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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ALL IN
Non classifié
9 165
Piano & claviers
Piano seul
4 430
Piano, Voix
2 554
Piano, Voix et Guitare
876
Orgue
419
Instruments en Do
346
Piano Facile
233
Accompagnement Piano
172
1 Piano, 4 mains
93
Piano Trio: piano, violon, violoncelle
92
Accordéon
35
Piano Quatuor: piano, violon, alto, violoncelle
27
2 Pianos, 4 mains
24
Orgue, Trompette (duo)
22
Piano Quintette: piano, 2 violons, alto, violoncelle
16
Clavecin
12
Piano Quatuor: piano, 2 violons, violoncelle
12
Orgue, Piano (duo)
11
1 Piano, 6 mains
3
Fake Book
2
2 Pianos, 8 mains
2
Clavier
2
Piano (partie séparée)
1
2 Accordéons
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
486
Guitare
404
Ukulele
209
Ligne De Mélodie, (Paroles) et Accords
179
Basse electrique
78
Paroles et Accords
59
2 Guitares (duo)
47
Piano, Guitare (duo)
45
Dulcimer
36
4 Guitares (Quatuor)
28
Mandoline
25
Banjo
20
Ensemble de guitares
12
3 Guitares (trio)
9
Guitare, Violon, Violoncelle (trio)
7
2 Dulcimers (duo)
4
Ukulele Baryton
3
2 Mandolines (duo)
3
Partitions De Groupes
2
Guitare, Flûte, Clarinette
2
Mandoline, Guitare (duo)
2
Ensemble de Ukulélés
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
2 106
Chorale 3 parties
634
Chorale TTBB
507
Chorale SSAA
328
Chorale 2 parties
170
Chorale Unison
114
Voix Alto, Piano
58
Voix Soprano, Piano
49
Voix duo, Piano
48
Voix haute
45
Voix duo
43
Voix Tenor, Piano
39
Chorale
37
Voix Tenor
34
Voix Baryton, Piano
28
Voix Soprano
27
Voix seule
23
Voix moyenne, Piano
18
Voix basse, Piano
8
Chorale SSATB
4
Chorale SSAATTBB
3
Chorale SSATTB
2
Voix basse
2
Voix Mezzo-Soprano, Piano
1
Chorale SSAB a cappella
1
Voix Soprano, Orchestre
1
Soli, choeur mixte et accompagnement
1
Voix, Guitare
1
+ 23 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
693
2 Saxophones (duo)
640
Flûte traversière et Piano
626
Clarinette et Piano
513
Quatuor de Saxophones: 4 saxophones
489
Hautbois, Piano (duo)
468
Flûte, Hautbois, Clarinette, Basson
408
2 Flûtes traversières (duo)
401
Saxophone Alto et Piano
395
Quatuor de Clarinettes: 4 clarinettes
367
2 Clarinettes (duo)
363
Flûte traversière
316
Clarinette
310
Saxophone Tenor et Piano
284
Quintette de Saxophone: 5 saxophones
274
Quatuor de Flûtes : 4 flûtes
210
Saxophone, Clarinette (duo)
205
Saxophone Alto
200
Saxophone Soprano et Piano
194
Clarinette, Violon (duo)
163
Saxophone Tenor
154
Saxophone Baryton, Piano
152
Flûte, Clarinette (duo)
147
Quintette de Clarinettes: 5 clarinettes
142
Saxophone (partie séparée)
137
Ensemble de Clarinettes
127
2 Hautbois (duo)
125
Ensemble de Flûtes
122
Clarinette, Trompette (duo)
120
Hautbois (partie séparée)
115
Hautbois, Basson (duo)
109
3 Saxophones (trio)
106
3 Clarinettes (trio)
102
Ensemble de saxophones
102
Hautbois, Clarinette (duo)
98
Flûte, Violon
89
Flûte, Saxophone (duo)
76
Flûte et Guitare
76
Clarinette et Alto
73
Flûte, Trompette (duo)
71
Trio de Flûtes: 3 flûtes
68
Clarinette Basse, Piano
68
Hautbois, Flûte
65
Flûte, Hautbois, Clarinette (trio)
62
Cor anglais, Piano
59
Flûte, Alto (duo)
53
Quintette de Flûte : 5 flûtes
52
2 Flûte à bec (duo)
49
Hautbois
48
Flûte, Clarinette et Basson
46
Flûte, Violon et Violoncelle
45
Clarinette, Guitare (duo)
39
Flûte, Violon, Piano
38
Flûte, Hautbois, Basson
34
Flûte à Bec
33
Hautbois, Clarinette, Basson (trio d'anches)
32
Saxophone Soprano
30
Quatuor de Flûtes à bec
29
Ensemble De Flûte à bec
28
Flûte à bec Soprano
28
Saxophone Baryton
26
Flûte, Clarinette, Piano (trio)
26
Clarinette, Basson (duo)
25
Flûte, Violoncelle, Piano (trio)
22
Flûte, Hautbois (duo)
21
Saxophone
20
Clarinette, Violoncelle, Piano (trio)
19
Cor Anglais
19
Flûte, Violoncelle
18
Clarinette, Harpe (duo)
18
2 Flûtes traversières, Piano
17
2 Clarinettes, Piano
16
Flûte, trombone et piano
15
2 Saxophones, Piano
15
Flute, harpe et violon
13
Instruments en Mib
13
Flûte, Alto et Piano
12
Cor anglais, Guitare (duo)
12
Flûte, Clarinette, Violon (trio)
12
5 Flûtes à bec
12
Clarinette, Violoncelle (duo)
11
Ocarina
11
Flûte, Basson et Piano
