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--INSTRUMENTS--
ACCORDEON
ALTO
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BANJO
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Fantasia On
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23
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14
Piano seul
9
2 Pianos, 4 mains
4
1 Piano, 4 mains
3
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1
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1
+ 1 instrumentations
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2
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2
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1
4 Guitares (Quatuor)
1
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4
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1
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1
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10
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9
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8
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5
2 Flûtes traversières (duo)
5
2 Hautbois (duo)
3
Hautbois, Piano (duo)
3
Ensemble de Flûtes
3
2 Saxophones (duo)
2
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2
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2
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2
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1
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1
3 Flûtes à bec (trio)
1
3 Clarinettes (trio)
1
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1
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1
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1
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1
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1
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1
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1
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1
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1
Trio de Flûtes: 3 flûtes
1
+ 21 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Quatuor de cuivres: 4 trompettes
3
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3
4 Tubas
1
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1
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1
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1
3 Trompettes (trio)
1
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27
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6
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5
Violoncelle
4
Violon
3
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3
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1
Alto, Piano
1
2 Violons (duo)
1
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1
Violoncelle, Piano
1
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1
Harpe, Violon (duo)
1
2 Altos (duo)
1
+ 9 instrumentations
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Orchestre à Cordes
15
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6
Orchestre d'harmonie
6
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4
Marimba
2
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Fantasia On
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Quatuor de Flûtes à bec
Partitions à imprimer
2 partitions trouvées
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Jenkins Fantasia 6 ('All in a Garden Green') for recorder quartet
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Quatuor de Flûtes à bec
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INTERMÉDIAIRE
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Clive Lane
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Clive Lane
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Jenkins Fantasia 6
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Clive Lane
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SheetMusicPlus
Recorder - Level 3 - SKU: A0.1322281 By Clive Lane. By John Jenkins (1592-1678). Arranged by Clive Lane. Classical,Renaissance. Recorder Ensemble. 13 pa...
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Recorder - Level 3 - SKU: A0.1322281 By Clive Lane. By John Jenkins (1592-1678). Arranged by Clive Lane. Classical,Renaissance. Recorder Ensemble. 13 pages. Clive Lane #910627. Published by Clive Lane (A0.1322281). John Jenkins (1592-1678) was the greatest of the composers for consorts of viols, though his works are little-known outside the viol-playing community.I think this Fantasia (and No.5) are the best of his numerous pieces for four viols and they work very well as a recorder quartet. The Fantasia is based on a popular song of the time: 'All in a Garden Green'.Score and parts.
$2.99
Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
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Quatuor de Flûtes à bec
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INTERMÉDIAIRE
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Musique Sacrée
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Keith Terrett
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Keith Terrett
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Duet from Cantata Number BWW 1
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,P...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,Praise & Worship. 15 pages. Keith Terrett #509473. Published by Keith Terrett (A0.903300). A transcription of J.S. Bach's Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet consisting of two Alto's, Tenor & Bass Recorder. The sixth movement, Mein Freund ist mein! (My Friend is mine!), is another duet for soprano and bass with obbligato oboe. This duet, like the third movement, is a love duet between the soprano Soul and the bass Jesus.Gardiner notes that Bach uses the means of contemporary operatic love-duets in his use of chains of suspensions and parallel thirds and sixths. Dürr describes it as giving expression to the joy of the united pair, showing a relaxed mood in artistic intensity. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'),[1] BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas Wachet auf, ruft uns die Stimme (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again.
$10.00
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Fantasia On 
