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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
3 Am
Non classifié
746
Piano & claviers
Piano, Voix
603
Piano seul
449
Piano, Voix et Guitare
165
Piano Facile
147
Orgue
38
Accompagnement Piano
29
Instruments en Do
26
Piano grosses notes
20
1 Piano, 4 mains
11
Piano Trio: piano, violon, violoncelle
2
Orgue, Trompette (duo)
2
Accordéon
2
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavier
1
2 Pianos, 4 mains
1
+ 11 instrumentations
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Guitares
Guitare notes et tablatures
61
Ligne De Mélodie, (Paroles) et Accords
55
Guitare
51
Ukulele
31
Basse electrique
17
Paroles et Accords
13
2 Guitares (duo)
5
3 Guitares (trio)
2
4 Guitares (Quatuor)
2
Ensemble de guitares
2
Piano, Guitare (duo)
1
Mandoline
1
+ 7 instrumentations
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Voix
Chorale SATB
297
Chorale 3 parties
192
Chorale TTBB
105
Pack Instrumental pour Chorale
35
Chorale 2 parties
23
Voix Alto, Piano
20
Chorale SSAA
20
Voix Soprano, Piano
19
Voix Tenor, Piano
18
Voix Baryton, Piano
16
Chorale Unison
15
Voix seule
10
Voix haute
4
Chorale
3
Voix duo, Piano
3
Voix duo
2
Voix basse, Piano
1
Chorale SSATTB
1
Voix moyenne, Piano
1
+ 14 instrumentations
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Vents
Flûte traversière
53
Flûte, Hautbois, Clarinette, Basson
42
Flûte à Bec
32
Flûte traversière et Piano
30
Saxophone
28
Quatuor de Saxophones: 4 saxophones
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Hautbois
18
Saxophone (partie séparée)
18
Hautbois (partie séparée)
17
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone Alto
17
Clarinette et Piano
16
Clarinette
15
Flûte et Guitare
14
Saxophone Tenor
14
Saxophone Alto et Piano
14
Hautbois, Piano (duo)
14
2 Flûtes traversières (duo)
13
2 Saxophones (duo)
10
Quintette de Saxophone: 5 saxophones
9
Saxophone Tenor et Piano
8
2 Clarinettes (duo)
7
Saxophone Soprano et Piano
6
Clarinette, Guitare (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Trio de Flûtes: 3 flûtes
5
Saxophone Baryton, Piano
4
Hautbois, Basson (duo)
4
Quintette de Flûte : 5 flûtes
4
Flûte, Clarinette (duo)
4
Clarinette, Basson (duo)
4
Flute (partie séparée)
3
Ensemble de Clarinettes
3
Flûte, Alto et Piano
3
Clarinette, Violon (duo)
3
Flûte, Trompette (duo)
3
Ensemble de Flûtes
3
3 Clarinettes (trio)
3
Saxophone Soprano
3
Clarinette (partie séparée)
3
Saxophone et Guitare
3
2 Saxophones, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Ensemble de saxophones
2
Flûte, Violon et Violoncelle
2
Saxophone Baryton
2
Clarinette, Harpe (duo)
2
3 Saxophones (trio)
2
Flûte à bec Soprano
2
Cor anglais, Guitare (duo)
2
Saxophone, Clarinette (duo)
2
Flûte à bec Alto
2
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Violon
1
Quintette de Clarinettes: 5 clarinettes
1
2 Clarinettes, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte, Basson et Piano
1
4 Hautbois
1
Cor anglais, Piano
1
Hautbois, Clarinette (duo)
1
Cor anglais et Harpe (duo)
1
Clarinette et Alto
1
5 Flûtes à bec
1
Flûte, Clarinette, Violon (trio)
1
Clarinette Basse, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon, Piano
1
Flûte, Hautbois, Basson
1
Flûte, Violon
1
Flûte, trombone et piano
1
+ 67 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Ensemble de Trompettes
34
Trompette
29
Trombone et Piano
19
Trombone
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor et Piano
12
Trompette, Piano
9
Quatuor de cuivres: 4 trombones
7
Cor
7
Quatuor de Cuivres
6
Quatuor de cuivres: 4 cors
5
2 Cors (duo)
5
Trompette, Trombone (duo)
4
2 Trompettes (duo)
4
Quatuor de cuivres: 4 trompettes
4
Trompette (partie séparée)
3
2 Trombones (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium
2
Trio de Cuivres
2
Trombone (partie séparée)
2
Ensemble de Trombones
2
Tuba
2
Cor anglais, Guitare (duo)
2
3 Trompettes (trio)
2
2 Cors Anglais Et Pianoforte
1
Cor anglais, Piano
1
Cor anglais et Harpe (duo)
1
Trombone basse
1
Euphonium, Piano (duo)
1
Tuba et Piano
1
Trombone, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor (partie séparée)
1
Bass Clef Instruments
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, violon (duo)
1
4 Euphoniums
1
+ 34 instrumentations
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Cordes
Violon
76
Quatuor à cordes: 2 violons, alto, violoncelle
48
Violon et Piano
41
Violoncelle
26
Violoncelle, Piano
26
Alto, Piano
15
Violon, Violoncelle (duo)
12
Alto seul
10
Trio à Cordes: violon, alto, violoncelle
10
2 Violons (duo)
7
Violon, Alto (duo)
7
Harpe
6
Alto, Violoncelle (duo)
6
2 Violoncelles (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Guitare (duo)
4
2 Altos (duo)
3
Contrebasse, Piano (duo)
3
Alto, Guitare (duo)
3
Alto (partie séparée)
3
Ensemble de Violons
3
Trio à cordes: 3 violins
3
4 Violoncelles
2
Violon (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Harpe, Voix
2
Harpe et Piano
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Flûte (duo)
1
2 Violons, Piano
1
4 Contrebasses
1
Harpe, Violoncelle (duo)
1
Trio à cordes
1
Contre Basse
1
Alto et Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
Harpe, Violon (duo)
1
+ 36 instrumentations
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Orchestre & Percussions
Ensemble de cuivres
47
Orchestre d'harmonie
37
Fanfare
32
Orchestre
31
Orchestre à Cordes
25
Ensemble Jazz
23
Cloches
18
Batterie
11
Orchestre de chambre
10
Jazz combo
9
Batterie (partie séparée)
3
Percussion (partie séparée)
3
Ensemble de Percussions
3
Marimba
1
Piano et Orchestre
1
Xylophone, Piano
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CORNET
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Ensemble de Trombones
Partitions à imprimer
2 partitions trouvées
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Trombone Quintet)
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Ensemble de Trombones
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INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
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Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Sta...
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Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533945. Published by Regis Bookshar (A0.813838). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trombone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trombone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instru.
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