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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Then
Non classifié
2 898
Piano & claviers
Piano seul
2 193
Piano, Voix
464
Piano, Voix et Guitare
321
Piano Facile
290
Accompagnement Piano
186
Orgue
174
Instruments en Do
164
1 Piano, 4 mains
88
Piano Trio: piano, violon, violoncelle
52
2 Pianos, 4 mains
37
Piano (partie séparée)
33
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano grosses notes
7
Accordéon
6
Piano Quatuor: piano, 2 violons, violoncelle
5
Clavecin
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
3
Orgue, Trompette (duo)
3
Orgue, Piano (duo)
3
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3 646
Ligne De Mélodie, (Paroles) et Accords
322
Guitare
197
Guitare (partie séparée)
57
Basse electrique
54
Ukulele
49
2 Guitares (duo)
23
Paroles et Accords
21
Dulcimer
12
Mandoline
11
4 Guitares (Quatuor)
10
Banjo
9
Ensemble de guitares
3
3 Guitares (trio)
2
Piano, Guitare (duo)
2
Cithare
1
Mandoline, Guitare (duo)
1
Orchestre à Plectres
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 001
Chorale 3 parties
277
Chorale TTBB
173
Chorale 2 parties
153
Chorale SSAA
102
Chorale Unison
92
Voix seule
39
Voix duo, Piano
39
Voix duo
24
Voix Soprano, Piano
14
Voix haute
9
Chorale
8
Voix Alto, Piano
8
Voix Baryton, Piano
6
Voix Tenor, Piano
6
Pack Instrumental pour Chorale
5
Voix moyenne, Piano
5
Voix Mezzo-Soprano, Piano
3
Voix basse, Piano
3
Soli, choeur mixte et accompagnement
2
Chorale SSATTB
2
Voix Tenor
2
Voix, Guitare
2
Voix Soprano, Orchestre
1
Chorale SSAATTBB
1
Chorale SSATB
1
Voix Soprano
1
Voix Baryton
1
Voix basse
1
+ 24 instrumentations
Retracter
Vents
2 Saxophones (duo)
231
Saxophone (partie séparée)
214
Flûte traversière et Piano
197
Quatuor de Saxophones: 4 saxophones
195
Clarinette
178
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
176
Clarinette et Piano
171
2 Flûtes traversières (duo)
145
Saxophone Alto et Piano
144
Hautbois, Piano (duo)
140
Flûte traversière
129
Flûte, Hautbois, Clarinette, Basson
126
2 Clarinettes (duo)
113
Saxophone, Clarinette (duo)
103
Saxophone Tenor et Piano
92
Saxophone Alto
90
Quintette de Saxophone: 5 saxophones
81
Saxophone Soprano et Piano
79
Clarinette, Violon (duo)
70
Quatuor de Clarinettes: 4 clarinettes
66
Saxophone Tenor
64
Clarinette, Trompette (duo)
62
Saxophone Baryton, Piano
54
Flûte, Clarinette (duo)
50
2 Hautbois (duo)
48
3 Saxophones (trio)
44
Quatuor de Flûtes : 4 flûtes
43
Ensemble de saxophones
42
Flûte, Violon, Piano
42
Cor anglais, Piano
38
Ensemble de Flûtes
38
Ensemble de Clarinettes
36
Hautbois (partie séparée)
35
Clarinette et Alto
34
Hautbois, Clarinette (duo)
34
Flûte, Saxophone (duo)
33
Flute (partie séparée)
32
Flûte, Violon
30
Hautbois
29
Hautbois, Flûte
28
Clarinette (partie séparée)
28
Flûte, Trompette (duo)
27
Saxophone
25
3 Clarinettes (trio)
25
Flûte et Guitare
25
Flûte, Alto (duo)
24
Hautbois, Basson (duo)
24
Quintette de Clarinettes: 5 clarinettes
23
Trio de Flûtes: 3 flûtes
23
Saxophone Soprano
22
Clarinette Basse, Piano
20
Instruments en Mib
18
2 Flûte à bec (duo)
16
Quintette de Flûte : 5 flûtes
16
Quatuor de Flûtes à bec
16
Clarinette, Guitare (duo)
15
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Hautbois, Clarinette (trio)
11
Flûte, Clarinette et Basson
10
Flûte à Bec
9
Clarinette, Basson (duo)
9
5 Flûtes à bec
7
Saxophone Baryton
7
Flûte, Clarinette, Piano (trio)
6
3 Flûtes à bec (trio)
6
Flûte à bec Soprano
5
Harmonica
5
Cor anglais, Guitare (duo)
4
Clarinette, Violoncelle (duo)
4
Flûte à bec Alto
4
Hautbois, Guitare (duo)
4
Clarinette, Violoncelle, Piano (trio)
4
Ocarina
4
