Partitions Numériques de etc pour Ensemble de Trombones

etc

#Fletcher, David

"Us" for Jazz Trombone Quintet & Rhythm Section #Ensemble de Trombones #AVANCÉ #Jazz #Thad Jones #Fletcher, David #"Us" for Jazz Trombone Quintet #Cherry Classics Music #SheetMusicPlus

Trombone Quintet and Rhythm Section Jazz - Advanced - Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Big Band, Rock. Score, Set o...(+)

Trombone Quintet and Rhythm Section Jazz - Advanced - Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Big Band, Rock. Score, Set of Parts. 45 pages. Published by Cherry Classics Music
Us, composed by Thad Jones in 1970 and originally recorded that same year, is one of the pieces which defined the new sound of the Thad Jones/Mel Lewis Jazz Orchestra. While being one of the most successful, early melding of big band instrumentation with rock rhythms and rhythm section instruments, it also includes an a cappella chorus for the ?band? (for this version, read: ?trombones?) and intricate saxophone lines which are challenging but very rewardingly playable.

David Fletcher has done a magnificent job of translating the richness of Thad?s voicings and the exuberance and spirit of this piece to the Trombone quintet plus rhythm section instrumentation of the University of Illinois Jazz Trombone Ensemble, who have performed it at both American Trombone Workshops and International Trombone Festivals.

David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 4 minutes in length and includes improvised jazz solos for Trombone 2 and Electric Guitar.

Three And One for Jazz Trombone Quintet and Rhythm Section #Ensemble de Trombones #AVANCÉ #Jazz #Thad Jones #Fletcher, David #Three And One for Jazz Trombon #Cherry Classics Music #SheetMusicPlus

Trombone Quintet and Rhythm Section Jazz - Advanced - Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Swing, Big Band. 105 pages. ...(+)

Trombone Quintet and Rhythm Section Jazz - Advanced - Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Swing, Big Band. 105 pages. Published by Cherry Classics Music
Jones wrote this work in 1958 for a small group session with his two brothers Hank (piano) and Elvin (drums) and is in the album Keepin' Up With The Joneses. The title refers to the three brothers plus another Jones, Eddie, who was the bass player on the session...therefore Three and One.

David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 7-8 minutes in length and includes improvised jazz solos for Bass Trombone and 2nd Trombone and is appropriate for advanced performers.

Large Ensemble Bass Trombone - Level 5 - SKU: A0.955720 Composed by Hector Berlioz. Arranged by Phil Thrift. Classical,Romantic Period. Score and parts. 56 pages. Phil Thrift #5322013. Published by Phil Thrift (A0.955720). This, the trombone octet adaptation of my trombone quartet arrangement of Hector Berliozâ€™ Symphonie Fantastique, again features all the well-known themes of the full orchestral symphony. The beginning is identical with the original, but then proceeds immediately to the March to the Scaffold of the fourth movement. The famous idÃ©e fixe of the symphony is first heard at measure 72, and this is followed by other themes from the first movement. The adagio at measure 164 re-creates the pastoral duet of the symphonyâ€™s third movement. As indicated on the charts, the first trombone (alto) should play this section offstage (as for the oboist in the original), while the others remain on stage. If this is not possible, then the first trombone should play this section muted. This very reflective interlude is followed by my personal favorite, the wondrously jolly waltz from the symphonyâ€™s second movement. The Witchesâ€™ Round Dance, a sort of fugue, comes next, and leads to the dies irae â€“ played in four octaves here, but in this octet version heard together with the Witchesâ€™ Round Dance. The idÃ©e fixe is stated once again before the arrangement concludes in the same way as the original symphony.This is a light-hearted arrangement that is not intended to re-create exactly the grandeur of the original with its huge orchestral forces. Lasting nearly 9 min, depending on how fast you take some sections, this piece will require some stamina, but with many sections arranged for two, three or four trombones, every player does get a break. The first part requires a very capable alto trombonist with a good high register.Player 1 plays alto throughout, player 2 switches between alto and tenor, and parts 7 and 8 are for bass trombone.Sensible page turns were impossible to incorporate in some of the parts while at the same time not exceeding four pages. So in those parts the players are instructed â€“ during longer breaks â€“ to fetch the next page in good time, which is easily possible if the parts are printed out on separate sheets. Players using tablets wonâ€™t have any problems, of course.