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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ike
Non classifié
2 613
Piano & claviers
Piano seul
2 094
Piano, Voix et Guitare
1 343
Piano, Voix
828
Instruments en Do
154
Piano Facile
111
Orgue
109
1 Piano, 4 mains
95
Piano Trio: piano, violon, violoncelle
23
Accompagnement Piano
20
Piano Quatuor: piano, violon, alto, violoncelle
11
Accordéon
11
2 Pianos, 4 mains
10
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Clavecin
5
Orgue, Trompette (duo)
4
2 Accordéons
4
Clavier
3
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
385
Guitare
298
Ligne De Mélodie, (Paroles) et Accords
221
Paroles et Accords
218
Ukulele
114
Basse electrique
98
Piano, Guitare (duo)
82
2 Guitares (duo)
14
Dulcimer
12
4 Guitares (Quatuor)
9
Mandoline
9
Banjo
8
Ensemble de guitares
5
3 Guitares (trio)
4
Guitare, Flûte, Clarinette
2
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Ukulele Baryton
1
Ensemble de Ukulélés
1
2 Dulcimers (duo)
1
Partitions De Groupes
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
920
Chorale 3 parties
334
Chorale TTBB
254
Chorale SSAA
159
Chorale 2 parties
75
Chorale
30
Voix Alto, Piano
18
Chorale Unison
18
Voix haute
15
Voix seule
14
Voix duo, Piano
8
Voix moyenne, Piano
5
Voix Soprano, Piano
5
Voix Tenor, Piano
5
Voix basse, Piano
4
Chorale SSATB
4
Voix Baryton, Piano
4
Voix Soprano
4
Voix duo
4
Chorale SSAB, Piano
4
Chorale SSAATTBB
2
Chorale SSAB a cappella
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Voix, Guitare
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
288
Hautbois, Piano (duo)
270
Quatuor de Saxophones: 4 saxophones
259
Clarinette et Piano
249
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
245
Quatuor de Clarinettes: 4 clarinettes
202
Flûte traversière
190
Saxophone Alto et Piano
189
2 Saxophones (duo)
180
Clarinette
180
Saxophone Tenor et Piano
166
2 Flûtes traversières (duo)
165
Flûte, Hautbois, Clarinette, Basson
165
Saxophone Alto
146
Saxophone (partie séparée)
143
Saxophone Tenor
137
Quintette de Saxophone: 5 saxophones
114
2 Clarinettes (duo)
96
Ensemble de saxophones
91
Hautbois (partie séparée)
86
Quatuor de Flûtes : 4 flûtes
68
Quintette de Clarinettes: 5 clarinettes
58
3 Saxophones (trio)
55
Saxophone Soprano et Piano
53
Ensemble de Flûtes
47
Saxophone
46
Ensemble de Clarinettes
45
Saxophone Baryton, Piano
42
3 Clarinettes (trio)
41
Flûte, Violon, Piano
39
2 Hautbois (duo)
33
Saxophone, Clarinette (duo)
33
Cor anglais, Piano
33
Clarinette, Violon (duo)
28
Flûte et Guitare
28
Flûte, Clarinette (duo)
27
Trio de Flûtes: 3 flûtes
26
Clarinette Basse, Piano
23
Quintette de Flûte : 5 flûtes
23
Hautbois, Basson (duo)
21
Clarinette, Trompette (duo)
20
Flûte, Violon
18
Clarinette, Guitare (duo)
17
Hautbois, Clarinette (duo)
16
Hautbois
15
Flûte, Alto (duo)
14
Flûte, Saxophone (duo)
13
2 Flûte à bec (duo)
13
Clarinette et Alto
13
Flûte, Clarinette et Basson
13
Flûte, Trompette (duo)
12
Hautbois, Flûte
11
Flûte à Bec
11
Clarinette, Basson (duo)
11
Flûte, Violoncelle
11
Cor Anglais
9
Quatuor de Flûtes à bec
8
3 Hautbois
7
Flûte, Clarinette, Piano (trio)
7
4 Hautbois
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Ocarina
7
Saxophone Soprano
7
Clarinette, Harpe (duo)
6
Piccolo
5
Clarinette, Violoncelle (duo)
5
Hautbois, Violoncelle
5
Harmonica
4
5 Flûtes à bec
4
Cor anglais, Guitare (duo)
4
Flûte traversière, Orgue (duo)
4
Hautbois et alto (duo)
4
Flûte, Violon et Violoncelle
3
2 Saxophones, Piano
3
Flûte, Trombone (duo)
3
Saxophone et Harpe
