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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Alan E
Non classifié
306
Piano & claviers
Piano seul
59
Piano (partie séparée)
44
Piano, Voix
36
Piano Facile
25
Piano grosses notes
20
Piano, Voix et Guitare
18
Orgue
15
Instruments en Do
4
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
1
Orgue, Trompette (duo)
1
2 Pianos, 4 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare (partie séparée)
78
Guitare
12
Guitare notes et tablatures
10
Basse electrique
6
Dulcimer
5
Banjo
5
Ligne De Mélodie, (Paroles) et Accords
2
Ensemble de guitares
2
Basse électrique (partie séparée)
2
Piano, Guitare (duo)
1
Ukulele
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
23
Chorale 3 parties
10
Chorale SSAA
6
Pack Instrumental pour Chorale
4
Chorale TTBB
3
Chorale 2 parties
2
Voix Baryton, Piano
2
Chorale Unison
2
Voix moyenne, Piano
1
Voix haute
1
Voix Soprano, Piano
1
Voix basse, Piano
1
+ 7 instrumentations
Retracter
Vents
Saxophone (partie séparée)
424
Clarinette (partie séparée)
206
Hautbois (partie séparée)
104
Flute (partie séparée)
101
Ensemble de Clarinettes
22
Clarinette
20
2 Clarinettes (duo)
17
Clarinette et Piano
13
Quatuor de Clarinettes: 4 clarinettes
12
2 Saxophones (duo)
11
Flûte à bec Soprano
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte traversière
9
Saxophone Alto
9
Ensemble de Flûtes
8
Saxophone Tenor
8
2 Flûtes traversières (duo)
5
3 Clarinettes (trio)
5
Quatuor de Flûtes : 4 flûtes
5
Quintette de Clarinettes: 5 clarinettes
5
Clarinette, Violon (duo)
4
Clarinette, Trompette (duo)
4
Cor Anglais
4
Saxophone, Clarinette (duo)
4
Quatuor de Saxophones: 4 saxophones
4
Flûte traversière et Piano
3
Flûte, Saxophone (duo)
2
Flûte, Violon
2
Flûte, Trompette (duo)
2
Clarinette, Trombone (duo)
2
Clarinette et Alto
2
2 Flûte à bec (duo)
2
Quintette de Saxophone: 5 saxophones
2
Flûte traversière, Basse continue
2
Flûte, Clarinette (duo)
2
Saxophone Alto et Piano
2
2 Hautbois (duo)
2
Clarinette Basse
2
Hautbois, Basson (duo)
2
Hautbois, Flûte
2
Flûte, Alto (duo)
2
Flûte, Violoncelle
1
Saxophone Tenor et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
3 Saxophones (trio)
1
Saxophone
1
Flûte et Trio à cordes
1
Clarinette, Basson (duo)
1
Cor anglais, Piano
1
Saxophone et Orgue
1
Hautbois, Piano (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 47 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
364
Trompette (partie séparée)
341
Cor (partie séparée)
119
Tuba (partie séparée)
75
Trombone
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trompette
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette, Saxophone (duo)
4
Cor Anglais
4
Trompette, Piano
4
Trompette, Trombone (duo)
4
Euphonium (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone et Piano
2
Euphonium
2
Cor
2
2 Trombones (duo)
2
Cor et Piano
2
2 Tubas (duo)
1
Ensemble de Cors
1
Ensemble de Trombones
1
3 Trompettes (trio)
1
Tuba et Piano
1
Ensemble de Trompettes
1
3 Trombones (trio)
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Piano (duo)
1
+ 24 instrumentations
Retracter
Cordes
Contrebasse (partie séparée)
113
Violon (partie séparée)
79
Alto (partie séparée)
46
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violoncelle (partie séparée)
15
Violon et Piano
10
Alto, Piano
6
Violoncelle
6
Violoncelle, Piano
5
Violon, Violoncelle (duo)
4
Violon
4
Alto seul
4
2 Violoncelles (duo)
3
Contrebasse, Piano (duo)
3
2 Violons (duo)
2
2 Altos (duo)
2
Violon, Alto (duo)
2
Harpe
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: violon, alto, violoncelle
1
Trio à cordes: 3 violins
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
199
Percussion (partie séparée)
141
Batterie (partie séparée)
54
Timbales (partie séparée)
29
Orchestre
18
Orchestre à Cordes
16
Batterie
9
Fanfare
6
Ensemble de cuivres
5
Ensemble Jazz
4
Orchestre de chambre
2
Vibraphone
2
Cloches
1
Ensemble de Percussions
1
Jazz combo
1
Xylophone (partie séparée)
1
Piano et Orchestre
1
+ 12 instrumentations
Retracter
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
Alan E
Ensemble de Flûtes
Partitions à imprimer
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.98 €
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Ensemble de Flûtes
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
Beauty And The Beast (Flute Choir)
Ensemble de Flûtes
By Alan Menken. Arranged by Daniel E. Self. Score, Set of Parts. 17 pages. Published by Da…
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By Alan Menken. Arranged by Daniel E. Self. Score, Set of Parts. 17 pages. Published by Daniel E. Self (H0.231147-66212). - Score,Set of Parts - - Daniel E. Self
$15.00
13.76 €
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Ensemble de Flûtes
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Alan Menken
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Daniel E
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Beauty And The Beast
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Daniel E. Self
