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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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The Time Is At Hand
Non classifié
283
Piano & claviers
Piano seul
376
Piano Facile
202
Piano, Voix
131
1 Piano, 4 mains
54
2 Pianos, 4 mains
38
Piano, Voix et Guitare
19
Instruments en Do
9
Orgue
8
Accompagnement Piano
6
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
2
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
+ 9 instrumentations
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Guitares
Guitare
24
Guitare notes et tablatures
9
2 Guitares (duo)
6
Banjo
2
Ukulele
2
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
Basse electrique
1
Paroles et Accords
1
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 6 instrumentations
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Voix
Chorale SATB
55
Voix duo, Piano
14
Voix Alto, Piano
11
Chorale 3 parties
9
Voix Soprano, Piano
8
Chorale SSAA
6
Chorale TTBB
6
Chorale 2 parties
5
Chorale Unison
4
Voix duo
2
Voix seule
1
Voix Baryton, Piano
1
Voix haute
1
+ 8 instrumentations
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Vents
2 Saxophones (duo)
36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Quatuor de Clarinettes: 4 clarinettes
24
Quatuor de Saxophones: 4 saxophones
23
Quintette de Saxophone: 5 saxophones
20
Flûte, Hautbois, Clarinette, Basson
20
Saxophone, Clarinette (duo)
16
2 Clarinettes (duo)
16
Flûte traversière et Piano
16
Hautbois, Piano (duo)
15
Clarinette, Violon (duo)
12
Saxophone Soprano et Piano
12
Clarinette, Trompette (duo)
12
Clarinette et Piano
12
2 Flûtes traversières (duo)
11
Saxophone Alto et Piano
9
Saxophone Tenor et Piano
8
Flûte, Clarinette (duo)
8
2 Hautbois (duo)
7
Cor anglais, Piano
7
Hautbois, Basson (duo)
7
Flûte, Saxophone (duo)
6
Flûte, Trompette (duo)
6
Flûte, Alto (duo)
6
Clarinette et Alto
6
Hautbois, Flûte
5
Clarinette
5
Flûte, Violon
5
Quatuor de Flûtes : 4 flûtes
4
Hautbois, Clarinette (duo)
4
Flûte et Guitare
3
3 Clarinettes (trio)
3
Clarinette Basse, Piano
3
Flûte à bec Soprano
3
3 Saxophones (trio)
2
Hautbois (partie séparée)
2
Flute (partie séparée)
2
Ensemble de Clarinettes
2
Saxophone Baryton, Piano
2
Flûte à bec Tenor
2
Clarinette Basse
2
Clarinette, Basson (duo)
1
Saxophone (partie séparée)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violon, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Basson et Piano
1
Ensemble de saxophones
1
Flûte traversière
1
Flûte à bec Soprano, Piano
1
Hautbois
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Guitare (duo)
1
2 Flûtes traversières, Piano
1
Flûte irlandaise
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Ensemble de Flûtes
1
+ 55 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trombone et Piano
14
Trompette, Saxophone (duo)
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Cor et Piano
9
Trompette, Piano
7
Cor anglais, Piano
7
2 Trombones (duo)
7
Trompette
6
Trompette, Trombone (duo)
6
2 Trompettes (duo)
6
Ensemble de Trompettes
5
Euphonium, Piano (duo)
4
Cor
2
Euphonium
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 cors
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
2 Cors (duo)
1
Quatuor de Cuivres
1
+ 16 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Harpe
27
Violon et Piano
24
Violon
20
Trio à Cordes: violon, alto, violoncelle
18
Violoncelle, Piano
14
Violon, Violoncelle (duo)
14
Alto, Piano
14
2 Violons (duo)
10
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
Violoncelle
6
2 Altos (duo)
6
Trio à Cordes: 2 violons, violoncelle
4
Alto seul
3
Harpe, Flûte (duo)
3
Contre Basse
3
Harpe, Voix
2
Contrebasse, Piano (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
+ 17 instrumentations
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Orchestre & Percussions
Cloches
91
Orchestre d'harmonie
29
Ensemble de cuivres
15
Orchestre
14
Ensemble Jazz
8
Jazz combo
7
Orchestre à Cordes
7
Orchestre de chambre
5
Batterie
2
Fanfare
2
Ensemble de Percussions
2
Vibraphone
1
Piano et Orchestre
1
Percussion
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
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UKULELE
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METHODE : TECHNIQUES
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Vous avez sélectionné:
The Time Is At Hand
Hautbois, Basson (duo)
Partitions à imprimer
7 partitions trouvées
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The Chocolate Chalypso for Oboe and Bassoon Duet
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Hautbois, Basson (duo)
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INTERMÉDIAIRE
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David McKeown
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The Chocolate Chalypso for Obo
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.591266 Composed by David McKeown. Easter,Latin,Pop,R & B,Rock. Score and parts. 3 p...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.591266 Composed by David McKeown. Easter,Latin,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6290857. Published by David McKeown (A0.591266). The Chocolate Chalypso is a fun and original duet written by David McKeown for one Oboe and one Bassoon. Chocolate Chalypso is one in a series of ten Easter-themed duets each written in a different American dance style. In the late ‘50s just a handful of national TV shows in the US had a huge influence on the music and dance crazes of the time. Artists and dances came and went with dizzying speed. Chalypso was a short-lived craze in 1958 that combined the music of the new Rock’n’Roll with much-simplified steps borrowed from Cha Cha and Calypso; and no sooner had it caught on than it was itself supplanted by The Twist. Chocolate Chalypso is suitable for players at an intermediate level and above, with the accessible key and range balanced by some syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, Chocolate Chalypso is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
