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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Space Man
Non classifié
189
Piano & claviers
Piano seul
140
Piano Facile
50
Piano, Voix et Guitare
39
Piano, Voix
19
2 Pianos, 4 mains
10
Instruments en Do
8
Piano (partie séparée)
7
Accompagnement Piano
5
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
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Guitares
Guitare (partie séparée)
19
Guitare notes et tablatures
12
Paroles et Accords
11
Guitare
9
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
2
Ukulele
1
4 Guitares (Quatuor)
1
+ 3 instrumentations
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Voix
Chorale SATB
56
Chorale 3 parties
10
Chorale 2 parties
10
Chorale SSAA
9
Chorale TTBB
8
Chorale Unison
8
Voix duo, Piano
2
Voix Alto, Piano
1
Soli, choeur mixte et accompagnement
1
Voix seule
1
Chorale SSATTB
1
Chorale
1
Chorale SSATB
1
Voix Tenor, Piano
1
Voix Soprano, Piano
1
+ 10 instrumentations
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Vents
Saxophone (partie séparée)
32
2 Flûtes traversières, Piano
25
Flûte traversière et Piano
15
Hautbois, Piano (duo)
12
Saxophone Alto et Piano
9
Clarinette et Piano
9
2 Clarinettes (duo)
7
2 Saxophones (duo)
7
Flûte traversière
7
Saxophone Alto
7
Quintette de Saxophone: 5 saxophones
6
2 Flûtes traversières (duo)
6
Clarinette
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Flûte à bec Soprano
4
Ensemble de Clarinettes
4
Saxophone Tenor et Piano
4
Ensemble de Flûtes
4
Saxophone, Clarinette (duo)
3
Saxophone Tenor
3
Quatuor de Saxophones: 4 saxophones
3
Quatuor de Flûtes : 4 flûtes
3
Cor anglais, Piano
3
Flûte, Clarinette (duo)
2
Clarinette, Violon (duo)
2
Clarinette, Trompette (duo)
2
Saxophone Soprano et Piano
2
Flute (partie séparée)
2
Hautbois (partie séparée)
2
Quintette de Flûte : 5 flûtes
2
2 Hautbois (duo)
2
Trio de Flûtes: 3 flûtes
2
Clarinette Basse, Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Baryton, Piano
2
Flûte, Trompette (duo)
1
Clarinette (partie séparée)
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Flûte, Violon
1
Flûte, Clarinette et Basson
1
Flûte, Trombone (duo)
1
Hautbois, Basson (duo)
1
Clarinette et Alto
1
Flûte, Violoncelle
1
Piccolo, Piano
1
Clarinette, Violoncelle (duo)
1
+ 43 instrumentations
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Cuivres
Trombone (partie séparée)
32
Trompette (partie séparée)
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette
10
Trombone et Piano
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette, Piano
6
Cor
4
2 Trompettes (duo)
3
Trompette, Trombone (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Trombones
3
2 Trombones (duo)
3
Cor et Piano
3
Cor anglais, Piano
3
Euphonium, Piano (duo)
2
Ensemble de Trompettes
2
2 Cors (duo)
2
Tuba et Orgue
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
Trombone
2
Tuba et Piano
1
Cor (partie séparée)
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon, Violoncelle (duo)
38
Violon
34
Trio à Cordes: violon, alto, violoncelle
26
Violon et Piano
11
Alto, Piano
10
Contrebasse (partie séparée)
10
Violoncelle, Piano
8
Violoncelle
8
Alto seul
7
2 Violoncelles (duo)
6
2 Violons (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
2 Altos (duo)
4
Contrebasse, Piano (duo)
3
Ensemble de Violons
2
Contre Basse
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, alto
2
4 Violoncelles
1
Flûte, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe
1
Violon (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
+ 22 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
59
Ensemble Jazz
47
Orchestre à Cordes
41
Orchestre
19
Orchestre de chambre
14
Cloches
11
Batterie (partie séparée)
9
Fanfare
3
Ensemble de Percussions
3
Ensemble de cuivres
1
Piano et Orchestre
1
Percussion (partie séparée)
1
Vibraphone
1
Jazz combo
1
+ 9 instrumentations
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ACCORDEON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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TROMBONE
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Vous avez sélectionné:
Space Man
Ensemble de Trombones
Partitions à imprimer
3 partitions trouvées
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Launchpad
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Noel A
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Launchpad
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Block T Music
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SheetMusicPlus
Trombone Ensemble Bass Trombone - Level 4 - SKU: A0.1458487 Composed by Noel A. Freeman. 21st Century,Contemporary,Contest,Festival. 44 pages. Block T M...
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Trombone Ensemble Bass Trombone - Level 4 - SKU: A0.1458487 Composed by Noel A. Freeman. 21st Century,Contemporary,Contest,Festival. 44 pages. Block T Music #1037432. Published by Block T Music (A0.1458487). Launchpad is a fantastic adventure inspired by the marvel of space flight. It takes the listener on a journey that begins with sunrise over the cape, and out of this sunrise excitement builds as our craft makes its steady march to the pad. Just as we get a moment to hold our breath in anticipation, the power and awe of the launch take over as the craft soars toward the stars and enters orbit. Finally, we experience the triumphant return of the craft to Earth and celebrate a glorious mission accomplished. Launchpad is composer Noel Freeman’s first original composition for trombone octet and was named the 3rd place winner of the 2024 International Trombone Association Composition Contest.Grade 4Duration: 5:15Score: 9 x 12, 20 pagesParts: 9 x 12Instrumentation: 6 tenor trombones, 2 bass trombones (alto and contra friendly)Range:Highest tenor: C5Lowest bass: D1.
$34.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Trombone Quintet)
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Ensemble de Trombones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Sta...
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Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533945. Published by Regis Bookshar (A0.813838). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trombone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trombone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instru.
$15.00
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