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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
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SYNTHETISEUR
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XYLOPHONE
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642
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1 641
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431
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374
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95
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18
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11
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10
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8
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7
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
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1
1 Piano, 6 mains
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Orgue, Trompette (duo)
1
+ 10 instrumentations
Retracter
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24
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7
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5
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205
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33
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10
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5
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1
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1
+ 8 instrumentations
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428
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291
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155
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113
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85
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65
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60
Saxophone Baryton, Piano
59
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45
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40
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36
2 Clarinettes (duo)
33
Clarinette
33
2 Flûtes traversières (duo)
30
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19
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19
Ensemble de Flûtes
15
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14
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10
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9
3 Clarinettes (trio)
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Flûte traversière
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3 Saxophones (trio)
7
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Flûte, Clarinette, Piano (trio)
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1
Flute, harpe et violon
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Saxophone Tenor
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Flûte, Trompette (duo)
1
Saxophone, Clarinette (duo)
1
Hautbois, Flûte
1
Flûte, Violon, Piano
1
+ 58 instrumentations
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90
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85
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72
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67
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67
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59
Trompette
28
2 Trompettes (duo)
14
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12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
2 Trombones (duo)
8
2 Cors (duo)
7
3 Trombones (trio)
7
2 Cors Anglais Et Pianoforte
5
2 Euphoniums (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone
4
Cor
4
Cor, Violoncelle (duo)
3
Ensemble de Trombones
3
Trombone, violoncelle (duo)
2
Trompette, Trombone (duo)
2
Euphonium, Tuba (duo)
1
Trompette, Cor (duo)
1
Trombone, Tuba (duo)
1
Euphonium
1
Trio de Cuivres
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de Cuivres
1
2 Euphoniums et 2 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba
1
Trompette, Violoncelle (duo)
1
+ 28 instrumentations
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391
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108
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103
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94
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54
Violoncelle , Guitare (duo)
24
Violon, Violoncelle (duo)
23
Harpe
18
Violon, Alto (duo)
12
2 Violoncelles (duo)
12
2 Violons (duo)
12
Violoncelle
10
Alto, Violoncelle (duo)
8
2 Altos (duo)
7
Alto, Guitare (duo)
4
Alto seul
4
4 Violoncelles
4
Piano Trio: Violon, Alto, Piano
2
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Guitare (duo)
2
Trio à cordes: 3 violins
2
Contrebasse, Piano (duo)
1
Violon
1
Violon, Orgue
1
Harpe, Violon, Violoncelle
1
Trio à Cordes: 2 violons, alto
1
Alto et Basson
1
Harpe, Violon (duo)
1
Flûte, Contrebasse (duo)
1
Ensemble de Violoncelles
1
+ 27 instrumentations
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76
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45
Orchestre d'harmonie
30
Ensemble Jazz
28
Cloches
26
Orchestre
20
Jazz combo
16
Orchestre de chambre
8
Fanfare
6
Marimba et Orgue
2
Marimba
1
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15 partitions trouvées
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1
Shadowlands: A Journey for Flute Choir
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Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Contemporain
#
Phyllis Avidan Louke, ASCAP
#
Phyllis Avidan Louke, ASCAP
#
Shadowlands: A Journey for Flu
#
Louke Publishing
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.736288 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 38 pages. Louke Publishing #43671...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.736288 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 38 pages. Louke Publishing #4367130. Published by Louke Publishing (A0.736288). Shadowlands: A JourneyBy Phyllis Avidan Louke, ASCAP PROGRAM NOTES:Shadowlands: A Journey is a programmatic work in three movements for Flute Choir written in memory of the composer’s uncle who died from cancer. Movement One (Out of the Darkness), written in a minor key, contains a plaintive melody conveying sadness which later transforms to hope. Movement Two (Into the Shadows) begins with a beautiful bass and alto flute duet written in quartal harmony. The melody is introspective, yet, in conjunction with syncopated chords by 4ths, keeps moving the listener forward toward a climax of resignation. Movement Three (Moving Toward the Light), written in a major key, conveys a feeling of hope and peace, ends with a touching chorale which extensively utilizes chords with added seconds. Scored for piccolo, 3 flutes, alto flute, and bass flute, and opt. contrabass flute (doubling bass flute part) Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com  Â
$17.00
When Johnny Comes Marching Home for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Folklorique/Traditionel
#
Traditional
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Phyllis Avidan Louke, ASCAP
#
When Johnny Comes Marching Hom
#
Louke Publishing
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.736293 Composed by Traditional. Arranged by Phyllis Avidan Louke, ASCAP. Folk. 13 pages. Louke Publishing #4...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.736293 Composed by Traditional. Arranged by Phyllis Avidan Louke, ASCAP. Folk. 13 pages. Louke Publishing #4727247. Published by Louke Publishing (A0.736293). When Johnny Comes Marching Home arranged by Phyllis Avidan Louke, ASCAP This traditional song is arranged in a theme & variations style where each section of the flute choir has a turn at the melody. Some interesting countermelodies and additional familiar melodies are woven into this piece. Scored for piccolo, 3 flutes, alto (c-flute part included) and bass flute (and opt. contrabass flute). (4:00) Level 3 Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com and www.fabulousflute.com
$17.00
The Addams Family Theme for Flute Choir or Quintet
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Film/TV
#
Halloween
#
Vic Mizzy
#
The Addams Family Theme for Fl
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Louke Publishing
#
SheetMusicPlus
By Vic Mizzy. Arranged by Arranged by Phyllis Avidan Louke, ASCAP. For Flute,Flute Choir or Quintet: 3 flutes,alto (c-flute part included),bass flute. Musicals...
