Let your flute choir take off to where they belong with this wonderful arrangement of "Up Where We Belong", the 1982 #1 Hit from the Paramount motion picture An Officer and a Gentleman. This wonderful work stays true to the feel of the work without pushing your flute choir too much. A wonderful song which emphasizes that true love can make any relationship stronger, this is a great addition to any concert.

This work's 4th Flute part is a concert transposition of the Alto Flute part.

Duration is around 4 minutes. 

Included Parts and Ranges:
- Piccolo (sounding F#5 to A6)
- Flute 1 (A4 to G6)
- Flute 2 (G4 to G6)
- Flute 3 (E4 to D6)
- Flute 4 (C Alto part, D4 to A5)
- Alto Flute (sounding D4 to A5)
- Bass Flute (sounding D3 to F4)

Flute choir meets heavy metal!

Avenged Sevenfold is one of my absolute favorite heavy metal bands. I don't usually hear a flute choir when I listen to their songs, or mostly any heavy metal songs for that matter, but A Little Piece of Heaven is so creative, so musical, and so funny, that I couldn't help it. Also, Oingo Boingo headed up the instrumental parts of the original song, which is evident.

If you are unfamiliar with heavy metal, you don't need to know anything about this song, other than it's incredibly unique and has to be played with an attitude. Accentuate the down beats, lay off the full vibratos, keep pushing the tempo - it never should slow down, and channel your inner rocker.

This song was the brainchild of the late James "The Rev" Sullivan. With the help of Oingo Boingo musicians, the song was scored to include an orchestra, full wind section, and choir. This arrangement is less than half the length of the original song, but it still clocks in at around 3 1/2 minutes.

This arrangement is scored for 4 flutes, alto, bass, contrabass, and upright string bass or keyboard. It is essential that there is a strong bass line. The upright bass part could also be played by any bass clef C instrument, like a euphonium, trombone, or tuba. If you are lucky enough to know a drummer, that would help a great deal too. I did not include a drum part, only because I am not knowledgeable enough at writing for drums and would rather leave it out than mess it up!

I hope you and your group will enjoy playing this song as much as I enjoyed arranging it. And I hope your audience will like it too!

The theme song from Halloween ranks as one of the creepiest movie theme songs ever. It was first composed in 1978, and is still creeping people out just as strong as ever. Critics have grumbled about it being too simple, but that's what makes this piece so memorable.

Set at a time signature of 5/4 throughout, this arrangement is scored for 2 C flutes, alto, and bass. Each of these 4 parts have 2 part divisis at one point or other. Optional contrabass and cello parts are also included.

It goes without saying that this piece should be played in a cold and mechanical manner. It definitely isn't a "pretty" piece. The lower instruments should be strong, while the upper instruments tip toe on top. If you would like to add a little more interest to the piece, an egg shaker could be played at every beat.

This will give your audience the heebie jeebies.

This piece is simple enough for musicians with intermediate skill.

Duration: 2.25 minutes

Of all fun songs, this one is at the top of the list! Walt Disney's 1950 animated movie, Cinderella is a classic movie with classic songs. This song was also used in the remake movie in 2015.

Play this piece light and bouncy, and not too fast. It is set at the typical "march" tempo.

This arrangement is simple enough for musicians with intermediate skill. The upright bass part is optional, and can be substituted by any C instrument in a similar range, like a cello or bassoon.

This is a great closer for your recitals, and will have your audience going home happy.

Scored for 4 C flutes, alto, bass, contrabass, and optional upright string bass.

Duration: 1.25 minutes

Super Mario Bros was a super popular Nintendo game, but I think the song was even more so. Back in the 80's, game music was written to attract attention to the game itself, rather than enhance the player's experience during the game. It was more or less, just a catchy tune. However, when Koji Kondo wrote the music to Super Mario Bros, he created it as an active part of the game. This idea would help change game music forever.

I feel as if I don't need to give any comments on how to play this piece, but I will say that in the interest of not inundating the sheet music with dots everywhere, this song should be played staccato throughout the piece unless otherwise noted.

This piece has a lot of syncopation, but it is repetitive, so musicians with intermediate skills should be able to play this piece.

Scored for piccolo, 4 C, alto, and bass flutes.

Duration: 2.5 minutes

This absolutely fabulous song comes from the 1965 slapstick comedy film, The Great Race. I first heard it on James Galway's album, In the Pink, which features Galway playing 13 of Henry Mancini's songs.

This piece just screams fun in the middle of a gazillion notes just flying by. Filled with arpeggios, this is a workout for the fingers and requires quite a bit of precision for the song to sound really good. As with most of my arrangements, I have tried to give every part something interesting to play, with the exception of the contrabass flute and optional upright bass, which could also be played by any C instrument in the bass clef range. These lower parts are important in helping maintain good downbeats.

Scored for 5 C flutes, alto, bass, contrabass, and optional upright bass. There are 2-part divisis in flutes 1 - 4. This piece is for the more advanced flute choir and would be a great opener or encore for your recitals.

Duration: 2.75 minutes

Whether you have a full flute choir or just a few flutes, this version of "Oh Worship the King" is flexible for your needs! It can be played with as little as 4 flutes (parts 1-4), but there are optional flute 5, piccolo, alto flute, and bass flute/flute 6 parts for a fuller sound. It would be perfect for an offertory or prelude for a church service, or as a learning tool for students to practice expanding their range and learning to blend.

Length: approximately 3 minutes, suggested bpm 90-100
Contains: 27 pages, includes score and parts
Level: 2-3, some 16th note passages in several parts, and upper 3rd register for parts 1 and 3.

This beautiful song comes from the musical Yentl, starring Barbra Streisand.

As an instrumental piece, dynamics, tempo changes - of which there are many - and the attention to the overall emotion of the song will make this piece soar as it should.

This arrangement is for flute choir: 4 C flutes, alto, bass, contrabass, and optional cello to help give the bass line a stronger presence.

I hope you and your audience will enjoy this piece.

Duration: 3.5 minutes