2
Voix Tenor, Piano
2
Voix Moyenne
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
243
Quatuor de Saxophones: 4 saxophones
205
Saxophone (partie séparée)
145
Flûte traversière et Piano
135
2 Flûtes traversières (duo)
131
Clarinette et Piano
123
2 Saxophones (duo)
120
2 Clarinettes (duo)
113
Flûte, Hautbois, Clarinette, Basson
104
Quatuor de Clarinettes: 4 clarinettes
99
Saxophone Alto et Piano
90
Quintette de Saxophone: 5 saxophones
76
Hautbois, Piano (duo)
67
Saxophone Tenor et Piano
63
Ensemble de Clarinettes
55
Clarinette
50
Saxophone Soprano et Piano
48
Flûte traversière
46
Ensemble de saxophones
45
3 Clarinettes (trio)
36
Saxophone Alto
35
Saxophone, Clarinette (duo)
33
Quatuor de Flûtes : 4 flûtes
33
Saxophone Baryton, Piano
32
Flûte, Clarinette (duo)
29
2 Hautbois (duo)
28
Trio de Flûtes: 3 flûtes
26
3 Saxophones (trio)
26
Clarinette, Violon (duo)
23
Quintette de Clarinettes: 5 clarinettes
23
Ensemble de Flûtes
17
Clarinette Basse, Piano
16
Saxophone Tenor
14
Clarinette, Trompette (duo)
14
Flûte et Guitare
14
Flûte, Violon
13
Clarinette (partie séparée)
13
Clarinette et Alto
12
Hautbois, Basson (duo)
11
Flûte, Alto (duo)
11
Hautbois, Clarinette (duo)
11
Quintette de Flûte : 5 flûtes
11
Flûte, Saxophone (duo)
10
Flûte, Trompette (duo)
9
Hautbois, Flûte
9
Hautbois (partie séparée)
9
Cor anglais, Piano
9
Flûte, Hautbois, Basson
8
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Violon, Violoncelle et Piano
6
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6
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
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5
Flûte à Bec
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5
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5
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5
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4
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4
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2
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Flûte, Clarinette, Cor, Basson (Quartet)
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5 Flûtes à bec
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1
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Flute, harpe et violon
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Flûte, Alto et Piano
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
169
Quatuor de Cuivres : 2 trompettes, trombone, tuba
152
Trompette (partie séparée)
126
Trombone (partie séparée)
107
Trompette
55
Trombone et Piano
43
Quatuor de Cuivres: 2 trompettes, Cor, trombone
38
2 Trompettes (duo)
38
Trompette, Piano
35
Cor et Piano
30
2 Trombones (duo)
29
Ensemble de Trompettes
25
2 Cors (duo)
24
Cor (partie séparée)
20
Trompette, Saxophone (duo)
20
Ensemble de Trombones
19
2 Euphoniums (duo)
18
Trombone
18
Quatuor de cuivres: 4 trombones
17
Quatuor de Cuivres
16
Tuba et Piano
15
Trompette, Trombone (duo)
12
Euphonium, Piano (duo)
12
Quatuor de cuivres: 4 cors
11
Cor
9
Cor anglais, Piano
9
3 Trombones (trio)
7
2 Euphoniums et 2 Tubas
6
2 Tubas (duo)
5
Trio de Cuivres
5
Tuba
4
Euphonium, Tuba (duo)
3
2 Cors Anglais Et Pianoforte
3
Ensemble de Cors
3
Quatuor de cuivres: 4 trompettes
2
Cor, Tuba (duo)
2
Tuba (partie séparée)
2
Euphonium
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4 Tubas
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Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
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Cor, Violoncelle (duo)
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3 Trompettes (trio)
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Cor et Harpe
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Trompette, Harpe
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Cor anglais, Guitare (duo)
1
Cor et Orgue
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Trombone, Tuba (duo)
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2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Orgue
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3 Cors (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
438
Violon et Piano
209
Violoncelle, Piano
127
Alto, Piano
117
Violon
112
