Partitions Numériques de Des'ree pour Voix moyenne, Piano

Des'ree

Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'OrphÃ©e2. Ã?pigramme Ã un mauvais payeur3. Ã Chloris4. D'une maigre dame5. Dans le fÃ´ret6. Secret Amour 7. Complients Ã une duÃ¨gnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4ï»¿GÃ©rard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin Ã la franÃ§aise, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerriÃ¨re and Clair de lune in a concert organized by the SociÃ©tÃ© musical indÃ©pendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, PoÃ¨mes de la PlÃ©iade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor Ã cordes en RÃ©. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included GÃ©rard Souzay as well as his half-sister, soprano GeneviÃ¨ve Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the OpÃ©ra de Paris on 27 July 1949, with choreography by Serge Lifar. The OpÃ©ra de Paris immediately commissioned a second work, which was La VÃ©nus noire, based upon a short story by Prosper MÃ©rimÃ©e. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mÃ©lodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. GÃ©rard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and

I'd Rather Have Jesus #Voix moyenne, Piano #INTERMÉDIAIRE #Musique Sacrée #George Beverly Shea and Rhea F #David Neff #I'd Rather Have Jesus #David Neff #SheetMusicPlus

Medium Voice,Vocal Solo - Level 3 - SKU: A0.1115654 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Praise & Wo...(+)

Medium Voice,Vocal Solo - Level 3 - SKU: A0.1115654 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Praise & Worship,Religious,Sacred. 6 pages. David Neff #717425. Published by David Neff (A0.1115654). Hereâ€™s a fresh medium-voice arrangement of the classic gospel song written by bass-baritone George Beverly Shea. It is appropriate for any setting where sacred music is welcomed. This arrangement is also available on this site for high voice. Shea wrote the tune for â€œIâ€™d Rather Have Jesusâ€ at age 23. Heâ€™d been offered a well-paying job as a singer on NBCâ€™s Your Hit Parade, and he was struggling with whether to choose a secular singing career or to stick with singing in churches and on Christian radio. He turned down the job offer, stuck with sacred music, and eventually took a role as the main vocalist with the Billy Graham Evangelistic Crusades. â€œIâ€™d Rather Have Jesusâ€ became his signature tune. It was featured on his first release from RCA records, and because of his role with Billy Graham, it is thought that he sang live before more people than anyone else in history.

Flow My Tears (Voice & Harpsichord or Lute) #Voix moyenne, Piano #Renaissance #Classique #John Dowland #Duarte Domingues #Flow My Tears #S. Caeciliae Publisher #SheetMusicPlus

Medium-High Voice,Vocal Solo - SKU: A0.484341 Composed by John Dowland. Arranged by Duarte Domingues. Baroque,Renaissance. 4 pages. S. Caeciliae Publish...(+)

Medium-High Voice,Vocal Solo - SKU: A0.484341 Composed by John Dowland. Arranged by Duarte Domingues. Baroque,Renaissance. 4 pages. S. Caeciliae Publisher #103671. Published by S. Caeciliae Publisher (A0.484341). Flow My Tears now edited in complete modern music notation. The score is divided in three parts (each repeat with different lyrics, except for the 3rd part), making it easier for the performers to locate them. Also includes the lyrics in Old English and in Current English in the end, making it easier to interpret and perhaps translate the lyrics. This air can be accompanied with the harpsichord or the lute. The voice can vary from Baritone to Tenor, from Contratenor (an octave above the written) to Soprano (an octave above the written). *Now with improved engraving quality and legebility.*.