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AUTOHARPE
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Fantasia On
Non classifié
160
Piano & claviers
Piano seul
64
Orgue
64
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5
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5
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5
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3
Piano Trio: piano, violon, violoncelle
3
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2
Piano, Voix
1
Orgue, Trompette (duo)
1
Accompagnement Piano
1
Piano (partie séparée)
1
+ 7 instrumentations
Retracter
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Guitare notes et tablatures
10
Guitare
10
Ukulele
2
Ukulele Baryton
2
4 Guitares (Quatuor)
2
2 Guitares (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
17
Pack Instrumental pour Chorale
16
Chorale TTBB
2
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1
Voix duo
1
Vents
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31
Saxophone (partie séparée)
21
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19
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16
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15
Quatuor de Clarinettes: 4 clarinettes
15
2 Flûtes traversières (duo)
10
Flûte traversière et Piano
10
Clarinette et Piano
10
Hautbois, Piano (duo)
8
Flute (partie séparée)
8
Quintette de Saxophone: 5 saxophones
7
2 Saxophones (duo)
7
Flûte traversière
7
Hautbois (partie séparée)
7
3 Saxophones (trio)
6
Quatuor de Flûtes à bec
5
2 Clarinettes (duo)
5
Ensemble de Flûtes
5
2 Hautbois (duo)
4
3 Clarinettes (trio)
4
Trio de Flûtes: 3 flûtes
4
Hautbois
4
Saxophone Alto et Piano
4
2 Flûte à bec (duo)
4
Saxophone Tenor et Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Piccolo
3
Flûte, Clarinette (duo)
3
Saxophone Soprano et Piano
2
Clarinette
2
Cor anglais, Piano
2
Ensemble de saxophones
2
Flûte, Hautbois, Clarinette, Basson
2
3 Flûtes à bec (trio)
2
5 Flûtes à bec
1
Flûte et Trio à cordes
1
Saxophone et Orgue
1
Hautbois, Harpe
1
Flûte à bec Soprano
1
Saxophone Baryton, Piano
1
Clarinette, Harpe (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte traversière, Orgue (duo)
1
Ensemble de Clarinettes
1
Saxophone Tenor
1
Clarinette, Basson (duo)
1
Clarinette Basse, Piano
1
Flûte à Bec
1
Flûte irlandaise
1
+ 47 instrumentations
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Cuivres
Trombone (partie séparée)
32
Cor (partie séparée)
14
Trompette (partie séparée)
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Tuba (partie séparée)
10
Trombone et Piano
5
Tuba
4
Trombone
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de cuivres: 4 trompettes
3
Cor
3
Euphonium, Piano (duo)
2
Trompette, Piano
2
Cor anglais, Piano
2
4 Tubas
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trombones
2
Cor et Piano
2
Trompette
2
Ensemble de Cors
1
Quatuor de Cuivres
1
Euphonium
1
3 Trompettes (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Cors (duo)
1
2 Euphoniums et 2 Tubas
1
4 Euphoniums
1
Trombone basse et Piano
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violon (partie séparée)
15
Violon
14
Violon et Piano
12
Alto seul
11
Trio à Cordes: violon, alto, violoncelle
8
Violoncelle, Piano
7
Harpe
6
Contrebasse (partie séparée)
5
Violoncelle (partie séparée)
5
2 Violons (duo)
5
Alto, Piano
5
Violon, Violoncelle (duo)
5
Violoncelle
5
Alto (partie séparée)
4
Quatuor à cordes : 4 altos
2
2 Altos (duo)
2
Violon, Alto (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Contrebasse, Piano (duo)
1
Quatuor à cordes: 4 violons
1
Harpe, Violon (duo)
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Harpe, Flûte (duo)
1
Contre Basse
1
2 Violoncelles (duo)
1
Ensemble de Violoncelles
1
Trio à cordes: 3 violins
1
+ 25 instrumentations
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Orchestre d'harmonie
138
Orchestre à Cordes
53
Orchestre
42
Percussion (partie séparée)
16
Timbales (partie séparée)
6
Cloches
6
Ensemble de cuivres
5
Percussion
5
Marimba
2
Ensemble Jazz
1
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--INSTRUMENTS--
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AUTOHARPE
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BASSE
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Vous avez sélectionné:
Fantasia On
Quatuor de Flûtes à bec
Partitions à imprimer
5 partitions trouvées
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Jenkins Fantasia 6 ('All in a Garden Green') for recorder quartet
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Quatuor de Flûtes à bec
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INTERMÉDIAIRE
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Clive Lane
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Clive Lane
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Jenkins Fantasia 6
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Clive Lane
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SheetMusicPlus
Recorder - Level 3 - SKU: A0.1322281 By Clive Lane. By John Jenkins (1592-1678). Arranged by Clive Lane. Classical,Renaissance. Recorder Ensemble. 13 pa...
