This spritely and delightful tune from Rodger's and Hammerstein's beloved THE SOUND OF MUSIC is masterfully and lovingly adapted for flute choir by an arranger who once portrayed Friedrich von Trapp in a theatrical production.

Of all fun songs, this one is at the top of the list! Walt Disney's 1950 animated movie, Cinderella is a classic movie with classic songs. This song was also used in the remake movie in 2015.

Play this piece light and bouncy, and not too fast. It is set at the typical "march" tempo.

This arrangement is simple enough for musicians with intermediate skill. The upright bass part is optional, and can be substituted by any C instrument in a similar range, like a cello or bassoon.

This is a great closer for your recitals, and will have your audience going home happy.

Scored for 4 C flutes, alto, bass, contrabass, and optional upright string bass.

Duration: 1.25 minutes

For those Bridgerton fans out there, Lady Whistledown's Society Paper is how her dearest readers discovered the juiciest news about everyone who was someone in London. "If there's a scandal, she shall uncover it, and share every last detail." Even the queen read it!

The Netflix series burst onto the screen in December 2020, amid a pandemic, and became one of the most popular shows around the world.

Kris Bowers wrote the soundtrack for Bridgerton. The recording was done remotely by just 8 orchestra musicians. It proves, as many musicians have during the pandemic, that you don't have to be in the same room to make great music with others - the process is just a little weird.

The Latest Whistledown is a lively piece that is quite a delight. This arrangement is a bit beefier than the original recording, as it makes no sense to me to have members of the choir just sitting there with nothing to play while the others may think they have too many notes. This piece also includes a key change that the original does not have, because it helps lengthen the delight a little more.

Scored for piccolo, 3 C flutes, alto, bass, and contrabass flutes. There is an optional upright string bass part that doubles the contrabass part. It can be played by any bass clef C instrument in a similar range.

Duration: 2 minutes

Perfect for high school or amateur flute choirs, this medley of Christmas favorites will delight your performers and audiences. Each performer gets a chance to play the melody. Your advanced performers will get satisfying challenges, and your more intermediate players will feel like they are making important musical contributions.

Run time: 3'30"

Some chords are not the traditional harmonizations, so encourage your performers to "lean-in" to the crunchy chords and be confident on their part to communicate the music effectively.

Throughout, if there is a low B, an optional note is provided.

Piccolo - Advanced - Low D to High Ab
Flute 1 - Advanced - Low C to High Ab
Flute 2 - Early Advanced - Low C to High Eb
Flute 3 - Intermediate - Low Db to High F
Flute 4 - Intermediate - Low C to C above the staff
Flute 5 (Optional if no alto) - Intermediate - Low C to A above the staff
Alto - Intermediate - Low C to G above staff

Moon River by Henry Mancini is a familiar melody that can add a lighter note to your next program.
Adapted for flute choir (flutes 1-4, alto, and bass), and scored with lush jazz chords, this
arrangement is not difficult technically, but pays attention to dynamics and phrasing to create
a relaxing break from more serious program choices. Both the upper and lower flutes have their
turn at carrying the theme through two keys, all supported by a flowing accompaniment that
mirrors the melody. Your group will enjoy this as much as your audience does.

This unique and clever and arrangement features all members of the ensemble and will provide a highlight to an Easter service or recital. Various textures are employed including a variation in the style of a Baroque fugue. The countermelodies and florid accompanying passages give this work an engaging originality while at the same time maintaining the integrity of the familiar hymn.

This arrangement of one of J.S. Bach's most familiar and endearing melodies is idiomatic to the ensemble and takes full advantage of its strengths of tone and instrumental color. The original vocal melody, viola section melody, and bass line are enriched in an ever evolving texture by fresh counterpoint composed by the arranger through realization of Bach's notated figured bass. Optionally, the ensemble can be accompanied by a fully rendered continuo part and will provide a highlight to any of myriad occasions.