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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Die Baroque
Sheetmusicplus
Non classifié
850
Piano & claviers
Piano, Voix
312
Piano seul
190
Piano Facile
106
Orgue
54
Orgue, Trompette (duo)
18
Instruments en Do
10
Piano, Voix et Guitare
8
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
1
Clavecin
1
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Mandoline
101
Guitare
56
Guitare notes et tablatures
54
Ligne De Mélodie, (Paroles) et Accords
30
Ukulele
17
2 Guitares (duo)
6
Mandoline, Guitare (duo)
4
Basse electrique
3
4 Guitares (Quatuor)
2
Ensemble de guitares
1
3 Guitares (trio)
1
Mandoline, Piano (duo)
1
Piano, Guitare (duo)
1
Banjo
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
47
Chorale 3 parties
17
Chorale TTBB
13
Chorale SSAA
7
Voix duo, Piano
6
Chorale 2 parties
4
Chorale Unison
3
Voix haute
3
Voix moyenne, Piano
1
Voix duo
1
Voix seule
1
+ 6 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
96
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Quintette de Saxophone: 5 saxophones
66
3 Saxophones (trio)
65
Flûte, Hautbois, Clarinette, Basson
63
Flûte traversière et Piano
55
Quatuor de Clarinettes: 4 clarinettes
50
2 Saxophones (duo)
49
Clarinette et Piano
41
2 Flûtes traversières (duo)
40
3 Clarinettes (trio)
39
Hautbois, Piano (duo)
37
Saxophone Alto et Piano
29
Flûte, Hautbois, Basson
26
Flûte, Hautbois, Clarinette (trio)
26
Flûte, Violon et Violoncelle
25
Quatuor de Flûtes à bec
25
Trio de Flûtes: 3 flûtes
25
Flûte traversière
25
Ensemble de Clarinettes
24
Saxophone Tenor et Piano
24
Ensemble de saxophones
23
Quatuor de Flûtes : 4 flûtes
23
Ensemble De Flûte à bec
22
2 Clarinettes (duo)
22
Flûte, Clarinette et Basson
22
Saxophone Soprano et Piano
21
2 Flûte à bec (duo)
21
Clarinette
19
Flûte et Guitare
17
Quintette de Flûte : 5 flûtes
16
2 Hautbois (duo)
16
Clarinette, Basson (duo)
14
Saxophone Baryton, Piano
14
2 Clarinettes, Basson
13
Ensemble de Flûtes
12
Hautbois, Violoncelle
11
Flûte, Violoncelle
11
Hautbois, Basson (duo)
11
Saxophone Alto
11
Quintette de Clarinettes: 5 clarinettes
10
Clarinette, Violoncelle (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Hautbois (partie séparée)
10
3 Flûtes à bec (trio)
8
Flûte, Clarinette (duo)
8
Cor anglais, Piano
8
Saxophone Tenor
8
Flûte à Bec
7
Hautbois
7
Flûte à bec Soprano
7
Hautbois, Clarinette (duo)
6
Clarinette Basse, Piano
5
Flûte, Violon
5
Clarinette, Violon (duo)
5
Flûte à bec Soprano, Piano
5
Flûte à bec Alto
5
Saxophone, Violon (duo)
4
Hautbois, violon (duo)
4
Flûte, Hautbois (duo)
4
5 Flûtes à bec
4
Flûte, Trompette (duo)
4
Saxophone, Clarinette (duo)
4
Hautbois, Trompette (duo)
4
Saxophone (partie séparée)
4
Clarinette, Harpe (duo)
3
2 Hautbois et Basson
3
Harmonica
3
Hautbois, Harpe
3
2 Saxophones, Piano
2
4 Hautbois
2
Clarinette, Guitare (duo)
2
Flûte, Alto (duo)
2
Saxophone Baryton
1
Ensemble de Hautbois
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Trombone (duo)
1
Piccolo, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte à bec Alto, Basse continue
1
Cor anglais et Harpe (duo)
1
Flûte à bec Tenor
1
Flûte à bec Alto, Piano
1
Saxophone, Basson (duo)
1
Clarinette, Trombone (duo)
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
91
Quatuor de Cuivres : 2 trompettes, trombone, tuba
59
Ensemble de Trompettes
58
Trompette, Piano
39
Trombone et Piano
33
Cor et Piano
28
Trompette
21
2 Trompettes (duo)
19
2 Cors (duo)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Ensemble de Trombones
18
2 Trombones (duo)
18
Trombone
14
Euphonium, Piano (duo)
12
Quatuor de cuivres: 4 trombones
11
Tuba et Piano
10
Tuba
10
Trompette, Basson (duo)
9
Cor
9
Trompette, Violoncelle (duo)
8
Cor anglais, Piano
8
Quatuor de cuivres: 4 cors
8
2 Tubas (duo)
7
Trompette, Trombone (duo)
6
Quatuor de Cuivres
6
Trompette, Saxophone (duo)
5
Trombone, violoncelle (duo)
4
Trompette, violon (duo)
4
Trompette, Cor (duo)
3
Ensemble de Cors
3
Quatuor de cuivres: 4 trompettes
3
Cor, Violoncelle (duo)
3
2 Euphoniums (duo)
2
Cor et Basson (duo)
2
3 Trompettes (trio)
2
Tuba et Orgue
2
3 Trombones (trio)
2
Euphonium, Tuba (duo)
