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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For Who You Are
Non classifié
1 467
Piano & claviers
Piano seul
1 008
Piano, Voix
990
Piano, Voix et Guitare
763
Piano Facile
593
Accompagnement Piano
121
Instruments en Do
110
Orgue
81
1 Piano, 4 mains
43
Piano grosses notes
24
Piano Trio: piano, violon, violoncelle
20
2 Pianos, 4 mains
6
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
2
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
212
Guitare
99
Ligne De Mélodie, (Paroles) et Accords
39
Ukulele
31
2 Guitares (duo)
25
Basse electrique
19
Guitare (partie séparée)
10
Piano, Guitare (duo)
8
Paroles et Accords
7
3 Guitares (trio)
7
Banjo
5
Mandoline
5
Ukulele Baryton
3
Ensemble de guitares
2
4 Guitares (Quatuor)
2
Dulcimer
1
Guitare Pedal Steel
1
Basse électrique (partie séparée)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
534
Chorale 3 parties
132
Chorale 2 parties
100
Chorale Unison
61
Chorale TTBB
58
Chorale SSAA
44
Voix duo, Piano
36
Voix Alto, Piano
34
Voix Tenor, Piano
33
Voix Tenor
32
Voix Baryton, Piano
28
Voix Soprano
24
Voix Soprano, Piano
19
Voix haute
13
Voix seule
7
Voix duo
7
Chorale
5
Voix Mezzo-Soprano, Piano
3
Voix moyenne, Piano
3
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
1
Voix basse
1
Voix basse, Piano
1
+ 18 instrumentations
Retracter
Vents
2 Saxophones (duo)
173
Quatuor de Saxophones: 4 saxophones
108
Clarinette et Piano
106
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
105
Flûte traversière et Piano
105
Hautbois, Piano (duo)
99
Saxophone Alto et Piano
92
Flûte traversière
91
2 Flûtes traversières (duo)
87
Quintette de Saxophone: 5 saxophones
71
Flûte, Hautbois, Clarinette, Basson
71
Saxophone Alto
70
2 Clarinettes (duo)
67
Hautbois (partie séparée)
60
Clarinette
58
Saxophone Tenor et Piano
56
Saxophone, Clarinette (duo)
49
Saxophone Soprano et Piano
49
Flûte, Clarinette (duo)
43
2 Hautbois (duo)
42
Clarinette, Violon (duo)
38
3 Saxophones (trio)
38
Quatuor de Clarinettes: 4 clarinettes
34
Saxophone Baryton, Piano
33
Saxophone Tenor
32
Saxophone (partie séparée)
30
Cor anglais, Piano
27
Ensemble de Flûtes
26
3 Clarinettes (trio)
25
Clarinette, Trompette (duo)
23
Quatuor de Flûtes à bec
21
Hautbois, Basson (duo)
21
Hautbois, Clarinette (duo)
20
Clarinette et Alto
20
Flûte et Guitare
19
Flûte, Violon
18
Clarinette Basse, Piano
16
Hautbois, Flûte
15
Ensemble de Clarinettes
15
Quatuor de Flûtes : 4 flûtes
15
Flûte, Trompette (duo)
15
Flûte, Saxophone (duo)
15
Flûte à Bec
14
Hautbois
14
Saxophone Soprano
13
Flûte, Alto (duo)
13
Quintette de Flûte : 5 flûtes
13
Quintette de Clarinettes: 5 clarinettes
12
5 Flûtes à bec
12
Saxophone Baryton
11
Clarinette, Guitare (duo)
10
Clarinette, Basson (duo)
9
Flûte à bec Soprano
9
Harmonica
8
Flûte, Violoncelle
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Ensemble de saxophones
7
Cor anglais, Guitare (duo)
6
2 Flûte à bec (duo)
5
Flûte, Clarinette et Basson
5
Flûte, Clarinette, Piano (trio)
5
Cor Anglais
5
Clarinette, Violoncelle (duo)
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte à bec Soprano, Piano
5
Hautbois, Violoncelle
4
Trio de Flûtes: 3 flûtes
4
2 Flûtes traversières, Piano
3
Ocarina
3
Hautbois, Guitare (duo)
3
3 Flûtes à bec (trio)
3
2 Clarinettes, Piano
3
Flûte, Basson et Piano
3
Saxophone
3
Flûte à bec Alto
2
2 Hautbois, Piano
2
Flûte, Violon, Piano
2
Ensemble De Flûte à bec
2
2 Saxophones, Piano
2
Saxophone et Orgue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, trombone et piano
1
Flûte irlandaise
1
2 Clarinettes, Basson
1
Hautbois, Clarinette et Piano (Trio)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Trombone (duo)
1
Hautbois, violon (duo)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
3 Hautbois
1
Flûte à bec Tenor
1
Saxophone et Guitare
1
