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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
45 pages (parts)
Non classifié
634
Piano & claviers
Piano seul
14
Piano, Voix
9
Accompagnement Piano
9
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
5
Piano, Voix et Guitare
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano (partie séparée)
2
Ensemble d'Accordéons
2
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Fake Book
1
Orgue, Trompette (duo)
1
Accordéon
1
2 Pianos, 4 mains
1
Orgue
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Ensemble de Pianos
1
+ 13 instrumentations
Retracter
Guitares
Guitare (partie séparée)
4
4 Guitares (Quatuor)
4
3 Guitares (trio)
3
Guitare notes et tablatures
3
Guitare
2
Ensemble de guitares
1
Mandoline
1
2 Guitares (duo)
1
Basse electrique
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
49
Chorale TTBB
9
Chorale 3 parties
8
Chorale SSAA
6
Chorale 2 parties
4
Chorale Unison
4
Chorale SSATB
1
+ 2 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Quatuor de Clarinettes: 4 clarinettes
21
Flûte, Hautbois, Clarinette, Basson
17
Flûte traversière et Piano
15
Saxophone Tenor et Piano
14
Saxophone Alto et Piano
12
Clarinette
12
2 Saxophones (duo)
11
Quatuor de Saxophones: 4 saxophones
11
Saxophone (partie séparée)
10
Saxophone Soprano et Piano
9
Hautbois, Piano (duo)
9
2 Clarinettes (duo)
8
Ensemble de Clarinettes
8
Ensemble de Flûtes
8
Clarinette et Piano
6
Saxophone Baryton, Piano
6
Clarinette Basse, Piano
6
Quintette de Saxophone: 5 saxophones
6
Piccolo, Piano
6
2 Flûtes traversières (duo)
5
Ensemble de saxophones
5
Flûte à bec Soprano, Piano
4
Flûte à Bec, Piano
4
Quintette de Clarinettes: 5 clarinettes
4
2 Clarinettes, Piano
3
Flûte à bec Tenor
3
Hautbois, Basson (duo)
3
Quintette de Flûte : 5 flûtes
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Violon (duo)
2
Quatuor de Flûtes à bec
2
2 Cors Anglais Et Pianoforte
2
Flute (partie séparée)
2
Flûte, Violon et Violoncelle
2
Flûte à bec Alto, Piano
2
Flûte et Guitare
2
2 Hautbois (duo)
2
5 Flûtes à bec
2
Saxophone et Guitare
2
Trio de Flûtes: 3 flûtes
2
3 Saxophones (trio)
1
Cor anglais et Harpe (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, Flûte
1
2 Flûte à bec (duo)
1
Flûte, Clarinette et Basson
1
Clarinette et Alto
1
Saxophone, Tuba (duo)
1
Flûte, Alto et Piano
1
Flûte, Harpe et Violoncelle
1
Flûte, Hautbois (duo)
1
Clarinette, Guitare (duo)
1
Hautbois, Harpe
1
Saxophone et Orgue
1
3 Clarinettes (trio)
1
Flûte, Violon, Piano
1
Flûte traversière, Orchestre
1
Saxophone Tenor
1
Clarinette, Harpe (duo)
1
Saxophone Alto
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
Trombone et Piano
19
Tuba et Piano
10
Euphonium, Piano (duo)
9
Trompette (partie séparée)
9
Trombone (partie séparée)
8
Trombone basse et Piano
7
Ensemble de Trombones
7
Cor et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Ensemble de Cors
4
2 Euphoniums et 2 Tubas
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Trombone (duo)
3
2 Euphoniums (duo)
3
3 Trombones (trio)
3
3 Trompettes (trio)
2
Cor (partie séparée)
2
2 Tubas (duo)
2
2 Cors (duo)
2
2 Cors Anglais Et Pianoforte
2
Trompette
2
Tuba (partie séparée)
2
2 Trompettes (duo)
2
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
Cor, Tuba (duo)
1
2 Trombones (duo)
1
Tuba
1
Trompette, Orchestre
1
Cor
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
Trio de Cuivres
1
Ensemble de Trompettes
1
Trombone, Tuba (duo)
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
137
Violon, Violoncelle (duo)
34
Trio à Cordes: violon, alto, violoncelle
31
Violon, Alto (duo)
15
Violon et Piano
15
Violon
14
2 Violons (duo)
10
Violoncelle, Piano
9
Alto, Piano
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Alto, Violoncelle (duo)
8
Alto (partie séparée)
5
Violon (partie séparée)
5
Contrebasse, Piano (duo)
4
Alto seul
3
Contrebasse (partie séparée)
3
Violoncelle (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
Harpe, Flûte (duo)
3
Ensemble d'Altos
2
Trio à cordes: 3 violins
2
Violon, Guitare (duo)
2
2 Violoncelles (duo)
2
2 Contrebasses (duo)
2
2 Violons, Piano
1
Violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
Alto et Harpe
1
4 Violoncelles
1
Harpe, Violoncelle (duo)
1
2 Altos, Piano
1
Harpe, Violon (duo)
1
2 Altos (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe
1
Violoncelle , Guitare (duo)
1
Trio à cordes
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
211
Ensemble Jazz
127
Orchestre
124
Orchestre à Cordes
80
Ensemble de cuivres
71
Orchestre de chambre
29
Ensemble de Percussions
14
Fanfare
13
Jazz combo
10
Instrumentation Flexible
3
Batterie (partie séparée)
2
Quintette à Vent
1
Percussion
1
Cloches
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
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Vous avez sélectionné:
45 pages (parts)
Ensemble de Flûtes
Partitions à imprimer
8 partitions trouvées
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1
Olympic Prelude for Flute Choir
Ensemble de Flûtes
