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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
1 Renaissance
Non classifié
501
Piano & claviers
Piano Facile
176
Piano, Voix
91
Piano seul
62
Instruments en Do
24
Orgue
12
1 Piano, 4 mains
6
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
5
Piano, Voix et Guitare
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
2
Orgue, Piano (duo)
1
Accordéon
1
1 Piano, 6 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare
93
Guitare notes et tablatures
68
Ukulele
18
Ensemble de guitares
15
2 Guitares (duo)
12
Ligne De Mélodie, (Paroles) et Accords
9
Mandoline
9
Paroles et Accords
7
4 Guitares (Quatuor)
3
Ukulele Baryton
1
3 Guitares (trio)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
119
Chorale SSATBB
65
Chorale SATTB
48
Chorale 3 parties
37
Chorale
22
Chorale SAATB A Cappella
19
Chorale 2 parties
15
Chorale TTBB
13
Chorale SSAATTBB
11
Chorale Unison
9
Chorale SATTBB, Clavier
8
Chorale SSAA
6
Voix haute
4
Voix seule
4
Pack Instrumental pour Chorale
4
Voix duo, Piano
1
Voix duo
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
40
Flûte, Hautbois, Clarinette, Basson
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
Quatuor de Flûtes : 4 flûtes
23
Quatuor de Saxophones: 4 saxophones
23
2 Saxophones (duo)
23
2 Flûtes traversières (duo)
22
Ensemble de Clarinettes
19
Flûte traversière
18
Ensemble De Flûte à bec
18
Flûte traversière et Piano
17
Quatuor de Flûtes à bec
16
Clarinette et Piano
16
2 Clarinettes (duo)
15
Saxophone (partie séparée)
15
Clarinette (partie séparée)
15
Quintette de Clarinettes: 5 clarinettes
14
3 Saxophones (trio)
14
Quintette de Saxophone: 5 saxophones
13
Hautbois, Piano (duo)
13
Ensemble de Flûtes
10
Saxophone Alto et Piano
9
Flute (partie séparée)
8
2 Flûte à bec (duo)
8
Hautbois (partie séparée)
8
2 Hautbois (duo)
8
3 Clarinettes (trio)
8
Saxophone Tenor et Piano
7
Flûte, Hautbois (duo)
7
Trio de Flûtes: 3 flûtes
7
Quintette de Flûte : 5 flûtes
7
Saxophone Alto
7
Flûte, Clarinette (duo)
6
Clarinette, Basson (duo)
5
Clarinette
5
Hautbois
4
Flûte et Guitare
4
Flûte à bec Soprano, Piano
4
Hautbois, Basson (duo)
4
Ensemble de saxophones
3
Cor anglais, Piano
3
Flûte, Violoncelle
3
Flûte à bec Alto
3
Flûte à bec Soprano
3
Saxophone Baryton, Piano
3
Flûte à bec Alto, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, Basson et Piano
2
Flûte, Violon et Violoncelle
2
3 Flûtes à bec (trio)
2
Flûte, Trombone (duo)
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Clarinette (duo)
2
Ensemble de Hautbois
2
Cor Anglais
1
Hautbois, Flûte
1
Flûte, Violon, Piano
1
Saxophone et Guitare
1
Saxophone Soprano et Piano
1
2 Hautbois, Piano
1
Flûte, Violon
1
Clarinette, Contrebasse (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor anglais, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Flute, harpe et violon
1
Clarinette, Trombone (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Cornemuse
1
Flûte, Trompette (duo)
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec, Guitare (duo)
1
Flûte, Saxophone (duo)
1
Flûte à Bec
1
Clarinette, Tuba
1
5 Flûtes à bec
1
+ 72 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trompette
12
Quatuor de cuivres: 4 trombones
12
Trompette, Trombone (duo)
11
Trompette, Piano
11
Trio de Cuivres
10
Ensemble de Trombones
10
Trombone et Piano
10
2 Trombones (duo)
10
2 Trompettes (duo)
9
Trompette (partie séparée)
8
Tuba et Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trombone (partie séparée)
8
Cor
8
Cor et Piano
8
2 Cors (duo)
7
Quatuor de Cuivres
7
Trombone
7
Tuba
6
Cor (partie séparée)
5
Ensemble de Trompettes
4
Quatuor de cuivres: 4 cors
4
Cor anglais, Piano
3
Tuba (partie séparée)
3
3 Trombones (trio)
3
Cor, Tuba (duo)
2
2 Euphoniums et 2 Tubas