3
Flûte, Hautbois (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
2 Flûtes traversières, Piano
3
Flûte, trombone et piano
3
Saxophone et Guitare
3
Flûte, Hautbois, Clarinette (trio)
3
Hautbois, Harpe
3
2 Flûtes, 2 Clarinettes (Quatuor)
2
3 Flûtes à bec (trio)
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
2 Clarinettes, Basson
2
Flute, harpe et violon
2
Flûte, Basson et Piano
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois, violon (duo)
2
2 Clarinettes, Piano
2
2 Cors Anglais Et Pianoforte
2
Flûte, Tuba (duo)
2
Hautbois, Basson et Piano
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Hautbois, Violon
2
Hautbois, trombone (duo)
1
Cornemuse
1
Flûte, Violoncelle, Guitare
1
Clarinette, Orgue
1
Saxophone et Piano
1
Flûte à bec Soprano, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flute (partie séparée)
1
Ensemble à vent
1
Flûte et Trio à cordes
1
Instruments en Mib
1
Ensemble De Flûte à bec
1
Clarinette, Tuba
1
Flûte à bec Alto, Piano
1
Flûte, Harpe et Violoncelle
1
Clarinette (partie séparée)
1
Flûte, Hautbois, Basson
1
Hautbois, Guitare (duo)
1
Clarinette, trompette et piano
1
+ 112 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
336
Trompette
218
Trombone et Piano
182
Trombone
146
Trompette, Piano
140
Quatuor de Cuivres : 2 trompettes, trombone, tuba
126
Quatuor de Cuivres: 2 trompettes, Cor, trombone
120
Cor
109
Cor et Piano
105
Trompette (partie séparée)
74
Trombone (partie séparée)
56
Tuba et Piano
46
Tuba
46
2 Trombones (duo)
44
2 Trompettes (duo)
43
Ensemble de Trompettes
41
Quatuor de Cuivres
33
Cor anglais, Piano
33
Euphonium, Piano (duo)
32
2 Cors (duo)
29
Euphonium
23
Trompette, Saxophone (duo)
22
2 Tubas (duo)
18
Trompette, Trombone (duo)
18
Ensemble de Trombones
13
Quatuor de cuivres: 4 cors
13
Quatuor de cuivres: 4 trombones
11
Cor Anglais
9
2 Euphoniums et 2 Tubas
8
3 Trombones (trio)
5
Quatuor de cuivres: 4 trompettes
5
Cor anglais, Guitare (duo)
4
Trompette, Tuba (duo)
3
2 Euphoniums (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trio de Cuivres
2
Cor et Harpe
2
Trompette, Harpe
2
3 Trompettes (trio)
2
2 Cors Anglais Et Pianoforte
2
4 Tubas
2
Bass Clef Instruments
1
Trombone, Orgue
1
Trombone, Violon (duo)
1
Euphonium, Tuba (duo)
1
Ensemble de Cors
1
Trombone, Tuba (duo)
1
Instruments en Sib
1
3 Tubas (trio)
1
Trompette, Euphonium (duo)
1
2 Cors, Piano
1
Trombone basse et Piano
1
2 Trombones, Piano
1
Trombone, Cor (duo)
1
+ 49 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
706
Violon et Piano
315
Alto, Piano
253
Violon
244
Violoncelle, Piano
237
Violoncelle
186
Harpe
139
Alto seul
130
Trio à Cordes: violon, alto, violoncelle
107
Violon, Violoncelle (duo)
92
2 Violons (duo)
77
2 Violoncelles (duo)
63
Trio à Cordes: 2 violons, violoncelle
52
Violon, Alto (duo)
45
Alto (partie séparée)
44
2 Altos (duo)
43
Contrebasse, Piano (duo)
41
Contre Basse
37
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
2 Contrebasses (duo)
21
Trio à cordes: 3 violins
18
4 Violoncelles
16
Alto, Violoncelle (duo)
10
Violon (partie séparée)
10
Harpe, Flûte (duo)
10
Trio à Cordes: 3 violoncelles
9
Quatuor à cordes: 4 violons
9
Ensemble de Violons
8
2 Harpes (duo)
8
Ensemble d'Altos
7
Contrebasse (partie séparée)
7
Trio à cordes: 3 altos
7
Violon, Basson (duo)
7
Violon, Guitare (duo)
7
Violoncelle , Guitare (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto, Guitare (duo)
5
Violoncelle (partie séparée)
4
Harpe, Violon (duo)
4
Harpe, Voix
3
Trio à Cordes: 2 violons, alto
2
Harpe et mandoline
2
Harpe, Violoncelle (duo)
