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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
E Baroque
Non classifié
766
Piano & claviers
Piano, Voix
977
Piano seul
369
Piano Facile
71
Orgue
67
Piano, Voix et Guitare
19
Clavecin
12
Piano Trio: piano, violon, violoncelle
10
2 Pianos, 4 mains
7
1 Piano, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Orgue, Trompette (duo)
6
Orgue, Piano (duo)
5
Instruments en Do
4
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano grosses notes
2
Accompagnement Piano
2
1 Piano, 6 mains
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
82
Guitare
76
2 Guitares (duo)
28
Mandoline
16
Ukulele
12
4 Guitares (Quatuor)
5
Basse electrique
4
Guitare, Violon, Violoncelle (trio)
1
Ensemble de guitares
1
Banjo
1
Mandoline, Guitare (duo)
1
Ensemble de Ukulélés
1
Piano, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
40
Voix seule
33
Chorale 3 parties
28
Voix haute
28
Voix Soprano, Piano
11
Voix duo, Piano
10
Chorale TTBB
10
Voix Alto, Piano
10
Chorale 2 parties
8
Chorale Unison
6
Voix moyenne, Piano
5
Voix duo
4
Voix basse, Piano
3
Voix Tenor, Piano
1
Voix Soprano
1
Chorale SSAA
1
+ 11 instrumentations
Retracter
Vents
Hautbois (partie séparée)
133
Saxophone (partie séparée)
101
2 Flûtes traversières (duo)
50
Clarinette et Piano
49
Quatuor de Clarinettes: 4 clarinettes
49
Flûte traversière et Piano
47
2 Saxophones (duo)
44
Ensemble de Clarinettes
43
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
2 Clarinettes (duo)
39
Quatuor de Saxophones: 4 saxophones
37
Clarinette
29
Flûte et Guitare
24
Flûte traversière
22
Clarinette (partie séparée)
22
Quintette de Clarinettes: 5 clarinettes
22
2 Flûte à bec (duo)
21
Flûte, Hautbois, Clarinette, Basson
20
Hautbois, Piano (duo)
20
3 Saxophones (trio)
15
Saxophone Alto et Piano
14
Saxophone Tenor et Piano
14
3 Clarinettes (trio)
13
Quintette de Saxophone: 5 saxophones
12
Saxophone Soprano et Piano
11
Flûte, Hautbois, Clarinette (trio)
9
Ensemble de Flûtes
9
2 Hautbois (duo)
8
Saxophone Baryton, Piano
7
Flûte, Clarinette (duo)
7
Flute (partie séparée)
6
Quatuor de Flûtes : 4 flûtes
6
Ocarina
6
Trio de Flûtes: 3 flûtes
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte à Bec
5
3 Flûtes à bec (trio)
5
Saxophone Alto
4
Quatuor de Flûtes à bec
4
Hautbois, Basson (duo)
4
Cor anglais, Piano
4
Flûte, Clarinette et Basson
4
Flûte à bec Alto
3
Flûte, Violoncelle
3
Clarinette, Basson (duo)
3
2 Cors Anglais Et Pianoforte
3
Flûte à bec Soprano
3
Quintette de Flûte : 5 flûtes
3
Saxophone, Clarinette (duo)
2
Clarinette, Violoncelle (duo)
2
Hautbois, Clarinette (duo)
2
Saxophone Tenor
2
Ensemble De Flûte à bec
2
Clarinette, Guitare (duo)
2
2 Clarinettes, Piano
2
Cor anglais et Harpe (duo)
1
Clarinette et Alto
1
Flûte, Violon
1
Flûte, Hautbois, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
2 Flûtes traversières, Piano
1
Saxophone Baryton
1
Clarinette, Violon (duo)
1
Flûte, Alto (duo)
1
Clarinette, Orchestre
1
Flûte à bec Soprano, Piano
1
Saxophone
1
Harmonica
1
Clarinette Basse, Piano
1
Hautbois
1
Ensemble à vent
1
Flûte, Violon et Violoncelle
1
+ 67 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
57
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
2 Trompettes (duo)
21
Trompette, Piano
18
Trompette
12
Trombone et Piano
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor (partie séparée)
8
2 Trombones (duo)
8
Trombone (partie séparée)
7
Trompette, Trombone (duo)
7
Trombone
7
2 Cors (duo)
7
Cor et Piano
6
Euphonium, Piano (duo)
6
Tuba et Piano
6
Quatuor de cuivres: 4 trombones
5
2 Tubas (duo)
5
Quatuor de cuivres: 4 cors
4
Euphonium, Tuba (duo)
4
Ensemble de Trompettes
4
Cor anglais, Piano
4
Tuba (partie séparée)
4
Tuba
4
Quatuor de Cuivres
3
Cor
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor, Orchestre
3
2 Cors Anglais Et Pianoforte
3
2 Euphoniums (duo)
3
Ensemble de Trombones
3
Euphonium
2
3 Trompettes (trio)
2
3 Trombones (trio)
2
Cor anglais et Harpe (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Cor (duo)
1
Trombone, Tuba (duo)
1
Trombone basse et Piano
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
4 Tubas
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
91
Violon (partie séparée)
89
Violon et Piano
68
Alto (partie séparée)
65
