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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Hora
Non classifié
26 715
Piano & claviers
Piano seul
1 033
Orgue
872
Piano, Voix et Guitare
461
Piano, Voix
386
Piano Facile
155
Instruments en Do
87
Accompagnement Piano
59
Piano Trio: piano, violon, violoncelle
37
Piano (partie séparée)
21
1 Piano, 4 mains
19
Orgue, Trompette (duo)
12
2 Pianos, 4 mains
11
Orgue, Piano (duo)
11
Piano Quatuor: piano, violon, alto, violoncelle
8
Accordéon
8
Piano grosses notes
7
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Clavecin
1
Fake Book
1
Ligne De Mélodie, Piano
1
+ 16 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
148
Guitare notes et tablatures
66
Guitare
52
Guitare (partie séparée)
36
Ukulele
28
Basse electrique
17
3 Guitares (trio)
9
4 Guitares (Quatuor)
8
Paroles et Accords
8
Banjo
7
2 Guitares (duo)
4
Basse électrique (partie séparée)
3
Piano, Guitare (duo)
2
Mandoline
1
Dulcimer
1
Guitare, Violon, Violoncelle (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
66 342
Chorale 3 parties
26 084
Pack Instrumental pour Chorale
19 898
Chorale 2 parties
15 348
Chorale TTBB
13 224
Chorale
8 220
Chorale SSAA
6 956
Chorale Unison
6 211
Chorale SSATB
325
Chorale SSAATTBB
230
Chorale SSATTB
160
Chorale SSAB a cappella
80
Chorale SSAB, Piano
56
Chorale SSAATB
51
Voix duo, Piano
45
Chorale SSATBB
30
Chorale, Orgue
29
Chorale SATBB
25
Voix seule
25
Voix Soprano, Piano
24
Voix duo
23
Soli, choeur mixte et accompagnement
22
Chorale SAATB A Cappella
14
Voix d'Enfants
10
Chorale SSAATB A Cappella
9
Chorale SATTB
7
Voix Baryton, Piano
7
Voix haute
6
Voix Soprano, Orchestre
6
Chorale SATTBB A Cappella
6
Voix Alto, Piano
4
Voix moyenne, Piano
3
Voix basse, Piano
2
Voix Tenor, Piano
2
Chorale SATTBB, Clavier
2
Voix Tenor
1
+ 31 instrumentations
Retracter
Vents
Flute (partie séparée)
530
Saxophone (partie séparée)
216
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
154
Quatuor de Saxophones: 4 saxophones
147
Flûte, Hautbois, Clarinette, Basson
111
Clarinette et Piano
110
Flûte traversière et Piano
109
Clarinette (partie séparée)
93
Quatuor de Clarinettes: 4 clarinettes
81
Hautbois (partie séparée)
73
Hautbois, Piano (duo)
64
Saxophone Alto et Piano
57
Clarinette
56
Flûte traversière
55
Quatuor de Flûtes : 4 flûtes
47
2 Saxophones (duo)
45
Saxophone Alto
45
Flûte et Guitare
44
Quintette de Saxophone: 5 saxophones
40
Ensemble de Flûtes
40
Saxophone
39
Saxophone Tenor et Piano
38
3 Saxophones (trio)
31
Saxophone Soprano et Piano
31
Ensemble de Clarinettes
29
Saxophone Tenor
25
2 Flûtes traversières (duo)
23
Quatuor de Flûtes à bec
23
Cor anglais, Piano
23
2 Clarinettes (duo)
22
Saxophone Baryton, Piano
19
Ensemble de saxophones
18
Quintette de Clarinettes: 5 clarinettes
18
Flûte, Clarinette (duo)
16
Clarinette Basse, Piano
15
3 Clarinettes (trio)
15
3 Flûtes à bec (trio)
14
Trio de Flûtes: 3 flûtes
13
Flûte à Bec
13
Flûte, Clarinette, Cor, Basson (Quartet)
13
Flûte à bec Soprano
11
2 Flûte à bec (duo)
10
Quintette de Flûte : 5 flûtes
9
Ensemble De Flûte à bec
7
Hautbois
7
Clarinette, Guitare (duo)
6
Saxophone, Clarinette (duo)
6
Flûte à bec Tenor
6
Clarinette, Basson (duo)
5
Clarinette, Violon (duo)
5
Flûte, Violoncelle, Piano (trio)
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Harmonica
5
Flûte, Hautbois, Clarinette (trio)
5
Saxophone Baryton
5
2 Hautbois (duo)
4
Saxophone Soprano
4
Cor Anglais
4
Flûte, Violon
4
Hautbois, Basson (duo)
4
Flûte à bec Alto
4
Clarinette Basse
3
Flûte, Violon, Violoncelle et Piano
3
Clarinette, Trompette (duo)
3
Clarinette, Orgue
3
Flûte, Clarinette, Piano (trio)
3
Flûte à bec Soprano, Piano
3
