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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mall Rat
Non classifié
2 014
Piano & claviers
Piano seul
77
Piano Facile
11
Piano, Voix et Guitare
11
Orgue
9
Instruments en Do
8
Piano, Voix
7
Accompagnement Piano
6
Piano Trio: piano, violon, violoncelle
2
Orgue, Trompette (duo)
2
1 Piano, 4 mains
1
Clavecin
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
8
Guitare
7
3 Guitares (trio)
4
Basse electrique
3
Guitare, Violon, Violoncelle (trio)
2
Guitare notes et tablatures
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
65
Chorale 3 parties
26
Chorale Unison
14
Chorale TTBB
14
Chorale SSAA
5
Chorale 2 parties
2
Chorale SSATTB
1
Voix haute
1
+ 3 instrumentations
Retracter
Vents
Flûte traversière et Piano
87
Hautbois, Piano (duo)
80
Saxophone Tenor et Piano
63
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
58
2 Saxophones (duo)
53
Clarinette et Piano
43
Quatuor de Saxophones: 4 saxophones
39
Clarinette, Violon (duo)
38
Saxophone Soprano et Piano
31
Clarinette Basse, Piano
31
2 Clarinettes (duo)
30
Flûte, Clarinette, Piano (trio)
30
Flûte, trombone et piano
27
2 Clarinettes, Piano
26
Flûte, Violon et Violoncelle
26
2 Flûtes traversières (duo)
26
Clarinette, Violoncelle, Piano (trio)
22
Flûte, Violoncelle, Piano (trio)
21
Flûte, Hautbois, Piano (trio)
20
Clarinette, Trompette (duo)
16
Flûte, Alto et Piano
14
Saxophone Alto et Piano
14
Flûte, Hautbois, Basson
14
Clarinette, trompette et piano
12
Saxophone Baryton, Piano
12
Hautbois, Clarinette (duo)
11
Ensemble de Flûtes
11
Flûte, Saxophone (duo)
10
Flûte, Alto (duo)
10
Flûte, Violon
10
Hautbois, Basson (duo)
10
Flûte, Clarinette (duo)
10
2 Hautbois (duo)
10
Clarinette et Alto
10
Flûte, Hautbois (duo)
10
Hautbois, violon (duo)
9
Saxophone, Clarinette (duo)
9
Cor anglais, Piano
9
Flûte, Violon, Violoncelle et Piano
9
Flûte, Trompette (duo)
8
Flûte, Hautbois, Clarinette, Basson
8
Ensemble de Clarinettes
7
Flûte, Basson et Piano
7
Flûte, Violon, Piano
6
Quintette de Saxophone: 5 saxophones
5
Flûte, Violoncelle, Guitare
5
Ensemble de saxophones
5
Flûte traversière
4
Clarinette
4
Flute, harpe et violon
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone (partie séparée)
3
Quatuor de Flûtes : 4 flûtes
3
Quatuor de Clarinettes: 4 clarinettes
3
Hautbois, Clarinette et Piano (Trio)
2
3 Flûtes à bec (trio)
2
Flûte, Violon, Guitare
2
Flûte à bec Soprano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette et Basson
1
Flûte à Bec
1
Trio de Flûtes: 3 flûtes
1
Saxophone et Piano
1
Flûte à bec Soprano, Piano
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle
1
Quatuor de Flûtes à bec
1
Flûte et Trio à cordes
1
Flûte à bec Alto
1
2 Flûte à bec (duo)
1
3 Saxophones (trio)
1
+ 67 instrumentations
Retracter
Cuivres
Trombone et Piano
53
Trompette, Piano
29
Euphonium, Piano (duo)
12
2 Trompettes (duo)
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trompette, Saxophone (duo)
10
Trompette, Trombone (duo)
10
2 Trombones (duo)
9
Cor anglais, Piano
9
Cor et Piano
8
2 Trombones, Piano
7
Tuba et Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette
4
Ensemble de Trombones
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trompettes
1
Cor et Harpe
1
Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Euphonium (duo)
1
2 Tubas (duo)
1
Trombone, Tuba (duo)
1
Ensemble de Cors
1
+ 23 instrumentations
Retracter
Cordes
Alto, Piano
63
Violoncelle, Piano
36
Violon et Piano
33
Quatuor à cordes: 2 violons, alto, violoncelle
15
2 Altos (duo)
14
Violon, Alto (duo)
12
Trio à Cordes: violon, alto, violoncelle
12
2 Violons (duo)
10
Violon, Violoncelle (duo)
8
2 Violoncelles (duo)
7
Harpe
4
2 Harpes (duo)
4
Violon
3
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Ensemble d'Altos
1
4 Violoncelles
1
2 Violons, Piano
1
Ensemble de Violons
1
Harpe, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
4 Contrebasses
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle
1
Violon, Trompette et Piano
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
385
Jazz combo
50
Cloches
21
Orchestre
21
Ensemble Jazz
17
Fanfare
14
Orchestre de chambre
13
Ensemble de Percussions
12
Orchestre à Cordes
9
Percussion (partie séparée)
9
Batterie
6
Ensemble de cuivres
5
Vibraphone
2
Xylophone, Piano
1
+ 9 instrumentations
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FLUTE A DIX…
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