Saxophone et Guitare
3
Flûte, Trombone (duo)
3
Flûte à bec Alto, Piano
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Flûte, Violoncelle
3
Flûte, Basson et Piano
3
Clarinette, Harpe (duo)
3
2 Flûtes traversières, Piano
3
Cor Anglais
3
Hautbois, Violoncelle
2
Hautbois et alto (duo)
2
2 Saxophones, Piano
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte et Trio à cordes
2
Piccolo
2
Flûte à bec Soprano, Piano
2
Clarinette Basse
2
Flûte, Violoncelle, Piano (trio)
2
Flute, harpe et violon
2
Flûte, Alto et Piano
2
Flûte, Hautbois (duo)
2
Saxophone, Basson (duo)
1
Flûte, alto et harpe
1
2 Clarinettes, Piano
1
Flûte, Violon et Violoncelle
1
Saxophone et violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Ensemble De Flûte à bec
1
Clarinette, Orchestre
1
Flûte de Pan
1
Clarinette, Trombone (duo)
1
Hautbois, violon (duo)
1
Ensemble à vent
1
3 Hautbois
1
Flûte irlandaise
1
Ensemble de Hautbois
1
Flûte traversière, Orgue (duo)
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à Bec, Piano
1
Flûte à bec, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Clarinette, Basson, Piano (trio)
1
Flûte, trombone et piano
1
Saxophone et Piano
1
Piccolo, Piano
1
2 Clarinettes, Basson
1
Flûte à bec Tenor
1
+ 116 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
212
Trombone (partie séparée)
164
Trompette (partie séparée)
127
Trompette
126
Trombone et Piano
125
Quatuor de Cuivres : 2 trompettes, trombone, tuba
114
Quatuor de Cuivres
113
Trompette, Piano
112
Trombone
90
Cor et Piano
84
Trompette, Saxophone (duo)
64
2 Trompettes (duo)
60
2 Trombones (duo)
58
Cor
53
Trompette, Trombone (duo)
53
Tuba et Piano
52
Tuba
45
Euphonium, Piano (duo)
42
Cor anglais, Piano
38
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Cor (partie séparée)
28
Bass Clef Instruments
26
2 Cors (duo)
25
Tuba (partie séparée)
23
Ensemble de Trompettes
17
Ensemble de Trombones
13
Quatuor de cuivres: 4 trombones
13
Instruments en Sib
11
Ensemble de Cors
10
3 Trombones (trio)
10
2 Tubas (duo)
9
Quatuor de cuivres: 4 cors
9
Trompette, Cor (duo)
8
2 Euphoniums et 2 Tubas
7
Trio de Cuivres
5
4 Tubas
5
Cor anglais, Guitare (duo)
4
Tuba et Orgue
4
Cor et Harpe
4
3 Cors (trio)
3
3 Tubas (trio)
3
Euphonium
3
Cor Anglais
3
Quatuor de cuivres: 4 trompettes
3
Trompette et Guitare
2
Instruments en Fa
2
Trombone basse
2
Trombone basse et Piano
2
Euphonium, Tuba (duo)
2
Trombone, Cor (duo)
2
Trompette, Tuba (duo)
2
2 Cors, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Orgue
1
Tuba ou Euphonium ou Saxhorn
1
2 Cors Anglais Et Pianoforte
1
Trombone, violoncelle (duo)
1
3 Trompettes (trio)
1
Trompette, Harpe
1
3 Euphoniums
1
Trombone, Violon (duo)
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
771
Violon, Violoncelle (duo)
429
Violon
370
Trio à Cordes: violon, alto, violoncelle
360
Violon et Piano
299
Violoncelle, Piano
190
Quintette à cordes: 2 violons, alto, violoncelle, basse
175
Violoncelle
165
Alto, Piano
143
2 Violons (duo)
111
Alto seul
104
2 Violoncelles (duo)
90
Violon, Alto (duo)
76
2 Harpes (duo)
58
2 Altos (duo)
56
Trio à Cordes: 2 violons, violoncelle
47
Contrebasse (partie séparée)
47
Contrebasse, Piano (duo)
43
Harpe
43
Contre Basse
42
Violon (partie séparée)
33
Alto (partie séparée)
30
Alto, Violoncelle (duo)
27
Piano Trio: Violon, Alto, Piano
13
Violon, Guitare (duo)
13
Violoncelle , Guitare (duo)
12
Trio à cordes: 3 violins
10
Violoncelle (partie séparée)
8
4 Violoncelles
6
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 altos
5
Ensemble de Violons
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Harpe, Flûte (duo)
4
2 Contrebasses (duo)
4
Harpe, Violon, Violoncelle
3
