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--INSTRUMENTS--
ACCORDEON
ALTO
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BASSON
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Harry I
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141
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89
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80
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49
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25
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17
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5
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4
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2
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2
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15
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9
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7
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6
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4
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1
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1
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1
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79
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32
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27
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19
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16
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13
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13
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7
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4
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2
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1
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21
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11
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9
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7
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6
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6
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5
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5
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4
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4
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4
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3
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3
Clarinette et Piano
3
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3
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2
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2
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2
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1
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1
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1
Piccolo
1
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1
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1
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1
2 Clarinettes (duo)
1
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20
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16
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13
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10
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8
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7
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6
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3
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3
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3
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2
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2
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2
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2
Tuba
2
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1
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1
2 Euphoniums et 2 Tubas
1
Tuba ou Euphonium ou Saxhorn
1
Cor et Piano
1
Quatuor de cuivres: 4 trombones
1
Cor Anglais
1
Quatuor de Cuivres
1
+ 18 instrumentations
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27
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11
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11
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6
Violon et Piano
6
Violon, Violoncelle (duo)
6
Contre Basse
5
Trio à Cordes: 2 violons, alto
3
Violoncelle
3
Alto seul
3
2 Violons (duo)
2
Ensemble de Violons
2
2 Harpes (duo)
2
Violoncelle, Piano
2
Alto (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
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1
2 Violoncelles (duo)
1
Harpe
1
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37
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22
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17
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11
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7
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7
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4
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4
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3
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2
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1
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1
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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CORNET
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Harry I
SheetMusicPlus
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3 partitions trouvées
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Danny Boy, for Trombone Choir
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Ensemble de Trombones
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INTERMÉDIAIRE
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Contemporain
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Traditional
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Harry Watters
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Danny Boy, for Trombone Choir
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Harry Watters Music
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.925422 Composed by Traditional. Arranged by Harry Watters. 20th Century. Score and parts. 14 pages. Harry Wa...
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Brass Ensemble Trombone - Level 3 - SKU: A0.925422 Composed by Traditional. Arranged by Harry Watters. 20th Century. Score and parts. 14 pages. Harry Watters Music #4884131. Published by Harry Watters Music (A0.925422). This was conceived as a trombone/low brass section feature to be programmed as part of a school band concert. The trombones can walk out in front of the concert band to perform, while your other band members rest their chops...it breaks things up nicely.This can also be done as a quartet, without the solo part. I encourage you to feature soloist(s) however, when possible.You can assign more than one to a part on everything except the improvised jazz solo segments with chord changes. The written out jazz solo can have more than one player, provided that you have balance throughout your section.If portions of the upper melody go too high for your trombonists, feel free to adjust and drop the octaves when needed.Everyone should adopt a fluid, relaxed approach throughout...make it sound easy :)Finally, I wish to thank Mr. Paul Murtha for his encouragement, insights and wise counsel and Mr. Nathan Pereda for his fine engraving skills.With best wishes,~Harry WattersHarryFrankWatters@gmail.com571-251-9041
$10.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Trombone Quintet)
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Ensemble de Trombones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Sta...
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Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533945. Published by Regis Bookshar (A0.813838). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trombone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trombone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instru.
$15.00
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Harry I