Clarinette et Alto
2
Flûte, Clarinette et Basson
2
Flûte, Violoncelle
2
Flûte à bec, Guitare (duo)
2
Flûte, Alto (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte traversière, Orchestre
2
Piccolo, Piano
2
Hautbois, Flûte
2
Flûte, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
4 Hautbois
2
2 Saxophones, Piano
2
Cor anglais et Harpe (duo)
1
2 Flûtes traversières, Piano
1
Flûte et Quatuor à Cordes
1
Flûte, Hautbois, Basson
1
5 Flûtes à bec
1
Flûte, trombone et piano
1
Instruments en Mib
1
Ensemble à vent
1
Ensemble de Hautbois
1
Clarinette, Harpe (duo)
1
Hautbois, Quatuor à cordes
1
Clarinette, Orchestre
1
Hautbois, Harpe
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Hautbois
1
Hautbois, Violoncelle
1
2 Clarinettes, Piano
1
Flûte et Trio à cordes
1
Flûte, Saxophone (duo)
1
Saxophone et Orgue
1
Flûte à bec Alto, Piano
1
+ 96 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
667
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
216
Trombone (partie séparée)
197
Trompette, Piano
73
Quatuor de cuivres: 4 trombones
72
Trompette
68
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Trombone et Piano
60
Cor (partie séparée)
44
Quatuor de Cuivres
44
Cor et Piano
44
Trombone
40
Quatuor de cuivres: 4 cors
35
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Ensemble de Trombones
27
2 Euphoniums et 2 Tubas
26
Cor
26
Tuba (partie séparée)
25
Cor anglais, Piano
23
Tuba et Piano
22
2 Trompettes (duo)
17
Trompette, Trombone (duo)
17
Tuba
15
3 Trombones (trio)
13
Ensemble de Cors
13
2 Trombones (duo)
12
Quatuor de cuivres: 4 trompettes
12
4 Tubas
10
Euphonium, Piano (duo)
9
3 Cors (trio)
8
Trompette, Cor (duo)
7
2 Cors (duo)
7
Trio de Cuivres
6
3 Tubas (trio)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Cor, Orchestre
5
Euphonium, Tuba (duo)
5
Trompette, Saxophone (duo)
4
Cor Anglais
4
G Instruments
4
Tuba et Orgue
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Tubas (duo)
3
3 Trompettes (trio)
3
Cornet A Pistons
3
Trombone, Cor (duo)
3
Euphonium
3
Trombone basse et Piano
3
Ensemble de Trompettes
2
Cor anglais et Harpe (duo)
1
Euphonium (partie séparée)
1
Trompette, Basson (duo)
1
Trompette, Orchestre
1
Cor, Violoncelle (duo)
1
Trompette, Violoncelle (duo)
1
Bass Clef Instruments
1
Cor et Basson (duo)
1
Trombone, Orgue
1
Trombone basse
1
4 Euphoniums
1
Instruments en Sib
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
364
Violon et Piano
130
Violoncelle, Piano
96
Contrebasse (partie séparée)
94
Alto, Piano
87
Violon (partie séparée)
75
Violon
68
Violoncelle
57
Trio à Cordes: violon, alto, violoncelle
36
Alto seul
33
Harpe
28
Violon, Violoncelle (duo)
26
2 Violons (duo)
21
Violoncelle (partie séparée)
18
Contrebasse, Piano (duo)
18
Alto (partie séparée)
18
4 Violoncelles
18
Violon, Alto (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
2 Violoncelles (duo)
12
Violoncelle, Orchestre
11
2 Altos (duo)
11
Violon, Orgue
10
Trio à cordes: 3 violins
10
Contre Basse
9
Trio à Cordes: 2 violons, violoncelle
9
Trio à Cordes: 3 violoncelles
8
Quatuor à cordes: 4 violons
8
Alto, Violoncelle (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Trio à cordes: 3 altos
6
Quatuor à cordes : 4 altos
5
Harpe, Flûte (duo)
5
Trio à cordes
4
Piano Trio: Violon, Alto, Piano
4
Harpe, Violon, Violoncelle
3
Violon, Guitare (duo)
2
Alto, Guitare (duo)
2
Alto et Basson
1
Harpe, Violon (duo)
1
Harpe (partie séparée)
1
2 Violons, Piano
1
Violoncelle, Basse continue
1
Ensemble d'Altos
1
4 Contrebasses
1
Harpe et Piano
1
Ensemble de Violons
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Orgue
1
Violon, Basson (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 091
