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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Born To Die
Non classifié
273
Piano & claviers
Piano seul
161
Piano, Voix et Guitare
30
Piano, Voix
20
Orgue
16
Piano Facile
15
Instruments en Do
5
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
2
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
+ 8 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
105
Guitare notes et tablatures
27
Guitare
14
Ukulele
4
Basse electrique
2
Paroles et Accords
1
Dobro
1
+ 2 instrumentations
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Voix
Chorale SATB
81
Chorale 3 parties
31
Chorale 2 parties
6
Voix Baryton, Piano
5
Voix moyenne, Piano
4
Chorale Unison
4
Chorale SSAA
3
Chorale TTBB
3
Voix seule
2
Voix Tenor, Piano
2
Voix duo, Piano
1
Chorale SSAATTBB
1
Voix Soprano, Piano
1
+ 8 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
68
Quintette de Saxophone: 5 saxophones
63
Clarinette et Piano
20
Saxophone Alto et Piano
20
Quatuor de Saxophones: 4 saxophones
15
Flûte traversière et Piano
15
Ensemble de Clarinettes
13
2 Saxophones (duo)
10
Flûte, Hautbois, Clarinette, Basson
9
Quintette de Flûte : 5 flûtes
8
2 Flûtes traversières (duo)
8
Hautbois, Piano (duo)
7
2 Flûte à bec (duo)
7
3 Saxophones (trio)
6
Harmonica
6
Clarinette
6
Quintette de Clarinettes: 5 clarinettes
5
2 Clarinettes (duo)
5
Saxophone Alto
5
Saxophone Baryton, Piano
5
Flûte traversière
5
Saxophone Tenor et Piano
5
Quatuor de Flûtes : 4 flûtes
4
Ensemble de saxophones
4
Saxophone Soprano et Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Clarinette (partie séparée)
4
Cor anglais, Piano
4
Saxophone, Clarinette (duo)
3
Saxophone (partie séparée)
3
Clarinette Basse, Piano
3
Ensemble de Flûtes
3
Clarinette, Guitare (duo)
2
Clarinette, Trompette (duo)
2
Saxophone et Harpe
2
Hautbois (partie séparée)
2
Clarinette, Violon (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
3 Clarinettes (trio)
2
Saxophone Tenor
2
Saxophone et Orgue
2
Trio de Flûtes: 3 flûtes
2
Flûte, Saxophone (duo)
1
Flûte traversière, Orgue (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Flûte
1
Flûte à bec Soprano, Piano
1
Flute (partie séparée)
1
Clarinette, Harpe (duo)
1
5 Flûtes à bec
1
Flûte, Trompette (duo)
1
3 Flûtes à bec (trio)
1
Quatuor de Flûtes à bec
1
Saxophone et Guitare
1
Flûte à Bec
1
Hautbois, Clarinette (duo)
1
Clarinette et Alto
1
Clarinette, Basson (duo)
1
Flûte, Violon
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois, Clarinette (trio)
1
2 Hautbois (duo)
1
Hautbois, Harpe
1
Flûte, Clarinette (duo)
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Ensemble de Trombones
8
Ensemble de Trompettes
8
Trompette
8
Trombone et Piano
7
Trombone
5
Trompette (partie séparée)
4
Cor anglais, Piano
4
Euphonium, Piano (duo)
4
2 Trombones (duo)
4
Cor et Piano
3
Quatuor de cuivres: 4 trombones
3
Ensemble de Cors
3
Trompette, Piano
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 cors
2
Trompette, Saxophone (duo)
2
Trombone (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor
2
Cor et Harpe
2
Trompette, Harpe
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Cor (duo)
1
2 Trompettes (duo)
1
Euphonium, Tuba (duo)
1
4 Tubas
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
Tuba et Piano
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon et Piano
28
Violoncelle, Piano
21
Violon
18
Harpe
9
Alto, Piano
8
Ensemble d'Altos
7
Violon, Violoncelle (duo)
7
Ensemble de Violons
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violoncelle
5
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
4
2 Violons (duo)
4
Harpe, Flûte (duo)
4
Violon (partie séparée)
4
4 Violoncelles
4
Quatuor à cordes : 4 altos
3
Alto et Harpe
2
2 Altos (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Guitare (duo)
2
Trio à cordes: 3 violins
2
Violon, Alto (duo)
2
Harpe, Violon (duo)
2
Alto (partie séparée)
2
Violoncelle , Guitare (duo)
2
Violon, Basse continue
1
Harpe, Violoncelle (duo)
1
Alto, Violoncelle (duo)
1
Violon, Orgue
1
Trio à cordes: 3 altos
1
Harpe et Piano
1
Contrebasse (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
2 Harpes (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
42
Orchestre d'harmonie
35
Orchestre
26
Orchestre de chambre
14
Ensemble de cuivres
9
Ensemble Jazz
7
Cloches
3
Percussion (partie séparée)
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Marimba
1
+ 6 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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COR ANGLAIS
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CORNET
DEEJAY
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EUPHONIUM
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FLUTE TRAVERSI…
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MANDOLINE
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Vous avez sélectionné:
Born To Die
Voix moyenne, Piano
Partitions à imprimer
4 partitions trouvées
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1
Soldiers' Marching Song
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Voix moyenne, Piano
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FACILE
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Robert A
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Soldiers' Marching Song
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Robert A. Howard
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SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 2 - SKU: A0.998828 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Folk,Patriotic. 2 pages. Robert...