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Recorder - Level 3 - SKU: A0.1322281 By Clive Lane. By John Jenkins (1592-1678). Arranged by Clive Lane. Classical,Renaissance. Recorder Ensemble. 13 pages. Clive Lane #910627. Published by Clive Lane (A0.1322281). John Jenkins (1592-1678) was the greatest of the composers for consorts of viols, though his works are little-known outside the viol-playing community.I think this Fantasia (and No.5) are the best of his numerous pieces for four viols and they work very well as a recorder quartet. The Fantasia is based on a popular song of the time: 'All in a Garden Green'.Score and parts.
$2.99
Fantasia
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Quatuor de Flûtes à bec
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Stanley Taylor
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Fantasia
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Schott Music - Digital
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SheetMusicPlus
SATB recorders - SKU: S9.Q48093 On Polly Oliver and Gathering Peascods. Composed by Stanley Taylor. This edition: performance score. Downloadable...
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SATB recorders - SKU: S9.Q48093 On Polly Oliver and Gathering Peascods. Composed by Stanley Taylor. This edition: performance score. Downloadable, Performance score. Schott Music - Digital #Q48093. Published by Schott Music - Digital (S9.Q48093).
$4.99
Fantasia on "B-A-C-H" SwWV 273 (arrangement for 4 recorders)
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Quatuor de Flûtes à bec
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Renaissance
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Jan Pieterszoon Sweelinck
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Gil Garty
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Fantasia on "B-A-C-H"
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Gil Garty
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SheetMusicPlus
Recorder - SKU: A0.756343 Composed by Jan Pieterszoon Sweelinck. Arranged by Gil Garty. Renaissance. Recorder Ensemble. 30 pages. Gil Garty #2612307. Pu...
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Recorder - SKU: A0.756343 Composed by Jan Pieterszoon Sweelinck. Arranged by Gil Garty. Renaissance. Recorder Ensemble. 30 pages. Gil Garty #2612307. Published by Gil Garty (A0.756343). Originally for keyboard instrument. Arranged for 4 recorders (SATB).
$5.00
Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
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Quatuor de Flûtes à bec
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INTERMÉDIAIRE
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Musique Sacrée
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Keith Terrett
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Keith Terrett
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Duet from Cantata Number BWW 1
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,P...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,Praise & Worship. 15 pages. Keith Terrett #509473. Published by Keith Terrett (A0.903300). A transcription of J.S. Bach's Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet consisting of two Alto's, Tenor & Bass Recorder. The sixth movement, Mein Freund ist mein! (My Friend is mine!), is another duet for soprano and bass with obbligato oboe. This duet, like the third movement, is a love duet between the soprano Soul and the bass Jesus.Gardiner notes that Bach uses the means of contemporary operatic love-duets in his use of chains of suspensions and parallel thirds and sixths. Dürr describes it as giving expression to the joy of the united pair, showing a relaxed mood in artistic intensity. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'),[1] BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas Wachet auf, ruft uns die Stimme (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again.
$10.00
Moonlight Sonata by Beethoven for Recorder Quartet
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Quatuor de Flûtes à bec
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.1138452 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,C...
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Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.1138452 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Recorder Ensemble. 15 pages. Woods Only, Arrangements #738788. Published by Woods Only, Arrangements (A0.1138452). This arrangement adapted for recorder quartet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$7.99
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Fantasia On 
