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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
He Is Here
Non classifié
1 305
Piano & claviers
Piano seul
582
Piano, Voix
222
Piano, Voix et Guitare
105
Orgue
66
Piano Facile
65
Instruments en Do
40
Piano Trio: piano, violon, violoncelle
20
Piano grosses notes
17
1 Piano, 4 mains
13
2 Pianos, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
9
Accompagnement Piano
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Orgue, Piano (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon
2
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare
80
Guitare notes et tablatures
30
Ligne De Mélodie, (Paroles) et Accords
12
4 Guitares (Quatuor)
9
Ukulele
9
2 Guitares (duo)
5
Banjo
4
Paroles et Accords
3
Basse electrique
3
Mandoline
3
Ensemble de guitares
3
Guitare (partie séparée)
2
Piano, Guitare (duo)
1
Ensemble de Ukulélés
1
Dulcimer
1
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
369
Chorale 3 parties
65
Chorale TTBB
37
Chorale 2 parties
28
Chorale Unison
25
Voix Alto, Piano
14
Chorale SSAA
13
Voix duo, Piano
10
Voix duo
7
Voix Soprano, Piano
6
Voix haute
6
Voix Baryton, Piano
5
Voix Tenor, Piano
5
Voix basse, Piano
4
Voix moyenne, Piano
4
Voix Tenor
3
Voix seule
3
Voix Soprano
2
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
2
Chorale
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
150
Flûte traversière et Piano
131
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
130
Clarinette et Piano
105
Quintette de Saxophone: 5 saxophones
97
Saxophone Alto et Piano
88
Hautbois, Piano (duo)
81
Quatuor de Saxophones: 4 saxophones
78
Saxophone Tenor et Piano
72
2 Flûtes traversières (duo)
68
2 Clarinettes (duo)
64
Saxophone Soprano et Piano
63
Saxophone, Clarinette (duo)
60
Clarinette
57
Flûte, Hautbois, Clarinette, Basson
54
Saxophone Baryton, Piano
54
Ensemble de saxophones
48
Ensemble de Clarinettes
48
Quatuor de Clarinettes: 4 clarinettes
45
Cor anglais, Piano
44
Clarinette, Violon (duo)
43
Flûte traversière
41
Ensemble de Flûtes
35
Flûte, Clarinette (duo)
32
Clarinette, Trompette (duo)
30
Clarinette Basse, Piano
30
Saxophone Alto
28
Hautbois (partie séparée)
26
2 Hautbois (duo)
24
Quatuor de Flûtes : 4 flûtes
22
Flûte, Trompette (duo)
21
Hautbois, Basson (duo)
21
3 Saxophones (trio)
20
Hautbois, Clarinette (duo)
20
Clarinette et Alto
20
Flûte, Violon
20
Saxophone Tenor
20
Flûte, Saxophone (duo)
19
Hautbois, Flûte
19
3 Clarinettes (trio)
18
Quintette de Clarinettes: 5 clarinettes
15
Quintette de Flûte : 5 flûtes
15
Flûte, Alto (duo)
13
Saxophone (partie séparée)
10
2 Flûte à bec (duo)
10
Saxophone Soprano
9
Quatuor de Flûtes à bec
7
Hautbois
7
Flûte et Guitare
6
Trio de Flûtes: 3 flûtes
6
Flute (partie séparée)
5
Flûte à Bec
5
Clarinette, Basson (duo)
5
Clarinette, Guitare (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte à bec Soprano, Piano
4
Flûte, Clarinette, Piano (trio)
4
Flûte à bec Soprano
4
Flûte à bec Alto, Piano
4
Clarinette, Harpe (duo)
3
3 Flûtes à bec (trio)
3
Ensemble De Flûte à bec
3
Hautbois, Harpe
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone
3
Piccolo, Piano
3
Flûte à bec Alto
3
Hautbois, Guitare (duo)
2
Flûte, Clarinette et Basson
2
Saxophone et Harpe
2
2 Clarinettes, Piano
2
Flûte, Violon, Piano
2
Ocarina
2
Harmonica
2
5 Flûtes à bec
2
Clarinette, Violoncelle (duo)
2
Flûte traversière, Orgue (duo)
2
Flûte irlandaise
2
Saxophone Baryton
1
Flûte, Hautbois (duo)
1
Flûte à bec Tenor
1
Flûte à bec Alto, Basse continue
1
2 Flûtes traversières, Piano
1
Saxophone et Orgue
1
2 Saxophones, Piano
1
Clarinette Basse
1
Saxophone et Guitare
1
Flûte, Violoncelle, Piano (trio)
1
Cor anglais, Guitare (duo)
1
Flute, harpe et violon
1
+ 85 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
116
Quatuor de Cuivres : 2 trompettes, trombone, tuba
105
Trombone et Piano