2
Alto et Harpe
2
2 Violoncelles, Piano
2
Violon, Clarinette, Piano (trio)
1
Harpe, Violon, Violoncelle
1
Violon, Tuba (duo)
1
3 Contrebasses
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orgue
1
Violon, Orgue
1
Harpe et Piano
1
4 Contrebasses
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
360
Orchestre d'harmonie
271
Orchestre à Cordes
230
Orchestre
208
Fanfare
186
Batterie
157
Ensemble de cuivres
154
Jazz combo
102
Cloches
90
Ensemble de Percussions
55
Orchestre de chambre
28
Percussion
3
Vibraphone et Marimba
3
Xylophone, Piano
3
Xylophone ou Marimba ou Vibraphone
3
Big band
2
Marimba
2
Instrumentation Flexible
2
Percussion (partie séparée)
2
Batterie (partie séparée)
2
Vibraphone
2
2 Xylophones
2
Conga
1
2 Percussions
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
+ 21 instrumentations
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Ensemble de Flûtes
Partitions à imprimer
47 partitions trouvées
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1
26
Dance of the Rainbow Lorikeets - (for 5 flutes in C)
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Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Neille Williams
#
Dance of the Rainbow Lorikeets
#
Neille Williams
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 3 - SKU: A0.1421427 Composed by Neille Williams. Chamber,Classical,Contemporary,Multicultural,New Age,World....
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Flute Choir,Woodwind Ensemble Flute - Level 3 - SKU: A0.1421427 Composed by Neille Williams. Chamber,Classical,Contemporary,Multicultural,New Age,World. 15 pages. Neille Williams #1002830. Published by Neille Williams (A0.1421427). For 5 flutes in C. This fluttering, colourful piece captures the dance of the beautiful Australian native bird, the Rainbow Lorikeet. Most often seen in pairs, these captivating creatures are as lively as they are lovely.
$14.95
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
(+)
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
(+)
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
He Shall Feed His Flock Like a Shepherd for Low Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Lisa Ochoco
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He Shall Feed His Flock Like a
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560116 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Chri...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560116 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 18 pages. Lisa L Ochoco #6450809. Published by Lisa L Ochoco (A0.560116). This is one of my favorite movements of Handel's Messiah and it turns out that it makes a great flute choir piece too. The 1st alto flute gets to shine here, and the part can be done as a group or just a solo, as long as the melody can be heard well above the rest of the choir.
$12.00
Bach: Jesu, Joy of Man's Desiring for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$49.95
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
"The Hunky Punks" Original for Flute Ensemble (6 C Flutes)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Halloween
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Grant Horsley
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"The Hunky Punks" Original for
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Grant Horsley
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 3 - SKU: A0.1427858 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festival,Halloween. 41 ...