11
3 Flûtes à bec (trio)
10
Hautbois, violon (duo)
10
Flûte à bec Alto
9
Hautbois, Guitare (duo)
9
Flûte à bec Soprano, Piano
8
4 Hautbois
8
Flûte, Hautbois, Piano (trio)
8
Flûte, Violoncelle, Guitare
8
3 Hautbois
7
Clarinette (partie séparée)
7
Saxophone et Guitare
7
Saxophone et Harpe
7
Flûte irlandaise
7
Ensemble à vent
6
Clarinette, trompette et piano
6
Flûte, Violon, Violoncelle et Piano
6
Flûte, Hautbois, Violon
5
Clarinette Basse
5
Hautbois, Harpe
5
Flûte, Harpe et Violoncelle
5
2 Clarinettes, Basson
5
Harmonica
5
Piccolo, Piano
4
Flute (partie séparée)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte, Trombone (duo)
3
Piccolo
3
2 Hautbois, Piano
3
Flûte et Trio à cordes
3
Flûte traversière, Orgue (duo)
3
Flûte à bec, Guitare (duo)
2
Flûte traversière, Basse continue
2
Clarinette, Alto et Piano (trio)
2
Clarinette, Trombone (duo)
2
Flûte à bec Alto, Piano
2
Flûte à bec Tenor
2
Flûte, Violon, Guitare
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Hautbois, Clarinette et Piano (Trio)
2
Saxophone et Piano
1
Clarinette, Basson, Piano (trio)
1
Flûte à bec Soprano, Basse continue
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Tuba
1
2 Flûtes traversières, Harpe
1
Flûte de Pan
1
Flute, Cor (duo)
1
Saxophone et Orgue
1
Hautbois, Violoncelle et Piano
1
Flûte à Bec, Piano
1
Flûte, alto et harpe
1
2 Cors Anglais Et Pianoforte
1
+ 130 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
595
Quatuor de Cuivres : 2 trompettes, trombone, tuba
361
Trompette, Piano
343
Trombone et Piano
342
Trompette
334
Cor et Piano
281
Trombone
175
2 Trompettes (duo)
167
Cor
158
Quatuor de Cuivres: 2 trompettes, Cor, trombone
152
2 Trombones (duo)
151
Trompette, Saxophone (duo)
146
Tuba et Piano
125
Trompette, Trombone (duo)
121
Quatuor de Cuivres
103
Tuba
97
Euphonium, Piano (duo)
94
2 Cors (duo)
86
Ensemble de Trompettes
67
Cor anglais, Piano
59
Quatuor de cuivres: 4 trombones
43
Trompette (partie séparée)
37
2 Tubas (duo)
37
Quatuor de cuivres: 4 cors
36
Ensemble de Trombones
34
Euphonium
29
Cor Anglais
19
Quatuor de cuivres: 4 trompettes
15
Instruments en Sib
15
Trio de Cuivres
14
Ensemble de Cors
14
4 Tubas
13
2 Euphoniums et 2 Tubas
13
Trompette, Cor (duo)
12
Trompette, Harpe
12
3 Trombones (trio)
12
Cor anglais, Guitare (duo)
12
3 Trompettes (trio)
10
Trombone (partie séparée)
9
Euphonium, Tuba (duo)
8
Cor et Harpe
8
Cor, Tuba (duo)
7
2 Euphoniums (duo)
7
Trompette, Tuba (duo)
6
Trombone, Tuba (duo)
6
Cor (partie séparée)
5
Bass Clef Instruments
4
Trombone, Cor (duo)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
2 Cors, Piano
4
Trompette, Trombone, Piano
3
Cor, Violoncelle et Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
Cor, Violoncelle (duo)
3
Trombone basse
2
Trombone, violoncelle (duo)
2
Trompette, Violoncelle et Piano
2
Trompette et Guitare
2
2 Trombones, Piano
2
3 Cors (trio)
2
Trombone, Orgue
2
Trombone basse et Piano
2
Cornet et orchestre
1
Clarinette, Cor (duo)
1
Trompette, Euphonium (duo)
1
Ensemble de Tubas
1
Trompette, Violoncelle (duo)
1
Tuba (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 658
Violon et Piano
682
Violon
586
Violon, Violoncelle (duo)
487
Violoncelle, Piano
463
Alto, Piano
442
Trio à Cordes: violon, alto, violoncelle
440
Harpe
386
Violoncelle
308
2 Violons (duo)
263
Quintette à cordes: 2 violons, alto, violoncelle, basse
204
Trio à Cordes: 2 violons, violoncelle
199
Violon, Alto (duo)
188
Alto seul
187
2 Harpes (duo)
179
2 Violoncelles (duo)
170
2 Altos (duo)
168
Contrebasse, Piano (duo)
114
Contre Basse
92
Alto (partie séparée)
55
4 Violoncelles
50
Alto, Violoncelle (duo)
40
2 Contrebasses (duo)
31
Trio à cordes: 3 violins
30
Violoncelle , Guitare (duo)
27
Violon, Guitare (duo)
27
Harpe, Flûte (duo)
24
Piano Trio: Violon, Alto, Piano
21
Trio à Cordes: 3 violoncelles
21
Harpe, Voix
16
Ensemble de Violons
15
Harpe, Violon (duo)
14
Trio à cordes: 3 altos
12
Alto, Guitare (duo)
12
Violon (partie séparée)
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Ensemble d'Altos
10
Alto et Harpe
9
Trio à Cordes: 2 violons, alto
9
Harpe, Violoncelle (duo)