Orchestre
626
Orchestre à Cordes
401
Ensemble Jazz
218
Fanfare
147
Cloches
140
Ensemble de cuivres
126
Orchestre de chambre
111
Batterie
83
Piano et Orchestre
71
Percussion (partie séparée)
71
Jazz combo
33
Batterie (partie séparée)
33
Orchestre, Violon
18
Marimba
8
Percussion
8
Timbales (partie séparée)
7
Ensemble de Percussions
6
Xylophone, Piano
5
Instrumentation Flexible
4
Vibraphone
3
Big band
1
Caisse Claire
1
Voix et Orchestre
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
85
Papeterie
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CELTIQUE - IRISH - S…
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GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Vous avez sélectionné:
Hora
Ensemble de Flûtes
Partitions à imprimer
40 partitions trouvées
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1
26
Ich ruf zu Dir, Herr Jesu Christ, I. Chorale, by J.S. Bach, - Flute Choir (3 Flutes, Bas
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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J
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opt
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Ich ruf zu Dir, Herr Jesu Chri
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J.W. Carter
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.973673 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Baroque,Sacred. 7 pages. J.W. Carter #502...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.973673 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Baroque,Sacred. 7 pages. J.W. Carter #5026557. Published by J.W. Carter (A0.973673). Flute choir (Flutes 1,2,3, Bass Flute & opt. Bassoon) arrangement of J.S. Bach's 4-part choral and organ prelude settings of Ich ruf zu Dir, Herr Jesu ChristI. Chorale
$2.50
Das alte Jahr vergangen ist, I. Chorale, by J.S. Bach, - Flute Choir (3 Flutes, Bass Flut
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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J
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opt. bassoon).
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Das alte Jahr vergangen ist, I
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J.W. Carter
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.973676 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Baroque,Sacred. 6 pages. J.W. Carter #503...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.973676 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Baroque,Sacred. 6 pages. J.W. Carter #5030303. Published by J.W. Carter (A0.973676). J.S. Bach's choral and organ prelude settings of Das alte Jahr vegangen ist arranged for flute choir (3 flutes, bass flute & opt. bassoon).
$2.50
Durch Adam's Fall ist ganz verderbt, I. Chorale, by J.S. Bach, - Flute Choir (3 Flutes (3
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Johann Sebastian Bach
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J
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Durch Adam's Fall ist ganz ver
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J.W. Carter
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.973689 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Sacred. 6 pages. J.W. Carter #5197473. Pu...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.973689 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Sacred. 6 pages. J.W. Carter #5197473. Published by J.W. Carter (A0.973689). J.S. Bach's 4-part chorale setting of Durch Adam's Fall ist ganz verderbt arranged for flute choir (3 flutes, 3rd doubling alto flute, bass flute & opt bassoon.To be played immediately before the organ prelude setting, also available here.