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Flute Choir,Woodwind Ensemble Flute - Level 3 - SKU: A0.1427858 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festival,Halloween. 41 pages. Grant Horsley #1008600. Published by Grant Horsley (A0.1427858). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth. The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’.Scored for six C Flutes, this piece is in concert D minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. Set at intermediate level but on the youtube link there is the full score for you to assess suitability. It is nearly 5 mins in length and would be a great addition to a repertoire.Price is for full score and all parts.
$14.50
"The Hunky Punks" for Flute Choir.
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Halloween
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Grant Horsley
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"The Hunky Punks" for Flute Ch
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Grant Horsley
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1427856 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1427856 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festival,Halloween. 46 pages. Grant Horsley #1008598. Published by Grant Horsley (A0.1427856). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth. The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’. Scored for 4 C Flutes, Alto and Bass Flute with optional Piccolo and Contrabass Flute parts. (A 6 C Flute version is also available.)This piece is in concert D minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. A 6 C Flute version is also available.Set at intermediate level but on the youtube link there is the full score for you to assess suitability. It is nearly 5 mins in length and would be a great addition to a repertoire.Price is for the full score and all parts.
$14.50
Goin' Home (GoingHome) by Antonin Dvorak for Flute Choir (6 Flutes and Alto Flute)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Jari A
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Goin' Home
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JV MUSIC
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.722825 Composed by Antonin Dvorak. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic,Roman...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.722825 Composed by Antonin Dvorak. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic,Romantic Period. 12 pages. JV MUSIC #6382581. Published by JV MUSIC (A0.722825). Goin' Home, is based on the Czech composer Antonin Dvorak's famous Largo theme from his Symphony No. 9 (5) (From the New World), Op. 95. His symphony was composed while he was in America and was first performed by the New York Philharmonic at Carnegie Hall on December 16, 1893. It has been said that Dvorak's themes in his symphony were inspired by American folk melodies, especially Afro-American or American Indian. But his themes are just as similar to Bohemian folk music and most likely from that music. This arrangement is based on the one played in the movie Clear and Present Danger by the United States Air Force Band. It has been used at presidential funerals for the departure ceremonies at Andrews Air Force Base for Presidents Reagan and Ford and was used in 1998 for the dis-interment ceremony for the Vietnam Unknown at Arlington National Cemetery. It is still used today by military bands at Arlington.Arranged for 6 Flutes and Alto Flute
$15.00
Dance The Night
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Film/TV
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Dua Lipa
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Ralph Raymond Hays
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Dance The Night
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Ralph Raymond Hays
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1407773 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1407773 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Ralph Raymond Hays. Broadway,Disco,Film/TV,Musical/Show,Pop,Wedding. 21 pages. Ralph Raymond Hays #990395. Published by Ralph Raymond Hays (A0.1407773). The charming and rapturous dance hit from the wildly successful, Oscar nominated BARBIE is here brilliantly orchestrated and arranged by Pullitzer Prive nominated composer/arranger, Ralph Raymond Hays. Taking full advantage of the tonal pallete of the flute choir, this arrangement distinguishes itself both in derence to the original and in keping idiomatic to the ensemble. Including an optional drum set part, this arrangement is assured to delight audieneces and performers alike.
$14.99
I Saw Three Ships (Come Sailing In) for flute choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Noël
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Traditional English Carol
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Ralph Raymond Hays
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I Saw Three Ships
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Ralph Raymond Hays
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.720632 Composed by Traditional English Carol. Arranged by Ralph Raymond ...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.720632 Composed by Traditional English Carol. Arranged by Ralph Raymond Hays. Christmas,Multicultural,Praise & Worship,World. 12 pages. Ralph Raymond Hays #4642249. Published by Ralph Raymond Hays (A0.720632). No mere transcription, this magnificent arrangement enhances the familiar melody with masterful counterpoint and engaging harmonic substitutions. All members of the ensemble are featured, delighting the performers and audience members alike.
