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--INSTRUMENTS--
ACCORDEON
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370
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780
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363
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176
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92
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68
Orgue
17
1 Piano, 4 mains
10
Instruments en Do
8
Piano grosses notes
6
Piano Trio: piano, violon, violoncelle
4
Clavier
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
Piano (partie séparée)
1
Instrument seul et Orgue
1
2 Pianos, 4 mains
1
Orgue, Piano (duo)
1
Clavecin
1
+ 14 instrumentations
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Guitare
107
Basse electrique
51
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51
Ligne De Mélodie, (Paroles) et Accords
25
Ukulele
14
2 Guitares (duo)
6
Ensemble de guitares
5
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4
Guitare (partie séparée)
3
4 Guitares (Quatuor)
3
Piano, Guitare (duo)
2
Dulcimer
1
Guitare, Quatuor à cordes
1
Orchestre à Plectres
1
+ 9 instrumentations
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Voix
Voix seule
86
Chorale SATB
72
Chorale 3 parties
50
Voix Soprano, Piano
23
Voix haute
14
Voix Baryton, Piano
14
Voix basse, Piano
13
Chorale 2 parties
9
Voix Mezzo-Soprano, Piano
8
Chorale
8
Voix Tenor, Piano
7
Chorale TTBB
4
Voix moyenne, Piano
3
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3
Chorale Unison
2
Pack Instrumental pour Chorale
2
Chorale SSATTB
1
Chorale SSAATB
1
Voix Alto, Piano
1
Chorale SATTB
1
Chorale SSATB
1
Voix duo
1
Voix duo, Piano
1
Voix basse
1
Voix Tenor
1
+ 20 instrumentations
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Vents
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303
Flûte traversière
145
Clarinette
134
Flûte traversière et Piano
56
Clarinette et Piano
37
Saxophone Alto et Piano
27
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25
Saxophone Tenor
25
Saxophone Alto
24
Hautbois
19
Quatuor de Saxophones: 4 saxophones
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte à Bec
15
Saxophone Tenor et Piano
13
Saxophone Soprano et Piano
12
Saxophone (partie séparée)
12
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12
Flûte, Hautbois, Clarinette, Basson
11
Saxophone Soprano
9
Flûte et Guitare
7
Saxophone Baryton, Piano
6
Ocarina
6
2 Flûtes traversières (duo)
5
2 Clarinettes (duo)
4
Ensemble de Clarinettes
4
Quintette de Saxophone: 5 saxophones
3
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3
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3
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3
Clarinette Basse, Piano
2
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2
3 Saxophones (trio)
2
Flûte, Alto et Violoncelle
2
Clarinette, Guitare (duo)
2
Hautbois (partie séparée)
2
2 Saxophones (duo)
2
Flûte, Violon, Piano
2
Cor anglais, Piano
2
Cor Anglais
1
Clarinette, Violoncelle, Piano (trio)
1
Harmonica
1
Flûte à bec Alto, Basse continue
1
Clarinette, Violon (duo)
1
2 Flûte à bec (duo)
1
Flûte à bec Soprano, Piano
1
2 Clarinettes, Basson
1
3 Clarinettes (trio)
1
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1
Flûte, Violon et Violoncelle
1
Hautbois, Basson (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone et Piano
1
+ 47 instrumentations
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126
Trombone
105
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Cor
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trombone et Piano
20
Quatuor de cuivres: 4 trombones
14
Trompette, Piano
14
Euphonium
13
Cor et Piano
11
Tuba
7
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6
Tuba et Piano
6
Quatuor de Cuivres
5
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4
Trompette (partie séparée)
3
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3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trompettes
2
Tuba (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Trompettes (duo)
2
Cor anglais, Piano
2
Cor Anglais
1
Bass Clef Instruments
1
Trombone basse et Piano
1
2 Trombones (duo)
1
Trompette, Violoncelle et Piano
1
Ensemble de Trompettes
1
2 Euphoniums et 2 Tubas
1
Cor (partie séparée)
1
Ensemble de Trombones
1
+ 27 instrumentations
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Violon
95
Violoncelle
71
Quatuor à cordes: 2 violons, alto, violoncelle
62
Alto seul
58
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54
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52
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25
Harpe
24
Contre Basse
6
Violon (partie séparée)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
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4
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4
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3
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3
Violon, Guitare (duo)
3
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3
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3
Violoncelle, Orgue
2
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2
Piano Trio: Violon, Alto, Piano
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Flûte, Contrebasse (duo)
1
Trio à Cordes: 3 violoncelles
1
2 Altos (duo)
1
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
+ 25 instrumentations
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71
Orchestre d'harmonie
57
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27
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24
Orchestre
20
Ensemble Jazz
10
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4
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2
Marimba
2
Jazz combo
2
Cajon
1
Ensemble d'École
1
Cloches
1
3 Percussions
1
Xylophone ou Marimba ou Vibraphone
1
Orchestre, Violon
1
Xylophone
1
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--INSTRUMENTS--
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Voix moyenne, Piano
Partitions à imprimer
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CAVALLI Francesco: Tengo un lampo di speme, aria from the cantata, - Voice and Piano (G m
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Voix moyenne, Piano
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FACILE
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Francesco CAVALLI
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Sergei PICHUGIN
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CAVALLI Francesco: Tengo un la
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Really Good Music, LLC.
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - SKU: A0.868821 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Inst...
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Medium Voice,Vocal Solo - Level 2 - SKU: A0.868821 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596971. Published by Really Good Music, LLC. (A0.868821). Tengo un lampo di speme is an initial aria from Solo cantata XII, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (B3 – E5) for low voice.
$5.95
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
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Voix moyenne, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jacques Leguerney
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Jacques Leguerney: Sept Poème
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Musik Fabrik Music Publishing
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SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publi...
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Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
$19.95
CAVALLI Francesco: Sè la barbara mia sorte, aria from the cantata, - Voice and Piano (E
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Voix moyenne, Piano
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FACILE
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Francesco CAVALLI
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Sergei PICHUGIN
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CAVALLI Francesco: Sè l
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Really Good Music, LLC.
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - SKU: A0.868823 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Inst...
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Medium Voice,Vocal Solo - Level 2 - SKU: A0.868823 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596967. Published by Really Good Music, LLC. (A0.868823). Sè la barbara mia sorte is an aria from Solo cantata XI Presso un fiume tranquillo, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (D4– D5) for low voice.
$5.95
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