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SheetMusicPlus
Belle from Beauty & The Beast (Flute Choir)
Ensemble de Flûtes
By Alan Menken. Arranged by Daniel E. Self. Score, Set of Parts. 38 pages. Published by Da…
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By Alan Menken. Arranged by Daniel E. Self. Score, Set of Parts. 38 pages. Published by Daniel E. Self (H0.231143-70798). - Score,Set of Parts - - Daniel E. Self
$15.00
13.76 €
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Ensemble de Flûtes
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Alan Menken
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Daniel E
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Belle from Beauty & The Beast
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Daniel E. Self
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.98 €
#
Ensemble de Flûtes
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Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
#
jmsgu3
#
SheetMusicPlus
Air from Suite in D by Bach for flute choir / flute ensemble
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.874245 Composed by Joh…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.874245 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Concert,Sacred,Standards,Wedding. 17 pages. As do Ray meflute studio production #3591641. Published by as do Ray meflute studio production (A0.874245). https://www.youtube.com/watch?v=EKPo0RPP-E4&feature=youtu.beAir from Suite in D by J. S. Bacharranged for flute choir / ensemble by me Ray-Michael Kauffman. I know there is a lot of versions of this , but unhappy with most of them and lack of over all music musicality I decided to create one that was interesting to play and hear a swell as make good musical sense. After much debate, I decided changing the key to E flat would be most appropriate for either small group of players ( minimum 7) or larger groups . In the piece there is even additional divisions to help create more texture and colors in parts 3 & 4, yet remaining simple and true but sounding beautiful , what flutes should sound like.Great for studying flutist, to high school and college students. Flute choir groups, etcwould be a great addition for your ensemble, whether playing at a recital, concert, church and other spiritual events, graduation, weddings, etc. This would also be a great tool or warm up for balance and shaping sound, volume, color, blending, phrasing and other important technique builders for your group.You'll love this arrangement ,and so will the flutists and your audience!
$13.99
12.83 €
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Ensemble de Flûtes
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Johann Sebastion Bach , J S Bach
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Ray-Michael Kauffman
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Air from Suite in D by Bach for flute choir / flute ensemble
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as do Ray meflute studio production
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SheetMusicPlus
Deck the halls - Christmas Carol - Polyphonic - Flute Quintet
Ensemble de Flûtes
Arranged by Thomas Graf. Classical Period, Baroque Period, Neo-Classical, Christmas. Score…
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Arranged by Thomas Graf. Classical Period, Baroque Period, Neo-Classical, Christmas. Score, Set of Parts. 14 pages. Published by Thomas Graf - the-hit-factory.com (S0.163311). - Score,Set of Parts - Classical Period,Baroque Period,Neo-Classical,Christmas - Thomas Graf - the-hit-factory.com
Polyphonic arrangement of the traditional Christmas, yuletide, and New Years' carol. The melody is Welsh dating back to the sixteenth century, and belongs to a winter carol, Nos Galan. As played by the ORIGINAL DRACHENFELSER MUSIKANTEN on CD MERRY CHRISTMAS. Big fun to play! Not difficult! Instrumentation: Flute 1/2/3, Alto Flute, Bass Flute Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N... Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog includedVideo: https://www.youtu.be/MzE_kFVh08c 2016 Holiday Contest Entry .Polyphonic arrangement of the traditional Christmas, yuletide, and New Years' carol. The melody is Welsh dating back to the sixteenth century, and belongs to a winter carol, Nos Galan. As played by the ORIGINAL DRACHENFELSER MUSIKANTEN on CD MERRY CHRISTMAS. Big fun to play! Not difficult! Instrumentation: Flute 1/2/3, Alto Flute, Bass Flute Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N... Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog includedVideo: https://www.youtu.be/MzE_kFVh08c 2016 Holiday Contest Entry .
$14.99
13.75 €
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Ensemble de Flûtes
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Thomas Graf
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Deck the halls - Christmas Carol - Polyphonic - Flute Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
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