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COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Ensemble de Flûtes
Partitions à imprimer
11 partitions trouvées
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1
Christmas Joy Medley for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn, J
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Stephanie Daige
#
Christmas Joy Medley for Flute
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.796895 Composed by Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Traditional. Arranged by Stephani...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.796895 Composed by Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Traditional. Arranged by Stephanie Daige. Christian,Christmas,Concert,Sacred,Traditional. 28 pages. Stephanie Daige #5178771. Published by Stephanie Daige (A0.796895). This arrangement of seven traditional Christmas favorites will make your heart joyful as you prepare for the holiday season! The melody moves around from instrument to instrument in a conversation-like way, with rich harmonies and beautiful descants enhancing the melodies. There are parts for piccolo, flute 1, flute 2, alto flute, and bass flute. I’ve included a transposition of the alto flute part for an optional third C flute in case you don’t have an alto flute available. This triumphant medley is in the key of concert G major. Christmas carols featured are:• Hark! The Herald Angels Sing• O Come, All Ye Faithful• O Little One Sweet• Bring A Torch, Jeannette, Isabella• It Came Upon the Midnight Clear• O Little Town of Bethlehem• We Wish You a Merry ChristmasI hope you will enjoy performing this medley as much as I have enjoyed arranging it! Audiences are sure to love it. This medley works well in a variety of venues during the Christmas season: school concert, church, shopping mall background music, chamber music recital, prelude to a choral performance/ sing-along, etc. It'd perfect for anywhere you want to lift people's spirits with beautiful, familiar seasonal music. Duration is approximately 4.5 minutes. There are also versions of this medley available for piano and other chamber music ensembles.
$17.99
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Gabrieli
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James M
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Flute Hoot for Six "C" Flutes
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Terry Patrick Mingle
#
Flute Hoot for Six "C&quo
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Terry Patrick Mingle
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 3 - SKU: A0.1357645 Composed by Terry Patrick Mingle. Halloween,Holiday,Thriller. 12 pages. Terry Patrick Mi...
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Flute Choir,Woodwind Ensemble Flute - Level 3 - SKU: A0.1357645 Composed by Terry Patrick Mingle. Halloween,Holiday,Thriller. 12 pages. Terry Patrick Mingle #942183. Published by Terry Patrick Mingle (A0.1357645). A frolicking, ghoulish tune for addition to your Halloween library. Three versions are available - one for larger mixed flute choir (Piccolo, 6 C Flutes, alto, bass, and contrabass), one for smaller flute choirs (4 C flutes, plus alto and bass), and one for six C flutes. Choose the one that is right for your ensemble! This tune is sure to get your audience's bones rattling.
$12.50
Flute Hoot for Four "C" Flutes, plus Alto and Bass
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Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Terry Patrick Mingle
#
Flute Hoot for Four "C&qu
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Terry Patrick Mingle
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1357642 Composed by Terry Patrick Mingle. Halloween,Holiday,Thriller. 13 pages. ...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1357642 Composed by Terry Patrick Mingle. Halloween,Holiday,Thriller. 13 pages. Terry Patrick Mingle #942180. Published by Terry Patrick Mingle (A0.1357642). A frolicking, ghoulish tune for addition to your Halloween library. Three versions are available - one for larger mixed flute choir (Piccolo, 6 C Flutes, alto, bass, and contrabass), one for smaller flute choirs (4 C flutes, plus alto and bass), and one for six C flutes. Choose the one that is right for your ensemble! This tune is sure to get your audience's bones rattling.
