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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Soloist
Non classifié
543
Piano & claviers
Piano, Voix
476
Piano seul
45
Instruments en Do
35
Piano, Voix et Guitare
32
Piano Facile
20
Accompagnement Piano
5
Orgue, Trompette (duo)
3
Orgue
2
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare
8
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
4
Piano, Guitare (duo)
2
Dulcimer
1
2 Guitares (duo)
1
Basse electrique
1
Banjo
1
Mandoline
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
520
Chorale TTBB
121
Chorale 3 parties
104
Chorale SSAA
66
Chorale 2 parties
20
Soli, choeur mixte et accompagnement
17
Chorale Unison
14
Voix Soprano, Piano
4
Voix Tenor, Piano
3
Voix duo, Piano
3
Voix moyenne, Piano
3
Voix Baryton, Piano
2
Voix duo
2
Chorale SSAATTBB
2
Chorale
2
Voix haute
2
Voix seule
1
Voix basse, Piano
1
Chorale SSAB a cappella
1
Chorale SSATB
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
56
Hautbois, Piano (duo)
44
Clarinette et Piano
44
Saxophone Alto et Piano
31
Flûte, Hautbois, Clarinette, Basson
20
Clarinette
19
Flûte traversière
18
Hautbois (partie séparée)
16
Saxophone Tenor et Piano
14
Ensemble de Clarinettes
11
2 Saxophones (duo)
10
Saxophone Soprano et Piano
8
Saxophone Baryton, Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Ensemble de Flûtes
6
Quatuor de Saxophones: 4 saxophones
6
Clarinette Basse, Piano
5
Ensemble de saxophones
5
Quatuor de Clarinettes: 4 clarinettes
5
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Alto
4
2 Clarinettes (duo)
3
2 Flûtes traversières (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Hautbois, Basson (duo)
2
3 Clarinettes (trio)
2
3 Saxophones (trio)
2
Quintette de Flûte : 5 flûtes
2
2 Hautbois (duo)
2
Quintette de Saxophone: 5 saxophones
2
Saxophone (partie séparée)
2
Hautbois, Harpe
1
Flûte de Pan
1
Flûte, Violon, Piano
1
Flûte, Trombone (duo)
1
2 Flûte à bec (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte à Bec, Piano
1
Quatuor de Flûtes à bec
1
Clarinette, Tuba
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor anglais, Piano
1
2 Flûtes traversières, Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Soprano, Piano
1
+ 40 instrumentations
Retracter
Cuivres
Cor et Piano
46
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Trompette, Piano
40
Cor
33
Trombone et Piano
33
Ensemble de Trompettes
33
Trompette
22
Tuba et Piano
20
Trombone
17
Tuba
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Euphonium, Piano (duo)
8
Trombone (partie séparée)
6
Trompette (partie séparée)
5
Euphonium, Tuba (duo)
4
Ensemble de Trombones
3
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 4 trombones
2
2 Cors (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
2 Euphoniums et 2 Tubas
2
3 Trompettes (trio)
2
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais, Piano
1
Ensemble de Cors
1
Cornet et orchestre
1
Quatuor de cuivres: 4 cors
1
+ 25 instrumentations
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Cordes
Violon et Piano
48
Violoncelle, Piano
38
Alto, Piano
36
Violon
32
Violoncelle
23
Contrebasse, Piano (duo)
20
Contre Basse
17
Quatuor à cordes: 2 violons, alto, violoncelle
14
Alto seul
13
2 Violons (duo)
7
Trio à Cordes: violon, alto, violoncelle
6
Alto (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle , Guitare (duo)
2
2 Violoncelles (duo)
2
Harpe, Violon (duo)
2
Violon, Guitare (duo)
1
Violon, Violoncelle (duo)
1
Ensemble de Violoncelles
1
Harpe, Flûte (duo)
1
Flûte, Contrebasse (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Altos (duo)
1
Violoncelle, Orchestre
1
Violoncelle, Orgue
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
78
Orchestre d'harmonie
54
Orchestre à Cordes
46
Orchestre
43
Ensemble de cuivres
41
Orchestre de chambre
29
Cloches
25
Jazz combo
12
Fanfare
4
Ensemble de Percussions
4
Vibraphone
3
Marimba
2
Batterie
1
Xylophone, Piano
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
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CHANT - CHO…
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
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intermédiaire
Ensemble de Flûtes
Partitions à imprimer
6 partitions trouvées
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1
Feliz Navidad
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Clay Walker
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Roger Wallace
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Feliz Navidad
#
Roger Wallace
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1409214 By Clay Walker. By Jose Feliciano. Arranged by Roger Wallace. Ch...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1409214 By Clay Walker. By Jose Feliciano. Arranged by Roger Wallace. Christmas,Contemporary,Latin,Pop. 19 pages. Roger Wallace #991820. Published by Roger Wallace (A0.1409214). Flute Quintet/Quartet or Choir with Multiple Part Options. Features middle and low parts in a Calypso style.Part 1: Piccolo Part 1: C FlutePart 2: C FlutePart 3: C FlutePart 4: Alto Flute - Omit Part 4 to play as a QuartetPart 5: Bass FlutePart 5: Cello (substitute for Bass Flute)A full length audio version can be heard in the YouTube video.The audio sample represents a Flute Choir (Double Quintet).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$12.99
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Alleluia from Choeur de Pacques a 3 Voix for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Cesar Auguste Franck
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Lisa Ochoco
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Alleluia from Choeur de Pacque
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Lisa L Ochoco
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559889 Composed by Cesar Auguste Franck. Arranged by Lisa Ochoco. Easter,Romanti...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559889 Composed by Cesar Auguste Franck. Arranged by Lisa Ochoco. Easter,Romantic Period,Sacred. 29 pages. Lisa L Ochoco #5324915. Published by Lisa L Ochoco (A0.559889). This beautiful gem is a not very well-known piece of Franck's. Originally written for choir and organ, it featured 3 soloists among the choir voices.
$15.00
Alleluia from Choeur de Pacques a 3 Voix for Low Flute Choir
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Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Cesar Auguste Franck
#
Lisa Ochoco
#
Alleluia from Choeur de Pacque
#
Lisa L Ochoco
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560096 Composed by Cesar Auguste Franck. Arranged by Lisa Ochoco. Easter,Romanti...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560096 Composed by Cesar Auguste Franck. Arranged by Lisa Ochoco. Easter,Romantic Period,Sacred. 31 pages. Lisa L Ochoco #6435281. Published by Lisa L Ochoco (A0.560096). This beautiful gem is a not very well-known piece of Franck's. Originally written for choir and organ, it featured 3 soloists among the choir voices.
$15.00
Beauty And The Beast
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Film Walt Disney
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Celine Dion & Peabo Bryson
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Lisa Ochoco
#
Beauty And The Beast
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Lisa L Ochoco
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1173799 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arrange...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1173799 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Lisa Ochoco. Broadway,Film/TV,Musical/Show. 18 pages. Lisa L Ochoco #773950. Published by Lisa L Ochoco (A0.1173799). Of all of Disney movie songs, this is one of the most popular, and for good reason.  It is such a beautiful song!This arrangement begins with 3 soloists: Alto 1, Bass 1, and Bass 2.  The following structure of the piece remains as it is in the movie, with one key change.  This will allow your audience to sing along with you as you perform, if you ask them to! Scored for low flute choir - 4 altos, 2 basses, and contrabass.  There are optional contra alto and cello parts that add quite a bit to the piece, but are still optional. This will be a crowd-pleaser! Duration: 3.5 minutes.
$15.00
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