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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Die Renaissance
Non classifié
323
Piano & claviers
Piano seul
77
Piano, Voix
48
Piano Facile
37
Instruments en Do
24
Orgue
18
Orgue, Piano (duo)
3
Piano, Voix et Guitare
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
+ 5 instrumentations
Retracter
Guitares
Mandoline
105
Guitare
60
Guitare notes et tablatures
13
Ukulele
9
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
5
Ensemble de guitares
1
2 Guitares (duo)
1
Luth
1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Dulcimer
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
50
Chorale 3 parties
17
Chorale TTBB
9
Chorale Unison
9
Chorale 2 parties
6
Chorale SSAA
3
Voix Baryton, Piano
2
Chorale SSAATTBB
2
Voix Soprano, Piano
1
Voix seule
1
Chorale
1
Voix, Guitare
1
Chorale SSATTB
1
Chorale SSATB
1
Chorale SATTB
1
+ 10 instrumentations
Retracter
Vents
Flûte à bec Soprano
86
Flûte à bec Alto
44
Ocarina
39
Ensemble De Flûte à bec
24
Quatuor de Flûtes à bec
22
Quatuor de Clarinettes: 4 clarinettes
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Quatuor de Flûtes : 4 flûtes
15
2 Saxophones (duo)
15
Flûte, Hautbois, Clarinette, Basson
14
Quatuor de Saxophones: 4 saxophones
14
Clarinette et Piano
13
Quintette de Saxophone: 5 saxophones
12
Flûte traversière
12
Ensemble de Clarinettes
11
Flûte traversière et Piano
10
2 Clarinettes (duo)
8
Ensemble de Flûtes
8
3 Saxophones (trio)
7
Hautbois, Piano (duo)
7
3 Clarinettes (trio)
7
2 Flûtes traversières (duo)
7
Saxophone Alto et Piano
7
Clarinette
6
Trio de Flûtes: 3 flûtes
5
3 Flûtes à bec (trio)
5
Flûte et Guitare
5
Quintette de Flûte : 5 flûtes
5
Ensemble de saxophones
5
Clarinette, Basson (duo)
4
Hautbois
4
Saxophone Alto
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Clarinette (duo)
3
Flûte à bec Soprano, Piano
3
Saxophone Soprano et Piano
3
2 Hautbois (duo)
3
Hautbois, Basson (duo)
3
Saxophone Tenor et Piano
3
Hautbois, Clarinette (duo)
2
Clarinette, Guitare (duo)
2
Flûte, Hautbois, Basson
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Basson et Piano
2
Cor anglais, Piano
2
Flûte, Hautbois (duo)
2
Hautbois, Guitare (duo)
1
Flûte, Trombone (duo)
1
Flûte, Clarinette et Basson
1
Ensemble de Hautbois
1
Clarinette, Violoncelle (duo)
1
5 Flûtes à bec
1
Flûte à bec Alto, Piano
1
Saxophone Baryton, Piano
1
Hautbois, Violoncelle
1
Clarinette, Trombone (duo)
1
Clarinette, Tuba
1
Hautbois, Clarinette et Piano (Trio)
1
2 Flûte à bec (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone (partie séparée)
1
Flûte irlandaise
1
2 Hautbois, Piano
1
Cor anglais, Guitare (duo)
1
Hautbois (partie séparée)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Clarinettes, Piano
1
+ 64 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Trompette, Piano
14
Ensemble de Trompettes
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trombone et Piano
9
Trompette, Trombone (duo)
8
Cor et Piano
8
Trompette
8
Tuba et Piano
7
Ensemble de Trombones
7
Trombone
6
Cor
5
Quatuor de Cuivres
5
2 Trompettes (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba
5
2 Trombones (duo)
4
2 Cors (duo)
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trombones
3
Cor, Tuba (duo)
2
Trio de Cuivres
2
Ensemble de Cors
2
2 Tubas (duo)
2
Trompette, Tuba (duo)
2
Trombone, Cor (duo)
2
Euphonium, Tuba (duo)
2
Cor anglais, Piano
2
Cor et Harpe
1
3 Trombones (trio)
1
4 Tubas
1
Trompette (partie séparée)
1
Cor anglais, Guitare (duo)
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
57
Violon et Piano
21
Trio à Cordes: violon, alto, violoncelle
17
Violoncelle, Piano
15
Harpe
15
Violoncelle
14
Alto, Piano
13
Violon, Violoncelle (duo)
12
Violon
11
Contrebasse, Piano (duo)
8
Alto seul
8
Contre Basse
6
2 Violons (duo)
5
2 Violoncelles (duo)
5
Alto, Violoncelle (duo)
5
Violon, Alto (duo)
4
Violoncelle , Guitare (duo)
4
2 Contrebasses (duo)
3
2 Altos (duo)
3
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
2 Violoncelles, Piano
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violons
1
Alto et Basson
1
Harpe, Flûte (duo)
1
2 Altos, Piano
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Violon, Basson (duo)
1
Flûte, Contrebasse (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble d'Altos
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
50
Ensemble de cuivres
25
Orchestre d'harmonie
20
Orchestre
3
Fanfare
2
Orchestre de chambre
2
Ensemble Jazz
1
Batterie
1
Trio à Vent: 3 instruments à vents
1
Quatuor à Vent : 4 instruments à vents
1
Marimba
1
Vibraphone
1
Cloches
1
Xylophone
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Pertinence
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Vous avez sélectionné:
Die Renaissance
Ensemble de Flûtes
Partitions à imprimer
8 partitions trouvées
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1
Hodie Christus Natus Est
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Jan Pieterzoon Sweelinck
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Lisa Ochoco
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Hodie Christus Natus Est
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1173891 Composed by Jan Pieterzoon Sweelinck. Arranged by Lisa Ochoco. Christmas...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1173891 Composed by Jan Pieterzoon Sweelinck. Arranged by Lisa Ochoco. Christmas,Renaissance. 31 pages. Lisa L Ochoco #774045. Published by Lisa L Ochoco (A0.1173891). Hodie Christus Natus Est translates to Today, Christ is born.  Of all the Hodie's that I know of, this one is my absolute favorite. This transcription is for low flute choir - 3 altos and 2 basses.  The optional parts are contra alto flute, contrabass flute, and double bass. All of these optional parts share the same part as the Bass Flute 2 part, and adds a solid bass line to the piece. This piece will help make your Christmas concert a very festive one!Duration: 3 minutes.