9
Trio à cordes
8
Violoncelle, Contrebasse (duo)
8
Quatuor à cordes : 4 altos
7
Quatuor à cordes: 4 violons
6
Violoncelle (partie séparée)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Harpe et Piano
5
2 Violoncelles, Piano
5
2 Violons, Piano
5
Flûte, Contrebasse (duo)
4
Harpe, Violon, Violoncelle
3
Contrebasse (partie séparée)
3
Harpe, Trombone (duo)
3
Violon, Clarinette, Piano (trio)
3
3 Contrebasses
2
Violon, Orgue
2
Ensemble de Contre basses
2
4 Contrebasses
2
2 Altos, Piano
2
Violon, Violoncelle, Clarinette
2
Violoncelle, Orgue
2
Violon, Basse continue
1
Ensemble de Violoncelles
1
Alto, Orgue
1
Alto et Basson
1
3 Harpes
1
Harpe et Orgue
1
Violon, Basson (duo)
1
Violon, Trompette et Piano
1
+ 64 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
851
Orchestre à Cordes
589
Orchestre
522
Ensemble Jazz
471
Ensemble de cuivres
344
Cloches
322
Orchestre de chambre
205
Jazz combo
130
Fanfare
127
Batterie
76
Ensemble de Percussions
68
Marimba
16
Xylophone, Piano
15
Vibraphone
14
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
14
Xylophone
7
Percussion
5
Percussion (partie séparée)
3
Vibraphone et Marimba
2
3 Marimbas
2
Big band
2
2 Xylophones
1
Instrumentation Flexible
1
Caisse Claire
1
Orchestre, Violon
1
Quintette à Vent
1
Quintette de Cuivres: autres combinaisons
1
Batterie (partie séparée)
1
+ 23 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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SAXOPHONE
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Ensemble de Flûtes
Partitions à imprimer
122 partitions trouvées
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101
Covid Suite - A Year in Review
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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R H Baptiste
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Covid Suite - A Year in Review
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Ron Baptiste
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 3 - SKU: A0.1367219 Composed by R H Baptiste. 21st Century,Classical,C...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 3 - SKU: A0.1367219 Composed by R H Baptiste. 21st Century,Classical,Contemporary. 75 pages. Ron Baptiste #951576. Published by Ron Baptiste (A0.1367219). This is a rather long piece (about 22 minutes) - but quite amenable to breaking it up any number of ways (by month, quarter, etc). I wrote this over the course of the Covid shutdown, when we were pretty much housebound for long periods. It's divided into 12 sections, one for each month, beginning in March 2020 - when we here in Canada first found out about the approaching pandemic. I tried to represent each month as it affected me - some sadder, some a bit more optimistic. I especially like December - mostly sad, with a brief reprieve for Christmas, then back to sad. In this neck of the woods, Christmas was all but cancelled as we were pretty much in lockdown; at the last minute, restrictions were eased to allow small gatherings for the Holiday. Overall, it was a sad, lonely year - especially for musicians! Whatever your personal stance on the pandemic, it certainly affected us all - and resulted in the loss of many lives.
$4.99
Air from Suite in D by Bach for flute choir / flute ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Johann Sebastion Bach , J S Ba
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Ray-Michael Kauffman
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Air from Suite in D by Bach fo
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as do Ray meflute studio production