Composed by Sy Brandon. 21st Century, 20th Century, Contemporary Classical, Recital. Score…
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Composed by Sy Brandon. 21st Century, 20th Century, Contemporary Classical, Recital. Score, Set of Parts. 45 pages. Published by Sy Brandon (S0.264493). - Score,Set of Parts - 21st Century,20th Century,Contemporary Classical,Recital - Sy Brandon
$14.99
13.82 €
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Ensemble de Flûtes
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Sy Brandon
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Olympic Prelude for Flute Choir
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Sy Brandon
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SheetMusicPlus
Devil and the Deep Blue Sea
Ensemble de Flûtes
Composed by Karl L. King. Arranged by Diana L. Appler. 20th Century, Old-time. Score, Set …
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Composed by Karl L. King. Arranged by Diana L. Appler. 20th Century, Old-time. Score, Set of Parts. 45 pages. Published by Diana L. Appler (S0.222183). - Score,Set of Parts - 20th Century,Old-time - Diana L. Appler
$12.95
11.94 €
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Ensemble de Flûtes
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Karl L
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Diana L
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Devil and the Deep Blue Sea
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Diana L. Appler
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SheetMusicPlus
North Star - flute choir
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1000144 Composed by Jennifer Bellor. 21st Century,Chamber,Classical,Contemporary,Instructional. 45 pages. Bellor #6491719. Published by Bellor (A0.1000144). flute choir (1 piccolo, 1 *E-flat Flute, 4 C Flutes, 1 Alto Flute, 1 Bass Flute)Duration: 5:30*If no E-flat flute is available, the part can be played on C fluteScore and Parts For more information, please visit www.jenniferbellor.com.
$29.99
27.65 €
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Ensemble de Flûtes
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Jennifer Bellor
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North Star - flute choir
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Bellor
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SheetMusicPlus
ParaFLU
Ensemble de Flûtes
Composed by Vincenzo Sorrentino. Score and Parts. 45 pages. Forton Music - Digital #…
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Composed by Vincenzo Sorrentino. Score and Parts. 45 pages. Forton Music - Digital #FM262. Published by Forton Music - Digital
$15.95
14.7 €
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Ensemble de Flûtes
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Vincenzo Sorrentino
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ParaFLU
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Forton Music - Digital
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SheetMusicPlus
Rondo from Horn Concerto K.495
Ensemble de Flûtes
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Adrian Dee. Classical P…
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Adrian Dee. Classical Period. Score, Set of Parts. 45 pages. Published by Adrian Dee
$9.95
9.17 €
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Ensemble de Flûtes
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Wolfgang Amadeus Mozart
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Rondo from Horn Concerto K.495
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Adrian Dee
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SheetMusicPlus
Lady Gaga Fugue for Flute Choir
Ensemble de Flûtes
Flute, Woodwind Choir or Ensemble, Flute, Piccolo, Alto Flute, Bass Flute - Advanced In…
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Flute, Woodwind Choir or Ensemble, Flute, Piccolo, Alto Flute, Bass Flute - Advanced Intermediate - Digital Download By Lady Gaga. Arranged by Erin Spencer, Giovanni Dettori. Score, Set of Parts. 17 pages. Published by Erin Spencer
Based on "Bad Romance" by Lady Gaga, this arrangement reimagines the pop hit as a Bach fugue. Giovanni Dettori's version went viral in 2013 and is now available for flute choir. This is a great way to round-out your concert program by bringing in something from an older time period in an audience-friendly way. Includes sixteenth notes, accidentals, and requires good musicality. Alto and Flute 1 are the most difficult parts. Length: 2:45Based on "Bad Romance" by Lady Gaga, this arrangement reimagines the pop hit as a Bach fugue. Giovanni Dettori's version went viral in 2013 and is now available for flute choir. This is a great way to round-out your concert program by bringing in something from an older time period in an audience-friendly way. Includes sixteenth notes, accidentals, and requires good musicality. Alto and Flute 1 are the most difficult parts.