$15.00
Hodie Christus Natus Est for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Giovanni Gabrieli
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Lisa Ochoco
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Hodie Christus Natus Est for F
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.559903 Composed by Giovanni Gabrieli. Arranged by Lisa Ochoco. Christmas...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.559903 Composed by Giovanni Gabrieli. Arranged by Lisa Ochoco. Christmas,Renaissance,Sacred. 20 pages. Lisa L Ochoco #5373175. Published by Lisa L Ochoco (A0.559903). Giovanni Gabrieli was an Italian composer who lived in the second half of the 16th century who wrote prolifically for the voice. Over 400 years later, his songs are still sung, and many of his compositions were transcribed into instrumental pieces, like this one.
$15.00
Mit Lust tret ich an diesen Tanz (I'm delighted to join this dance) for flute sextet (piccolo, 3 flutes, alto flute and bass flute)
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Ensemble de Flûtes
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FACILE
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Renaissance
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Ludwig Senfl
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David Warin Solomons
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Mit Lust tret ich an diesen Ta
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David Warin Solomons
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SheetMusicPlus
Composed by Ludwig Senfl (1490-1543). Arranged by David Warin Solomons. Baroque Period, Renaissance, Early Music. Score, Set of Parts. 11 pages. Published by Da...
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Composed by Ludwig Senfl (1490-1543). Arranged by David Warin Solomons. Baroque Period, Renaissance, Early Music. Score, Set of Parts. 11 pages. Published by David Warin Solomons (S0.200303). - Score,Set of Parts - Baroque Period,Renaissance,Early Music - David Warin Solomons
$8.00
Springtime Mantleth Every Bough for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Renaissance
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Thomas Morley
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Lisa Ochoco
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Springtime Mantleth Every Boug
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560152 Composed by Thomas Morley. Arranged by Lisa Ochoco. Renaissance. 13 pages...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560152 Composed by Thomas Morley. Arranged by Lisa Ochoco. Renaissance. 13 pages. Lisa L Ochoco #6535113. Published by Lisa L Ochoco (A0.560152). Thomas Morley was one of the most well-known English composers of madrigals during the Renaissance. His music is still widely performed by singers today. It is assumed that he studied music and/or sung under the direction of William Byrd. Morley's madrigal compositions stand out from other Renaissance pieces because of their lighter tone and quicker tempos.
$6.00
Sing Joyfully (Eb) (Flute Sextet)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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William Byrd
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Regis Bookshar
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Sing Joyfully
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Regis Bookshar
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1449852 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instr...
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Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1449852 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instructional,Renaissance. 27 pages. Regis Bookshar #1029616. Published by Regis Bookshar (A0.1449852). Sing Joyfully - William Byrd - Flute Sextet - Advanced/Intermediate - .William Byrd was the greatest British composer of the late Renaissance, and just maybe, the greatest Bristish composer ever. He wrote a huge body of choral music, some of it profound and timeless. He also composed brilliant, virtuoso pieces and his motet-like anthem, Sing Joyfully, a polyphonic setting of Psalm 81, written in 1590, is perhaps his best-known one, It is enchanting to listen to and is fun to sing. Regis Bookshar thought that instrumental performers should have the same opportunity that singers have experienced for years so he has now transcribed, edited and arranged this wonderful selection for a Flute Sextet.Since no tempo is indicated and there are no written dynamic or phrase markings in William Byrd's original score, Regis Bookshar has taken the liberty to add them in order to provide direction and life to the piece. This arrangement is suitable for high school and college students and is perfect for concerts and recitals and perhaps even church services, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages).This selection is readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numeous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of William Byrd's delightful, Sing Joyfully', will continue to entertain both peformers and audiences alike for many years to come.
$30.00
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Hodie Christus Natus Est for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Noël
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Jan Pieterszoon Sweelinck
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Lisa L Ochoco
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Hodie Christus Natus Est for F
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Lisa Ochoco
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SheetMusicPlus
Composed by Jan Pieterszoon Sweelinck (1562-1621). Arranged by Lisa L Ochoco. For Flute, Flute Choir. Renaissance, Christian, Sacred, Christmas. Intermediate. S...
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Composed by Jan Pieterszoon Sweelinck (1562-1621). Arranged by Lisa L Ochoco. For Flute, Flute Choir. Renaissance, Christian, Sacred, Christmas. Intermediate. Score, Set of Parts. Published by Lisa Ochoco
$15.00
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Nouveautés
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Compositeurs
Mentions légales
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Version intégrale
Die Renaissance