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.874245 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Concert,Sacre...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.874245 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Concert,Sacred,Standards,Wedding. 17 pages. As do Ray meflute studio production #3591641. Published by as do Ray meflute studio production (A0.874245). https://www.youtube.com/watch?v=EKPo0RPP-E4&feature=youtu.beAir from Suite in D by J. S. Bacharranged for flute choir / ensemble by me Ray-Michael Kauffman. I know there is a lot of versions of this , but unhappy with most of them and lack of over all music musicality I decided to create one that was interesting to play and hear a swell as make good musical sense. After much debate, I decided changing the key to E flat would be most appropriate for either small group of players ( minimum 7) or larger groups . In the piece there is even additional divisions to help create more texture and colors in parts 3 & 4, yet remaining simple and true but sounding beautiful , what flutes should sound like.Great for studying flutist, to high school and college students. Flute choir groups, etcwould be a great addition for your ensemble, whether playing at a recital, concert, church and other spiritual events, graduation, weddings, etc. This would also be a great tool or warm up for balance and shaping sound, volume, color, blending, phrasing and other important technique builders for your group.You'll love this arrangement ,and so will the flutists and your audience!
$13.99
Ballade
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Carl Reinecke
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Robert Rainford
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Ballade
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Forton Music - Digital
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SheetMusicPlus
Solo Fl. 4 Fl. Afl. Bfl. (Cbfl) - Intermediate-Advanced - Composed by Carl Reinecke (1824-1910). Arranged by Robert Rainford. This Ballade for flute...
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Solo Fl. 4 Fl. Afl. Bfl. (Cbfl) - Intermediate-Advanced - Composed by Carl Reinecke (1824-1910). Arranged by Robert Rainford. This Ballade for flute and orchestra, arranged here for solo flute with flute ensemble, was the last piece Reinecke completed. It belongs firmly in the Romantic tradition of the solo piece for flute and orchestra, showing different aspects of the instrum. Score and Parts. 50 pages. Forton Music - Digital #FM647. Published by Forton Music - Digital
$17.95
Serenade in the summer residence (Serenata nella residenza estiva) for flute choir or flute septet
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Serenade in the summer residen
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.578943 Composed by David Warin Solomons. 20th Century,Concert,Contemporary. 23 pages. David Warin Solomons #...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.578943 Composed by David Warin Solomons. 20th Century,Concert,Contemporary. 23 pages. David Warin Solomons #2062305. Published by David Warin Solomons (A0.578943). Inspired by a satirical poem by Reiner Kunze as translated by Ewald Osers, initially composed as a song and then made into various more fullsome instrumental versions. It describes a concert in a rich summer residence on a hot balmy day.The pdf contains score and parts. The sound sample a live performance by Budapest Scoring in May 2018.Videohttps://www.youtube.com/watch?v=CneKoiQ7s6c
$11.00
Deck The Halls
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Anon
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Myrick Crampton
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Deck The Halls
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MDC Music LLC
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1456630 Composed by Anon. Arranged by Myrick Crampton. Christmas,Classical,Holid...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1456630 Composed by Anon. Arranged by Myrick Crampton. Christmas,Classical,Holiday. 37 pages. MDC Music LLC #1035705. Published by MDC Music LLC (A0.1456630). Experience the joy of the holiday season with this enchanting flute choir arranmgnt of “Deck the Halls”. As the Welsh say”The best pleasure on new year’s eveIs house and fire and a pleasant family,A pure heart and blonde ale, A gentle song and the voice of the harp.Or in this case, a gaggle of flutes!Arranged for (F1-3, AF 4, BF 5, Contra 6)Time: 5”.