2
2 Tubas (duo)
2
Trombone, Cor (duo)
2
Euphonium, Tuba (duo)
2
Trompette, Tuba (duo)
2
Cor Anglais
1
Cor, Violoncelle (duo)
1
Tuba et Orgue
1
Cor anglais, Guitare (duo)
1
Trombone, Orgue
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon
31
Violon et Piano
31
Violoncelle, Piano
23
2 Violons (duo)
21
2 Violoncelles (duo)
19
Alto, Piano
17
Violoncelle
17
Harpe
17
Trio à Cordes: violon, alto, violoncelle
15
Violon, Violoncelle (duo)
15
2 Altos (duo)
13
Violon, Alto (duo)
12
Violon (partie séparée)
11
Trio à cordes
11
Alto seul
10
Alto, Violoncelle (duo)
9
Contre Basse
6
Contrebasse, Piano (duo)
6
Alto (partie séparée)
5
2 Contrebasses (duo)
5
Contrebasse (partie séparée)
4
Quatuor à cordes: 4 violons
4
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle (partie séparée)
3
4 Violoncelles
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à cordes: 3 violins
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
1
2 Violons et Basse continue
1
Alto, Guitare (duo)
1
Flûte, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
2 Altos, Piano
1
2 Violoncelles, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
123
Orchestre d'harmonie
65
Orchestre à Cordes
42
Orchestre
11
Percussion (partie séparée)
10
Orchestre de chambre
5
Timbales (partie séparée)
4
Percussion
2
Marimba
2
Ensemble de Percussions
2
Cloches
1
Ensemble Jazz
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARPE
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LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
1 Renaissance
Ensemble de Flûtes
Partitions à imprimer
10 partitions trouvées
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1
Canzona per sonar No 1 Ch.186 (Giovanni Gabrieli) Flute Choir arr. Adrian Wagner
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Ensemble de Flûtes
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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Canzona per sonar No 1 Ch.186
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 13 pages. Published by Published by Adrian Wagner (S0.31...
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 13 pages. Published by Published by Adrian Wagner (S0.311083). - Score,Set of Parts - Renaissance - Published by Adrian Wagner
$7.50
Quem Pastores Laudavere - Flute Quintet
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Classique
#
Traditional
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Mike Lyons
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Quem Pastores Laudavere - Flut
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Lyons Music Services
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SheetMusicPlus
Flute, Woodwind Quintet, Flute Quintet - Intermediate - Composed by Traditional. Arranged by Mike Lyons. Renaissance, Christian, Christmas, Children...
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Flute, Woodwind Quintet, Flute Quintet - Intermediate - Composed by Traditional. Arranged by Mike Lyons. Renaissance, Christian, Christmas, Children's Music. Score, Set of Parts. 11 pages. Published by Lyons Music Services
A simple setting of this pretty carol for flute quintet (2 C flutes, 2 Alto flutes and a Bass flute). Each verse the pitch goes up by a tone until the final verse which returns to the original key. Everybody except the bass flute has a go at the melody and each verse is harmonised in a different syle.
Verse 1 is a solo for Flute 1, Verse 2 is a duet for Flute 1 and Alto Flute 2. Verse 3 adds the Alto flute 1 and Bass, Verse 4 is the first verse with all instruments playing. Verse 5 is a trio for Altos 1 & 2 and Bass. Verse 6 uses all instruments for the finale.
This is a very simple arrangement and should be playable by any standard of ensemble.
