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191
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62
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2
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1
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1
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1
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9
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5
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2
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1
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1
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161
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120
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71
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61
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61
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46
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44
Flûte, Clarinette et Basson
39
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28
Flûte, Violon et Violoncelle
27
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21
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21
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21
Flûte, Clarinette (duo)
19
Quatuor de Flûtes : 4 flûtes
13
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12
Flûte, Violon
5
Ensemble de Flûtes
5
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4
3 Clarinettes (trio)
4
2 Clarinettes (duo)
4
Flûte, Hautbois, Piano (trio)
3
Clarinette et Piano
3
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3
2 Flûte à bec (duo)
3
Hautbois, Piano (duo)
2
Saxophone Baryton, Piano
2
Saxophone Soprano et Piano
2
2 Flûtes, Basse continue
2
Clarinette, Guitare (duo)
2
Flute, harpe et violon
2
Saxophone Alto et Piano
2
Flûte, Saxophone (duo)
2
Flûte, Violon, Piano
2
Saxophone Tenor et Piano
2
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2
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2
2 Saxophones (duo)
2
Quintette de Flûte : 5 flûtes
2
Ensemble de Clarinettes
1
Clarinette Basse, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
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1
Saxophone et Guitare
1
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1
Flûte, Violoncelle, Piano (trio)
1
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1
Saxophone Tenor
1
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1
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1
Saxophone Alto
1
2 Hautbois (duo)
1
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2
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2
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2
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59
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14
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9
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5
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5
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5
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4
Alto, Piano
4
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3
Violoncelle, Piano
3
Trio à Cordes: violon, alto, violoncelle
2
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2
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1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Alto seul
1
2 Altos (duo)
1
Violon, Guitare (duo)
1
Harpe
1
Violoncelle , Guitare (duo)
1
2 Violoncelles (duo)
1
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LUTE Sonata
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Ensemble de Flûtes
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Beethoven: Sonata Op. 49 No. 2 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and 1 cello (optional). - Intermediate - Digital Download Composed b...
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Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and 1 cello (optional). - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 103 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute choir. Duration: ca: 10:15 Score: 60 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute choir.
$49.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Scarlatti: Andante mosso for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Domenico Scarlatti
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James M
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Scarlatti: Andante mosso for F
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.550385 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.550385 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards. 14 pages. Jmsgu3 #4626605. Published by jmsgu3 (A0.550385). Sonata 33 for Flute Choir - an unusually expressive, intricate, serious and meditative piece. Perfect for weddings, receptions, meditations, church services, recitals or recital encores.Score: 7 pages. Duration: ca 6:38. .
$38.95
Trio Sonata Op. 2 No. 8 4th Movement - for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Jean-Baptiste Loeillet
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Katrina Agioritis
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Trio Sonata Op. 2 No. 8 4th Mo
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Musika Publishing Australia
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SheetMusicPlus
By Jean-Baptiste Loeillet (1680-1730). Arranged by Katrina Agioritis. For Flute Choir. Instructional, Baroque Period. Intermediate. Set of Parts, Score. Musika ...
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By Jean-Baptiste Loeillet (1680-1730). Arranged by Katrina Agioritis. For Flute Choir. Instructional, Baroque Period. Intermediate. Set of Parts, Score. Musika Publishing Australia #108629. Published by Musika Publishing Australia
$12.99
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