Violon, Clarinette, Piano (trio)
3
Alto et Harpe
3
Violon, Basson (duo)
3
Alto, Guitare (duo)
3
Ensemble d'Altos
3
Harpe, Violoncelle (duo)
3
Violoncelle, Orgue
2
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Violon, Orgue
1
Trio à cordes
1
4 Contrebasses
1
Autoharp
1
2 Violons, Piano
1
Harpe et Piano
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 415
Orchestre à Cordes
362
Ensemble Jazz
260
Orchestre
240
Cloches
143
Ensemble de cuivres
112
Fanfare
53
Batterie
49
Orchestre de chambre
43
Batterie (partie séparée)
35
Jazz combo
31
Ensemble de Percussions
29
Percussion (partie séparée)
15
Xylophone, Piano
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Instrumentation Flexible
5
Vibraphone
4
Percussion
4
Marimba
3
2 Xylophones
2
Orchestre, Violon
1
Vibraphone et Marimba
1
Ensemble d'École
1
Quintette de Cuivres: autres combinaisons
1
Timbales (partie séparée)
1
Xylophone
1
Timbales
1
+ 22 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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LIVRES
LUTH
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Ensemble de Trombones
Partitions à imprimer
13 partitions trouvées
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1
Recordare (from "Requiem") (F) (Trombone Sextet)
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Ensemble de Trombones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Trombone Ensemble Trombone - Level 4 - SKU: A0.1111397 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Inst...
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Trombone Ensemble Trombone - Level 4 - SKU: A0.1111397 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713684. Published by Regis Bookshar (A0.1111397). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Trombone Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Trombone Sextet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Trombone Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
Recordare (from "Requiem") (F) (Trombone Septet)
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Trombone Ensemble Trombone - Level 4 - SKU: A0.1112148 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Inst...
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Trombone Ensemble Trombone - Level 4 - SKU: A0.1112148 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 41 pages. Regis Bookshar #714334. Published by Regis Bookshar (A0.1112148). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Trombone Septet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Trombone Septet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (41 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Trombone Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
Recordare (from "Requiem") (F) (Trombone Octet)
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Trombone Ensemble Trombone - Level 4 - SKU: A0.1112903 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Inst...
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Trombone Ensemble Trombone - Level 4 - SKU: A0.1112903 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714858. Published by Regis Bookshar (A0.1112903). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Trombone Octet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Trombone Octet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Trombone Octet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
Recordare (from "Requiem") (F) (Trombone Quintet)
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Trombone Quintet Trombone - Level 4 - SKU: A0.1108393 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instr...
