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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
After Work
Sheetmusicplus
Non classifié
518
Piano & claviers
Piano, Voix
1 091
Piano seul
326
Orgue
40
Piano Facile
36
Piano, Voix et Guitare
27
Instruments en Do
16
1 Piano, 4 mains
10
Piano Trio: piano, violon, violoncelle
8
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accompagnement Piano
3
Orgue, Trompette (duo)
1
Clavecin
1
Clavier
1
+ 10 instrumentations
Retracter
Guitares
Guitare
69
Guitare notes et tablatures
25
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
4
2 Guitares (duo)
2
Piano, Guitare (duo)
2
Dulcimer
2
Guitare, Orchestre
1
Mandoline
1
2 Dulcimers (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
160
Chorale 3 parties
32
Chorale SSAA
15
Chorale TTBB
14
Chorale 2 parties
9
Voix Soprano, Piano
9
Chorale Unison
6
Chorale SSATTB
3
Voix Soprano
3
Chorale SSAATTBB
2
Voix seule
2
Soli, choeur mixte et accompagnement
2
Voix duo
2
Voix haute
2
Voix Alto, Piano
2
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Chorale
1
Voix basse, Piano
1
Voix duo, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton
1
Voix Tenor
1
Chorale SSATB
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
62
Flûte traversière et Piano
56
Quatuor de Saxophones: 4 saxophones
42
Clarinette et Piano
42
Saxophone Alto et Piano
41
Quatuor de Clarinettes: 4 clarinettes
32
Saxophone Soprano et Piano
28
Hautbois, Piano (duo)
26
2 Saxophones (duo)
25
Flûte traversière
21
2 Flûtes traversières (duo)
18
2 Clarinettes (duo)
17
Clarinette
17
3 Saxophones (trio)
16
Flûte, Hautbois, Clarinette, Basson
16
Quintette de Saxophone: 5 saxophones
15
Quatuor de Flûtes : 4 flûtes
13
2 Flûte à bec (duo)
12
Saxophone Baryton, Piano
12
Saxophone Tenor et Piano
12
Cor anglais, Piano
9
Clarinette Basse, Piano
9
3 Clarinettes (trio)
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte, Clarinette (duo)
7
Clarinette, Basson (duo)
7
Ensemble de Flûtes
6
Ensemble de Clarinettes
6
Flûte et Guitare
6
Saxophone, Clarinette (duo)
5
Quatuor de Flûtes à bec
5
Clarinette, Guitare (duo)
5
Saxophone Alto
5
Quintette de Flûte : 5 flûtes
5
Saxophone Tenor
4
Clarinette, Violon (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Hautbois, Basson (duo)
4
Saxophone (partie séparée)
4
Hautbois (partie séparée)
3
Clarinette (partie séparée)
3
Flûte à Bec
3
2 Hautbois (duo)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Trompette (duo)
3
Ensemble de saxophones
3
Clarinette et Alto
2
Ensemble De Flûte à bec
2
Flûte, Violon
2
Cor anglais, Guitare (duo)
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Saxophone (duo)
2
Hautbois, Flûte
2
5 Flûtes à bec
2
Clarinette Basse
1
Flûte irlandaise
1
Flute, alto, violoncelle et guitare
1
Piccolo, Piano
1
Ensemble de Hautbois
1
Flûte, Alto (duo)
1
Cornemuse
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano
1
Flute (partie séparée)
1
Saxophone et Guitare
1
Flûte, Hautbois (duo)
1
Flûte à bec Alto
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte traversière, Basse continue
1
Flûte à bec Tenor
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette (duo)
1
2 Saxophones, Piano
1
+ 70 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trombone et Piano
26
Cor et Piano
22
Trompette
17
Euphonium, Piano (duo)
15
Trompette, Piano
14
Tuba et Piano
14
Ensemble de Trombones
14
Quatuor de cuivres: 4 trombones
11
Cor anglais, Piano
9
Trompette, Trombone (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de Cuivres
5
Trombone
5
Trompette (partie séparée)
5
Ensemble de Trompettes
5
Cor (partie séparée)
4
2 Trombones (duo)
4
Trompette, Saxophone (duo)
4
Trombone (partie séparée)
4
3 Trombones (trio)
4
2 Trompettes (duo)
3
Cor
3
Ensemble de Cors
3
4 Tubas
3
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 4 cors
2
2 Tubas (duo)
2
Trompette, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Tuba (partie séparée)
2
2 Cors (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Euphoniums
1
3 Trompettes (trio)
1
Trombone basse et Piano
1
Cor, Violoncelle (duo)
1
Tuba
1
3 Tubas (trio)
1
3 Cors (trio)
1
Tuba et Orgue
1
Trio de Cuivres
1
Euphonium
1
Trombone basse
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
92
Violon et Piano
66
Violoncelle, Piano
46
Violon
36
Alto, Piano
36
Violoncelle
24
Harpe
19
Violon, Violoncelle (duo)
17
2 Violons (duo)
11
2 Violoncelles (duo)
10
Violon, Alto (duo)
9
Alto seul
8
2 Altos (duo)
8
Contrebasse, Piano (duo)
7
Violon (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
4 Violoncelles
3
Alto (partie séparée)
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
3
Alto, Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes : 4 altos
3
Contrebasse (partie séparée)
3
Trio à cordes: 3 altos
3
Contre Basse
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
2
Harpe, Voix
1
Violoncelle, Orchestre
1
4 Contrebasses
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Clarinette, Piano (trio)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
382
Orchestre
93
Orchestre à Cordes
59
Orchestre de chambre
29
Ensemble de cuivres
27
Ensemble Jazz
11
Ensemble de Percussions
5
Marimba
3
Cloches
3
Orchestre, Violon
3
Percussion (partie séparée)
2
Batterie
1
Piano et Orchestre
1
Vibraphone
1
Jazz combo
1
+ 10 instrumentations
Retracter
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FLUTE A BEC
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FLUTE DE PA…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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VIOLON
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Vous avez sélectionné:
After Work
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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1
5 Famous Songs by Bach for Recorder Quartet
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Quatuor de Flûtes à bec
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FACILE
#
Classique
#
Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Rec
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Woods Only, Arrangements
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SheetMusicPlus
Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.1137832 Composed by Christian Petzold, Johann Sebastian Bach, and Martin...