79
Trompette
61
Cor et Piano
54
Trompette, Piano
48
Cor anglais, Piano
44
Euphonium, Piano (duo)
43
Trompette, Saxophone (duo)
42
Trompette, Trombone (duo)
36
Quatuor de Cuivres
31
Trombone
31
2 Trombones (duo)
31
2 Trompettes (duo)
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Ensemble de Trombones
24
Cor
17
Tuba et Piano
17
Ensemble de Trompettes
17
Tuba
16
Quatuor de cuivres: 4 trombones
14
Trombone (partie séparée)
11
Trompette (partie séparée)
10
Ensemble de Cors
7
2 Cors (duo)
6
Trio de Cuivres
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
4 Tubas
4
3 Trombones (trio)
3
Quatuor de cuivres: 4 cors
3
2 Trompettes, Clavier (piano ou orgue)
3
Quatuor de cuivres: 4 trompettes
3
Trompette, Trombone, Piano
2
2 Euphoniums et 2 Tubas
2
Trompette, Cor (duo)
2
Trombone, Cor (duo)
1
Tuba (partie séparée)
1
Cor et Harpe
1
Cor (partie séparée)
1
Trombone, Orgue
1
Bass Clef Instruments
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Cor et Orgue
1
3 Cors (trio)
1
Trompette, Harpe
1
Tuba et Orgue
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
Cor anglais, Guitare (duo)
1
2 Euphoniums (duo)
1
Trombone basse et Piano
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
252
Violon et Piano
131
Violoncelle, Piano
88
Alto, Piano
77
2 Violons (duo)
66
Violon
53
Trio à Cordes: violon, alto, violoncelle
52
Violon, Violoncelle (duo)
46
Violoncelle
38
Violon, Alto (duo)
36
2 Altos (duo)
34
2 Violoncelles (duo)
30
Harpe
29
Alto seul
27
Trio à Cordes: 2 violons, violoncelle
16
2 Harpes (duo)
11
Ensemble d'Altos
11
Ensemble de Violons
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Trio à cordes: 3 violins
8
4 Violoncelles
8
Contre Basse
7
Alto, Violoncelle (duo)
6
Violon, Guitare (duo)
6
Alto (partie séparée)
6
Trio à Cordes: 3 violoncelles
5
Quatuor à cordes : 4 altos
5
Quatuor à cordes: 4 violons
4
Harpe, Flûte (duo)
4
Trio à cordes: 3 altos
4
2 Violons, Piano
3
Trio à Cordes: 2 violons, alto
3
Contrebasse, Piano (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Voix
3
Violon (partie séparée)
2
Violoncelle , Guitare (duo)
2
Violoncelle, Orchestre
2
Violoncelle (partie séparée)
2
Harpe, Violon (duo)
1
Alto, Orgue
1
Violon, Clarinette, Piano (trio)
1
Violon, Orgue
1
Harpe, Trombone (duo)
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
Alto, Guitare (duo)
1
4 Contrebasses
1
Contrebasse (partie séparée)
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
235
Orchestre à Cordes
88
Orchestre
87
Ensemble de cuivres
70
Orchestre de chambre
67
Ensemble Jazz
65
Marimba
17
Cloches
17
Jazz combo
13
Ensemble de Percussions
7
Batterie
6
Fanfare
4
Vibraphone
2
Orchestre, Violon
2
2 Marimbas
1
Batterie (partie séparée)
1
Percussion
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Crtitères actifs :
He Is Here
Ensemble de Flûtes
Partitions à imprimer
35 partitions trouvées
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1
26
He Shall Feed His Flock Like a Shepherd for Low Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Classique
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George Frideric Handel
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Lisa Ochoco
#
He Shall Feed His Flock Like a
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Lisa L Ochoco
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560116 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Chri...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560116 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 18 pages. Lisa L Ochoco #6450809. Published by Lisa L Ochoco (A0.560116). This is one of my favorite movements of Handel's Messiah and it turns out that it makes a great flute choir piece too. The 1st alto flute gets to shine here, and the part can be done as a group or just a solo, as long as the melody can be heard well above the rest of the choir.