2 Violons (duo)
30
Violon, Violoncelle (duo)
27
Violon
25
Violoncelle
21
Alto, Piano
21
Trio à Cordes: violon, alto, violoncelle
21
2 Violoncelles (duo)
20
Violoncelle, Piano
19
Violoncelle (partie séparée)
18
Contrebasse (partie séparée)
17
Harpe
17
Violon, Alto (duo)
14
Trio à Cordes: 2 violons, violoncelle
8
2 Altos (duo)
8
Alto seul
6
Trio à Cordes: 3 violoncelles
5
Contre Basse
4
Alto, Violoncelle (duo)
4
Violon, Guitare (duo)
4
Violoncelle , Guitare (duo)
3
2 Contrebasses (duo)
3
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Piano Trio: Violon, Alto, Piano
2
2 Violons, Piano
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Orchestre
2
Harpe, Violon (duo)
1
Alto, Guitare (duo)
1
Violoncelle, Basse continue
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
Harpe, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 2 violons, alto
1
Flûte, Contrebasse (duo)
1
Violoncelle, Orgue
1
Violon, Orgue
1
Alto et Harpe
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
50
Orchestre de chambre
47
Ensemble de cuivres
34
Orchestre d'harmonie
24
Orchestre
24
Ensemble Jazz
6
Percussion (partie séparée)
5
Marimba
4
Piano et Orchestre
3
Ensemble de Percussions
3
Vibraphone (partie séparée)
3
Vibraphone
2
Orchestre, Violon
2
Timbales (partie séparée)
1
Quintette à Vent
1
Cloches
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
E Baroque
Ensemble de Flûtes
Partitions à imprimer
9 partitions trouvées
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1
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Sonata Pian e Forte by Giovanni Gabrieli - for Flute Choir
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Ensemble de Flûtes
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Giovanni Gabrieli
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Fabio Barnaba
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Sonata Pian e Forte by Giovann
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Fabio Barnaba
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Fabio Barnaba. Classical Period, Baroque Period, Renaissance. Score, Set of Parts. 15 pages. Published by...
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Fabio Barnaba. Classical Period, Baroque Period, Renaissance. Score, Set of Parts. 15 pages. Published by Fabio Barnaba (S0.263221). - Score,Set of Parts - Classical Period,Baroque Period,Renaissance - Fabio Barnaba
$9.99
Deck the halls - Christmas Carol - Polyphonic - Flute Quintet
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Noël
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Thomas Graf
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Deck the halls - Christmas Car
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Arranged by Thomas Graf. Classical Period, Baroque Period, Neo-Classical, Christmas. Score, Set of Parts. 14 pages. Published by Thomas Graf - the-hit-factory.c...
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Arranged by Thomas Graf. Classical Period, Baroque Period, Neo-Classical, Christmas. Score, Set of Parts. 14 pages. Published by Thomas Graf - the-hit-factory.com (S0.163311). - Score,Set of Parts - Classical Period,Baroque Period,Neo-Classical,Christmas - Thomas Graf - the-hit-factory.com
Polyphonic arrangement of the traditional Christmas, yuletide, and New Years' carol. The melody is Welsh dating back to the sixteenth century, and belongs to a winter carol, Nos Galan. As played by the ORIGINAL DRACHENFELSER MUSIKANTEN on CD MERRY CHRISTMAS. Big fun to play! Not difficult! Instrumentation: Flute 1/2/3, Alto Flute, Bass Flute Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N... Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog includedVideo: https://www.youtu.be/MzE_kFVh08c 2016 Holiday Contest Entry .
$14.99
Still Still Still - Christmas song - 7 Parts - Flute Ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Noël
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Thomas Graf
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Still Still Still - Christmas
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Arranged by Thomas Graf. Classical Period, Baroque Period, Neo-Classical, Christmas. Score, Set of Parts. 29 pages. Published by Thomas Graf - the-hit-factory.c...
