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Étude de Concert No. 3
Non classifié
6
Piano & claviers
Piano seul
18
2 Pianos, 4 mains
1
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Quintette de Saxophone: 5 saxophones
17
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16
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8
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8
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6
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4
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4
Ensemble de Clarinettes
4
Ensemble de Flûtes
3
Quatuor de Flûtes à bec
3
Quintette de Clarinettes: 5 clarinettes
3
Quatuor de Flûtes : 4 flûtes
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
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1
Flûte traversière et Piano
1
Saxophone Alto et Piano
1
+ 12 instrumentations
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20
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15
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7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de cuivres: 4 trompettes
5
Quatuor de cuivres: 4 cors
4
Ensemble de Cors
4
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3
Ensemble de Trombones
2
Trio de Cuivres
2
Quatuor de Cuivres
2
+ 6 instrumentations
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2
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1
Harpe, Violon (duo)
1
Violon
1
Alto, Piano
1
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4
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3
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1
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1
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Étude de Concert No. 3
Ensemble de Flûtes
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Symphony No. 40 by Mozart for Flute Ensemble Quintet
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ander
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Symphony No. 40 by Mozart for
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Woods Only, Arrangements
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1267698 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1267698 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 18 pages. Woods Only, Arrangements #860240. Published by Woods Only, Arrangements (A0.1267698). Introducing the sheet music for an arrangement of the first movement of Mozart’s Symphony No. 40 for Flute Ensemble Quintet. The Flute Ensemble consists of a Piccolo, a Soprano Flute, an Alto Flute, a Bass Flute and a Contrabass Flute. This arrangement has been skillfully shortened to a duration of approximately 2 minutes and 20 seconds, keeping the core of the original theme while offering convenience in performance. Designed for performance groups with musical experience, this arrangement can also be used as educational material for music students, fitting for academic recitals, concerts and ceremonies. Symphony No. 40 in G minor, K. 550 was composed by Wolfgang Amadeus Mozart in 1788 and is one of only two symphonies he wrote in a minor key, also known as the “Great G minor symphonyâ€.
$9.99
Symphony No. 40 by Mozart for Flute Ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ander
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Symphony No. 40 by Mozart for
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Woods Only, Arrangements
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1293111 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1293111 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 20 pages. Woods Only, Arrangements #883745. Published by Woods Only, Arrangements (A0.1293111). Introducing the sheet music for an arrangement of the first movement of Mozart’s Symphony No. 40 for Flute Ensemble. This arrangement has been carefully reduced to a duration of approximately 2 minutes and 20 seconds, retaining the essence of the original theme while providing practicality in performance. Intended for performance groups with musical experience, this arrangement can also be used as educational material for music students, suitable for academic recitals, concerts and ceremonies. Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788 and is one of only two symphonies he wrote in a minor key, also referred to as the “Great G minor symphonyâ€.
$7.99
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
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