$12.50
Flute Hoot for Mixed Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Halloween
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Terry Patrick Mingle
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Flute Hoot for Mixed Flute Cho
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Terry Patrick Mingle
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1357638 Composed by Terry Patrick Mingle. Halloween,Holiday,Thriller. 23...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1357638 Composed by Terry Patrick Mingle. Halloween,Holiday,Thriller. 23 pages. Terry Patrick Mingle #942175. Published by Terry Patrick Mingle (A0.1357638). A frolicking, ghoulish tune for addition to your Halloween library. Three versions are available - one for larger mixed flute choir (Piccolo, 6 C Flutes, alto, bass, and contrabass), one for smaller flute choirs (4 C flutes, plus alto and bass), and one for six C flutes. Choose the one that is right for your ensemble! This tune is sure to get your audience's bones rattling.
$12.50
Silent Night (Bb) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,Wor...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 11 pages. Regis Bookshar #6636631. Published by Regis Bookshar (A0.813987). Flute Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Flute Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Covid Suite - A Year in Review
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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R H Baptiste
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Covid Suite - A Year in Review
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Ron Baptiste
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 3 - SKU: A0.1367219 Composed by R H Baptiste. 21st Century,Classical,C...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 3 - SKU: A0.1367219 Composed by R H Baptiste. 21st Century,Classical,Contemporary. 75 pages. Ron Baptiste #951576. Published by Ron Baptiste (A0.1367219). This is a rather long piece (about 22 minutes) - but quite amenable to breaking it up any number of ways (by month, quarter, etc). I wrote this over the course of the Covid shutdown, when we were pretty much housebound for long periods. It's divided into 12 sections, one for each month, beginning in March 2020 - when we here in Canada first found out about the approaching pandemic. I tried to represent each month as it affected me - some sadder, some a bit more optimistic. I especially like December - mostly sad, with a brief reprieve for Christmas, then back to sad. In this neck of the woods, Christmas was all but cancelled as we were pretty much in lockdown; at the last minute, restrictions were eased to allow small gatherings for the Holiday. Overall, it was a sad, lonely year - especially for musicians! Whatever your personal stance on the pandemic, it certainly affected us all - and resulted in the loss of many lives.
$4.99
Amy Beach - Katy dids set for flute choir or quintet
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Amy Marcy Beach
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John Gibson
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Amy Beach - Katy dids set for
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Alto Flute - Level 3 - SKU: A0.582225 Composed by Amy Marcy Beach. Arranged by John Gibson. 20th Century. 10 pages. JB Linear #6609367...
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Woodwind Ensemble Alto Flute - Level 3 - SKU: A0.582225 Composed by Amy Marcy Beach. Arranged by John Gibson. 20th Century. 10 pages. JB Linear #6609367. Published by JB Linear (A0.582225). Amy Marcy Beach (1867 - 1944) was a pioneering woman composer at a time when women were barely considered by music publishers. She has been acclaimed to be the first important American woman composer. As a child Amy was allowed rather than encouraged to further her obvious musical talent. She wrote in a mature and virtuosic style for piano with use of chromaticism, fine melodic lines, and Impressionistic styles. This is her Katy-dids set for small flute choir or quintet by John Gibson. (flute 1-4, and alto flute) A katy did is a type of cricket and this piece would classify as a rhythm game. Can you keep up with the cricket rhythms?
$16.00
The Songcord
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Simon Franglen
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Lisa Ochoco
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The Songcord
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1163640 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporar...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1163640 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 20 pages. Lisa L Ochoco #763982. Published by Lisa L Ochoco (A0.1163640). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end.  A songcord is a mnemonic device used by the Na’vi that assists them in storytelling.  In this song, Neytiri is thanking Eywa – the Great Mother - for her family.This arrangement is scored for flute choir – piccolo with 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range.One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Always keep the melody prominent.  The piccolo should always be played softly - at the equivalent volume of the group’s piano.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
The Songcord
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Simon Franglen
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Lisa Ochoco
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The Songcord
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1169424 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/T...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1169424 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #769781. Published by Lisa L Ochoco (A0.1169424). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family. This arrangement is scored for low flute choir – 4 altos, 3 basses, contra alto in G, and contrabass. There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range. One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Always keep the melody prominent.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
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