$12.99
Walking In The Air
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Noël
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Howard Blake
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James-Michael Sellers
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Walking In The Air
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JMS Composer
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1309253 Composed by Howard Blake. Arranged by James-Michael Sellers. Chr...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1309253 Composed by Howard Blake. Arranged by James-Michael Sellers. Christmas,Holiday. 21 pages. JMS Composer #898434. Published by JMS Composer (A0.1309253). Written by Howard Blake for the 1982 animated film The Snowman, Walking in the Air is one of the most beloved seasonal themes. Musically relating the journey flying to the North Pole, the work contains many flowing countermelodies. This Flute Choir rendition, playable with or without Piccolo, will be a new favorite for your group in the Winter Holidays.
$12.99
"Weekend in Paris" Original Jazz Waltz for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Grant Horsley
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"Weekend in Paris" O
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Grant Horsley
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1272638 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Multicultural,W...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1272638 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Multicultural,Wedding,World. 41 pages. Grant Horsley #864863. Published by Grant Horsley (A0.1272638). Scored for 4 C Flutes, Alto and Bass Flute, Weekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris.The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine. The piece is in concert F major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato and is in E flat major. A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability. The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind. Full score 16 pages-parts 4 pages. 4 mins 30 in length. Price is for the full score and all parts.NB Another version for 6 C flutes, is also available as is a Clarinet Choir versions.
$14.50
"Weekend in Paris" Original Jazz Waltz for Flute Ensemble (6 C Flutes)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Grant Horsley
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"Weekend in Paris" O
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Grant Horsley
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 3 - SKU: A0.1272639 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Multicultural,Wedding,World. 41...
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Flute Choir,Woodwind Ensemble Flute - Level 3 - SKU: A0.1272639 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Multicultural,Wedding,World. 41 pages. Grant Horsley #864865. Published by Grant Horsley (A0.1272639). Scored for 6 C Flutes, Weekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris. The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine. The piece is in concert F major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato and is in E flat major. A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability. The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind. Full score 16 pages-parts 4 pages. 4 mins 30 in length. Price is for the Full Score and all parts.NB Another Flute choir version (4 C flutes, Alto and Bass Flute) is also available as is a Clarinet Choir version.
$14.50
Won't You Be My Neighbor? (it's A Beautiful Day In The Neighborhood)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Fred Rogers
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Lisa Ochoco
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Won't You Be My Neighbor?
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559885 Composed by Fred Rogers. Arranged by Lisa Ochoco. Broadway,Contemporary,F...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559885 Composed by Fred Rogers. Arranged by Lisa Ochoco. Broadway,Contemporary,Film/TV,Musical/Show. 17 pages. Lisa L Ochoco #5317029. Published by Lisa L Ochoco (A0.559885). This awesome piece was the introduction theme to a children's show on PBS called Mr. Rogers' Neighborhood that aired from 1968 to 2001. His show was geared towards preschool children, and focused on their physical and emotional well-being. Mr. Rogers had a degree in music and wrote this song for him to sing at the beginning of each show.