Hautbois, Basson et Piano
1
Flûte à Bec, Piano
1
2 Flûtes à bec, Piano
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois (duo)
1
Clarinette Basse
1
Flûte à bec Alto, Piano
1
Ensemble de Hautbois
1
+ 97 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
100
Trombone et Piano
82
Trompette
78
Cor et Piano
74
Trompette, Piano
65
Trombone
55
Tuba
47
Cor
47
2 Trompettes (duo)
45
Quatuor de Cuivres : 2 trompettes, trombone, tuba
43
2 Trombones (duo)
33
Tuba et Piano
32
Trompette, Saxophone (duo)
31
Trompette, Trombone (duo)
27
Cor anglais, Piano
27
2 Cors (duo)
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Euphonium, Piano (duo)
13
Quatuor de Cuivres
12
Trompette, Cor (duo)
11
2 Tubas (duo)
11
3 Trombones (trio)
11
Ensemble de Trompettes
7
Quatuor de cuivres: 4 trombones
7
Trio de Cuivres
6
Ensemble de Trombones
6
Cor anglais, Guitare (duo)
6
Quatuor de cuivres: 4 trompettes
5
Cor Anglais
5
Trompette (partie séparée)
4
Cor, Violoncelle (duo)
3
Trombone basse et Piano
3
Tuba et Orgue
3
Quatuor de cuivres: 4 cors
3
4 Tubas
3
Ensemble de Cors
3
Trombone (partie séparée)
2
2 Cors, Piano
2
Tuba (partie séparée)
2
2 Trompettes, Clavier (piano ou orgue)
2
Euphonium
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone, Tuba (duo)
2
2 Euphoniums et 2 Tubas
2
Cor et Basson (duo)
1
2 Cors Anglais Et Pianoforte
1
Tuba ou Euphonium ou Saxhorn
1
2 Euphoniums (duo)
1
Bass Clef Instruments
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
Ensemble de Tubas
1
Trompette, Violoncelle et Piano
1
+ 48 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
253
Violon et Piano
134
Violon
131
Violoncelle
111
2 Violons (duo)
101
Violoncelle, Piano
100
Violon, Violoncelle (duo)
91
Alto, Piano
79
Alto seul
77
Harpe
62
2 Violoncelles (duo)
53
2 Altos (duo)
47
Violon, Alto (duo)
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
Trio à Cordes: violon, alto, violoncelle
32
Contrebasse, Piano (duo)
24
Contre Basse
23
4 Violoncelles
11
Piano Trio: Violon, Alto, Piano
10
Trio à Cordes: 2 violons, violoncelle
10
Alto, Violoncelle (duo)
9
Trio à cordes: 3 violins
9
Violon, Guitare (duo)
9
Trio à Cordes: 3 violoncelles
9
Alto (partie séparée)
8
Violoncelle , Guitare (duo)
8
Quatuor à cordes: 4 violons
8
Contrebasse (partie séparée)
7
Quatuor à cordes : 4 altos
7
2 Contrebasses (duo)
6
Harpe, Voix
6
Violon (partie séparée)
5
Trio à cordes: 3 altos
5
2 Violons, Piano
4
Violoncelle, Contrebasse (duo)
3
2 Violoncelles, Piano
3
Ensemble de Violons
3
Alto et Basson
3
2 Harpes (duo)
2
Alto, Guitare (duo)
2
5 Harpes
2
3 Harpes
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Basson (duo)
2
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
Ensemble d'Altos
1
Harpe et Piano
1
Alto et Harpe
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
328
Orchestre
90
Orchestre à Cordes
83
Ensemble Jazz
66
Ensemble de cuivres
55
Orchestre de chambre
30
Cloches
30
Jazz combo
26
Fanfare
25
Batterie
11
Ensemble de Percussions
6
2 Xylophones
4
Xylophone, Piano
3
Percussion
2
Ensemble d'École
2
Percussion (partie séparée)
1
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Marimba, Piano (duo)
1
Marimba
1
Xylophone
1
Orchestre, Violon
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
VIOLONCELLE
XYLOPHONE
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Crtitères actifs :
For Who You Are
Ensemble de Trombones
Partitions à imprimer
6 partitions trouvées
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1
It Is Well With My Soul (When Peace, Like a River) for Trombone Ensemble/Choir
#
Ensemble de Trombones
#
INTERMÉDIAIRE
#
Traditional
#
Steve Ash
#
It Is Well With My Soul
#
Aaron Hettinga
#
SheetMusicPlus
Trombone Ensemble Bass Trombone - Level 3 - SKU: A0.1342397 By Traditional. By Horatio Spafford & Philip Bliss. Arranged by Steve Ash. Christian,Classic...