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Medium-Low Voice,Vocal Solo - Level 2 - SKU: A0.998828 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Folk,Patriotic. 2 pages. Robert A. Howard #6115521. Published by Robert A. Howard (A0.998828). This short song was originally written as incidental music for Play 10 (The Princes of this World) from Dorothy L. Sayers' 12-play radio drama 'The Man Born to be King' (1941). Soldiers' Marching Song is unaccompanied and written in an appropriately modal and folk-like style. The piece is appropriate for most standards of solo bass voice (with the option of adding other male singers). Mary Magdalen's Song for Play 11 (by the same composer) is also available via Sheet Music Plus.
$2.49
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
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Voix moyenne, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jacques Leguerney
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Jacques Leguerney: Sept Poème
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Musik Fabrik Music Publishing
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SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publi...
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Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
$19.95
Songs
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Voix moyenne, Piano
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INTERMÉDIAIRE
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Max Kowalski
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Songs
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Schott Music - Digital
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SheetMusicPlus
Medium voice and piano - intermediate - SKU: S9.Q46013 Composed by Max Kowalski. This edition: Sheet music. Downloadable. Op. 2. Duration 28 minutes. Sc...
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Medium voice and piano - intermediate - SKU: S9.Q46013 Composed by Max Kowalski. This edition: Sheet music. Downloadable. Op. 2. Duration 28 minutes. Schott Music - Digital #Q46013. Published by Schott Music - Digital (S9.Q46013). German.Max Kowalski (1882–1956) was a full-time lawyer who never gave up on his passion for music: singing lessons during his law studies, conducting and counterpoint classes, among others, at Dr. Hoch’s Konservatorium in addition to his work at his own law office in Frankfurt. While studying, he already published his first works; 15 song cycles were published until 1933. In the years that followed, the Jewish-born Kowalski was restricted in working both as a lawyer and as a composer due to his persecution by the National Socialists. In 1938 he was arrested, deported to the concentration camp of Buchenwald and finally forced to flee into exile in London. Contemporaries called Kowalski a lyricist among the composers. The choice of texts of his songs shows his great knowledge and love of German literature. For example, he set to music texts by Friedrich Hölderlin or Rainer Maria Rilke, but also Indian or Japanese poems. Kowalski left numerous unpublished songs which are published by Schott Music in a two-volume edition: Volume 1 (ED 22586) contains his Jewish songs (1935-37), the Heinrich Heine cycle (1937) and all English-language songs (1941-46). Volume 2 (ED 22587) contains Kowalski's late works: the songs based on texts by Friedrich Hölderlin (1950) and the Geisha Lieder according to Klabund (1951).
$21.99
Songs
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Voix moyenne, Piano
#
INTERMÉDIAIRE
#
Max Kowalski
#
Songs
#
Schott Music - Digital
#
SheetMusicPlus
Medium voice and piano - intermediate - SKU: S9.Q46010 Composed by Max Kowalski. This edition: Sheet music. Downloadable. Op. 1. Duration 28 minutes. Sc...
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Medium voice and piano - intermediate - SKU: S9.Q46010 Composed by Max Kowalski. This edition: Sheet music. Downloadable. Op. 1. Duration 28 minutes. Schott Music - Digital #Q46010. Published by Schott Music - Digital (S9.Q46010). German • English.Max Kowalski (1882–1956) was a full-time lawyer who never gave up on his passion for music: singing lessons during his law studies, conducting and counterpoint classes, among others, at Dr. Hoch’s Konservatorium in addition to his work at his own law office in Frankfurt. While studying, he already published his first works; 15 song cycles were published until 1933. In the years that followed, the Jewish-born Kowalski was restricted in working both as a lawyer and as a composer due to his persecution by the National Socialists. In 1938 he was arrested, deported to the concentration camp of Buchenwald and finally forced to flee into exile in London. Contemporaries called Kowalski a lyricist among the composers. The choice of texts of his songs shows his great knowledge and love of German literature. For example, he set to music texts by Friedrich Hölderlin or Rainer Maria Rilke, but also Indian or Japanese poems. Kowalski left numerous unpublished songs which are published by Schott Music in a two-volume edition: Volume 1 (ED 22586) contains his Jewish songs (1935-37), the Heinrich Heine cycle (1937) and all English-language songs (1941-46). Volume 2 (ED 22587) contains Kowalski's late works: the songs based on texts by Friedrich Hölderlin (1950) and the Geisha Lieder according to Klabund (1951).
$21.99
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