$2.50
Jesu, meine Freude, I. Chorale, by J.S. Bach, - Flute Choir (3 Flutes (3rd doubling Alto
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
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J
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Jesu, meine Freude, I. Chorale
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J.W. Carter
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.973690 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Baroque,Easter,Holiday,Sacred. 6 pages. J...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.973690 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Baroque,Easter,Holiday,Sacred. 6 pages. J.W. Carter #5197459. Published by J.W. Carter (A0.973690). J.S. Bach's 4-part chorale setting of Jesu, meine Freude arranged for Flute Choir (3 flutes, 3rd doubling alto flute, bass flute with optional bassoon.To be played immediately before organ prelude setting, also available here.
$2.50
Jupiter Chorale Theme (Flute Choir)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Gustav Holst
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Jupiter Chorale Theme
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SheetMusicPlus
Woodwind Choir or Ensemble - Intermediate - Digital Download Composed by Gustav Holst (1874-1934). 20th Century, Romantic Period. Score, Set of Parts...
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Woodwind Choir or Ensemble - Intermediate - Digital Download Composed by Gustav Holst (1874-1934). 20th Century, Romantic Period. Score, Set of Parts. 12 pages. Published by Lena Seeger
The beautiful chorale theme from the Jupiter movement of Holst's Orchestral Suite The Planets. Arranged for flute choir: four concert flutes, alto flute, and bass flute. In the key of F major. Features solo for alto flute.
$8.99
Mussorgsky: Night on Bald Mountain for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Night on Bald Moun
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549955 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Romantic Period,Standards. 227...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549955 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Romantic Period,Standards. 227 pages. Jmsgu3 #4337561. Published by jmsgu3 (A0.549955). Score: 140 pages. Duration ca. 11:00. Instrumentation: 1 piccolo, 3 concert flutes, 2 alto flutes, 1 bass flute, 1 cello (optional). Piccolo part: 7 pages, Flute 1 part: 14 pages, Flute 2 part: 13 pages, Flute 3 part: 10 pages, Alto Flute 1 part: 10 pages, Alto Flute 2 part: 11 pages, Bass Flute part: 11 pages, Cello part: 11 pages.Mussorgsky's Night on Bald Mountain is significant for several reasons. Composed in 1867, it is a tone poem inspired by the Russian legend of nocturnal revels on St. John's Night, involving a witches' Sabbath on Bald Mountain near Kiev. The piece is known for its high drama, dark textures, and bold harmonies, which Mussorgsky's colleagues considered excitingly expressive and raw. The work was unpublished and unrevised at the time of the composer's death, and his colleagues, including Rimsky-Korsakov, later revised it. The composition remains a powerful representation of Russian folk tradition. It is associated with the pagan festivities of the midsummer Slavic holiday, making it a significant piece in the history of Russian classical music.The legend of the nocturnal revels on St. John's Night in June on a hill called Lysa Hora near Kiev is a prominent Slavic tale that inspired Modest Mussorgsky's Night on Bald Mountain. The legend tells of a demon, Chernobog, who leads the revels until a far-off church bell sounds disperse the Spirits of Darkness. This tale is associated with the pagan festivities of the midsummer Slavic holiday and is a significant part of Russian folklore and culture. Lysa Hora, meaning Bald Mountain or Barren Mountain, is a large wooded hill in the Ukrainian capital Kyiv, near the confluence of the Dnipro and Lybid' rivers, and is the traditional site of the witch gatherings in Slavic folklore. The legend's themes of darkness, supernatural gatherings, and the triumph of light have made it a compelling source of inspiration for various artistic works, including Mussorgsky's musical composition.
$58.95
Newsies (Choral Medley) - Flute
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Ensemble de Flûtes
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Film Walt Disney
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Film/TV
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Alan Menken, Jack Feldman, and
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Roger Emerson
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Disney
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Newsies
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Alan Menken, Jack Feldman, and Newsies (Musical). Arranged by Roger Emerson. Broadway; Disney; Musical/Show. EPak. 3 pages. Published by Hal Leonard - Digita...