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Trombone Ensemble Bass Trombone - Level 3 - SKU: A0.1342397 By Traditional. By Horatio Spafford & Philip Bliss. Arranged by Steve Ash. Christian,Classical,Lent,Sacred,Spiritual. 11 pages. Aaron Hettinga #927888. Published by Aaron Hettinga (A0.1342397). The long-enduring hymn “It Is Well With My Soul†is presented here in an arrangement for trombone ensemble. In this creative treatment, Steve Ash explores some interesting jazz-inspired harmony against this familiar melody without disrespecting it at any point, which leaves us with a satisfying short ballad for trombones. While the melody is given as a showcase for a solid, melodic lead trombonist who is comfortable in the high register (high B-flat at the top end), the remaining parts are utilized for gently moving harmonic lines making this an accessible chart for ensembles with a broad range of skill levels and a fine exercise in ensemble blend and balance. This tender arrangement would be well-suited for an offertory or another short ballad on your trombone ensemble program.
$19.99
Ave Maria for 8-part Trombone Ensemble
#
Ensemble de Trombones
#
INTERMÉDIAIRE
#
Classique
#
Anton Biebl
#
Robert Kalwas
#
Ave Maria for 8-part Trombone
#
Gordon Cherry
#
SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.792547 Composed by Anton Biebl. Arranged by Robert Kalwas. 20th Century,Classical,Romantic Period. Score and...
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Brass Ensemble Trombone - Level 3 - SKU: A0.792547 Composed by Anton Biebl. Arranged by Robert Kalwas. 20th Century,Classical,Romantic Period. Score and parts. 13 pages. Gordon Cherry #5008503. Published by Gordon Cherry (A0.792547). Ave Maria was composed in 1964 and is one of the most beautiful works for choral ensemble from the 20th century. It was written for a local German fireman's choir by one of his parish's singers who's profession was as a firefighter. The work languished for years but was discovered by a touring American choir who brought it back to the USA and recorded it. It became an instant hit. The music has a heavenly feel to it and one is uplifted by its sheer beauty. This 7-minute arrangement by Robert Kalwas is for 8-part Trombone ensemble and of moderate difficulty. All parts are in bass clef and the ranges are not extreme at all. Ave Maria is featured on YouTube® as a Virtual Choir International Multitrack for a Children's Charity in South Africa. Cherry Classics is pleased to have approval for this arrangement from the estate of Franz Biebl.
$27.50
Silent Night (Bb) (Trombone Octet)
#
Ensemble de Trombones
#
INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.813997 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,Wor...
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Brass Ensemble Trombone - Level 3 - SKU: A0.813997 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 11 pages. Regis Bookshar #6636659. Published by Regis Bookshar (A0.813997). Trombone Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Trombone Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Silent Night (Bb) (Trombone Quintet)
#
Ensemble de Trombones
#
INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.813974 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Concert,Instructional,World. Sc...
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Brass Ensemble Trombone - Level 3 - SKU: A0.813974 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Concert,Instructional,World. Score and parts. 7 pages. Regis Bookshar #6635873. Published by Regis Bookshar (A0.813974). Trombone Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Trombone Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Trombone Quintet)
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Ensemble de Trombones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Sta...
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Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533945. Published by Regis Bookshar (A0.813838). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trombone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trombone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instru.
$15.00
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For Who You Are