Joy to the World, Jazz Style, for Oboe and Bassoon Duet
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Hautbois, Basson (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Lowell Mason
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David McKeown
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Joy to the World, Jazz Style,
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.594229 Composed by Lowell Mason. Arranged by David McKeown. Christmas,Jazz,Praise &...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.594229 Composed by Lowell Mason. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6562099. Published by David McKeown (A0.594229). Joy to the World is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Oboe and one Bassoon. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The lyrics of Joy to the World were composed by Isaac Watts in 1719, while the most popular melody associated with the carol was composed by Lowell Mason in 1843. Mason was an admirer of G.F. Handel and the similarity of the melody to parts of the Messiah have been pointed out by many commentators.With a performance time of around two and a half minutes, this version of Joy to the World is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz style is a fun, fresh and soulful take on this familiar tune.Joy to the World is arranged in a key and range best suited to the instruments. There is plenty of articulation detail to help deliver an authentic style. The melody is played two and a half times, with a short chiming intro and outro. This arrangement is suitable for players at an intermediate level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
He's Got The Whole World in His Hands, Gospel Song for Oboe and Bassoon Duet
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Hautbois, Basson (duo)
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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He's Got The Whole World in Hi
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 4 - SKU: A0.590117 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise ...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 4 - SKU: A0.590117 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168367. Published by David McKeown (A0.590117). He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Oboe and one Bassoon. He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Swing Low, Swing Chariot, Gospel Song for Oboe and Bassoon Duet
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Hautbois, Basson (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Wallis Willis
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David McKeown
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Swing Low, Swing Chariot, Gosp
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.589996 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Prais...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.589996 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6137521. Published by David McKeown (A0.589996). Swing Low, Sweet Chariot is an American nineteenth century spiritual. This version is arranged as a duet for one Oboe and one Bassoon. The words and music of Swing Low, Sweet Chariot are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song in 1865 and within a few years it became a firm gospel favourite. In recent times Swing Low, Sweet Chariot has been adopted by the Civil Rights movement on one hand, and the England rugby team on the other. Swing Low, Sweet Chariot is simply arranged in keys and range best suited to the instruments. The hymn is played three and a half times, once as a ballad, then twice in a slow rock style, before returning to the ballad at the end. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Swing Low, Sweet Chariot is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Swing Low, Sweet Chariot is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Josquin: 22 Duets for Oboe & Bassoon
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Hautbois, Basson (duo)
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FACILE
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Josquin des Prez
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James M
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Josquin: 22 Duets for Oboe &am
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jmsgu3
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SheetMusicPlus
Bassoon,Instrumental Duet,Oboe - Level 2 - SKU: A0.1073981 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Re...
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Bassoon,Instrumental Duet,Oboe - Level 2 - SKU: A0.1073981 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678247. Published by jmsgu3 (A0.1073981). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
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