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By Alan Menken, Jack Feldman, and Newsies (Musical). Arranged by Roger Emerson. Broadway; Disney; Musical/Show. EPak. 3 pages. Published by Hal Leonard - Digital Sheet Music
$7.00
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Alleyways for flute choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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David Warin Solomons
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Alleyways for flute choir
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.576959 Composed by David Warin Solomons. 20th Century,Christmas,Contemporary. 16 pages. David Warin Solomons...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.576959 Composed by David Warin Solomons. 20th Century,Christmas,Contemporary. 16 pages. David Warin Solomons #548641. Published by David Warin Solomons (A0.576959). Arrangement of my Christmas choral song Alleyways for flute choir (piccolo, 4 flutes, 2 alto flutes, 2 bass flutes) The sound sample is an electronic preview. The pdf file contains score and parts. For interest here is the video of the original choral song performed by the Composer's Choir http://www.youtube.com/watch?v=n7V6o1oVHWM.
$12.00
David Warin Solomons: Les Sandales for flute sextet (piccolo, 4 C flutes, alto flute in G)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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David Warin Solomons
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David Warin Solomons: Les Sand
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.533890 Composed by David Warin Solomons. Concert,Contemporary,Instructional. 31 pages. Musik Fabrik Music Pu...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.533890 Composed by David Warin Solomons. Concert,Contemporary,Instructional. 31 pages. Musik Fabrik Music Publishing #3062413. Published by Musik Fabrik Music Publishing (A0.533890). A lyrical work in the form of a chorale-prelude for flute sextet. Suitable for flute studio concerts
$23.95
Bach: Jesu, Joy of Man's Desiring for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$49.95
Shadowlands: A Journey for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Phyllis Avidan Louke, ASCAP
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Phyllis Avidan Louke, ASCAP
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Shadowlands: A Journey for Flu
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.736288 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 38 pages. Louke Publishing #43671...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.736288 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 38 pages. Louke Publishing #4367130. Published by Louke Publishing (A0.736288). Shadowlands: A JourneyBy Phyllis Avidan Louke, ASCAP PROGRAM NOTES:Shadowlands: A Journey is a programmatic work in three movements for Flute Choir written in memory of the composer’s uncle who died from cancer. Movement One (Out of the Darkness), written in a minor key, contains a plaintive melody conveying sadness which later transforms to hope. Movement Two (Into the Shadows) begins with a beautiful bass and alto flute duet written in quartal harmony. The melody is introspective, yet, in conjunction with syncopated chords by 4ths, keeps moving the listener forward toward a climax of resignation. Movement Three (Moving Toward the Light), written in a major key, conveys a feeling of hope and peace, ends with a touching chorale which extensively utilizes chords with added seconds. Scored for piccolo, 3 flutes, alto flute, and bass flute, and opt. contrabass flute (doubling bass flute part) Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com  Â
$17.00
Jesu, meine Freude, II. Prelude, - Flute Choir (3 Flutes (3rd doubling Alto Flute), Bass
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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J
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Jesu, meine Freude, II. Prelud
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J.W. Carter
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.973691 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Baroque,Easter,Holiday,Sacred. 7 pages. J...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.973691 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Baroque,Easter,Holiday,Sacred. 7 pages. J.W. Carter #5197469. Published by J.W. Carter (A0.973691). J.S. Bach's organ prelude setting of Jesu, meine Freude arranged for Flute Choir (3 Flutes, 3rd doubling Alto Flute, Bass Flute & Opt. Bassoon.To be played immediately after the 4-part chorale setting, also available here.
$2.50
Durch Adam's Fall ist ganz verderbt, II. Prelude, by J.S. Bach, - Flute Choir (3 Flutes (
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Johann Sebastian Bach
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J
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Durch Adam's Fall ist ganz ver
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J.W. Carter
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.973692 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Sacred. 6 pages. J.W. Carter #5197475. Pu...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.973692 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Sacred. 6 pages. J.W. Carter #5197475. Published by J.W. Carter (A0.973692). J.S. Bach's organ prelude setting of Durch Adam's Fall ist ganz verderbt arranged for flute choir (3 flutes, 3rd doubling alto flute, bass flute & opt. bassoon).To be played immediately after the 4-part chorale setting, also available here.