$12.00
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
The Songcord
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Simon Franglen
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Lisa Ochoco
#
The Songcord
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Lisa L Ochoco
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1163640 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporar...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1163640 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 20 pages. Lisa L Ochoco #763982. Published by Lisa L Ochoco (A0.1163640). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end.  A songcord is a mnemonic device used by the Na’vi that assists them in storytelling.  In this song, Neytiri is thanking Eywa – the Great Mother - for her family.This arrangement is scored for flute choir – piccolo with 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range.One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Always keep the melody prominent.  The piccolo should always be played softly - at the equivalent volume of the group’s piano.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
The Songcord
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Simon Franglen
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Lisa Ochoco
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The Songcord
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1169424 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/T...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1169424 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #769781. Published by Lisa L Ochoco (A0.1169424). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family. This arrangement is scored for low flute choir – 4 altos, 3 basses, contra alto in G, and contrabass. There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range. One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Always keep the melody prominent.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
From Darkness To Light
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Ensemble de Flûtes
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AVANCÉ
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Simon Franglen
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Lisa Ochoco
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From Darkness To Light
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.1165816 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporar...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.1165816 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 19 pages. Lisa L Ochoco #766187. Published by Lisa L Ochoco (A0.1165816). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  From Darkness to Light is a beautiful instrumental piece in the movie that shows off the beauty of the water.  On paper, the music seems a little too simple, but the chord progressions together with the moving parts make for quite a beautiful and memorable piece.  This arrangement is scored for flute choir – piccolo with 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range.  One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  With that in mind, this is how the “Shimmer†part can be played:  Hang a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€.  Be creative with this percussive part!  You can use whistle tones, a little xylophone, wind chimes, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure.  Duration: 3.75 minutes.
$16.00
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Bach: Jesu, Joy of Man's Desiring for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$49.95
Allegro (from "Sonata for Trumpet") (Bb) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Henry Purcell
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.813588 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.813588 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 13 pages. Regis Bookshar #6429837. Published by Regis Bookshar (A0.813588). Flute Octet - Advanced/Intermediate - . This arrangement of the Allegro movement from Henry Purcell's Sonata for Trumpet would be a fabulous addition to any music library and could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. This selection is one of the arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library, many of which are being made available for the first time. They have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions. The original composition was written in D Major but Regis Bookshar has transposed it to Bb Major, making it a little easier for many modern musicians. Included are a score and a complete set of parts (13 pages). The 17th century composer, Henry Purcell, is generally considered to be one of the greatest English composers of his generation. His Sonata for Trumpet and Strings in D Major, composed in 1694, was probably written for the London Theatre, where a fine tradition of trumpet playing had developed. Purcell almost certainly had in mind either John Shore or his brother, William, the most renowned trumpet players in England at the time. The trumpets of the time were normally tuned in D and there were no valves on the Baroque trumpets, so they were limited in the number of notes that they could play. The term Sonata here probably means no more than a piece of incidental music and looks forward to the style that would become the solo concerto where soloist and strings are pitted against each other but also looks back to an older type of instrumental music which emphasized equality between members of the ensemble. The music is in three movements and looks forward to the fast-slow-fast plan popularized by Vivaldi's concertos. Regis Bookshar thought that it would be wonderful if other instrumentalists, besides trumpet players, could also have the opportunity to play the Allegro movement from Purcell's Sonata for Trumpet, so he has created other arrangements of this selection. This particular arrangement is for a Flute Octet, consisting of 8 Flutes, but there are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this piece. You may find something else that may suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a wide variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are added as often as possible. I'm certain that this exciting arrangement of Purcell's Allegro from his Sonata for Trumpet will continue to entertain both performers and audiences alike for years to come.
