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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ch
Non classifié
290
Piano & claviers
Piano, Voix
334
Piano seul
212
Piano Facile
40
Piano, Voix et Guitare
25
Accordéon
10
Orgue
9
1 Piano, 4 mains
7
Instruments en Do
7
Piano Trio: piano, violon, violoncelle
4
Orgue, Trompette (duo)
2
2 Pianos, 8 mains
1
Clavecin
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare
32
Guitare notes et tablatures
9
Ukulele
3
Paroles et Accords
3
3 Guitares (trio)
3
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
2
Basse electrique
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
112
Voix seule
49
Chorale 3 parties
36
Chorale TTBB
24
Chorale
18
Chorale SSAA
13
Chorale, Orchestre
10
Voix Soprano, Piano
9
Voix Baryton, Piano
9
Chorale 2 parties
5
Voix Alto, Piano
4
Voix Mezzo-Soprano, Piano
4
Voix basse, Piano
4
Chorale SSATTB
3
Voix Tenor, Piano
3
Voix et basse continue
2
Voix haute
1
Chorale SAATB A Cappella
1
Chorale SSAATTBB
1
Voix, Guitare
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière
38
2 Flûtes traversières, Piano
25
Flûte traversière et Piano
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
2 Saxophones (duo)
17
Saxophone
15
Ensemble de Clarinettes
15
Quatuor de Saxophones: 4 saxophones
14
Flûte à Bec
12
Flûte, Hautbois, Clarinette, Basson
12
2 Clarinettes (duo)
11
Saxophone, Clarinette (duo)
10
Clarinette
10
2 Flûtes traversières (duo)
10
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette et Piano
9
Clarinette, Violon (duo)
8
Hautbois, Piano (duo)
7
Flûte, Clarinette (duo)
7
Flûte, Violon
6
Quintette de Saxophone: 5 saxophones
6
Hautbois, Clarinette (duo)
6
Flûte, Trompette (duo)
6
Saxophone Alto et Piano
6
Saxophone (partie séparée)
5
Saxophone Tenor et Piano
5
Cor anglais, Piano
5
2 Hautbois (duo)
5
Hautbois
5
Ensemble de Flûtes
5
Saxophone, Violon (duo)
4
Ensemble de saxophones
4
Quatuor de Flûtes : 4 flûtes
4
Hautbois, Trompette (duo)
4
Flûte, Hautbois (duo)
4
Hautbois, violon (duo)
4
Clarinette, Trompette (duo)
4
Hautbois, Basson (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte à bec Soprano
3
Saxophone Soprano et Piano
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Saxophone (duo)
2
Saxophone Alto
2
Flûte et Guitare
2
2 Clarinettes, Piano
2
Ocarina
2
Clarinette, Guitare (duo)
2
Hautbois, Flûte
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Alto (duo)
2
Clarinette et Alto
2
Flûte, Violoncelle
1
Clarinette, Trombone (duo)
1
Clarinette, Basson (duo)
1
Saxophone, Basson (duo)
1
Flûte, Clarinette et Basson
1
2 Flûte à bec (duo)
1
Saxophone Tenor
1
Clarinette (partie séparée)
1
Saxophone et violoncelle
1
Flûte à bec, Guitare (duo)
1
Hautbois, Violoncelle
1
Saxophone Baryton, Piano
1
Harmonica
1
2 Clarinettes, Basson
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Cor anglais, Guitare (duo)
1
Trio de Flûtes: 3 flûtes
1
Flute (partie séparée)
1
Flûte à bec Tenor
1
Clarinette, Violoncelle (duo)
1
Flûte traversière, Basse continue
1
Instruments en Mib
1
Flûte, Violon, Piano
1
Hautbois (partie séparée)
1
Flûte, Trombone (duo)
1
Cor anglais et Harpe (duo)
1
Flûte à bec Alto
1
Flûte, Violon, Violoncelle et Piano
1
3 Clarinettes (trio)
1
Quintette de Flûte : 5 flûtes
1
+ 77 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trompette
12
Trompette, Saxophone (duo)
9
Trompette, Piano
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone
6
Trompette (partie séparée)
6
Cor
5
Cor anglais, Piano
5
2 Trompettes (duo)
5
Cor et Piano
4
Trombone, violoncelle (duo)
4
Euphonium
4
Trompette, Basson (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, violon (duo)
4
Trompette, Trombone (duo)
4
Tuba
4
Trombone (partie séparée)
4
2 Trombones (duo)
4
Quatuor de cuivres: 4 cors
4
2 Cors (duo)
3
Quatuor de cuivres: 4 trombones
3
Quatuor de Cuivres
2
Ensemble de Trompettes
2
Ensemble de Trombones
2
Trombone et Piano
2
3 Trompettes (trio)
2
Trompette, Violoncelle (duo)
1
Trombone, Orgue
1
3 Trombones (trio)
1