$2.50
O Christmas Tree (Flute Choir and Piano)
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Ensemble de Flûtes
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FACILE
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Noël
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Traditional
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Stephen DeCesare
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O Christmas Tree
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Exultet Music
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.630310 Composed by Traditional. Arranged by Stephen DeCesare. Christmas,Jazz,Sta...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.630310 Composed by Traditional. Arranged by Stephen DeCesare. Christmas,Jazz,Standards,Traditional. 19 pages. Exultet Music #6433629. Published by Exultet Music (A0.630310). The traditional Christmas song has been freshly arranged for a Flute Choir (Flute (2), Alto Flute, Bass Flute) with Piano accompaniment. This arrangement starts like a tender chorale with very lush, jazz harmonies and then picks up to a lively big band/jazz accompaniment. Accessible and appropriate for any school, church or concert setting. An accompaniment track is also available. .
$12.99
Sing Joyfully (Eb) (Flute Sextet)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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William Byrd
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Regis Bookshar
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Sing Joyfully
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Regis Bookshar
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1449852 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instr...
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Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1449852 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instructional,Renaissance. 27 pages. Regis Bookshar #1029616. Published by Regis Bookshar (A0.1449852). Sing Joyfully - William Byrd - Flute Sextet - Advanced/Intermediate - .William Byrd was the greatest British composer of the late Renaissance, and just maybe, the greatest Bristish composer ever. He wrote a huge body of choral music, some of it profound and timeless. He also composed brilliant, virtuoso pieces and his motet-like anthem, Sing Joyfully, a polyphonic setting of Psalm 81, written in 1590, is perhaps his best-known one, It is enchanting to listen to and is fun to sing. Regis Bookshar thought that instrumental performers should have the same opportunity that singers have experienced for years so he has now transcribed, edited and arranged this wonderful selection for a Flute Sextet.Since no tempo is indicated and there are no written dynamic or phrase markings in William Byrd's original score, Regis Bookshar has taken the liberty to add them in order to provide direction and life to the piece. This arrangement is suitable for high school and college students and is perfect for concerts and recitals and perhaps even church services, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages).This selection is readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numeous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of William Byrd's delightful, Sing Joyfully', will continue to entertain both peformers and audiences alike for many years to come.
$30.00
An Easter Anthem Medley for SATB Choir and Flute Ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Musique Sacrée
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Betsy Lee Bailey
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Betsy Lee Bailey
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An Easter Anthem Medley for SA
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Betsy Lee Bailey
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1373809 By Betsy Lee Bailey. By Betsy Lee Bailey. Arranged by Betsy Lee ...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1373809 By Betsy Lee Bailey. By Betsy Lee Bailey. Arranged by Betsy Lee Bailey. Christian,Classical,Easter,Praise & Worship,Sacred. 24 pages. Betsy Lee Bailey #958282. Published by Betsy Lee Bailey (A0.1373809). Three classic Easter hymns He Is Risen, All Creatures of Our God and King, and Christ the Lord Is Risen Today have been given an exciting new setting. The SATB choral parts with piano are available separately at SMP An Easter Anthem Medley. This arrangement was commissioned for a Community Choir and Flute Choir (with an added Bass Clarinet and Trumpet) for the finale of their combined Easter Concert.
$49.99
a Theme by Bach ( excerpt from St. Matthew's Passion ) for flute choir / ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Johann Sebastion Bach , J S Ba
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Ray-Michael Kauffman
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a Theme by Bach
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as do Ray meflute studio production
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.874240 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Contemporary,Eas...
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Choral Choir (Mixed) - Level 3 - SKU: A0.874240 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Contemporary,Easter,Spiritual,Standards. Octavo. 28 pages. As do Ray meflute studio production #3483869. Published by as do Ray meflute studio production (A0.874240). https://www.youtube.com/watch?v=i-KERymlx1M&feature=youtu.behttps://www.youtube.com/watch?v=IoQTyU-V3H4by J S Bach, this theme is an excerpt from St. Matthews Passion for flute choir / ensemble. Beautiful, simple, but complex textures and colors . Would make a great addition to you choir's library whether for church, Easter, Good Friday, Psalm Sunday, Concert setting , or any performance. Bach goes well with everything!!doraymeflute.com
$14.00
Ave Maris Stella
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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Robert Rainford
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Ave Maris Stella
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Forton Music - Digital
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SheetMusicPlus
Flute Choir - 4 flutes, alto, bass - Intermediate-Advanced - SKU: F2.FM036 Composed by Edvard Grieg. Arranged by Robert Rainford. Score and parts. 10 pa...