$15.00
I Saw Three Ships (Come Sailing In) for flute choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Noël
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Traditional English Carol
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Ralph Raymond Hays
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I Saw Three Ships
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Ralph Raymond Hays
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.720632 Composed by Traditional English Carol. Arranged by Ralph Raymond ...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.720632 Composed by Traditional English Carol. Arranged by Ralph Raymond Hays. Christmas,Multicultural,Praise & Worship,World. 12 pages. Ralph Raymond Hays #4642249. Published by Ralph Raymond Hays (A0.720632). No mere transcription, this magnificent arrangement enhances the familiar melody with masterful counterpoint and engaging harmonic substitutions. All members of the ensemble are featured, delighting the performers and audience members alike.
$12.99
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Silent Night (Bb) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,Wor...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 11 pages. Regis Bookshar #6636631. Published by Regis Bookshar (A0.813987). Flute Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Flute Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Halloween Theme for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Halloween
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Halloween
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John Carpenter
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Halloween Theme for Flute Choi
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Lisa Ochoco
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SheetMusicPlus
Flute Choir - Intermediate - By John Carpenter. Arranged by Lisa Ochoco. Score, Set of Parts. 15 pages. Published by Lisa Ochoco...
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Flute Choir - Intermediate - By John Carpenter. Arranged by Lisa Ochoco. Score, Set of Parts. 15 pages. Published by Lisa Ochoco
The theme song from Halloween ranks as one of the creepiest movie theme songs ever. It was first composed in 1978, and is still creeping people out just as strong as ever. Critics have grumbled about it being too simple, but that's what makes this piece so memorable.
Set at a time signature of 5/4 throughout, this arrangement is scored for 2 C flutes, alto, and bass. Each of these 4 parts have 2 part divisis at one point or other. Optional contrabass and cello parts are also included.
It goes without saying that this piece should be played in a cold and mechanical manner. It definitely isn't a "pretty" piece. The lower instruments should be strong, while the upper instruments tip toe on top. If you would like to add a little more interest to the piece, an egg shaker could be played at every beat.
This will give your audience the heebie jeebies.
This piece is simple enough for musicians with intermediate skill.
Duration: 2.25 minutes
$13.00
I Need To Be In Love
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Ensemble de Flûtes
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INTERMÉDIAIRE
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The Carpenters
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Carson Yu
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I Need To Be In Love
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Carson Music Gallery
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1423316 By The Carpenters. By Albert Hammond, John Bettis, and Richard Carpenter...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1423316 By The Carpenters. By Albert Hammond, John Bettis, and Richard Carpenter. Arranged by Carson Yu. 20th Century,Chamber,Pop,Singer/Songwriter. 14 pages. Carson Music Gallery #1004631. Published by Carson Music Gallery (A0.1423316). From The Carpenters' golden hits. I Need to Be in Love is a song written by Richard Carpenter, Albert Hammond and John Bettis. It was released as a single in 1976 performed by Karen Carpenter. Flute choir version (4 C Flutes, alto & bass flute) arranged by Carson Yu. Intermediate level with score and parts. Suitable for concert, encore, gigs, party or any occasions. Published by Carson Music GalleryE-mail: carsonmusicgallery2022@gmail.com.
$19.99
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Bach: Jesu, Joy of Man's Desiring for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$49.95
MISSION: IMPOSSIBLE - Theme from the movie for Flute Choir (Picc., 3C, A.Fl, B.Fl.)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Film/TV
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Lalo Schifrin
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Carson Yu
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MISSION: IMPOSSIBLE - Theme fr
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Carson Music Gallery
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SheetMusicPlus
Flute, Woodwind Choir or Ensemble - Intermediate - By Lalo Schifrin. Arranged by Carson Yu. Individual Part, Score, Set of Parts. 19 pages. Publishe...
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Flute, Woodwind Choir or Ensemble - Intermediate - By Lalo Schifrin. Arranged by Carson Yu. Individual Part, Score, Set of Parts. 19 pages. Published by Carson Music Gallery
Theme from the Paramount Television Series MISSION: IMPOSSIBLE
Composed by Lalo Schifin and arranged for Flute Choir by Carson Yu.
Piccolo, 3 Flutes, Alto Flute & Bass Flute (optional Contrabass Flute).
Intermediate level. Suitable for gigs, party, encore piece in Concert or any occasions.