2
3 Cors (trio)
1
3 Tubas (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
4 Tubas
1
Cor et Harpe
1
Trompette, Harpe
1
Trombone, Orgue
1
Trombone, Violon (duo)
1
Trompette (partie séparée)
1
Cor anglais et Harpe (duo)
1
Trombone, Cor (duo)
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
130
Violon et Piano
47
Violon, Violoncelle (duo)
39
Violon
39
Violoncelle, Piano
38
Alto, Piano
38
Trio à Cordes: violon, alto, violoncelle
34
Violoncelle
30
2 Violons (duo)
23
Contrebasse, Piano (duo)
16
2 Violoncelles (duo)
15
Alto seul
15
2 Altos (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Alto, Violoncelle (duo)
11
Violon, Alto (duo)
11
Ensemble d'Altos
11
Harpe
11
Trio à Cordes: 3 violoncelles
10
Ensemble de Violons
10
Alto et Basson
8
Violon, Basson (duo)
8
Alto (partie séparée)
7
Contre Basse
7
Harpe, Flûte (duo)
6
Trio à Cordes: 2 violons, violoncelle
6
2 Harpes (duo)
5
Trio à cordes: 3 altos
4
2 Contrebasses (duo)
4
4 Violoncelles
3
Quatuor à cordes : 4 altos
3
Violon (partie séparée)
3
Ensemble de Violoncelles
2
Harpe, Violon (duo)
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
2
Harpe, Violoncelle (duo)
1
Violoncelle, Contrebasse (duo)
1
Alto et Harpe
1
Violoncelle, Basse continue
1
Violon, Basse continue
1
Violoncelle (partie séparée)
1
Violon, Orgue
1
Contrebasse (partie séparée)
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
57
Ensemble de cuivres
36
Orchestre de chambre
31
Orchestre d'harmonie
21
Orchestre
18
Cloches
4
Ensemble Jazz
2
Xylophone, Piano
2
2 Xylophones
1
Quintette à Vent
1
Ensemble de Percussions
1
Orchestre, Violon
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone et Marimba
1
Xylophone
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
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Partitions Gratuites
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Partitions Numériques
12
Librairie Musicale
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Matériel de Musique
Partitions numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
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Prix - au +
Prix + au -
Nouveautes
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difficulté (tous)
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expert
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Vous avez sélectionné:
Die Baroque
SheetMusicPlus
Partitions à imprimer
12 partitions trouvées
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1
Mit Lust tret ich an diesen Tanz (I'm delighted to join this dance) for flute sextet (piccolo, 3 flutes, alto flute and bass flute)
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Ensemble de Flûtes
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FACILE
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Renaissance
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Ludwig Senfl
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David Warin Solomons
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Mit Lust tret ich an diesen Ta
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David Warin Solomons
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SheetMusicPlus
Composed by Ludwig Senfl (1490-1543). Arranged by David Warin Solomons. Baroque Period, Renaissance, Early Music. Score, Set of Parts. 11 pages. Published by Da...
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Composed by Ludwig Senfl (1490-1543). Arranged by David Warin Solomons. Baroque Period, Renaissance, Early Music. Score, Set of Parts. 11 pages. Published by David Warin Solomons (S0.200303). - Score,Set of Parts - Baroque Period,Renaissance,Early Music - David Warin Solomons
$8.00
Sleepers Awake (Wachet Auf) for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Ralph Raymond Hays
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Sleepers Awake
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Ralph Raymond Hays
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SheetMusicPlus
Organ, Harpsichord, Flute, Woodwind Choir or Ensemble - Advanced Intermediate - Composed by Johann Sebastian Bach (1685-1750). Arranged by Ralph Ray...
