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ACCORDEON
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AUTOHARPE
BANJO
BASSE
BASSON
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CLARINETTE
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David F
Sheetmusicplus
Non classifié
577
Piano & claviers
Piano seul
83
Piano Facile
62
Piano, Voix
58
Piano, Voix et Guitare
27
Instruments en Do
17
Orgue
9
Accompagnement Piano
7
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
1
Piano (partie séparée)
1
Fake Book
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
15
Basse electrique
13
Guitare
10
Ukulele
8
Guitare (partie séparée)
4
Piano, Guitare (duo)
3
Ligne De Mélodie, (Paroles) et Accords
3
Dulcimer
2
2 Guitares (duo)
2
Basse électrique (partie séparée)
2
Guitare, Flûte, Clarinette
2
4 Guitares (Quatuor)
1
Paroles et Accords
1
+ 8 instrumentations
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Voix
Chorale SATB
74
Pack Instrumental pour Chorale
58
Chorale 3 parties
25
Chorale TTBB
22
Chorale SSAA
14
Chorale 2 parties
11
Chorale Unison
5
Voix haute
5
Voix duo
4
Voix Tenor, Piano
3
Voix moyenne, Piano
2
Voix duo, Piano
2
Voix Alto, Piano
2
Voix Baryton, Piano
1
Voix Tenor
1
Voix basse, Piano
1
Voix Soprano
1
Chorale SSATTB
1
+ 13 instrumentations
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Vents
Flûte traversière et Piano
42
Saxophone Alto et Piano
36
Hautbois, Piano (duo)
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Clarinette et Piano
33
Saxophone Tenor et Piano
33
Saxophone Alto
24
Clarinette
22
Flûte traversière
22
Saxophone (partie séparée)
20
Saxophone Tenor
19
3 Clarinettes (trio)
19
2 Saxophones (duo)
19
3 Saxophones (trio)
17
Saxophone Soprano et Piano
15
Quatuor de Saxophones: 4 saxophones
13
2 Clarinettes (duo)
13
Cor anglais, Piano
11
2 Flûtes traversières (duo)
9
Hautbois
9
Saxophone Baryton, Piano
8
Flûte, Clarinette (duo)
8
Quatuor de Clarinettes: 4 clarinettes
8
Flûte et Guitare
7
Flûte, Hautbois, Clarinette, Basson
7
Quatuor de Flûtes : 4 flûtes
7
Clarinette, Violon (duo)
6
Trio de Flûtes: 3 flûtes
6
2 Hautbois (duo)
5
Saxophone, Clarinette (duo)
5
Quintette de Saxophone: 5 saxophones
4
Flûte, Trompette (duo)
4
Saxophone et Guitare
4
Flûte, Violon
4
Clarinette, Guitare (duo)
4
Flûte à bec Soprano
3
Hautbois, Clarinette (duo)
3
Flute (partie séparée)
3
2 Clarinettes, Piano
3
2 Flûte à bec (duo)
3
Ensemble de Clarinettes
3
Clarinette (partie séparée)
3
Clarinette et Alto
3
Flûte, Trombone (duo)
2
Clarinette Basse, Piano
2
Hautbois, Guitare (duo)
2
Flûte, Hautbois (duo)
2
Hautbois, Flûte
2
Flûte, Saxophone (duo)
2
Quatuor de Flûtes à bec
2
Hautbois, Basson (duo)
2
Flûte, Hautbois, Basson
2
2 Flûtes traversières, Piano
2
Saxophone
2
Cor anglais, Guitare (duo)
2
Clarinette, Trompette (duo)
2
Flûte, Violoncelle
2
Flûte, Alto (duo)
2
Flûte à bec Tenor
2
Clarinette, Basson (duo)
1
Piccolo
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Soprano
1
Flûte à Bec
1
Flûte, Violon, Piano
1
Flûte, Violoncelle, Piano (trio)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
2 Saxophones, Piano
1
Flûte à bec Soprano, Piano
1
Hautbois (partie séparée)
1
Hautbois, Violoncelle
1
Flûte, Tuba (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte traversière, Orgue (duo)
1
+ 71 instrumentations
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Cuivres
Cor
76
Cor et Piano
73
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Cor (partie séparée)
54
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
2 Cors (duo)
32
Trombone et Piano
30
Trompette
28
Trompette, Piano
24
Trombone
17
Tuba et Piano
15
Trio de Cuivres
14
Trompette (partie séparée)
14
Trombone (partie séparée)
12
Cor, Tuba (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Cor anglais, Piano
11
2 Trombones (duo)
9
Quatuor de Cuivres
9
2 Trompettes (duo)
7
Ensemble de Trombones
6
Tuba
6
Cor, Violoncelle (duo)
5
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
5
Quatuor de cuivres: 4 trompettes
5
Trompette, Cor (duo)
5
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trombones
