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208
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62
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44
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32
Orgue
30
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21
Piano Trio: piano, violon, violoncelle
4
Orgue, Piano (duo)
4
2 Pianos, 4 mains
3
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3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
2
Clavecin
1
Piano grosses notes
1
1 Piano, 4 mains
1
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112
Guitare
26
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4
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4
4 Guitares (Quatuor)
4
Guitare notes et tablatures
2
Ukulele
1
Ensemble de guitares
1
2 Guitares (duo)
1
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167
Chorale 3 parties
57
Chorale 2 parties
54
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34
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22
Chorale TTBB
12
Chorale
4
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3
Voix Tenor
2
Voix duo, Piano
2
Voix Soprano, Piano
2
Chorale SSAB, Piano
1
Chorale SSAATB
1
Chorale SSATB
1
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196
Clarinette et Piano
177
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169
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138
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130
2 Saxophones (duo)
29
Saxophone (partie séparée)
23
Clarinette
19
Hautbois (partie séparée)
15
Flûte traversière
15
Saxophone Soprano et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Quintette de Saxophone: 5 saxophones
9
Quatuor de Saxophones: 4 saxophones
8
Clarinette (partie séparée)
7
Saxophone Baryton, Piano
6
Quatuor de Flûtes : 4 flûtes
5
Quatuor de Clarinettes: 4 clarinettes
4
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3
Ensemble de Clarinettes
3
2 Flûtes traversières (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Quintette de Flûte : 5 flûtes
2
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1
Saxophone Alto
1
Clarinette Basse, Piano
1
Hautbois
1
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1
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1
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1
Flûte, Harpe et Violoncelle
1
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1
Saxophone et Orgue
1
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1
Trio de Flûtes: 3 flûtes
1
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144
Trompette
82
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61
Trompette (partie séparée)
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trombone (partie séparée)
18
Trombone
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Ensemble de Trombones
4
Cor et Piano
4
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3
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3
Quatuor de Cuivres
3
2 Trombones (duo)
3
2 Trompettes (duo)
2
Tuba (partie séparée)
2
Cor
2
Trombone basse
1
Tuba ou Euphonium ou Saxhorn
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4 Tubas
1
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162
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143
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133
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17
Violon
13
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13
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9
Alto seul
7
Contrebasse (partie séparée)
6
Violon (partie séparée)
4
4 Violoncelles
4
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2
Harpe
2
Violon, Violoncelle (duo)
1
Violon, Guitare (duo)
1
Contre Basse
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
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1
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Orchestre d'harmonie
231
Orchestre
40
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37
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15
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12
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10
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9
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8
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8
2 Xylophones
4
Ensemble de Percussions
4
Batterie
4
Batterie (partie séparée)
2
Percussion
1
Timbales
1
Jazz combo
1
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Trombone Quintet)
Ensemble de Trombones
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.813838 Composed by Ant…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533945. Published by Regis Bookshar (A0.813838). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trombone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trombone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instru.
$15.00
13.83 €
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Ensemble de Trombones
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Thirteen Canons, Op. 113 for 6-part Trombone Ensemble
Ensemble de Trombones
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.811148 Composed by Joh…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.811148 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and parts. 44 pages. Gordon Cherry #5728937. Published by Gordon Cherry (A0.811148). The Thirteen Canons, Op. 113 are a collection of works for female unaccompanied chorus composed over the course of a number of years (most likely written while employed as director of a Hamburg woman's choir) and finished off and first published in 1891. Brahms alludes to his admired predecessor Schubert in No. 13 with a quote from the song Der Leiermann from Die Winterreise. Ralph Sauer has lovingly arranged these for six-part Trombone Ensemble of moderate difficulty, able to be performed by just about any level group with the all parts in bass clef and in easy ranges. They can all be performed without the need of a bass trombone or f-attachment.
$25.00
23.05 €
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Ensemble de Trombones
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Johannes Brahms
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Ralph Sauer
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Thirteen Canons, Op. 113 for 6-part Trombone Ensemble
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Gordon Cherry
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SheetMusicPlus
Hill Country Miniatures for 8-part Trombone Ensemble
Ensemble de Trombones
Trombone Ensemble - Advanced - Digital Download Composed by Lawn, Richard. 21st Centu…
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Trombone Ensemble - Advanced - Digital Download Composed by Lawn, Richard. 21st Century, Jazz, Blues, Swing. Score, Set of Parts. 143 pages. Published by Cherry Classics Music
Hill Country Miniatures for 8-part Trombone Ensemble was written by Richard J. Lawn in 2002 for the Trombone Choir at the University of Texas and its director Nathaniel Brickens. The work is dedicated to Donald Knaub its former director. It has become a staple in the American Trombone Ensemble repertoire since its original release. Mr. Lawn explains in the notes, his deep emotional connection to the Hill Country land and to his days at the Eastman School of Music, hearing the legendary Trombone Choir led by Emory Remington and following through to his days at the University of Texas with Knaub and Brickens, all of which inspired him to compose this work.<br> <br> This music is about 15 minutes in length and is for advanced performers.<br> <br> The four movements of the work are:<br> <br> Hickory Cove - September 2001 - a lyrical, somber and solemn introductory movement.<br> <br> Smithwick - a jaunty piece reflecting the Scottish and English heritage of this tiny Texas spot.<br> <br> The Narrows - As part of the Colorado River narrows, it twists and turns its way through the Texas Hill Country. You can hear the gentle waters winding through the cliffs and slopes.<br> <br> Blue Bonnet Boogie - The springtime brings a profusion of the Blue Bonnet, the Texas state flower. A sea of these swaying in the breeze brings out the good old down-home boogie-woogie! A jazz solo featuring Bass Trombone (written for Bill Reichenbach in mind) with solo written out or improvised using chord symbols adds a festive finish.<br> <br> Cherry Classics is proud to be the new distributor of this great work.Hill Country Miniatures for 8-part Trombone Ensemble was written by Richard J. Lawn in 2002 for the Trombone Choir at the University of Texas and its director Nathaniel Brickens. The work is dedicated to Donald Knaub its former director. It has become a staple in the American Trombone Ensemble repertoire since its original release. Mr. Lawn explains in the notes, his deep emotional connection to the Hill Country land and to his days at the Eastman School of Music, hearing the legendary Trombone Choir led by Emory Remington and following through to his days at the University of Texas with Knaub and Brickens, all of which inspired him to compose this work.<br> <br> This music is about 15 minutes in length and is for advanced performers.<br> <br> The four movements of the work are:<br> <br> Hickory Cove - September 2001 - a lyrical, somber and solemn introductory movement.<br> <br> Smithwick - a jaunty piece reflecting the Scottish and English heritage of this tiny Texas spot.<br> <br> The Narrows - As part of the Colorado River narrows, it twists and turns its way through the Texas Hill Country. You can hear the gentle waters winding through the cliffs and slopes.<br> <br> Blue Bonnet Boogie - The springtime brings a profusion of the Blue Bonnet, the Texas state flower. A sea of these swaying in the breeze brings out the good old down-home boogie-woogie! A jazz solo featuring Bass Trombone (written for Bill Reichenbach in mind) with solo written out or improvised using chord symbols adds a festive finish.<br> <br> Cherry Classics is proud to be the new distributor of this great work.
$50.00
46.1 €
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Ensemble de Trombones
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Lawn, Richard
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Hill Country Miniatures for 8-part Trombone Ensemble
#
Cherry Classics Music
#
SheetMusicPlus
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