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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Church Sonata
Non classifié
128
Piano & claviers
Orgue
23
Piano seul
16
Piano, Voix
5
Piano Facile
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
1
+ 2 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
6
Guitare
2
Voix
Chorale 2 parties
4
Chorale 3 parties
3
Chorale SATB
1
Voix duo, Piano
1
Vents
Flûte traversière et Piano
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Clarinette et Piano
17
Saxophone Alto et Piano
15
Saxophone Tenor et Piano
15
Saxophone Baryton, Piano
12
Ensemble de saxophones
12
Saxophone Soprano et Piano
12
Hautbois, Piano (duo)
11
Quintette de Saxophone: 5 saxophones
6
Clarinette Basse, Piano
6
Ensemble de Flûtes
5
Cor anglais, Piano
5
Flûte traversière
4
Quatuor de Saxophones: 4 saxophones
4
Ensemble de Clarinettes
4
Saxophone (partie séparée)
3
Clarinette
3
Saxophone Alto
2
2 Saxophones (duo)
2
Piccolo, Piano
2
Hautbois (partie séparée)
1
Flûte, Hautbois, Clarinette, Basson
1
2 Flûtes traversières (duo)
1
Flûte et Guitare
1
Flûte, Violon et Violoncelle
1
Saxophone Tenor
1
Quatuor de Clarinettes: 4 clarinettes
1
Quatuor de Flûtes : 4 flûtes
1
Flûte traversière, Basse continue
1
Flûte à Bec
1
Quintette de Flûte : 5 flûtes
1
Saxophone et Orgue
1
+ 28 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trombone et Piano
13
Euphonium, Piano (duo)
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Cor et Piano
11
Trompette, Piano
10
Cor anglais, Piano
5
Trompette
5
Trombone
4
Cor
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Trombone (duo)
3
Tuba
2
Ensemble de Trombones
2
Quatuor de Cuivres
1
Ensemble de Trompettes
1
Euphonium, Tuba (duo)
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
20
Violoncelle, Piano
15
Alto, Piano
14
Violon et Piano
14
Trio à Cordes: violon, alto, violoncelle
5
Harpe
5
Violon, Violoncelle (duo)
3
Violoncelle
3
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, violoncelle
1
Alto seul
1
Ensemble de Violons
1
Ensemble d'Altos
1
Trio à Cordes: 2 violons, alto
1
Violon, Alto (duo)
1
Ensemble de Violoncelles
1
Violon
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
4
Orchestre d'harmonie
3
Ensemble de cuivres
1
Cloches
1
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FLUTE A DIX…
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FORMATION M…
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VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Church Sonata
Ensemble de Flûtes
Partitions à imprimer
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1
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
#
Ensemble de Flûtes
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
#
jmsgu3
#
SheetMusicPlus
Allegro (from "Sonata for Trumpet") (Bb) (Flute Octet)
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.813588 Composed by Hen…
(+)
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.813588 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 13 pages. Regis Bookshar #6429837. Published by Regis Bookshar (A0.813588). Flute Octet - Advanced/Intermediate - Digital Download. This arrangement of the Allegro movement from Henry Purcell's Sonata for Trumpet would be a fabulous addition to any music library and could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. This selection is one of the arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library, many of which are being made available for the first time. They have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions. The original composition was written in D Major but Regis Bookshar has transposed it to Bb Major, making it a little easier for many modern musicians. Included are a score and a complete set of parts (13 pages). The 17th century composer, Henry Purcell, is generally considered to be one of the greatest English composers of his generation. His Sonata for Trumpet and Strings in D Major, composed in 1694, was probably written for the London Theatre, where a fine tradition of trumpet playing had developed. Purcell almost certainly had in mind either John Shore or his brother, William, the most renowned trumpet players in England at the time. The trumpets of the time were normally tuned in D and there were no valves on the Baroque trumpets, so they were limited in the number of notes that they could play. The term Sonata here probably means no more than a piece of incidental music and looks forward to the style that would become the solo concerto where soloist and strings are pitted against each other but also looks back to an older type of instrumental music which emphasized equality between members of the ensemble. The music is in three movements and looks forward to the fast-slow-fast plan popularized by Vivaldi's concertos. Regis Bookshar thought that it would be wonderful if other instrumentalists, besides trumpet players, could also have the opportunity to play the Allegro movement from Purcell's Sonata for Trumpet, so he has created other arrangements of this selection. This particular arrangement is for a Flute Octet, consisting of 8 Flutes, but there are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this piece. You may find something else that may suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a wide variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are added as often as possible. I'm certain that this exciting arrangement of Purcell's Allegro from his Sonata for Trumpet will continue to entertain both performers and audiences alike for years to come.
$15.00
13.83 €
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Ensemble de Flûtes
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Henry Purcell
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Regis Bookshar
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Allegro
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Regis Bookshar
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
#
Ensemble de Flûtes
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
#
jmsgu3
#
SheetMusicPlus
Simple Gifts (Flute Choir and Piano)
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A…
(+)
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.630123 Composed by Joseph Brackett, Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Contest,Festival,Folk,Sacred,Standards,Traditional. 19 pages. Exultet Music #6419117. Published by Exultet Music (A0.630123). The well known Shaker song has been freshly arranged for a Flute Choir (Flute (2), Alto Flute, Bass Flute) with Piano accompaniment. This version incorporates two well known pieces by Wolfgang Amadeus Mozart (Piano Sonata Number 16 in C Major and Eine Kleine Nachtmusik). Accessible and appropriate for any church, school or concert setting.
$12.99
11.98 €
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Ensemble de Flûtes
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Joseph Brackett, Wolfgang Amadeus Mozart
#
Stephen DeCesare
#
Simple Gifts
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Exultet Music
#
SheetMusicPlus
Scarlatti: Andante mosso for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.550385 Composed by Dom…
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.550385 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards. 14 pages. Jmsgu3 #4626605. Published by jmsgu3 (A0.550385). Sonata 33 for Flute Choir - an unusually expressive, intricate, serious and meditative piece. Perfect for weddings, receptions, meditations, church services, recitals or recital encores.Score: 7 pages. Duration: ca 6:38. .
$38.95
35.91 €
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Ensemble de Flûtes
#
Domenico Scarlatti
#
James M
#
Scarlatti: Andante mosso for Flute Choir
#
jmsgu3
#
SheetMusicPlus
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Church Sonata 