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Flute Choir - 4 flutes, alto, bass - Intermediate-Advanced - SKU: F2.FM036 Composed by Edvard Grieg. Arranged by Robert Rainford. Score and parts. 10 pages. Forton Music - Digital #FM036. Published by Forton Music - Digital (F2.FM036). ISBN 9790708085355.Flute Choir/Ensemble - 4 Flutes, alto flute, bass flute. An ideal piece for the less experienced flute choir. 44 bars long in G major with an Allegretto tempo marking, this was originally a choral piece which has been transcribed for flute choir. Flute one and two reach top G, whilst the third and fourth part go no higher than 2nd octave D (although there are some A#'s to deal with). The alto and bass parts are very simple, allowing players less certain on these instruments to find their feet. The second half of this piece is an identical repeat of the first half, with flute one changing material with flute two, and flute three changing with flute 4. A useful concert piece.
$9.95
Ave Maria FWV 62 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Cesar Auguste Franck
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Lisa Ochoco
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Ave Maria FWV 62 for Flute Cho
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.559352 Composed by Cesar Auguste Franck. Arranged by Lisa Ochoco. Romantic Perio...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.559352 Composed by Cesar Auguste Franck. Arranged by Lisa Ochoco. Romantic Period,Sacred. 16 pages. Lisa L Ochoco #42029. Published by Lisa L Ochoco (A0.559352). Cesar Franck wrote music beautifully, and his Ave Maria FWV 62 is one of my favorite Ave Maria's ever. Originally a choral piece with soprano solo, it translates well to a flute choir piece.
$12.00
Mozart Tuba Mirum from Requiem KV 626 for flute sextet or flute choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Frédéric Colledani
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Mozart Tuba Mirum from Requiem
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Frederic Colledani
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.886984 Composed by Wolfgang Amadeus Mozart. Arranged by Frédéric Colledani. Christian,Classical,Contem...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.886984 Composed by Wolfgang Amadeus Mozart. Arranged by Frédéric Colledani. Christian,Classical,Contemporary,Sacred,Spiritual. 10 pages. Frederic Colledani #3420575. Published by Frederic Colledani (A0.886984). Adaptation of Tuba Mirum, one of the most amazing piece of Mozart's Requiem KV 626, in the Süssmayr version.This piece is adapted to intermediate level. There is no major technical difficulties, but the whole piece requires a very delicate yet intense atmosphere.The first third is a duet between the 2 alto flutes. 2nd third allows all other flute voices to have a short solo. And the piece ends with a delicate choral mixing 8 voices.4 C flutes and 2 alto flutes minimum, better for 6 C flutes or flute choir with alto flutes (no bass or contrabass flute needed).Downloaded file contains score as well as separate parts.For more about our flute choir: https://www.facebook.com/coeurdeflutesIf you like this work, please consider supporting writing of new pieces here: https://www.patreon.com/FredC
$11.99
Lay A Garland - flute choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Robert Lucas de Pearsall
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John Romano
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Lay A Garland - flute choir
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John Romano
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.874581 Composed by Robert Lucas de Pearsall. Arranged by John Romano. Romantic Period. 28 pages. John Romano...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.874581 Composed by Robert Lucas de Pearsall. Arranged by John Romano. Romantic Period. 28 pages. John Romano #3460077. Published by John Romano (A0.874581). Lay A Garland (1840) by Robert Lucas de Pearsall (1795 - 1856) is an eight-part English madrigal arranged here for flute choir by John Romano. The lush harmonies of this beautiful choral piece will enhance any recital or church service. For info or contact visit www.johnromanomusic.com
$20.00
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