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Organ, Harpsichord, Flute, Woodwind Choir or Ensemble - Advanced Intermediate - Composed by Johann Sebastian Bach (1685-1750). Arranged by Ralph Raymond Hays. Baroque Period, Sacred, Easter, Wedding, Recital. Piano Reduction, Score, Set of Parts. 25 pages. Published by Ralph Raymond Hays
This arrangement of one of J.S. Bach's most familiar and endearing melodies is idiomatic to the ensemble and takes full advantage of its strengths of tone and instrumental color. The original vocal melody, viola section melody, and bass line are enriched in an ever evolving texture by fresh counterpoint composed by the arranger through realization of Bach's notated figured bass. Optionally, the ensemble can be accompanied by a fully rendered continuo part and will provide a highlight to any of myriad occasions.
$14.99
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Sheep May Safely Graze " The Birthday Cantata " by Bach for flute choir / ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Sebastion Bach , J S Ba
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Sheep May Safely Graze "
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as do Ray meflute studio production
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SheetMusicPlus
Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Piccolo,Soprano Flute - Level 3 - SKU: A0.874253 Composed by Johann Sebastion Bach , J S Bach...
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Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Piccolo,Soprano Flute - Level 3 - SKU: A0.874253 Composed by Johann Sebastion Bach , J S Bach. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Baroque,Easter,Holiday,Praise & Worship,Sacred. Score and parts. 36 pages. As do Ray meflute studio production #4573517. Published by as do Ray meflute studio production (A0.874253). Https://www.youtube.com/watch?v=05dsgxhs9qM&feature=youtu.beSheep May Safely Graze Sheep may safely graze (German: Schafe können sicher weiden) is a soprano aria by Johann Sebastian Bach setting words by Salomon Franck. The piece was written in 1713 and is part of the cantata Was mir behagt, ist nur die muntre Jagd, BWV 208. The cantata's title translates The lively hunt is all my heart's desire, and it is also known as the Hunting Cantata. Like the same composer´s Jesu, Joy of Man's Desiring, it is frequently played at weddings.[1] However, it was originally written for a birthday celebration, that of Christian, Duke of SaxeWeissenfels. Bach was based at the nearby court of Weimar, and musicians from both courts appear to have joined together in the first performance in Weißenfels. Bach is known to have used the music again for other celebrations, but it remained unpublished until after his death. Perfect for church, religious holidays, weddings, Easter, Birthdays , concerts, program performances, themed performances, recital, you name it.. this arrangement is a must.Score for a larger nsemble , Piccolo, G soprano flute or 1st c flute , 2nd flute, 3rd flute, 4th flute, 5th flute, 6 th flute , Alto flute in g , Bass flute and contrabass flute . Definiately a piece that will get used many times for many occasionals.also, check out my other arrangements! Real flute choir / ensemble arrangements for real flutes, and real parts ( no piano funny business ) for real performances. **ALSO check out my other arrangemnts - https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545
$15.99
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Allegro (from "Sonata for Trumpet") (Bb) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Henry Purcell
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.813588 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.813588 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 13 pages. Regis Bookshar #6429837. Published by Regis Bookshar (A0.813588). Flute Octet - Advanced/Intermediate - . This arrangement of the Allegro movement from Henry Purcell's Sonata for Trumpet would be a fabulous addition to any music library and could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. This selection is one of the arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library, many of which are being made available for the first time. They have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions. The original composition was written in D Major but Regis Bookshar has transposed it to Bb Major, making it a little easier for many modern musicians. Included are a score and a complete set of parts (13 pages). The 17th century composer, Henry Purcell, is generally considered to be one of the greatest English composers of his generation. His Sonata for Trumpet and Strings in D Major, composed in 1694, was probably written for the London Theatre, where a fine tradition of trumpet playing had developed. Purcell almost certainly had in mind either John Shore or his brother, William, the most renowned trumpet players in England at the time. The trumpets of the time were normally tuned in D and there were no valves on the Baroque trumpets, so they were limited in the number of notes that they could play. The term Sonata here probably means no more than a piece of incidental music and looks forward to the style that would become the solo concerto where soloist and strings are pitted against each other but also looks back to an older type of instrumental music which emphasized equality between members of the ensemble. The music is in three movements and looks forward to the fast-slow-fast plan popularized by Vivaldi's concertos. Regis Bookshar thought that it would be wonderful if other instrumentalists, besides trumpet players, could also have the opportunity to play the Allegro movement from Purcell's Sonata for Trumpet, so he has created other arrangements of this selection. This particular arrangement is for a Flute Octet, consisting of 8 Flutes, but there are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this piece. You may find something else that may suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a wide variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are added as often as possible. I'm certain that this exciting arrangement of Purcell's Allegro from his Sonata for Trumpet will continue to entertain both performers and audiences alike for years to come.
