This is the first movement of Part 2, Christ's Passion, of Handel's oratorio, The Messiah.

Flutes 1 - 4 represent the SATB chorus, and the lower parts represent the orchestral parts. That said, Flutes 5 and 6 are more diffcult because they are playing the violin parts, which include more ornamentation than the voice parts.

Scored for 6 C, alto, bass, and optional contrabass flutes.

This is a powerful piece to add to your Easter recital program.

Behold the Lamb of God, that taketh away the sins of the world.

Handel's Messiah is one of the most popular musical works of all time, and choirs around the world perform Part 1 of Messiah every Christmas season.

His Yoke is Easy would be a great closer for your Christmas concert. It is the last movement in the Christmas section of Messiah. The Hallelujah Chorus is usually what is sung after this.

This arrangement is for the more advanced choir, however, parts 5 & 6 could be used for those who aren't as advanced.

Scored for 6 C flutes, alto, bass, and optional contrabass. There is also a cello part, which can also be played by any C instrument in a similar range, such as a bassoon.

Whether you have a full flute choir or just a few flutes, this version of "Oh Worship the King" is flexible for your needs! It can be played with as little as 4 flutes (parts 1-4), but there are optional flute 5, piccolo, alto flute, and bass flute/flute 6 parts for a fuller sound. It would be perfect for an offertory or prelude for a church service, or as a learning tool for students to practice expanding their range and learning to blend.

Length: approximately 3 minutes, suggested bpm 90-100
Contains: 27 pages, includes score and parts
Level: 2-3, some 16th note passages in several parts, and upper 3rd register for parts 1 and 3.

ISBN 9790570481194.

Piccolo, 2 flutes, flute 3/alto flute, alto flute, bass flute, contrabass flute. A new flute choir piece from established composer Keiron Anderson. To begin with, high staccato riffs on the top three parts create the impression of twinkling stars while the lower parts have a more stately tune below them. This alternates with semiquavers in cannon that race up and down the instruments like fireworks exploding. The next section continues the bustling feel of the music by using many time signature changes to keep the music on edge and moving forwards. The music then returns to the ideas of the first section before racing towards the most exciting conclusion. Covering pretty much the whole range of the instruments (particularly the lower parts) and with some very complex time signatures to handle, this is one for the expert flute choirs to really get their teeth into! Approximately grade 6 standard upwards.

The Mischievous elves is scored for 6 flutes- 4 C Flutes -Alto and Bass Flute. It is a 3 minute piece of intermediate level, although some parts are in the early intermediate range-the whole score and parts is on the youtube link for you to assess.
Written in concert D minor with the range of around 2 octaves- Flute 1 has top G once. It is intended as a concert piece and a bit of fun as well as hopefully something different.
It would work well for concerts, recitals, productions as well as for Christmas, Halloween and Fantasy themes and concepts
The price is for the full score and all parts.

ISBN 9790708085775.

Solo flute with Flexible Flute Quartet - Part 1 Flute, Part 2 Flute, Part 3 Flute or Alto Flute, Part 4 Flute, Alto Flute or Bass Flute. Part of our expanding series of flute solos with flute ensemble. The solo part is presented unchanged and is of about grade 6 standard. The ensemble is flexible and works well with four concert flutes, but parts for alto and bass flutes are included expanding the range and depth. The ensemble parts are about grade 4 standard. A great favourite.

A Song of Winter?Snowmen & Icicles
PhyllisAvidan Louke
Length: 6:45
Difficulty: 3 to 3+

Evocative of a cold and windy dayin winter, A Song of Winter explores the contrasts between thesmoothness and roundness of a snowman and the hardness and jaggedness oficicles.

Beginning with a winter stormwith wind and swirling snow, the wind calms, and the building of a snowmanbegins with the rolling of a snowball. The rolling forms the biggest ball of the snowman (represented by thebass and alto flutes), which is briefly interrupted by a playful snowballfight. The flutes continue the melodyfor the rolling of the second ball of the snowman, followed by the piccolorepresenting the rolling of the smallest ball (the head of the snowman). The melody is smooth and round in a lilting I time.

With the snowman complete, thewind and swirling snow return to lead into the Icicles section. The jaggedness of the icicles is representedby the jaggedness of syncopation in a marcato style with the melody skippinglarger intervals than the Snowmen melody. Visually, the score shows the jagged shape ofthe icicles. Double-tongued ascendingand descending lines, add to hard and brittle feeling of the icicles, as wellas to the shape of the melody. Thepiccolo adds the glistening, shimmering effect of sunlight reflecting off the icicles. Eventually, fragments of the Snowmenmelody are interspersed with the Icicles, followed by a final windstorm, which calms at the end of the piece.

Christmas
Winter
Winter Holidays
Stormy
Concert
Original Composition