$12.99
Simple Gifts ('Tis the Gift to Be Simple) (F) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Shaker Song
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Regis Bookshar
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Simple Gifts
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813541 Composed by Shaker Song (attr. Elder Joseph Brackett, Jr.). Arranged by Regis Bookshar. Folk,Sacred,S...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813541 Composed by Shaker Song (attr. Elder Joseph Brackett, Jr.). Arranged by Regis Bookshar. Folk,Sacred,Standards,Wedding. 13 pages. Regis Bookshar #6352515. Published by Regis Bookshar (A0.813541). Flute Octet - Intermediate - . Simple Gifts ('Tis the Gift to Be Simple), an American Shaker Song, written in 1848 and attributed to Elder Joseph Brackett, Jr. of Alfred, Maine, would be a great addition to any music library. The song was largely unknown outside Shaker communities until Aaron Copland used its melody for the score of Martha Graham's ballet, Appalachian Spring, first performed in 1944. Simple Gifts has now been arranged for a Flute Octet by Regis Bookshar. It is suitable for high school and college students, and, depending upon their ability, even elementary school students. Professional musicians would also enjoy playing this selection. It could be performed for concerts and church services. The Regis Bookshar Trumpet Ensemble has often performed it for Weddings. Included are a score and a complete set of parts (13 pages). In addition to this arrangement of Simple Gifts for a Flute Octet, other arrangements of this tune are also available. There are Quintets and Octets readily available for a wide variety of instrumental ensembles. Please feel free to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might also interest you. Please continue to check periodically because I continue to add new arrangements as often as I can. I'm certain that this arrangement of Simple Gifts will continue to entertain both performers and audiences alike for years to come.
$18.00
Silent Night (Bb) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,Wor...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 11 pages. Regis Bookshar #6636631. Published by Regis Bookshar (A0.813987). Flute Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Flute Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Hot Summer Siesta for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Mike Lyons
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Hot Summer Siesta for Flute Ch
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1091704 Composed by Mike Lyons. Contemporary. 22 pages. Lyons Music Services #695858. Publis...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1091704 Composed by Mike Lyons. Contemporary. 22 pages. Lyons Music Services #695858. Published by Lyons Music Services (A0.1091704). This is a languid, moderately easy piece for 8-part flute choir. The music represents my feelings about the current hot spells we've been experiencing. There's a Latin feel, emphasised by the Double Bass part, with all the melodic material forming languid sighs and swoons from the heat. What one needs is a trip to the pool, to lie in the sun and watch time pass. Parts are supplied for: 4 x C flutes, 2 Alto Flutes, 2 Bass flutes and Double bass.
$25.00
Spooky
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Halloween
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Classics Iv
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Jami Marie Kidwell Chavez
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Spooky
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Jami Kidwell Chavez
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SheetMusicPlus
By Classics Iv. By Buddy Buie, Harry Middlebrooks, J.R. Cobb, and Mike Shapiro. Arranged by Jami Marie Kidwell Chavez. 20th Century,Contemporary,Hallo...
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By Classics Iv. By Buddy Buie, Harry Middlebrooks, J.R. Cobb, and Mike Shapiro. Arranged by Jami Marie Kidwell Chavez. 20th Century,Contemporary,Halloween ,Rock. 11 pages. Jami Kidwell Chavez #4757891. Published by Jami Kidwell Chavez
$12.99
Tubular Bells
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Mike Oldfield
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Jami Marie Kidwell Chavez
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Tubular Bells
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Jami Marie Kidwell Chavez
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SheetMusicPlus
By Mike Oldfield. Arranged by Jami Marie Kidwell Chavez. Score, Set of Parts. 13 pages. Published by Jami Marie Kidwell Chavez...
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By Mike Oldfield. Arranged by Jami Marie Kidwell Chavez. Score, Set of Parts. 13 pages. Published by Jami Marie Kidwell Chavez
$12.99
Quem Pastores Laudavere - Flute Quintet
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Classique
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Traditional
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Mike Lyons
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Quem Pastores Laudavere - Flut
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Lyons Music Services
#
SheetMusicPlus
Flute, Woodwind Quintet, Flute Quintet - Intermediate - Composed by Traditional. Arranged by Mike Lyons. Renaissance, Christian, Christmas, Children...