Length: 2:45
$17.99
16.59 €
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Ensemble de Flûtes
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Lady Gaga
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Lady Gaga Fugue for Flute Choir
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Erin Spencer
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SheetMusicPlus
A Song of Winter for Flute Choir
Ensemble de Flûtes
Composed by Phyllis Avidan Louke, ASCAP. Contemporary Classical, Christmas, Hanukkah…
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Composed by Phyllis Avidan Louke, ASCAP. Contemporary Classical, Christmas, Hanukkah. Score, Set of Parts. 32 pages. Published by Louke Publishing
A Song of Winter—Snowmen & Icicles<br> PhyllisAvidan Louke<br> Length: 6:45<br> Difficulty: 3 to 3+<br> <br> Evocative of a cold and windy dayin winter, A Song of Winter explores the contrasts between thesmoothness and roundness of a snowman and the hardness and jaggedness oficicles.<br> <br> Beginning with a winter stormwith wind and swirling snow, the wind calms, and the building of a snowmanbegins with the rolling of a snowball. The rolling forms the biggest ball of the snowman (represented by thebass and alto flutes), which is briefly interrupted by a playful snowballfight. The flutes continue the melodyfor the rolling of the second ball of the snowman, followed by the piccolorepresenting the rolling of the smallest ball (the head of the snowman). The melody is smooth and round in a lilting I time.<br> <br> With the snowman complete, thewind and swirling snow return to lead into the Icicles section. The jaggedness of the icicles is representedby the jaggedness of syncopation in a marcato style with the melody skippinglarger intervals than the Snowmen melody. Visually, the score shows the jagged shape ofthe icicles. Double-tongued ascendingand descending lines, add to hard and brittle feeling of the icicles, as wellas to the shape of the melody. Thepiccolo adds the glistening, shimmering effect of sunlight reflecting off the icicles. Eventually, fragments of the Snowmenmelody are interspersed with the Icicles, followed by a final windstorm, which calms at the end of the piece.<br> <br> Christmas<br> Winter<br> Winter Holidays<br> Stormy<br> Concert<br> Original CompositionA Song of Winter—Snowmen & Icicles<br> PhyllisAvidan Louke<br> Length: 6:45<br> Difficulty: 3 to 3+<br> <br> Evocative of a cold and windy dayin winter, A Song of Winter explores the contrasts between thesmoothness and roundness of a snowman and the hardness and jaggedness oficicles.<br> <br> Beginning with a winter stormwith wind and swirling snow, the wind calms, and the building of a snowmanbegins with the rolling of a snowball. The rolling forms the biggest ball of the snowman (represented by thebass and alto flutes), which is briefly interrupted by a playful snowballfight. The flutes continue the melodyfor the rolling of the second ball of the snowman, followed by the piccolorepresenting the rolling of the smallest ball (the head of the snowman). The melody is smooth and round in a lilting I time.<br> <br> With the snowman complete, thewind and swirling snow return to lead into the Icicles section. The jaggedness of the icicles is representedby the jaggedness of syncopation in a marcato style with the melody skippinglarger intervals than the Snowmen melody. Visually, the score shows the jagged shape ofthe icicles. Double-tongued ascendingand descending lines, add to hard and brittle feeling of the icicles, as wellas to the shape of the melody. Thepiccolo adds the glistening, shimmering effect of sunlight reflecting off the icicles. Eventually, fragments of the Snowmenmelody are interspersed with the Icicles, followed by a final windstorm, which calms at the end of the piece.<br> <br> Christmas<br> Winter<br> Winter Holidays<br> Stormy<br> Concert<br> Original Composition
$18.00
16.59 €
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Ensemble de Flûtes
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Phyllis Avidan Louke, ASCAP
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A Song of Winter for Flute Choir
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Louke Publishing
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
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Ensemble de Flûtes
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
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