The Tarantella Napoletana is the tarantella associated with Naples. Full of life and energy -the perfect encore for your upcoming concerts!

Instrumentation: Flute 1/2/3/4, Alto Flute 3/4, Bass Flute, Piccolo (opt.)

"2018 Chamber Music Contest Entry"
Shenandoah
arr. Phyllis Avidan Louke

One of America?s best loved songs began asa sea shanty. The Shenandoah spoken ofin the song is not about a place, but is about an Indian chief living along theMissouri River.

Oh Shenandoah,
I long to hearyou,
Away you rollingriver,
Oh Shenandoah,
I long to hearyou,
Away, I?m boundaway
?Cross the wide Missouri

Oh Shenandoah,
I love yourdaughter,
Away you rollingriver,
Oh Shenandoah,
I love yourdaughter,
Away, I?m boundaway
?Cross the wide Missouri.

This arrangementopens with a haunting Flute 1 and Alto Flute duet. The instruments are featuredin various combinations throughout the piece to explore the different of colorsproduced by the flute choir. Harmoniesand rhythms are altered during various sections--most notably a duet betweenthe bass flute and alto flute. Piccolo,alto and bass flutes play prominent roles.

Folk Song
American Folk Song


This piece isscored for piccolo, 3 flutes, alto flute, bass flute, and optional contrabassflute. Level 3, 5:30



Phyllis Avidan Louke is aflutist and award-winning composer and arranger with more than 70 publishedpieces to her credit. www.phyllislouke.com and www.fabulousflute.com

The Mischievous elves is scored for 6 flutes- 4 C Flutes -Alto and Bass Flute. It is a 3 minute piece of intermediate level, although some parts are in the early intermediate range-the whole score and parts is on the youtube link for you to assess.
Written in concert D minor with the range of around 2 octaves- Flute 1 has top G once. It is intended as a concert piece and a bit of fun as well as hopefully something different.
It would work well for concerts, recitals, productions as well as for Christmas, Halloween and Fantasy themes and concepts
The price is for the full score and all parts.

Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. Instrumentation: Part I (Fl./Pic.), Part II/III (Fl.), Part IV/V (Fl./Alto Fl.), Part VI (Alto Fl./Bass Fl.), Part XII (Bass Fl.) Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N... Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog included

Of all the Irish folk tunes, Danny Boy is the most well-known of them all. This arrangement is based on the adaptation of the tune sung by the King's Singers by Peter Knight and Philip Lawson.

This is a straight forward arrangement of Danny Boy that has beautiful harmonies and is rhythmically simplistic. This is a great closer for your recitals.

Scored for 3 altos, 3 basses and contrabass flutes. There are optional contra-alto in G and cello parts that double the Bass 3 & Contrabass parts.

Duration: 3 minutes