2 Violons (duo)
94
Violon, Violoncelle (duo)
90
Harpe
80
Trio à Cordes: violon, alto, violoncelle
79
2 Violoncelles (duo)
72
Violon, Alto (duo)
44
2 Altos (duo)
43
2 Harpes (duo)
40
Violoncelle
38
Trio à Cordes: 2 violons, violoncelle
18
4 Violoncelles
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Ensemble de Violons
11
2 Contrebasses (duo)
10
Violoncelle , Guitare (duo)
10
Ensemble d'Altos
10
Contrebasse, Piano (duo)
9
Alto seul
9
Alto, Violoncelle (duo)
8
Violon, Guitare (duo)
8
Quatuor à cordes: 4 violons
6
Alto (partie séparée)
5
Harpe, Violon (duo)
5
Harpe, Flûte (duo)
5
Violoncelle, Contrebasse (duo)
4
Harpe, Violoncelle (duo)
4
Trio à cordes: 3 violins
4
Trio à Cordes: 3 violoncelles
4
Piano Trio: Violon, Alto, Piano
4
Trio à Cordes: 2 violons, alto
3
Contre Basse
3
Alto, Guitare (duo)
3
Violoncelle, Orgue
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto et Basson
1
2 Violons, Piano
1
Ensemble de Violoncelles
1
4 Contrebasses
1
Quatuor à cordes : 4 altos
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon, Violoncelle
1
Violoncelle (partie séparée)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
501
Orchestre d'harmonie
306
Orchestre à Cordes
249
Orchestre
177
Orchestre de chambre
170
Ensemble de cuivres
104
Jazz combo
78
Ensemble de Percussions
52
Fanfare
34
Batterie (partie séparée)
18
Percussion (partie séparée)
10
Batterie
9
Marimba
9
Cloches
9
Vibraphone
4
Xylophone, Piano
3
Vibraphone et Marimba
2
Instrumentation Flexible
2
Xylophone
1
Batterie-Fanfare
1
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Voix moyenne, Piano
Partitions à imprimer
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VIVALDI Antonio: Se lascio d’adorare, an aria from the opera "Il Tigrane", - Voice and
Voix moyenne, Piano
Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868947 Composed by Ant…
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Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868947 Composed by Antonio Vivaldi. Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5292329. Published by Really Good Music, LLC. (A0.868947). Se lascio d’adorare is a mezzo-soprano (baritone) aria from the opera-pasticcio La virtù trionfante dell’amore e dell’odio, ovvero Il Tigrane (1724). Antonio VIVALDI (1678 – 1741) composed the music of the second act of the opera. The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (C4 – E5) for low voice.
$5.95
5.41 €
#
Voix moyenne, Piano
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Antonio Vivaldi
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Sergei PICHUGIN
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VIVALDI Antonio: Se lascio d’adorare, an aria from the opera "Il Tigrane", - Voice and
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Really Good Music, LLC.
#
SheetMusicPlus
RACHMANINOFF Sergei: Oh, never sing to me, an art song with transcription and translation (F minor)
Voix moyenne, Piano
Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868891 Composed by Ser…
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Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868891 Composed by Sergei RACHMANINOFF (1873 – 1943). Arranged by Sergei PICHUGIN. 20th Century,Concert,Instructional,Standards,World. 8 pages. Really Good Music, LLC. #4806889. Published by Really Good Music, LLC. (A0.868891). The art song (romance) Oh, never sing to me («Ðе пой, краÑавица, при мне») (Op. 4, No. 4) was composed by Sergei RACHMANINOFF (1873 – 1943) in 1893. In present edition of the masterpiece of the nineteen-year-old genius the lyrics by the greatest Russian poet Alexander Pushkin with transliteration and English translation are inserted into the score. The romance is available in the key of F minor (C4 – F5) for low voice.
$5.95
5.41 €
#
Voix moyenne, Piano
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Sergei RACHMANINOFF
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Sergei PICHUGIN
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RACHMANINOFF Sergei: Oh, never sing to me, an art song with transcription and translation
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Really Good Music, LLC.