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Flute, Woodwind Quintet, Flute Quintet - Intermediate - Composed by Traditional. Arranged by Mike Lyons. Renaissance, Christian, Christmas, Children's Music. Score, Set of Parts. 11 pages. Published by Lyons Music Services
A simple setting of this pretty carol for flute quintet (2 C flutes, 2 Alto flutes and a Bass flute). Each verse the pitch goes up by a tone until the final verse which returns to the original key. Everybody except the bass flute has a go at the melody and each verse is harmonised in a different syle.
Verse 1 is a solo for Flute 1, Verse 2 is a duet for Flute 1 and Alto Flute 2. Verse 3 adds the Alto flute 1 and Bass, Verse 4 is the first verse with all instruments playing. Verse 5 is a trio for Altos 1 & 2 and Bass. Verse 6 uses all instruments for the finale.
This is a very simple arrangement and should be playable by any standard of ensemble.
$10.99
Cloud Images for Flute choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Phyllis Avidan Louke
<
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Phyllis Avidan Louke, ASCAP
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Cloud Images for Flute choir
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #44052...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #4405244. Published by Louke Publishing (A0.736289). For Flute Choir Cloud Images By Phyllis Avidan Louke Cloud Images is a programmatic work in five movements for Flute Choir dedicated to Albert Weatherly of Sankyo Flutes, USA. The inspiration for this piece came from the beauty of the cloud formations observed during a long plane flight. Movement 1, Rising Above the Clouds, features a soaring melody played first by the bass and alto flute over an ostinato played by the flutes. The piccolo adds a countermelody which contributes to the feeling of being above the clouds. (1:30)  Movement 2, Billowing Clouds, features a melody in 7/8 time, alternating with another in 6/8 time, to convey the the shape and roundness of clouds.  (2:00) Movement 3, Oh Look! There’s an Alligator!, is a whimsical look at the different shapes that can be found in clouds. A running bass line in the bass flute supports a jaunty melody which seems to be on the prowl to find various shapes in the clouds. Several different animal shapes are seen: a hippo, an elephant, and finally, an alligator. Vocals can also be utilized in this movement to better communicate these animal shapes to the audience. (2:20)  Movement 4, With Your Head in the Clouds, is in a light-hearted soft shoe style. The melodies describe the feeling of skipping through life, not having a care in the world. For a Lawrence Welk ending, one of the players with rests can blow bubbles during the last measure. (1:40)  Movement 5, Through a Sea of Clouds, has a dream-like quality imagining what it would be like to travel through a sea of clouds and touch their whispy softness. The bass flute is prominently featured, and later joined by the alto flute. The piccolo adds the frosting on top. (2:30)  Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com  Â
$18.00
Petrichor (for Flute Choir)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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the end, one might even imagin
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James-Michael Sellers
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Petrichor
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JMS Composer
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.749400 Composed by James-Michael Sellers. Contemporary. 29 pages. JMS Co...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.749400 Composed by James-Michael Sellers. Contemporary. 29 pages. JMS Composer #4835911. Published by JMS Composer (A0.749400). Petrichor is the scientific name given to the earthy smell of rain coming into contact with the ground. The work starts with the image of the rain just beginning to occur, with finger snaps, leg slaps, and the sound of palms rubbing together simulating the rain fall. The music starts at a slow tempo and increases over the length of the piece as the downpour accelerates. By the end, one might even imagine walking out onto a porch to enjoy watching the rain continue to fall, as it offers up even a moment of peace.From a rehearsal standpoint, Petrichor is not technically demanding. It focuses on the patterns that occur during rainfall, using them to help build towards the exciting conclusion. Working each pattern independently before bringing them together is very helpful, as it will help lock in the mix of rhythms. The opening does not need to feel rushed and should be allowed to breathe, and each increase in the tempo should not be telegraphed, but should flow from the previous tempo. The ending combines straight eighths and sixteenths with a running triplet pattern between them; the triplet pattern should feel like it sits on top of everything else, almost floating along like a cloud.This was a pleasure to compose, and I hope you enjoy rehearsing and performing Petrichor.