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Trombone Quintet Trombone - Level 4 - SKU: A0.1108393 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711034. Published by Regis Bookshar (A0.1108393). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Trombone Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Trombone Quintet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Trombone Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Symphonie Fantastique for Trombone Octet
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Ensemble de Trombones
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AVANCÉ
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Classique
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Hector Berlioz
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Phil Thrift
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Symphonie Fantastique for Trom
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Phil Thrift
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SheetMusicPlus
Large Ensemble Bass Trombone - Level 5 - SKU: A0.955720 Composed by Hector Berlioz. Arranged by Phil Thrift. Classical,Romantic Period. Score and parts....
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Large Ensemble Bass Trombone - Level 5 - SKU: A0.955720 Composed by Hector Berlioz. Arranged by Phil Thrift. Classical,Romantic Period. Score and parts. 56 pages. Phil Thrift #5322013. Published by Phil Thrift (A0.955720). This, the trombone octet adaptation of my trombone quartet arrangement of Hector Berlioz’ Symphonie Fantastique, again features all the well-known themes of the full orchestral symphony. The beginning is identical with the original, but then proceeds immediately to the March to the Scaffold of the fourth movement. The famous idée fixe of the symphony is first heard at measure 72, and this is followed by other themes from the first movement. The adagio at measure 164 re-creates the pastoral duet of the symphony’s third movement. As indicated on the charts, the first trombone (alto) should play this section offstage (as for the oboist in the original), while the others remain on stage. If this is not possible, then the first trombone should play this section muted. This very reflective interlude is followed by my personal favorite, the wondrously jolly waltz from the symphony’s second movement. The Witches’ Round Dance, a sort of fugue, comes next, and leads to the dies irae – played in four octaves here, but in this octet version heard together with the Witches’ Round Dance. The idée fixe is stated once again before the arrangement concludes in the same way as the original symphony.This is a light-hearted arrangement that is not intended to re-create exactly the grandeur of the original with its huge orchestral forces. Lasting nearly 9 min, depending on how fast you take some sections, this piece will require some stamina, but with many sections arranged for two, three or four trombones, every player does get a break. The first part requires a very capable alto trombonist with a good high register.Player 1 plays alto throughout, player 2 switches between alto and tenor, and parts 7 and 8 are for bass trombone.Sensible page turns were impossible to incorporate in some of the parts while at the same time not exceeding four pages. So in those parts the players are instructed – during longer breaks – to fetch the next page in good time, which is easily possible if the parts are printed out on separate sheets. Players using tablets won’t have any problems, of course.
$8.99
Respighi - St. Michael the Archangel from Church Windows for Trombone Octet
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Ensemble de Trombones
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AVANCÉ
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Contemporain
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Respighi, Ottorino
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Malmstrom, Randall
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Respighi - St. Michael the Arc
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Gordon Cherry
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SheetMusicPlus
Large Ensemble Trombone - Level 5 - SKU: A0.810736 Composed by Respighi, Ottorino. Arranged by Malmstrom, Randall. 20th Century. Score and parts. 59 pag...
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Large Ensemble Trombone - Level 5 - SKU: A0.810736 Composed by Respighi, Ottorino. Arranged by Malmstrom, Randall. 20th Century. Score and parts. 59 pages. Gordon Cherry #2066845. Published by Gordon Cherry (A0.810736). Respighi completed the 4-movement set of Biblical episodes entitled Church Windows in 1925. He actually composed the music first and then added the titles, dispelling any theory of specific religious fervor on his part, but rather having created a general mood with the music. St. Michael the Archangel, the battle-scene 2nd movement is about 6 minutes in length. Mr. Malmstrom has once again shown his talent for arranging large works for Trombone octet. It is appropriate for advanced performers. Printed in Canada.
$40.00
Coronation March (Db) (Trombone Octet)
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.1087838 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instruc...
