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ACCORDEON
ALTO
AUTOHARPE
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James M
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261
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Piano seul
44
Piano Facile
31
Orgue
15
Piano, Voix
13
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano, Voix et Guitare
4
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3
1 Piano, 4 mains
2
2 Pianos, 4 mains
1
Instruments en Do
1
+ 5 instrumentations
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43
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12
Guitare
6
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4
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1
3 Guitares (trio)
1
+ 1 instrumentations
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Chorale SATB
20
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8
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4
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3
Chorale TTBB
2
Voix seule
2
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1
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55
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43
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42
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35
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31
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31
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27
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27
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24
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23
Saxophone Soprano et Piano
23
Cor anglais, Piano
22
Clarinette
19
2 Hautbois (duo)
14
Quatuor de Saxophones: 4 saxophones
11
3 Clarinettes (trio)
7
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6
3 Saxophones (trio)
6
2 Cors Anglais Et Pianoforte
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone (partie séparée)
4
Saxophone Alto
4
Flûte, Hautbois, Clarinette, Basson
4
Quatuor de Flûtes : 4 flûtes
4
Flûte traversière
4
Clarinette, Violoncelle (duo)
3
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3
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3
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3
Saxophone Tenor
3
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3
Piccolo, Piano
3
Hautbois, Violoncelle
2
Hautbois, Basson (duo)
2
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2
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2
Hautbois, Harpe
2
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2
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2
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1
3 Flûtes à bec (trio)
1
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1
5 Flûtes à bec
1
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1
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1
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1
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1
Hautbois et alto (duo)
1
Saxophone, Basson (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble de Flûtes
1
2 Flûte à bec (duo)
1
+ 47 instrumentations
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25
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22
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19
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17
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13
2 Euphoniums (duo)
12
2 Cors (duo)
11
Trompette, Piano
11
2 Trompettes (duo)
10
2 Trombones (duo)
10
Trompette
9
2 Tubas (duo)
8
2 Cors Anglais Et Pianoforte
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
3 Trombones (trio)
4
Trompette, Trombone (duo)
4
Trompette (partie séparée)
3
Quatuor de cuivres: 4 trombones
3
Euphonium, Tuba (duo)
2
Cor
2
Trombone
2
Cor, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
Tuba
1
Trio de Cuivres
1
Trompette, Saxophone (duo)
1
Trombone basse et Piano
1
Trompette, Tuba (duo)
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 cors
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Quatuor de Cuivres
1
+ 27 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
51
Alto, Piano
34
Violon et Piano
27
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21
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16
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9
2 Violons (duo)
9
2 Contrebasses (duo)
8
2 Altos (duo)
8
Violon
5
Violoncelle
5
Alto seul
4
Harpe, Flûte (duo)
4
Violon, Alto (duo)
3
Violon, Violoncelle (duo)
3
4 Violoncelles
3
Harpe
2
Quatuor à cordes : 4 altos
2
2 Violons, Piano
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
+ 20 instrumentations
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Orchestre à Cordes
25
Ensemble de cuivres
10
Orchestre d'harmonie
4
Cloches
2
Batterie
1
Orchestre
1
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Hautbois, Basson (duo)
Partitions à imprimer
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Josquin: 22 Duets for Oboe & Bassoon
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Hautbois, Basson (duo)
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FACILE
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Josquin des Prez
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James M
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Josquin: 22 Duets for Oboe &am
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jmsgu3
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SheetMusicPlus
Bassoon,Instrumental Duet,Oboe - Level 2 - SKU: A0.1073981 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Re...
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Bassoon,Instrumental Duet,Oboe - Level 2 - SKU: A0.1073981 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678247. Published by jmsgu3 (A0.1073981). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
The Oboe & Bassoon Christmas Duet Book
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Hautbois, Basson (duo)
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FACILE
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Noël
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Traditional
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James M
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The Oboe & Bassoon Christm
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jmsgu3
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SheetMusicPlus
Bassoon,Instrumental Duet,Oboe - Level 2 - SKU: A0.550789 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Holiday,Instructional,...
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Bassoon,Instrumental Duet,Oboe - Level 2 - SKU: A0.550789 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Holiday,Instructional,Standards. 41 pages. Jmsgu3 #4808541. Published by jmsgu3 (A0.550789). 20 of the most popular Christmas songs arranged for Oboe and Bassoon. Each song is arranged in two versions: one with the melody in the Oboe, then with the melody in the Bassoon against a free accompaniment. Score: 40 pages, Duration: 28 min. Players read from the score. No page turns.Contents:               Veni, veni Emannuel                1               Helmsley                         3               Antioch                           5               Carol                             7               Es ist ein Ros                      9               Gloria                            11               God Rest You Merry                13               Greensleeves                      15               In Dulci Jubilo                     17                Mendelssohn                      19                Personet hodie                    21                The First Noel                     23                 Salzburg                         25                Three Kings of Orient   &
$32.95
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James M