$12.99
The Lost Celestial
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Stephanie Pack
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The Lost Celestial
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Stephanie Pack
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1478241 By Stephanie Pack. By Stephanie Pack. Chamber. 33 pages. Stephan...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1478241 By Stephanie Pack. By Stephanie Pack. Chamber. 33 pages. Stephanie Pack #1055611. Published by Stephanie Pack (A0.1478241). Imagine Pluto as a living being, journeying through the cosmos with a heart full of dreams. For decades, Pluto basked in the joy and pride of being called a planet, a respected member of the Solar System family. Pluto felt the warmth and camaraderie of its planetary siblings, sharing the vast expanse of space with a sense of belonging.But then, the day came when scientists re-evaluated their criteria for what constitutes a planet. Pluto, once brimming with pride, was told it no longer fit the mold. The news struck like a comet, leaving Pluto feeling isolated and heartbroken. The title of 'planet' was stripped away, and Pluto's status was reduced to that of a mere dwarf planet.In the shadow of its larger, more recognized siblings, Pluto felt a profound sadness. It lingered on the fringes of the Solar System, its sense of identity shattered. However, as time passed, a new understanding began to emerge. The term 'dwarf planet' was created, acknowledging Pluto's unique characteristics and the role it plays in our cosmic neighborhood.Pluto's sorrow began to lift, replaced by a sense of renewed purpose and pride. It found solace in this new classification, realizing that it wasn't forgotten or insignificant. As a dwarf planet, Pluto embraced its identity, feeling a sense of happiness and validation. It stood out in its own right, celebrated for its distinctiveness and contribution to our understanding of the universe.Pluto's journey, filled with emotional highs and lows, ultimately led to a place of acceptance and joy. It taught us all a lesson in resilience and the importance of valuing every member of our celestial family, no matter how small or different they may seem.Parts for Piccolo, 2 C Flutes, 2 Alto Flutes with C flute alternatives, 2 Bass Flutes, and ContraBass Flute.
$19.99
"Espionage" Original For Flute Ensemble ( inc Picc and Contra)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Grant Horsley
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"Espionage" Original
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Grant Horsley
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1452559 Composed by Grant Horsley. Classical,Contest,Festival,Film/TV,Vi...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1452559 Composed by Grant Horsley. Classical,Contest,Festival,Film/TV,Video Game. 49 pages. Grant Horsley #1031860. Published by Grant Horsley (A0.1452559). Espionage scored for Piccolo, 4 C Flutes, Alto, Bass and Contrabass Flute. (Other flute choir versions are also available) It is a descriptive exciting piece, and the intention was to make it a dramatic and mysterious in style- with a film -like storyline flowing through it. It has a calm intro going into a heavily syncopated driving 4 as the main theme punctuated by a heavy accented ostinato figure to add tension. The middle section is calmer and more relaxed where elements of the 1st theme appear in fragmented form. The intro returns once again before returning to the main theme which has slight modifications-extra accents etc, and the piece ends with the recurring stabs heard earlier before flourishing out.The ranges of the flutes are between one and a half octaves and 2 octaves depending on the part. Set at intermediate level but the full score is on the youtube link for you to assess suitability.It runs at4 Mins 35 in length. Ideal as a showpiece, contest/festival, concert etc or an additional piece for the repertoire.Price is for the full score and all parts.
