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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
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CORNET
DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORCHESTRE
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Summer Song
Non classifié
236
Piano & claviers
Piano seul
229
Piano, Voix
103
Piano Facile
51
Piano, Voix et Guitare
51
Instruments en Do
23
Piano grosses notes
11
Orgue
5
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
2
Accordéon
1
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
Clavier
1
+ 10 instrumentations
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Guitares
Guitare
30
Basse electrique
22
Guitare notes et tablatures
17
Ukulele
11
Ligne De Mélodie, (Paroles) et Accords
11
Paroles et Accords
1
Ensemble de guitares
1
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
+ 4 instrumentations
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Voix
Chorale SATB
101
Chorale 3 parties
49
Voix Soprano, Piano
31
Voix Alto, Piano
28
Voix Baryton, Piano
26
Voix Tenor, Piano
26
Chorale 2 parties
26
Chorale TTBB
18
Chorale Unison
13
Chorale SSAA
11
Voix seule
6
Voix duo
4
Voix duo, Piano
3
Voix haute
1
Chorale
1
Pack Instrumental pour Chorale
1
Voix Tenor
1
+ 12 instrumentations
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Vents
Flûte traversière et Piano
42
Flûte traversière
37
Clarinette
34
Hautbois, Piano (duo)
31
Saxophone
30
Clarinette et Piano
28
Saxophone Alto
23
Saxophone Tenor
19
Saxophone Alto et Piano
18
Quatuor de Saxophones: 4 saxophones
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Flûte, Hautbois, Clarinette, Basson
13
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone (partie séparée)
12
Saxophone Tenor et Piano
11
Hautbois (partie séparée)
10
2 Clarinettes (duo)
9
Saxophone Soprano et Piano
9
Clarinette, Harpe (duo)
8
Ensemble de Clarinettes
7
Quintette de Saxophone: 5 saxophones
7
Saxophone Baryton, Piano
6
Clarinette Basse, Piano
5
Flute (partie séparée)
4
Hautbois
4
2 Saxophones (duo)
4
2 Flûtes traversières (duo)
4
Clarinette (partie séparée)
3
Flûte, Violon, Piano
3
Quatuor de Flûtes : 4 flûtes
3
Cor Anglais
3
Cor anglais, Piano
3
Flûte et Guitare
3
Ensemble de Flûtes
3
Clarinette, Guitare (duo)
3
Flûte à Bec
3
Flûte, Violoncelle, Piano (trio)
2
Flûte, Harpe et Violoncelle
2
Flûte, Clarinette (duo)
2
Saxophone Soprano
2
Quintette de Flûte : 5 flûtes
2
Saxophone, Clarinette (duo)
2
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
Harmonica
2
Saxophone et violoncelle
1
Flûte, Violon et Violoncelle
1
2 Hautbois (duo)
1
Clarinette et Alto
1
Ensemble de saxophones
1
Saxophone et Guitare
1
Flûte à bec Alto
1
2 Clarinettes, Basson
1
Flûte, Basson et Piano
1
Saxophone Baryton
1
Flûte à bec Soprano
1
Hautbois, Basson (duo)
1
3 Clarinettes (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violon
1
Flûte, Trompette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Flûte
1
Cor anglais, Guitare (duo)
1
Hautbois, Clarinette (duo)
1
+ 60 instrumentations
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Cuivres
Trompette
35
Trombone
34
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trombone et Piano
15
Trompette, Piano
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Cor et Piano
13
Cor
12
Tuba
9
Tuba et Piano
6
Euphonium, Piano (duo)
6
Trombone (partie séparée)
3
Trompette (partie séparée)
3
2 Trompettes (duo)
3
Cor Anglais
3
Cor anglais, Piano
3
Trompette, Saxophone (duo)
3
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Trombones
2
Quatuor de Cuivres
1
Trombone basse et Piano
1
Cor (partie séparée)
1
Trio de Cuivres
1
Euphonium
1
2 Trombones (duo)
1
Tuba (partie séparée)
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 25 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
51
Violon et Piano
44
Violoncelle
42
Harpe
42
Violon
40
Alto seul
23
Violoncelle, Piano
20
Alto, Piano
14
Trio à Cordes: violon, alto, violoncelle
10
Contre Basse
8
Contrebasse, Piano (duo)
7
2 Violons (duo)
5
Violon, Violoncelle (duo)
4
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Flûte (duo)
2
Ensemble de Violons
2
Violon, Guitare (duo)
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
2
Alto (partie séparée)
2
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
1
4 Violoncelles
1
Contrebasse (partie séparée)
1
Alto, Guitare (duo)
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
65
Orchestre
33
Ensemble de cuivres
29
Ensemble Jazz
25
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20
Fanfare
9
Orchestre de chambre
9
Orchestre à Cordes
8
Marimba
2
Ensemble de Percussions
2
Cloches
2
Timbales (partie séparée)
1
Vibraphone
1
Percussion (partie séparée)
1
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Summer Song
Ensemble de Trombones
Partitions à imprimer
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Trombone Quintet)
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Ensemble de Trombones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Sta...
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Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533945. Published by Regis Bookshar (A0.813838). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trombone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trombone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instru.
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Summer Song