$15.00
Thanksgiving Medley for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Various
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Yoel Epstein
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Thanksgiving Medley for Flute
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Yoel Epstein
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.773303 Composed by Various. Arranged by Yoel Epstein. Christian,Folk,Holiday,Praise & Worship,Sacred. 32 pag...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.773303 Composed by Various. Arranged by Yoel Epstein. Christian,Folk,Holiday,Praise & Worship,Sacred. 32 pages. Yoel Epstein #3238781. Published by Yoel Epstein (A0.773303). I wish you the greatest pleasure playing these arrangements of traditional Thanksgiving songs. Thanksgiving is one of the most beautiful of holidays, a holiday filled with joy and music. We Gather Together to Ask the Lord's Blessing: Written in 1597 by Dutch composer Adrianus Valerius to celebrate Holland's victory over Spain, the tune was brought to American shores by the early Dutch settlers. Poet Theodore Baker wrote a new version of the lyrics in 1894, which became the standard Thanksgiving version. Over the River and Through the Wood: Lydia Maria Child, an outspoken abolitionist and advocate for Indian rights, wrote this poem in 1845. It was set to music by an unknown composer. Let All Things Now Living (The Ash Grove) This traditional Welsh melody (Llwyn Onn or The Ash Grove in Welsh) has inspired numerous lyricists to write words to the hauntingly beautiful tune. The poem by Katherine Davis, written in 1939, is the text most associated with Thanksgiving. Amazing Grace: Written by reprobate sailor John Newton in 1779. Known for his profanity, vulgarity and venery, he was imprisoned, beaten, and enslaved, before he reformed, and became a leading minister and hymn-writer. This is one of the most popular hymns ever written. This Land is Your Land: A traditional American tune, made famous by folksinger Woody Guthrie in 1940. Guthrie wrote the words as a rebuff to the song God Bless America, the huge hit by songwriter Irving Berlin. As a counter to Berlin's drum-beating patriotism, Guthrie would occasionally add politically charged verses expressing his support for communism. I hope you enjoy playing this as much as I enjoyed writing it. If you need other pieces of Americana for your ensemble, you might find them in Best-Loved American Folksongs, in two volumes, available here (volume 1) and here (volume 2). There are also arrangements of Battle Hymn of the Republic, Stars and Stripes Forever, America the Beautiful, and The Star-Spangled Banner. You can see them all and more at my composer page. I have also arranged three songs from the Holocaust, which I distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.
$34.99
Bach's Bells
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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The Canadian Brass
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Lisa Ochoco
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Bach's Bells
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.731709 By The Canadian Brass. By Christopher Coletti and Johann Sebastian (dp) B...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.731709 By The Canadian Brass. By Christopher Coletti and Johann Sebastian (dp) Bach. Arranged by Lisa Ochoco. Christmas,Classical. 26 pages. Lisa L Ochoco #339973. Published by Lisa L Ochoco (A0.731709). This wonderful arrangement was written for the Canadian Brass Quintet, where Chris Coletti was a trumpet player. He took two pieces that he loved - Bach's BWV29 and the Leontovych's Carol of the Bells - and combined them into one fabulous piece. This arrangement for flute choir is mostly a transcription, but there are a few changes to notes and parts to accommodate the instrumentation. Scored for 4 C, alto, bass and contrabass flutes. There is an optional cello part that doubles the contrabass flute part, which can also be played by any bass clef C instrument in a similar range. This is for musicians with advanced-intermediate skill. Duration: 3 minutes.
$16.00
Recordare (from "Requiem") (F) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1112877 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Class...
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Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1112877 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714833. Published by Regis Bookshar (A0.1112877). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Flute Octet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Flute Octet, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Flute Octet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
Sing Joyfully (Eb) (Flute Sextet)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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William Byrd
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Regis Bookshar
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Sing Joyfully
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Regis Bookshar
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1449852 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instr...