$14.99
Covid Suite - A Year in Review
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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R H Baptiste
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Covid Suite - A Year in Review
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Ron Baptiste
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 3 - SKU: A0.1367219 Composed by R H Baptiste. 21st Century,Classical,C...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 3 - SKU: A0.1367219 Composed by R H Baptiste. 21st Century,Classical,Contemporary. 75 pages. Ron Baptiste #951576. Published by Ron Baptiste (A0.1367219). This is a rather long piece (about 22 minutes) - but quite amenable to breaking it up any number of ways (by month, quarter, etc). I wrote this over the course of the Covid shutdown, when we were pretty much housebound for long periods. It's divided into 12 sections, one for each month, beginning in March 2020 - when we here in Canada first found out about the approaching pandemic. I tried to represent each month as it affected me - some sadder, some a bit more optimistic. I especially like December - mostly sad, with a brief reprieve for Christmas, then back to sad. In this neck of the woods, Christmas was all but cancelled as we were pretty much in lockdown; at the last minute, restrictions were eased to allow small gatherings for the Holiday. Overall, it was a sad, lonely year - especially for musicians! Whatever your personal stance on the pandemic, it certainly affected us all - and resulted in the loss of many lives.
$4.99
Entractes from Carmen
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Robert Rainford
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Entractes from Carmen
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Forton Music - Digital
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SheetMusicPlus
Flute Choir - piccolo, flutes, alto, bass, contra'alto and contabass - Intermediate-Advanced - SKU: F2.FM035 Composed by Georges Bizet. Arranged by Robe...
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Flute Choir - piccolo, flutes, alto, bass, contra'alto and contabass - Intermediate-Advanced - SKU: F2.FM035 Composed by Georges Bizet. Arranged by Robert Rainford. Score and parts. 49 pages. Forton Music - Digital #FM035. Published by Forton Music - Digital (F2.FM035). ISBN 9790708085348.Flute Choir/Ensemble - Piccolo, 3 flutes, alto flute, bass flute, optional contr'alto flute, contra-bass flute, optional percussion. A fairly large scale arrangement of the three entractes from Bizet's Carmen for flute choir. Each movement has a different character - the first is march-like, the second lilting and romantic, and the third is full of spanish fire. The first movement is relatively straightforward featuring bass and alto flute solos. The second requires sustained playing in the third octave from flute one in particular, and the third requires nimble fingerwork from all players and strong tonguing to bring out the spanish feel. At around 6 minutes long, this is a nice suite to include in a concert.
$14.95
If I Ain't Got You
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Alicia Keys
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Lisa Ochoco
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If I Ain't Got You
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559515 By Alicia Keys. By Alicia Keys. Arranged by Lisa Ochoco. Contemporary,Hip...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559515 By Alicia Keys. By Alicia Keys. Arranged by Lisa Ochoco. Contemporary,Hip-Hop,R & B. 28 pages. Lisa L Ochoco #3114637. Published by Lisa L Ochoco (A0.559515). Alicia Keys said that she got the inspiration for this song after the passing away of Aaliyah. It's about how material things don't feed the soul. I hope you'll like this flute choir arrangement. This bluesy ballad is one that your audience won't expect from a flute choir, and I hope you'll enjoy adding it into your repertoire!
$14.00
Mozart Tuba Mirum from Requiem KV 626 for flute sextet or flute choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Frédéric Colledani
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Mozart Tuba Mirum from Requiem
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Frederic Colledani
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.886984 Composed by Wolfgang Amadeus Mozart. Arranged by Frédéric Colledani. Christian,Classical,Contem...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.886984 Composed by Wolfgang Amadeus Mozart. Arranged by Frédéric Colledani. Christian,Classical,Contemporary,Sacred,Spiritual. 10 pages. Frederic Colledani #3420575. Published by Frederic Colledani (A0.886984). Adaptation of Tuba Mirum, one of the most amazing piece of Mozart's Requiem KV 626, in the Süssmayr version.This piece is adapted to intermediate level. There is no major technical difficulties, but the whole piece requires a very delicate yet intense atmosphere.The first third is a duet between the 2 alto flutes. 2nd third allows all other flute voices to have a short solo. And the piece ends with a delicate choral mixing 8 voices.4 C flutes and 2 alto flutes minimum, better for 6 C flutes or flute choir with alto flutes (no bass or contrabass flute needed).Downloaded file contains score as well as separate parts.For more about our flute choir: https://www.facebook.com/coeurdeflutesIf you like this work, please consider supporting writing of new pieces here: https://www.patreon.com/FredC
$11.99
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