Published by Carson Music Gallery
carson.yu@me.com
$19.99
Oompa-loompa-doompadee-doo
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Anthony Newley and Leslie Bric
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Lisa Ochoco
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Oompa-loompa-doompadee-doo
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.560026 Composed by Anthony Newley and Leslie Bricusse. Arranged by Lisa ...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.560026 Composed by Anthony Newley and Leslie Bricusse. Arranged by Lisa Ochoco. Broadway,Contemporary,Film/TV,Musical/Show. 18 pages. Lisa L Ochoco #6343849. Published by Lisa L Ochoco (A0.560026). The only thing cuter than the title of this song is the song itself. This, of course, is from the movie Willy Wonka & the Chocolate Factory. There are a few curve balls in this arrangement, since playing two verses exactly the same way would be boring.
$16.00
Let There Be Peace On Earth
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Musique Sacrée
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Jill Jackson and Sy Miller
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John Wernega
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Let There Be Peace On Earth
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John Wernega
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1316079 Composed by Jill Jackson and Sy Miller. Arranged by John Wernega. Christ...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1316079 Composed by Jill Jackson and Sy Miller. Arranged by John Wernega. Christian,Praise & Worship,Religious,Sacred. 19 pages. John Wernega #904826. Published by John Wernega (A0.1316079). Here is a beloved classic that would be a crowd pleaser in your concerts and/or church services. This arrangement is full of lush harmonies. There is a hauntingly beautiful interlude in the middle, resolving to a new key. This arrangement includes three C flute parts, an alto flute, a bass flute, and a contrabass flute. They are all in the same pdf below the conductor score. There is a version of this arrangement available for flute ensembles with out a contrabass.
$14.00
Petrichor (for Flute Choir)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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the end, one might even imagin
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James-Michael Sellers
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Petrichor
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JMS Composer
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.749400 Composed by James-Michael Sellers. Contemporary. 29 pages. JMS Co...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.749400 Composed by James-Michael Sellers. Contemporary. 29 pages. JMS Composer #4835911. Published by JMS Composer (A0.749400). Petrichor is the scientific name given to the earthy smell of rain coming into contact with the ground. The work starts with the image of the rain just beginning to occur, with finger snaps, leg slaps, and the sound of palms rubbing together simulating the rain fall. The music starts at a slow tempo and increases over the length of the piece as the downpour accelerates. By the end, one might even imagine walking out onto a porch to enjoy watching the rain continue to fall, as it offers up even a moment of peace.From a rehearsal standpoint, Petrichor is not technically demanding. It focuses on the patterns that occur during rainfall, using them to help build towards the exciting conclusion. Working each pattern independently before bringing them together is very helpful, as it will help lock in the mix of rhythms. The opening does not need to feel rushed and should be allowed to breathe, and each increase in the tempo should not be telegraphed, but should flow from the previous tempo. The ending combines straight eighths and sixteenths with a running triplet pattern between them; the triplet pattern should feel like it sits on top of everything else, almost floating along like a cloud.This was a pleasure to compose, and I hope you enjoy rehearsing and performing Petrichor.
$12.99
"The Hunky Punks" Original for Flute Ensemble (6 C Flutes)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Halloween
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Grant Horsley
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"The Hunky Punks" Original for
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Grant Horsley
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 3 - SKU: A0.1427858 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festival,Halloween. 41 ...
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Flute Choir,Woodwind Ensemble Flute - Level 3 - SKU: A0.1427858 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festival,Halloween. 41 pages. Grant Horsley #1008600. Published by Grant Horsley (A0.1427858). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth. The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’.Scored for six C Flutes, this piece is in concert D minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. Set at intermediate level but on the youtube link there is the full score for you to assess suitability. It is nearly 5 mins in length and would be a great addition to a repertoire.Price is for full score and all parts.
$14.50
"The Hunky Punks" for Flute Choir.
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Halloween
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Grant Horsley
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"The Hunky Punks" for Flute Ch
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Grant Horsley
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1427856 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1427856 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festival,Halloween. 46 pages. Grant Horsley #1008598. Published by Grant Horsley (A0.1427856). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth. The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’. Scored for 4 C Flutes, Alto and Bass Flute with optional Piccolo and Contrabass Flute parts. (A 6 C Flute version is also available.)This piece is in concert D minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. A 6 C Flute version is also available.Set at intermediate level but on the youtube link there is the full score for you to assess suitability. It is nearly 5 mins in length and would be a great addition to a repertoire.Price is for the full score and all parts.