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By Vic Mizzy. Arranged by Arranged by Phyllis Avidan Louke, ASCAP. For Flute,Flute Choir or Quintet: 3 flutes,alto (c-flute part included),bass flute. Musicals,Movies,TV,Halloween. Intermediate. Score,Set of Parts. 14 pages. Published by Louke Publishing
$15.00
Bach: Jesu, Joy of Man's Desiring for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
J
#
James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$49.95
Gabrieli: Jubilate Deo Ch. 136 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457115. Published by jmsgu3 (A0.549191). Giovanni Gabrieli: Jubilate Deo (Ch. 136) Instrumentation: 1 piccolo, 5 flutes, 1 alto flute, 1 bass flute, 1 cello (or contrabass flute) Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not at all difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations.
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Cloud Images for Flute choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Phyllis Avidan Louke
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Phyllis Avidan Louke, ASCAP
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Cloud Images for Flute choir
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #44052...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #4405244. Published by Louke Publishing (A0.736289). For Flute Choir Cloud Images By Phyllis Avidan Louke Cloud Images is a programmatic work in five movements for Flute Choir dedicated to Albert Weatherly of Sankyo Flutes, USA. The inspiration for this piece came from the beauty of the cloud formations observed during a long plane flight. Movement 1, Rising Above the Clouds, features a soaring melody played first by the bass and alto flute over an ostinato played by the flutes. The piccolo adds a countermelody which contributes to the feeling of being above the clouds. (1:30)  Movement 2, Billowing Clouds, features a melody in 7/8 time, alternating with another in 6/8 time, to convey the the shape and roundness of clouds.  (2:00) Movement 3, Oh Look! There’s an Alligator!, is a whimsical look at the different shapes that can be found in clouds. A running bass line in the bass flute supports a jaunty melody which seems to be on the prowl to find various shapes in the clouds. Several different animal shapes are seen: a hippo, an elephant, and finally, an alligator. Vocals can also be utilized in this movement to better communicate these animal shapes to the audience. (2:20)  Movement 4, With Your Head in the Clouds, is in a light-hearted soft shoe style. The melodies describe the feeling of skipping through life, not having a care in the world. For a Lawrence Welk ending, one of the players with rests can blow bubbles during the last measure. (1:40)  Movement 5, Through a Sea of Clouds, has a dream-like quality imagining what it would be like to travel through a sea of clouds and touch their whispy softness. The bass flute is prominently featured, and later joined by the alto flute. The piccolo adds the frosting on top. (2:30)  Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com  Â
$18.00
The Addams Family Theme for LOW FLUTE ENSEMBLE
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Film/TV
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Halloween
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Vic Mizzy
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Phyllis Avidan Louke, ASCAP
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The Addams Family Theme for LO
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Louke Publishing
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SheetMusicPlus
Woodwind Choir or Ensemble, Low Flute Ensemble: 3 Alto Flutes, 2 Bass Flutes, and optional Contrabass Flute - Intermediate - Digital Download By Vic Mizzy....
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Woodwind Choir or Ensemble, Low Flute Ensemble: 3 Alto Flutes, 2 Bass Flutes, and optional Contrabass Flute - Intermediate - Digital Download By Vic Mizzy. Arranged by Phyllis Avidan Louke, ASCAP. Score, Set of Parts. 13 pages. Published by Louke Publishing
The Addams FamilyTheme
Program Notes
The Addams Family Theme is from the Addams Family TV Showand Movie. This flute choir arrangementcan be performed with as few as 5 players or with multiple players on apart. It is scored for Low Flute Ensemble: 3 alto flutes, 2 bass flutes, and optionalcontrabass flute. It is fun to have the audienceparticipate on the finger snaps.
Halloween
Television
TV Themes
and#65279;Movies
Broadway
Phyllis Avidan Louke is a flutist and award-winning composerand arranger with more than 70 published pieces to her credit. www.phyllislouke.com
$15.00
Beethoven: Sonata Op. 49 No. 2 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and 1 cello (optional). - Intermediate - Digital Download Composed b...
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Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and 1 cello (optional). - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 103 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute choir. Duration: ca: 10:15 Score: 60 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute choir.
$49.95
When I'm Sixty-Four for Flute Choir or Quartet
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Rock
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The Beatles
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Phyllis Avidan Louke, ASCAP
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When I'm Sixty-Four for F
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Louke Publishing
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SheetMusicPlus
By The Beatles. Arranged by Phyllis Avidan Louke, ASCAP. For Flute,Flute Choir (or Quartet): 2 flutes,alto flute (c-part included),bass flute. Intermediate. Sc...
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By The Beatles. Arranged by Phyllis Avidan Louke, ASCAP. For Flute,Flute Choir (or Quartet): 2 flutes,alto flute (c-part included),bass flute. Intermediate. Score,Set of Parts. 19 pages. Published by Louke Publishing
$15.99
Yesterday by Lennon & McCartney for Flute Choir or
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Rock
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The Beatles
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Phyllis Avidan Louke, ASCAP
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Yesterday by Lennon & McCa
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Louke Publishing
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SheetMusicPlus
By The Beatles. Arranged by Phyllis Avidan Louke, ASCAP. For Flute,Flute Choir or Quintet: 3 flutes,alto flute,bass flute. Pop,Rock. Intermediate. Score,Set of...
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By The Beatles. Arranged by Phyllis Avidan Louke, ASCAP. For Flute,Flute Choir or Quintet: 3 flutes,alto flute,bass flute. Pop,Rock. Intermediate. Score,Set of Parts. 13 pages. Published by Louke Publishing
$15.00
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ASCAP