$15.00
Siciliano BWV 1031
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Myrick Crampton
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Siciliano BWV 1031
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MDC Music LLC
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1456677 Composed by Johann Sebastian Bach. Arranged by Myrick Crampton. Baroque,...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1456677 Composed by Johann Sebastian Bach. Arranged by Myrick Crampton. Baroque,Classical. 9 pages. MDC Music LLC #1035744. Published by MDC Music LLC (A0.1456677). This graceful piece, characterized by its flowing melodies and gentle rhythms, captures the essence of the Baroque era, offering a soothing and contemplative musical experience.Arranged for (F1-2, AF 2-3, BF 4, Contra 5)Time: 2’ 45”.
$12.99
Canon (Pachelbel) (Bb) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.813441 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,Wor...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.813441 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 36 pages. Regis Bookshar #6260475. Published by Regis Bookshar (A0.813441). Canon (Pachelbel) (Bb) (Flute Octet) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Flute Octet. Three Flutes play the melody in canon while the ostinato accompaniment is played by the other five instruments. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (36 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's Canon have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$28.00
Canon in D (Pachelbel) (D) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon in D
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.813487 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,Wor...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.813487 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 36 pages. Regis Bookshar #6265581. Published by Regis Bookshar (A0.813487). Canon in D (Pachelbel) (D) (Flute Octet) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon in D, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon in D, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Flute Octet. Three Flutes play the melody in canon while the ostinato accompaniment is played by the other five instruments. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (36 pages). This version is written in the key of D Major, as is the original version, but, if you prefer, another version, written in the key of Bb Major, to make it a little easier for some younger performers, is also available. Other versions of Pachelbel's Canon In D have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon in D will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$28.00
Air from Suite in D by Bach for flute choir / flute ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Johann Sebastion Bach , J S Ba
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Ray-Michael Kauffman
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Air from Suite in D by Bach fo
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as do Ray meflute studio production
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.874245 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Concert,Sacre...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.874245 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Concert,Sacred,Standards,Wedding. 17 pages. As do Ray meflute studio production #3591641. Published by as do Ray meflute studio production (A0.874245). https://www.youtube.com/watch?v=EKPo0RPP-E4&feature=youtu.beAir from Suite in D by J. S. Bacharranged for flute choir / ensemble by me Ray-Michael Kauffman. I know there is a lot of versions of this , but unhappy with most of them and lack of over all music musicality I decided to create one that was interesting to play and hear a swell as make good musical sense. After much debate, I decided changing the key to E flat would be most appropriate for either small group of players ( minimum 7) or larger groups . In the piece there is even additional divisions to help create more texture and colors in parts 3 & 4, yet remaining simple and true but sounding beautiful , what flutes should sound like.Great for studying flutist, to high school and college students. Flute choir groups, etcwould be a great addition for your ensemble, whether playing at a recital, concert, church and other spiritual events, graduation, weddings, etc. This would also be a great tool or warm up for balance and shaping sound, volume, color, blending, phrasing and other important technique builders for your group.You'll love this arrangement ,and so will the flutists and your audience!
$13.99
A New Ground (ZT 682) for Flute Choir
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Ensemble de Flûtes
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FACILE
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Classique
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Henry Purcell
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Joshua S
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2, plus Part for alto &
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A New Ground
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Joshua S. Kim
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SheetMusicPlus
Woodwind Ensemble Flute - Level 2 - SKU: A0.835979 Composed by Henry Purcell. Arranged by Joshua S. Kim. Baroque. 16 pages. Joshua S. Kim #3091813. Publ...
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Woodwind Ensemble Flute - Level 2 - SKU: A0.835979 Composed by Henry Purcell. Arranged by Joshua S. Kim. Baroque. 16 pages. Joshua S. Kim #3091813. Published by Joshua S. Kim (A0.835979). A New Ground (ZT 682) for Flute Choir by Henry Purcell. The original music was written for harpsichord in E minor. It appears in a musical performance (more aptly called, semi-opera) Welcome to All the Pleasures. Purcell wrote this operetta when he was 24. The ideal choir for this beautiful melodies is Quintet of flutes 2, alto 1 and bass 2. However, quartet with one flute can play without missing any notes.Score and set of all parts are included as well as special parts -- Part for flute 1 & 2, plus Part for alto & bass for easy references.
$9.99
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