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Brass Ensemble Trombone - Level 4 - SKU: A0.1087838 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #692067. Published by Regis Bookshar (A0.1087838). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Trombone Octet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Trombone Octet. In addition to this arrangement of Tchaikovsky's Coronation March for a Trombone Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Trombone Quintet)
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Ensemble de Trombones
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Sta...
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Brass Ensemble Trombone - Level 3 - SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533945. Published by Regis Bookshar (A0.813838). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trombone Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trombone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instru.
$15.00
Burgundian Air/March of the Three Kings (F min) (Trombone Quintet)
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Ensemble de Trombones
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INTERMÉDIAIRE
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Traditional French Melodies
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Regis Bookshar
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Burgundian Air/March of the Th
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.813074 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructiona...
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Brass Ensemble Trombone - Level 3 - SKU: A0.813074 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. Score and parts. 21 pages. Regis Bookshar #6097381. Published by Regis Bookshar (A0.813074). Trombone Quintet - Intermediate - . This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 Trombones, by Regis Bookshar. It incorporates two traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (21 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
Coronation March (Db) (Trombone Quintet)
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.1083849 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instruc...
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Brass Ensemble Trombone - Level 4 - SKU: A0.1083849 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 16 pages. Regis Bookshar #688048. Published by Regis Bookshar (A0.1083849). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Trombone Quintet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (16 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Trombone Quintet. In addition to this arrangement of Tchaikovsky's Coronation March for a Trombone Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$20.00
Chorale Prelude, BWV 659 for 8-part Trombone Ensemble
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Ensemble de Trombones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Kevin R
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Chorale Prelude, BWV 659 for 8
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.811256 Composed by Johann Sebastian Bach. Arranged by Kevin R. Dombrowski. Baroque,Classical. Score and part...
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Brass Ensemble Trombone - Level 5 - SKU: A0.811256 Composed by Johann Sebastian Bach. Arranged by Kevin R. Dombrowski. Baroque,Classical. Score and parts. 15 pages. Gordon Cherry #6606899. Published by Gordon Cherry (A0.811256). The Great Eighteen Chorale Preludes are a set of chorale preludes for organ that Bach wrote in his last decade of life while living in Leipzig. They are considered the summit of his sacred music for solo Organ.One of these Preludes BWV 659 Nun komm' der Heiden Heiland (Come now, Savior of the heathen) begins with a quiet and simple walking bass followed by a seemingly endless beautiful melody that builds and builds to an earth-shaking climax.Kevin R. Dombowski has exquisitely arranged this work of about 5 minutes in length in C minor (original in G minor) for an 8-part Trombone Ensemble of advanced performers.
$32.50
Jupiter, the Bringer of Jollity (Trombone Choir)
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Ensemble de Trombones
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AVANCÉ
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Gustav Holst
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Garrett Breeze
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Jupiter, the Bringer of Jollit
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Lagom Music
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SheetMusicPlus
Trombone Ensemble Baritone Horn TC,Bass Trombone,E-Flat Tuba TC,Euphonium - Level 5 - SKU: A0.1208830 Composed by Gustav Holst. Arranged by Garrett Bree...
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Trombone Ensemble Baritone Horn TC,Bass Trombone,E-Flat Tuba TC,Euphonium - Level 5 - SKU: A0.1208830 Composed by Gustav Holst. Arranged by Garrett Breeze. 20th Century,Classical,Instructional,Romantic Period. 73 pages. Lagom Music #806936. Published by Lagom Music (A0.1208830). A faithful and authentic transcription of the fourth movement of Gustav Holst's The Planets: Jupiter, the Bringer of Jollity for trombone choir with nothing left out except for some of the faster runs. Â It is arranged in a double quartet format to cover all of the various back and forth moments that occur in the piece. Â The eight parts would ideally be performed with two players on each part, but they are still managable for smaller ensembles and would also be suitable for a Low Brass Ensemble that included Euphonium and/or Tuba.First performed by the Brigham Young University Trombone Studio in Provo, UT.
$49.99
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