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Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1449852 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instructional,Renaissance. 27 pages. Regis Bookshar #1029616. Published by Regis Bookshar (A0.1449852). Sing Joyfully - William Byrd - Flute Sextet - Advanced/Intermediate - .William Byrd was the greatest British composer of the late Renaissance, and just maybe, the greatest Bristish composer ever. He wrote a huge body of choral music, some of it profound and timeless. He also composed brilliant, virtuoso pieces and his motet-like anthem, Sing Joyfully, a polyphonic setting of Psalm 81, written in 1590, is perhaps his best-known one, It is enchanting to listen to and is fun to sing. Regis Bookshar thought that instrumental performers should have the same opportunity that singers have experienced for years so he has now transcribed, edited and arranged this wonderful selection for a Flute Sextet.Since no tempo is indicated and there are no written dynamic or phrase markings in William Byrd's original score, Regis Bookshar has taken the liberty to add them in order to provide direction and life to the piece. This arrangement is suitable for high school and college students and is perfect for concerts and recitals and perhaps even church services, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages).This selection is readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numeous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of William Byrd's delightful, Sing Joyfully', will continue to entertain both peformers and audiences alike for many years to come.
$30.00
Three Weelkes Madrigals for Low Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Renaissance
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Thomas Weelkes
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Lisa Ochoco
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Three Weelkes Madrigals for Lo
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559609 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 25 page...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559609 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 25 pages. Lisa L Ochoco #3506375. Published by Lisa L Ochoco (A0.559609). Thomas Weelkes was a very little known English composer who lived in the late 1500's through the early 1600's. It is said that he composed over 100 pieces, but only a handful of choir music survived in its entirety today, 3 of which I arranged for flute choir here. These madrigals are delightful, and would be a great addition to your repertoire for any occasion. This arrangement is for 3 alto flutes, 2 basses, and 1 contra bass.
$6.00
Three Weelkes Madrigals for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Renaissance
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Thomas Weelkes
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Lisa Ochoco
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Three Weelkes Madrigals for Fl
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559608 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 25 page...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559608 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 25 pages. Lisa L Ochoco #3506371. Published by Lisa L Ochoco (A0.559608). Thomas Weelkes was a very little known English composer who lived in the late 1500's through the early 1600's. It is said that he composed over 100 pieces, but only a handful of choir music survived in its entirety today, 3 of which I arranged for flute choir here. These madrigals are delightful, and would be a great addition to your repertoire for any occasion. This arrangement is for 4 C flutes, alto, and bass.
$6.00
Lay A Garland for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Robert Lucas de Pearsall
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Lisa Ochoco
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Lay A Garland for Flute Choir
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559900 Composed by Robert Lucas de Pearsall. Arranged by Lisa Ochoco. Romantic P...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559900 Composed by Robert Lucas de Pearsall. Arranged by Lisa Ochoco. Romantic Period. 17 pages. Lisa L Ochoco #5363047. Published by Lisa L Ochoco (A0.559900). Robert Lucas de Pearsall is not a well-known composer, especially to instrumentalists, as he composed mainly for the voice. Pearsall lived in the Romantic period, but wrote music in the style of the Renaissance and Classical periods. He did not have any formal musical education, and appears to have just written music as a hobby. His father was an amateur musician, which is probably where he received his talent for music.
$12.00
Voicedance
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Greg Jasperse
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Lisa Ochoco
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Voicedance
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.559776 Composed by Greg Jasperse. Arranged by Lisa Ochoco. Contemporary. 17 page...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.559776 Composed by Greg Jasperse. Arranged by Lisa Ochoco. Contemporary. 17 pages. Lisa L Ochoco #4776251. Published by Lisa L Ochoco (A0.559776). This beautiful and rhythmic piece was written by vocal jazz composer and singer, Greg Jasperse. While he wrote this for the voice, it translates well to an instrumental piece.This arrangement is scored for 5 C flutes, alto, and bass.The rhythms may seem a little scary at first, but most of them are repetitive in each part. Therefore, once the correct rhythms are achieved at the beginning of the song, it will not take much more to perfect the rest of it. It is said that VoiceDane was written for a friend's wedding as a processional piece. Jasperse said, I kept coming back to the word 'joy' when writing the piece and wanted that to come through in the writing.