4
Trompette, Trombone (duo)
4
Euphonium, Piano (duo)
4
3 Trombones (trio)
3
Trompette, Saxophone (duo)
3
4 Tubas
3
Tuba (partie séparée)
3
2 Euphoniums (duo)
2
Tuba ou Euphonium ou Saxhorn
2
Cor anglais, Guitare (duo)
2
Cor et Harpe
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
Trompette, violon (duo)
1
Ensemble de Tubas
1
+ 38 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
82
Violon et Piano
41
Violon
28
Violoncelle, Piano
27
Alto, Piano
26
Violoncelle
19
Alto seul
13
Violon, Violoncelle (duo)
10
Contrebasse, Piano (duo)
8
Quatuor à cordes: 4 violons
8
Violon, Alto (duo)
7
Violon, Guitare (duo)
6
Violoncelle , Guitare (duo)
6
2 Violons (duo)
6
Harpe
5
2 Violoncelles (duo)
4
Alto, Guitare (duo)
4
Alto (partie séparée)
4
4 Violoncelles
3
2 Altos (duo)
3
Trio à cordes
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Violoncelle (duo)
3
Quatuor à cordes : 4 altos
3
Contrebasse (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
1
Flûte, Contrebasse (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Flûte (duo)
1
2 Contrebasses (duo)
1
+ 25 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
108
Ensemble de cuivres
48
Ensemble Jazz
39
Orchestre
29
Fanfare
26
Orchestre de chambre
15
Orchestre à Cordes
10
Cloches
6
Percussion
6
Jazz combo
4
Quintette à Vent
3
Trio à Vent: 3 instruments à vents
3
Batterie
3
Quatuor à Vent : 4 instruments à vents
2
Xylophone
2
Ensemble d'École
2
Batterie (partie séparée)
2
Ensemble de Percussions
2
Xylophone, Piano
1
+ 14 instrumentations
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Vous avez sélectionné:
David F
SheetMusicPlus
Partitions à imprimer
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I'd Rather Have Jesus
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Voix moyenne, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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George Beverly Shea and Rhea F
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David Neff
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I'd Rather Have Jesus
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David Neff
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - SKU: A0.1115654 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Praise & Wo...
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Medium Voice,Vocal Solo - Level 3 - SKU: A0.1115654 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Praise & Worship,Religious,Sacred. 6 pages. David Neff #717425. Published by David Neff (A0.1115654). Here’s a fresh medium-voice arrangement of the classic gospel song written by bass-baritone George Beverly Shea. It is appropriate for any setting where sacred music is welcomed. This arrangement is also available on this site for high voice. Shea wrote the tune for “I’d Rather Have Jesus†at age 23. He’d been offered a well-paying job as a singer on NBC’s Your Hit Parade, and he was struggling with whether to choose a secular singing career or to stick with singing in churches and on Christian radio. He turned down the job offer, stuck with sacred music, and eventually took a role as the main vocalist with the Billy Graham Evangelistic Crusades. “I’d Rather Have Jesus†became his signature tune. It was featured on his first release from RCA records, and because of his role with Billy Graham, it is thought that he sang live before more people than anyone else in history.
$4.99
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
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Voix moyenne, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jacques Leguerney
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Jacques Leguerney: Sept Poème
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Musik Fabrik Music Publishing
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SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publi...
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Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
$19.95
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David F