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Arranged by Thomas Graf. Classical Period, Baroque Period, Neo-Classical, Christmas. Score, Set of Parts. 29 pages. Published by Thomas Graf - the-hit-factory.com (S0.163995). - Score,Set of Parts - Classical Period,Baroque Period,Neo-Classical,Christmas - Thomas Graf - the-hit-factory.com
Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. Instrumentation: Part I (Fl./Pic.), Part II/III (Fl.), Part IV/V (Fl./Alto Fl.), Part VI (Alto Fl./Bass Fl.), Part XII (Bass Fl.) Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N... Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog included
$19.99
Hamburger Sonata H564
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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Myrick Crampton
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Hamburger Sonata H564
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MDC Music LLC
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1456165 Composed by Carl Philipp Emanuel Bach. Arranged by Myrick Crampton. Baro...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1456165 Composed by Carl Philipp Emanuel Bach. Arranged by Myrick Crampton. Baroque,Chamber,Classical. 46 pages. MDC Music LLC #1035316. Published by MDC Music LLC (A0.1456165). The Hamburger Sonata is a wonderful example of C.P.E Bach’s empfindsamer Stil (sensitive style).  Written in 1786, it emphasizes dramatic and emotional depth and is a joy to play.  This arrangement substitutes a flute choir for the continuo.Arrangement (Solo Flute, F1, AF2-3. BF4. CBF 5)About 8’ minutes.
$19.99
A New Ground (ZT 682) for Flute Choir
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Ensemble de Flûtes
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FACILE
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Classique
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Henry Purcell
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Joshua S
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2, plus Part for alto &
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A New Ground
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Joshua S. Kim
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SheetMusicPlus
Woodwind Ensemble Flute - Level 2 - SKU: A0.835979 Composed by Henry Purcell. Arranged by Joshua S. Kim. Baroque. 16 pages. Joshua S. Kim #3091813. Publ...
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Woodwind Ensemble Flute - Level 2 - SKU: A0.835979 Composed by Henry Purcell. Arranged by Joshua S. Kim. Baroque. 16 pages. Joshua S. Kim #3091813. Published by Joshua S. Kim (A0.835979). A New Ground (ZT 682) for Flute Choir by Henry Purcell. The original music was written for harpsichord in E minor. It appears in a musical performance (more aptly called, semi-opera) Welcome to All the Pleasures. Purcell wrote this operetta when he was 24. The ideal choir for this beautiful melodies is Quintet of flutes 2, alto 1 and bass 2. However, quartet with one flute can play without missing any notes.Score and set of all parts are included as well as special parts -- Part for flute 1 & 2, plus Part for alto & bass for easy references.
$9.99
A New Ground for Flute Choir (Quintet)
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Ensemble de Flûtes
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Henry Purcell
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Joshua S
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A New Ground for Flute Choir
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Joshua S. Kim
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SheetMusicPlus
Flute - SKU: A0.1071520 Composed by Henry Purcell. Arranged by Joshua S. Kim. Baroque,Multicultural,World. Full Performance. Duration 169. Joshua S. Kim...
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Flute - SKU: A0.1071520 Composed by Henry Purcell. Arranged by Joshua S. Kim. Baroque,Multicultural,World. Full Performance. Duration 169. Joshua S. Kim #3091807. Published by Joshua S. Kim (A0.1071520). A New Ground (ZT 682) for Flute Choir by Henry Purcell. The original music was written for harpsichord in E minor. It appears in a musical performance (more aptly called, semi-opera) Welcome to All the Pleasures. Purcell wrote this operetta when he was 24.This arrangement was made for Flute Quintet (Flute 2, Alto 1 and Bass 2).
$1.99
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Air from Suite in D by Bach for flute choir / flute ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Johann Sebastion Bach , J S Ba
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Ray-Michael Kauffman
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Air from Suite in D by Bach fo
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as do Ray meflute studio production
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.874245 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Concert,Sacre...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.874245 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Concert,Sacred,Standards,Wedding. 17 pages. As do Ray meflute studio production #3591641. Published by as do Ray meflute studio production (A0.874245). https://www.youtube.com/watch?v=EKPo0RPP-E4&feature=youtu.beAir from Suite in D by J. S. Bacharranged for flute choir / ensemble by me Ray-Michael Kauffman. I know there is a lot of versions of this , but unhappy with most of them and lack of over all music musicality I decided to create one that was interesting to play and hear a swell as make good musical sense. After much debate, I decided changing the key to E flat would be most appropriate for either small group of players ( minimum 7) or larger groups . In the piece there is even additional divisions to help create more texture and colors in parts 3 & 4, yet remaining simple and true but sounding beautiful , what flutes should sound like.Great for studying flutist, to high school and college students. Flute choir groups, etcwould be a great addition for your ensemble, whether playing at a recital, concert, church and other spiritual events, graduation, weddings, etc. This would also be a great tool or warm up for balance and shaping sound, volume, color, blending, phrasing and other important technique builders for your group.You'll love this arrangement ,and so will the flutists and your audience!
$13.99
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