Trombone, Violon (duo)
1
Cor anglais, Guitare (duo)
1
Cor, Violoncelle (duo)
1
2 Euphoniums (duo)
1
Trio de Cuivres
1
Instruments en Sib
1
Euphonium, Piano (duo)
1
Tuba et Piano
1
Cor anglais et Harpe (duo)
1
Cor et Basson (duo)
1
Cor (partie séparée)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
60
Violon et Piano
19
Violon
18
Violoncelle
18
Violoncelle, Piano
16
Alto seul
10
Violon, Violoncelle (duo)
7
Harpe
7
2 Altos (duo)
6
Alto, Piano
6
2 Violons (duo)
6
2 Violoncelles (duo)
6
Alto, Violoncelle (duo)
5
4 Violoncelles
5
Violon, Alto (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Guitare (duo)
3
Trio à Cordes: 3 violoncelles
2
Contre Basse
2
Violoncelle , Guitare (duo)
2
Violon, Guitare (duo)
2
Violon (partie séparée)
2
Harpe, Flûte (duo)
2
2 Violons, Piano
2
Violon, Basson (duo)
2
Piano Trio: Violon, Alto, Piano
1
Alto (partie séparée)
1
Quatuor à cordes : 4 altos
1
2 Violoncelles, Piano
1
Alto et Basson
1
Trio à cordes
1
Violoncelle (partie séparée)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre
28
Ensemble de cuivres
22
Orchestre d'harmonie
20
Ensemble Jazz
17
Orchestre à Cordes
11
Orchestre de chambre
9
Quintette à Vent
5
Percussion
4
Jazz combo
3
Percussion (partie séparée)
3
Cloches
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
COR ANGLAIS
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CORNET
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DIDGERIDOO
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EUPHONIUM
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Ensemble de Flûtes
Partitions à imprimer
5 partitions trouvées
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Gabrieli: Jubilate Deo Ch. 136 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457115. Published by jmsgu3 (A0.549191). Giovanni Gabrieli: Jubilate Deo (Ch. 136) Instrumentation: 1 piccolo, 5 flutes, 1 alto flute, 1 bass flute, 1 cello (or contrabass flute) Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not at all difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations.
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Canzon Duodecimi Toni a 10, Ch. 177
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Renaissance
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Giovanni Gabrieli
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Adrian Dee
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Canzon Duodecimi Toni a 10, Ch
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Adrian Dee
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1037658 Composed by Giovanni Gabrieli (c.1554/7 - 1612). Arranged by Adrian Dee....
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1037658 Composed by Giovanni Gabrieli (c.1554/7 - 1612). Arranged by Adrian Dee. Renaissance. 27 pages. Adrian Dee #642563. Published by Adrian Dee (A0.1037658). Here is one for the big flutes. Arranged for 3 C-flutes, 2 alto flutes, 2 bass flutes, and 2 contrabass flutes. Each voice is unique, so all parts are required, including both contra parts. You may add piccolo players (one on each part) to double the first and second flute parts. This piece is a typical example of Gabrieli’s masterful counterpoint. Keep all notes cleanly separated as though they were marked staccato, especially repeated notes. Bring out the moving notes and drop back on longer notes.
$10.99
Canzona per sonar No 1 Ch.186 (Giovanni Gabrieli) Flute Choir arr. Adrian Wagner
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Ensemble de Flûtes
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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Canzona per sonar No 1 Ch.186
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 13 pages. Published by Published by Adrian Wagner (S0.31...
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 13 pages. Published by Published by Adrian Wagner (S0.311083). - Score,Set of Parts - Renaissance - Published by Adrian Wagner
$7.50
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