$14.00
Three Motets by Charles Villiers
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Ensemble de Flûtes
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FACILE
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Charles Villiers
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Myrick Crampton
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Three Motets by Charles Villie
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MDC Music LLC
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1456169 Composed by Charles Villiers. Arranged by Myrick Crampton. Chamber,Chris...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1456169 Composed by Charles Villiers. Arranged by Myrick Crampton. Chamber,Christian,Classical,Religious. 49 pages. MDC Music LLC #1035320. Published by MDC Music LLC (A0.1456169). Three Latin Motets, Op. 38, published by Boosey & Co in 1905, is a collection of three sacred motets based on Latin texts for mixed unaccompanied choir by Charles Villiers Stanford.Justorum animae is an offertory hymn on All Souls’ Day. But the souls of the righteous are in the hand of God, and there shall no torment touch them. In the sight of the unwise they seemed to die, but they are in peaceArrangement: (F1-4, AF4-5, BF6, CBF7)Time: 2’ 8”Coelos ascendit hodie is a 14th century German Ascension hymn.He ascended to heaven today, Alleluia!Jesus Christ King of glory,Alleluia!He sits at the right hand of his father,Alleluia!He rules heaven forever,Alleluia!Arrangement: (Group 1: F1-3, AF3, BF4, CBF5, Group 2: F6-8, AF8, BF9, CBF 10)Time: 1’ 30”Beati quorum via is a paraphrase of the first verse of Psalm 119.Happy are they that are upright in the way, who walk in the law of the LORD.Arrangement: (Group 1: F1-4, AF4, BF5-6, CBF7)Time: 2’ 50”.
$19.99
A Sixsome for Flutes Op30 No2 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Oscar Bohme
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Lisa Ochoco
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A Sixsome for Flutes Op30 No2
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1156197 Composed by Oscar Bohme. Arranged by Lisa Ochoco. 19th Century,Chamber,R...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1156197 Composed by Oscar Bohme. Arranged by Lisa Ochoco. 19th Century,Chamber,Romantic Period. 17 pages. Lisa L Ochoco #756513. Published by Lisa L Ochoco (A0.1156197). Oscar Böhme was a German-born trumpet player and composer. Not much is known about him. He was born in 1870 near Dresden, Germany. He moved to Russia in 1897 to play the trumpet in various groups and to teach music. Böhme wrote 46 known compositions. This sextet was written for brass instruments, and is one of his best-known pieces. It is quite a gem, and I wanted to make it available to other instrumental groups to perform. The entire work is available for purchase, but this selection is the 2nd movement of 4 only. Scored for 4 C, alto, and bass flutes. There is an optional cello part that doubles the bass part. It is suitable for intermediate-advanced musicians. Duration: 2.5 minutes.
$8.00
A Sixsome for Flutes Op30 No1 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Oscar Bohme
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Lisa Ochoco
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A Sixsome for Flutes Op30 No1
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1156153 Composed by Oscar Bohme. Arranged by Lisa Ochoco. 19th Century,Chamber,R...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1156153 Composed by Oscar Bohme. Arranged by Lisa Ochoco. 19th Century,Chamber,Romantic Period. 46 pages. Lisa L Ochoco #756469. Published by Lisa L Ochoco (A0.1156153). Oscar Böhme was a German-born trumpet player and composer. Not much is known about him. He was born in 1870 near Dresden, Germany. He moved to Russia in 1897 to play the trumpet in various groups and to teach music. Böhme wrote 46 known compositions. This sextet was written for brass instruments, and is one of his best-known pieces. It is quite a gem, and I wanted to make it available to other instrumental groups to perform. The entire work is available for purchase, but this selection is the 1st movement of 4 only. Scored for 4 C, alto, and bass flutes. There is an optional cello part that doubles the bass part. It is suitable for intermediate-advanced musicians. Duration: 5.75 minutes.
