For those Bridgerton fans out there, Lady Whistledown's Society Paper is how her dearest readers discovered the juiciest news about everyone who was someone in London. "If there's a scandal, she shall uncover it, and share every last detail." Even the queen read it!

The Netflix series burst onto the screen in December 2020, amid a pandemic, and became one of the most popular shows around the world.

Kris Bowers wrote the soundtrack for Bridgerton. The recording was done remotely by just 8 orchestra musicians. It proves, as many musicians have during the pandemic, that you don't have to be in the same room to make great music with others - the process is just a little weird.

The Latest Whistledown is a lively piece that is quite a delight. This arrangement is a bit beefier than the original recording, as it makes no sense to me to have members of the choir just sitting there with nothing to play while the others may think they have too many notes. This piece also includes a key change that the original does not have, because it helps lengthen the delight a little more.

Scored for piccolo, 3 C flutes, alto, bass, and contrabass flutes. There is an optional upright string bass part that doubles the contrabass part. It can be played by any bass clef C instrument in a similar range.

Duration: 2 minutes

2017 Holiday Contest Entry


This arrangement of five traditional Israeli folk songs and Jewish holiday music will put you in the mood to celebrate! The first flutes are featured prominently in this arrangement. Each part takes a turn carrying the tune, with rich harmonies and driving rhythms enhancing the melodies. The medley begins exuberantly in the key of concert d minor, moves joyfully to the relative F Major, then finishes boisterously back in d minor. I have included a version of the alto flute part transposed for C flute in case you don't have an alto flute available.

Songs featured are:

· Hevaynu Shalom Alaychem (We Brought Peace Unto You)

· Maoz Tsur (Rock of Ages)

· Artsa Alinu (We Have Come to the Land)

· Chanukah

· Yibane Amenu (In Our Land We Shall Rebuild Our Nation)



I hope you will enjoy performing this medley as much as I have enjoyed arranging it! Audiences are sure to love it. This would work well in a variety of venues:school concert, synagogue, shopping mall background music, chamber music concert, prelude to a concert, etc. It?s perfect for anywhere you want to lift people?s spirits with energetic, familiar seasonal and folk music. Duration is approximately 3.5 min. L?chaim!

ABBA - still unbeaten. This is the perfect song to finish your upcoming concerts. Instrumentation: Flute 1/2, Alto Flute, Bass Flute Listen to the recording - a challenge for your ensemble. Please don\'t forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?Ns=releaseDate%7C1&recsPerPage=100 Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/t-N09vdO2Sc.

Flute choir meets heavy metal!

Avenged Sevenfold is one of my absolute favorite heavy metal bands. I don't usually hear a flute choir when I listen to their songs, or mostly any heavy metal songs for that matter, but A Little Piece of Heaven is so creative, so musical, and so funny, that I couldn't help it. Also, Oingo Boingo headed up the instrumental parts of the original song, which is evident.

If you are unfamiliar with heavy metal, you don't need to know anything about this song, other than it's incredibly unique and has to be played with an attitude. Accentuate the down beats, lay off the full vibratos, keep pushing the tempo - it never should slow down, and channel your inner rocker.

This song was the brainchild of the late James "The Rev" Sullivan. With the help of Oingo Boingo musicians, the song was scored to include an orchestra, full wind section, and choir. This arrangement is less than half the length of the original song, but it still clocks in at around 3 1/2 minutes.

This arrangement is scored for 4 flutes, alto, bass, contrabass, and upright string bass or keyboard. It is essential that there is a strong bass line. The upright bass part could also be played by any bass clef C instrument, like a euphonium, trombone, or tuba. If you are lucky enough to know a drummer, that would help a great deal too. I did not include a drum part, only because I am not knowledgeable enough at writing for drums and would rather leave it out than mess it up!

I hope you and your group will enjoy playing this song as much as I enjoyed arranging it. And I hope your audience will like it too!

Super Mario Bros was a super popular Nintendo game, but I think the song was even more so. Back in the 80's, game music was written to attract attention to the game itself, rather than enhance the player's experience during the game. It was more or less, just a catchy tune. However, when Koji Kondo wrote the music to Super Mario Bros, he created it as an active part of the game. This idea would help change game music forever.

I feel as if I don't need to give any comments on how to play this piece, but I will say that in the interest of not inundating the sheet music with dots everywhere, this song should be played staccato throughout the piece unless otherwise noted.

This piece has a lot of syncopation, but it is repetitive, so musicians with intermediate skills should be able to play this piece.

Scored for piccolo, 4 C, alto, and bass flutes.

Duration: 2.5 minutes