#
SheetMusicPlus
BONONCINI Giovanni: Io ti miro, aria from the cantata "Siedi, Amarilli mia", - Voice and
Voix moyenne, Piano
Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868998 Composed by Gio…
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Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868998 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 4 pages. Really Good Music, LLC. #6254093. Published by Really Good Music, LLC. (A0.868998). Io ti miro is an aria from the cantata Siedi, Amarilli mia by Giovanni BONONCINI (1670 – 1747), first published in Cantate e duetti (London, 1721). It was realized for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of B flat major (C4 – D5) for low voice.
$5.95
5.41 €
#
Voix moyenne, Piano
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Giovanni BONONCINI
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Sergei PICHUGIN
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BONONCINI Giovanni: Io ti miro, aria from the cantata "Siedi, Amarilli mia", - Voice and
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Really Good Music, LLC.
#
SheetMusicPlus
JOMMELLI Niccolò: Care Deus si respiro, motet, - Voice and Piano (A minor–C major–A
Voix moyenne, Piano
Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868967 Composed by Nic…
(+)
Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868967 Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 14 pages. Really Good Music, LLC. #5358833. Published by Really Good Music, LLC. (A0.868967). Care Deus si respiro is a Latin motet, composed by Niccolò JOMMELLI (1714 – 1774). The original was written for soprano solo, two violins and basso continuo. It has been realized and arranged by Sergei Pichugin for voice and piano. The arias from the motet may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the keys of A minor–C major–A minor (A3 – F#5) for low voice.
$15.00
13.64 €
#
Voix moyenne, Piano
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Niccolò JOMMELLI
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Sergei PICHUGIN
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JOMMELLI Niccolò: Care Deus si respiro, motet, - Voice and Piano
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Really Good Music, LLC.
#
SheetMusicPlus
JOMMELLI Niccolò: Alleluja, an aria from motet "Care Deus si respiro", - Voice and Piano
Voix moyenne, Piano
Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868965 Composed by Nic…
(+)
Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868965 Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 3 pages. Really Good Music, LLC. #5358799. Published by Really Good Music, LLC. (A0.868965). Alleluja is an aria from Latin motet Care Deus si respiro, composed by Niccolò JOMMELLI (1714 – 1774). The original was written for soprano solo, two violins and basso continuo. It has been realized and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of A minor (A3 – F#5) for low voice.
$5.95
5.41 €
#
Voix moyenne, Piano
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Niccolò JOMMELLI
#
Sergei PICHUGIN
#
JOMMELLI Niccolò: Alleluja, an aria from motet "Care Deus si respiro", - Voice and Piano
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Really Good Music, LLC.
#
SheetMusicPlus
RACHMANINOFF Sergei: The waterlily, an art song with transcription and translation (F major)
Voix moyenne, Piano
Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868897 Composed by Ser…
(+)
Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868897 Composed by Sergei RACHMANINOFF (1873 – 1943). Arranged by Sergei PICHUGIN. 20th Century,Concert,Instructional,Standards,World. 5 pages. Really Good Music, LLC. #4806907. Published by Really Good Music, LLC. (A0.868897). The art song/romance The waterlily (Â«Ð ÐµÑ‡Ð½Ð°Ñ Ð»Ð¸Ð»ÐµÑ») (Op. 8, No. 2) was composed by Sergei RACHMANINOFF (1873 – 1943) in 1893. In present edition the Russian lyrics by Alexei PLESHCHEYEV (translated from German poet Heinrich HEINE) with transliteration and English translation are inserted into the score. The romance is available in the key of F major (A3 – F5) for low voice.
$5.95
5.41 €
#
Voix moyenne, Piano
#
Sergei RACHMANINOFF
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Sergei PICHUGIN
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RACHMANINOFF Sergei: The waterlily, an art song with transcription and translation
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Really Good Music, LLC.
#
SheetMusicPlus
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
Voix moyenne, Piano
Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by…
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Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
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Voix moyenne, Piano
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Jacques Leguerney
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Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
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