$10.99
Gabrieli: Jubilate Deo Ch. 136 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457115. Published by jmsgu3 (A0.549191). Giovanni Gabrieli: Jubilate Deo (Ch. 136) Instrumentation: 1 piccolo, 5 flutes, 1 alto flute, 1 bass flute, 1 cello (or contrabass flute) Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not at all difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Benedictus
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Ensemble de Flûtes
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DÉBUTANT
#
Giovanni Pierlugi da Palestrin
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D Telgen
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Benedictus
#
Neglet Music
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 1 - SKU: A0.1360964 Composed by Giovanni Pierlugi da Palestrina. Arranged by D Telgen. Class...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 1 - SKU: A0.1360964 Composed by Giovanni Pierlugi da Palestrina. Arranged by D Telgen. Classical,Early Music,Renaissance,Rock,Sacred. 7 pages. Neglet Music #945452. Published by Neglet Music (A0.1360964). Benedictus, from the Missa Papae Marcelli by Giovanni Pierluigi da Palestrina, probably composed around 1562. This polyphonic piece is also known as Drones by the rock group Muse, performed a capella with new lyrics and released on their 2015 album of the same name. This arrangement takes the original SATB vocal composition and presents it for flute quartet: two C flutes, 1 alto flute, and 1 bass. It's a relatively short and simple arrangement, making it good for beginning players or those just starting to experiment with low flutes.Â
$2.99
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Benedicamus Domino
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Ensemble de Flûtes
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FACILE
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Michael Praetorius
#
Adrian Dee
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2, alto, bass 1) up an octave
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Benedicamus Domino
#
Adrian Dee
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.817937 Composed by Michael Praetorius (1571-1621). Arranged by Adrian Dee. Conte...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.817937 Composed by Michael Praetorius (1571-1621). Arranged by Adrian Dee. Contemporary,Praise & Worship,Renaissance,Wedding. 10 pages. Adrian Dee #3511601. Published by Adrian Dee (A0.817937). This piece was originally written for vocal ensemble (Cantus I, Cantus II, Altus, Tenor I, Tenor II, Basso) and is typical of Praetorius’ flowing counterpoint and mellifluous harmonies. It would be a lovely addition to a wedding or similar ceremony, or for a quiet meditative moment in a religious service or concert program. The notes are easy, making this piece an excellent opportunity to focus on ensemble skills, such as balance and intonation. The work is only about a minute and a half in length. You might want to experiment with repeating the entire work, possibly with the top four voices (Flutes 1 & 2, alto, bass 1) up an octave. The tempo marking is only a guideline; do what feels right for your ensemble. The contrabass part may be covered by a third regular bass flute.Let me know what you think! adriandeeflute@gmail.com
$6.95
Three Weelkes Madrigals for Low Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Renaissance
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Thomas Weelkes
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Lisa Ochoco
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Three Weelkes Madrigals for Lo
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559609 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 25 page...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559609 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 25 pages. Lisa L Ochoco #3506375. Published by Lisa L Ochoco (A0.559609). Thomas Weelkes was a very little known English composer who lived in the late 1500's through the early 1600's. It is said that he composed over 100 pieces, but only a handful of choir music survived in its entirety today, 3 of which I arranged for flute choir here. These madrigals are delightful, and would be a great addition to your repertoire for any occasion. This arrangement is for 3 alto flutes, 2 basses, and 1 contra bass.
$6.00
O Filii et Filiae
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Volckmar Leisring
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Lori Archer Sutherland
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O Filii et Filiae
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Lori Archer Sutherland
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.764931 Composed by Volckmar Leisring. Arranged by Lori Archer Sutherland...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.764931 Composed by Volckmar Leisring. Arranged by Lori Archer Sutherland. Easter,Renaissance,Sacred. 13 pages. Lori Archer Sutherland #3876795. Published by Lori Archer Sutherland (A0.764931). For flute choir (6 flutes, alto flute, bass flute. Optional piccolo for Flute 1 and alto for Flute 4). You may print multiple parts as needed for your ensemble. Originally composed by Volckmar Leisring (1588-1637) for choir, the Latin lyrics announce (roughly translated), O sons and daughters, Christ the heavenly king is risen today. Great for showcasing your flute section at concerts, recitals, and more.
$15.00
Mouton: Christmas Motet for Flute Choir
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Ensemble de Flûtes
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FACILE
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Noël
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Jean Mouton
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James M
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Mouton: Christmas Motet for Fl
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 2 - SKU: A0.550372 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards...
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Woodwind Ensemble Flute - Level 2 - SKU: A0.550372 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards. 25 pages. Jmsgu3 #4616051. Published by jmsgu3 (A0.550372). A quadruple canon at the fifth. Duration: ca. 3:00, Score: 7 pages, Parts 2 pages each. Instrumentation: 3 concert flutes, 3 alto flutes, 2 bass flutes, 1 cello (optional).
$49.95
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