$10.00
A Sixsome for Flutes Op30 No3 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Oscar Bohme
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Lisa Ochoco
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A Sixsome for Flutes Op30 No3
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1156492 Composed by Oscar Bohme. Arranged by Lisa Ochoco. 19th Century,Chamber,R...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1156492 Composed by Oscar Bohme. Arranged by Lisa Ochoco. 19th Century,Chamber,Romantic Period. 16 pages. Lisa L Ochoco #756815. Published by Lisa L Ochoco (A0.1156492). Oscar Böhme was a German-born trumpet player and composer. Not much is known about him. He was born in 1870 near Dresden, Germany. He moved to Russia in 1897 to play the trumpet in various groups and to teach music. Böhme wrote 46 known compositions. This sextet was written for brass instruments, and is one of his best-known pieces. It is quite a gem, and I wanted to make it available to other instrumental groups to perform. The entire work is available for purchase, but this selection is the 3rd movement of 4 only. Scored for 4 C, alto, and bass flutes. There is an optional cello part that doubles the bass part. It is suitable for intermediate-advanced musicians. Duration: 3.5 minutes.
$8.00
A Sixsome for Flutes Op30 No4 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Oscar Bohme
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Lisa Ochoco
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A Sixsome for Flutes Op30 No4
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1156583 Composed by Oscar Bohme. Arranged by Lisa Ochoco. 19th Century,Chamber,R...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1156583 Composed by Oscar Bohme. Arranged by Lisa Ochoco. 19th Century,Chamber,Romantic Period. 41 pages. Lisa L Ochoco #756907. Published by Lisa L Ochoco (A0.1156583). Oscar Böhme was a German-born trumpet player and composer. Not much is known about him. He was born in 1870 near Dresden, Germany. He moved to Russia in 1897 to play the trumpet in various groups and to teach music. Böhme wrote 46 known compositions. This sextet was written for brass instruments, and is one of his best-known pieces. It is quite a gem, and I wanted to make it available to other instrumental groups to perform. The entire work is available for purchase, but this selection is the 4th movement of 4 only. Scored for 4 C, alto, and bass flutes. There is an optional cello part that doubles the bass part. It is suitable for intermediate-advanced musicians. Duration: 4.75 minutes.
$10.00
A Sixsome for Flutes Op30 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Oscar Bohme
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Lisa Ochoco
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A Sixsome for Flutes Op30 for
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1156606 Composed by Oscar Bohme. Arranged by Lisa Ochoco. 19th Century,Chamber,R...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1156606 Composed by Oscar Bohme. Arranged by Lisa Ochoco. 19th Century,Chamber,Romantic Period. 108 pages. Lisa L Ochoco #756930. Published by Lisa L Ochoco (A0.1156606). Oscar Böhme was a German-born trumpet player and composer. Not much is known about him. He was born in 1870 near Dresden, Germany. He moved to Russia in 1897 to play the trumpet in various groups and to teach music. Böhme wrote 46 known compositions. This sextet was written for brass instruments, and is one of his best-known pieces. It is quite a gem, and I wanted to make it available to other instrumental groups to perform. This work has 4 movements. Scored for 4 C, alto, and bass flutes. There is an optional cello part that doubles the bass part. It is suitable for intermediate-advanced musicians. Duration: 16.5 minutes.
$26.00
Song For A New Beginning
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Ensemble de Flûtes
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INTERMÉDIAIRE
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New Age
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Contemporain
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Secret Garden
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Lisa Ochoco
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Song For A New Beginning
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1241499 By Secret Garden. By Rolf Loevland. Arranged by Lisa Ochoco. Contemporar...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1241499 By Secret Garden. By Rolf Loevland. Arranged by Lisa Ochoco. Contemporary,New Age. 18 pages. Lisa L Ochoco #836871. Published by Lisa L Ochoco (A0.1241499). Composer, Rolf Lovland, is from Norway. His most well-known composition is You Raise Me Up, which has been - and still is - a very popular song. Â When he wrote Song For A New Beginning, he pictured someone leaving home, in search of a new life. The song conveys the longing,yearning, and the sense of hope that this person is feeling at that time.Scored for low flute choir - 3 altos, 3 basses, and contrabass flutes. Â There is an optional double string bass part that doubles the contrabass with the exception of 8 measures.Duration: 3.5 minutes.
$15.00
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He Is Here