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Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.1137832 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. Recorder Ensemble. 44 pages. Woods Only, Arrangements #738086. Published by Woods Only, Arrangements (A0.1137832). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for recorder quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
Moonlight Sonata by Beethoven for Recorder Quartet
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Quatuor de Flûtes à bec
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
#
Moonlight Sonata by Beethoven
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Woods Only, Arrangements
#
SheetMusicPlus
Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.1138452 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,C...
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Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.1138452 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Recorder Ensemble. 15 pages. Woods Only, Arrangements #738788. Published by Woods Only, Arrangements (A0.1138452). This arrangement adapted for recorder quartet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$7.99
Symphony No. 7 by Beethoven for Recorder Quartet
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Quatuor de Flûtes à bec
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DÉBUTANT
#
Classique
#
Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Alto Recorder,Baritone Recorder,Soprano Recorder,Tenor Recorder - Level 1 - SKU: A0.1137249 Composed by Ludwig van Beethoven. Arranged by Ander. Classic...
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Alto Recorder,Baritone Recorder,Soprano Recorder,Tenor Recorder - Level 1 - SKU: A0.1137249 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. Recorder Ensemble. 14 pages. Woods Only, Arrangements #737449. Published by Woods Only, Arrangements (A0.1137249). This arrangement adapted for recorder quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
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Quatuor de Flûtes à bec
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INTERMÉDIAIRE
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Musique Sacrée
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Keith Terrett
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Keith Terrett
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Duet from Cantata Number BWW 1
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,P...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,Praise & Worship. 15 pages. Keith Terrett #509473. Published by Keith Terrett (A0.903300). A transcription of J.S. Bach's Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet consisting of two Alto's, Tenor & Bass Recorder. The sixth movement, Mein Freund ist mein! (My Friend is mine!), is another duet for soprano and bass with obbligato oboe. This duet, like the third movement, is a love duet between the soprano Soul and the bass Jesus.Gardiner notes that Bach uses the means of contemporary operatic love-duets in his use of chains of suspensions and parallel thirds and sixths. Dürr describes it as giving expression to the joy of the united pair, showing a relaxed mood in artistic intensity. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'),[1] BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas Wachet auf, ruft uns die Stimme (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again.
$10.00
The Fugitive
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Quatuor de Flûtes à bec
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AVANCÉ
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Jazz
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Karel van Steenhoven
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The Fugitive
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Schott Music - Digital
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SheetMusicPlus
Recorder quartet (wechselnde BEbetzungen S/A/T/B) - advanced - Jazzy Fugue for Recorder Quartet. Composed by Karel van Steenhoven. This edition: sco...
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Recorder quartet (wechselnde BEbetzungen S/A/T/B) - advanced - Jazzy Fugue for Recorder Quartet. Composed by Karel van Steenhoven. This edition: score and parts. Downloadable. Duration 6 minutes. Schott Music - Digital #Q7017. Published by Schott Music - Digital
The Fugitive is a three-part jazz fugue in bebop style on a walking bass. The renowned Amsterdam Loeki Stardust Quartet performed the world premiere of the work, created in 2002 by the Dutch recorder player and composer Karel van Steenhoven, founder member of the ensemble. The title is a play on the word 'fugue' and its old meaning of flight or chase. The parts chase after each other with fast solos and licks, flee from each other, until they reach a chaotic climax .- after a short quote from the James Bond theme. A striking title by the recorder expert who brilliantly mixes traditional and modern forms, styles and stylistic techniques.
$21.99
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