Eine Alpensinfonie is Strauss's final and largest scale tone poem. Composed in 1915 (during WWI) Strauss puts into music his feelings of joy and mystery about the glory of nature, especially the mountains. He so loved the mountains that he built a home in the Bavarian Alps with stunning views.

The original work is scored for an enormous orchestra of at least 125 musicians and is about 50 minutes in length. This fantastic 6-minute arrangement by Randall Malmstrom, appropriate for advanced performers is for an 8-part Trombone Ensemble (1 alto, 5 tenors, and 2 bass trombones) and features excerpts from the work that highlight the trombone section's glorious chorals.

Hans Leo Hassler (1564-1612), son of an organist, was born in Nuremberg and received his initial training in music from his father. As a young man he studied in Venice and became close friends with Giovanni Gabrieli, both eventually studying composition with Giovanni's Uncle Andrea. Hassler gained a reputation as an innovative composer and also traveled throughout Germany as a consultant in the construction of pipe organs.

Dr. Palmer has transcribed this exciting 3 minute work for 6-part Trombone Ensemble. It will work well for intermediate performers.

Verbum caro factum est is a beautiful choral work written in antiphonal style. The text has been taken by Hassler from the first chapter of the St. John Gospel and is considered an ancient carol of Christmas based on the text.

And the Word became flesh and dwelt among us. (John 1:14)
And we have beheld His glory, glory as of the only Son from the Father, full of grace and truth. (John 1:14)

In the beginning was the Word, and the Word was with God, and the Word was God. (John 1:1)

And we have beheld His glory, glory as of the only Son from the Father, full of grace and truth. (John 1:14)

Glory be to the Father and to the Son and to the Holy Spirit.
And we have beheld His glory,
glory as of the only Son from the Father,
full of grace and truth. (John 1:14)

Hear a choral rendition of this work on YouTube: http://www.youtube.com/watch?v=80lkSRHhDyQ

From his acclaimed album Djesse Vol. 3, this is Jacob's favourite track and lends itself beautifully to a trombone ensemble. With a hymn-like chorale and a bluesy solo, along with half the ensemble being bass trombones, this is a great showcase of your ensembles warmth and sensitive playing.

This is an advanced work scored for soloist, six tenor trombones, four bass trombones and a contrabass trombone (playable by a bass trombonist with extreme range). If you are lacking extra bass trombonists, you can substitute tenor trombonists for the top three bass trombone parts.
The soloist part is mostly improvisational and would suit a jazz player. Top two tenor trombones carry more of the melody, with the 2nd playing a higher range. The next four tenor trombones add a lot of colour to the mix with different mutes, and the background effects you can hear on the track, and require agile trombonists.

As played by Super Bone on YouTube.

Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.

Nabucco is the opera which established Verdi's reputation as a great composer and even he realized its importance as he noted "this is the opera with which my artistic career really begins".

iTromboni alum Kenneth Pearce and Andrew Poirier have skillfully set the Overture to "Nabucco" to highlight the beautiful melodies and technical flare in their arrangement for trombone quintet (2 altos, 2 tenors, bass). As in the original, it all begins with a stately trombone chorale, hints at the big melody of ?Va, pensiero? (the great chorus of the Hebrew slaves) and reaches its energetic conclusion full of gusto!

This arrangement is suitable for advanced performers and can be heard on iTromboni?s debut album: ?there goes the neighbourhood?.