$14.50
Twitter, for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Greg Danner
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Twitter, for Flute Choir
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Avanti Music
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Ava...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Avanti Music (A0.778282). Twitter, founded in March of 2006, is a social networking and micro-blogging service that allows users to post short messages of no more that 140 characters. Because it works as an application on cell phones people can share information immediately. In its short time, Twitter has become embedded in our increasingly networked society. The composition Twitter takes five famous tweets-some serious, others funny, and some historic and presents a musical interpretation. In keeping with the idea that a tweet is a short message, each movement of Twitter is approximately 140 seconds long. 1. There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy. Janis Krums, 12:36 p.m. Jan15, 2009Janis Krums posted this text and the first photo of US Airways flight 1549 moments after the plane made an emergency landing in the Hudson River after hitting a flock of birds. His quick action helped to notify rescue workers and the media. 2. Today I interviewed a squirrel in my backyard and then threw to commercial. Somebody help me.Conan O’Brien, 3:54 p.m. Feb. 24, 2009 Shortly after being dismissed from the Tonight Show and finding himself in-between jobs, Conan O’Brien joined Twitter. As with many celebrities, a Twitter account can allow fans to stay in touch and feel connected. What was amazing in this case was that in just two hours after this first tweet he had over 125,000 followers-the largest number ever in such a short time. His number has since grown to nearly 3 million. 3. ArrestedJames Buck, 9:30 a.m. April 10 A graduate student from the University of California-Berkeley, James Buck was covering an anti-government protest in Egypt. Buck was caught up in a demonstration, and while being taken to jail had time to post a one-word tweet-arrested. Within seconds colleagues in the United States got word of his arrest and notified the university, the US Embassy, and a number of press organizations on his behalf, leading to his freedom. 4. We just made history. All of this happened because you gave your time, talent and passion. All of this happened because of you. Thanks. Barack Obama, 11:34 a.m. Nov. 5, 2008 The Obama 2008 campaign was historic on a number of counts, and the use of technology and social media was one of them. This tweet was sent to over 2.6 million followers just after the election. 5. Are you ready to celebrate? Well, get ready: We have ICE!!!!! Yes, ICE, *WATER ICE* on Mars! w00t!!! Best day ever!! MarsPhoenix, 5:14 PM Jun 19th, 2008 NASA’s Jet Propulsion Laboratory has made an innovative use of twitter by sending messages from the Mars Phoenix lander’s point of view. The message above is undoubtedly the most exciting news ever to be tweeted on behalf of an extraterrestrial robot.
$40.00
Cloud Images for Flute choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Phyllis Avidan Louke
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Phyllis Avidan Louke, ASCAP
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Cloud Images for Flute choir
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #44052...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #4405244. Published by Louke Publishing (A0.736289). For Flute Choir Cloud Images By Phyllis Avidan Louke Cloud Images is a programmatic work in five movements for Flute Choir dedicated to Albert Weatherly of Sankyo Flutes, USA. The inspiration for this piece came from the beauty of the cloud formations observed during a long plane flight. Movement 1, Rising Above the Clouds, features a soaring melody played first by the bass and alto flute over an ostinato played by the flutes. The piccolo adds a countermelody which contributes to the feeling of being above the clouds. (1:30)  Movement 2, Billowing Clouds, features a melody in 7/8 time, alternating with another in 6/8 time, to convey the the shape and roundness of clouds.  (2:00) Movement 3, Oh Look! There’s an Alligator!, is a whimsical look at the different shapes that can be found in clouds. A running bass line in the bass flute supports a jaunty melody which seems to be on the prowl to find various shapes in the clouds. Several different animal shapes are seen: a hippo, an elephant, and finally, an alligator. Vocals can also be utilized in this movement to better communicate these animal shapes to the audience. (2:20)  Movement 4, With Your Head in the Clouds, is in a light-hearted soft shoe style. The melodies describe the feeling of skipping through life, not having a care in the world. For a Lawrence Welk ending, one of the players with rests can blow bubbles during the last measure. (1:40)  Movement 5, Through a Sea of Clouds, has a dream-like quality imagining what it would be like to travel through a sea of clouds and touch their whispy softness. The bass flute is prominently featured, and later joined by the alto flute. The piccolo adds the frosting on top. (2:30)  Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com  Â
$18.00
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