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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
James M
Non classifié
1 393
Piano & claviers
Piano seul
4 009
Orgue
716
Piano Facile
71
Piano, Voix et Guitare
58
Piano, Voix
56
Piano Quatuor: piano, violon, alto, violoncelle
54
Piano Trio: piano, violon, violoncelle
35
Orgue, Piano (duo)
23
Accompagnement Piano
22
Instruments en Do
12
1 Piano, 4 mains
8
Piano Quintette: piano, 2 violons, alto, violoncelle
6
2 Pianos, 4 mains
3
Piano (partie séparée)
3
Accordéon
1
Piano grosses notes
1
Orgue, Trompette (duo)
1
+ 12 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
342
Guitare
36
Guitare notes et tablatures
35
Paroles et Accords
10
Basse electrique
9
Piano, Guitare (duo)
9
Ukulele
6
Guitare (partie séparée)
5
3 Guitares (trio)
2
2 Guitares (duo)
2
Banjo
1
Guitare, Violon, Violoncelle (trio)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
78
Chorale 3 parties
25
Chorale TTBB
14
Chorale SSAA
13
Chorale 2 parties
9
Voix seule
3
Chorale
3
Chorale Unison
3
Pack Instrumental pour Chorale
1
Voix Tenor
1
Voix duo
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
985
Hautbois, Piano (duo)
583
Clarinette et Piano
326
Saxophone Alto et Piano
234
2 Saxophones (duo)
197
Cor anglais, Piano
178
2 Flûtes traversières (duo)
146
Saxophone Soprano et Piano
129
Saxophone Baryton, Piano
126
Saxophone Tenor et Piano
125
2 Clarinettes (duo)
115
Clarinette Basse, Piano
105
Clarinette
66
Quatuor de Saxophones: 4 saxophones
60
2 Hautbois (duo)
58
Saxophone (partie séparée)
34
3 Saxophones (trio)
30
3 Clarinettes (trio)
28
Quatuor de Clarinettes: 4 clarinettes
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone Alto
17
Flûte traversière
16
Ensemble de Flûtes
15
Trio de Flûtes: 3 flûtes
15
2 Cors Anglais Et Pianoforte
14
Hautbois, Basson (duo)
14
Saxophone Tenor
14
Clarinette, Violoncelle (duo)
13
Flûte, Violoncelle
13
Piccolo, Piano
12
Hautbois (partie séparée)
9
Clarinette, Harpe (duo)
8
Quintette de Saxophone: 5 saxophones
8
Hautbois, Harpe
8
Flûte, Hautbois, Clarinette, Basson
8
Ensemble de Clarinettes
7
Quatuor de Flûtes : 4 flûtes
7
Flûte, Guitare, Piano
7
Flûte, Violon
7
Hautbois, Violoncelle
6
Ensemble de saxophones
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Clarinette (duo)
6
Flûte, Violon et Violoncelle
4
Flûte, Hautbois (duo)
4
Clarinette, Violon (duo)
4
Flûte, Alto (duo)
4
Flûte à Bec, Piano
3
Saxophone et violoncelle
3
Quatuor de Flûtes à bec
3
Flûte, Violoncelle, Piano (trio)
3
Saxophone, Clarinette (duo)
3
Flûte à bec Alto, Piano
3
Saxophone, Basson (duo)
2
2 Flûte à bec (duo)
2
Saxophone et Harpe
2
Hautbois, Flûte
2
Clarinette Basse
2
Flûte, Violon, Piano
2
Ensemble De Flûte à bec
2
Clarinette (partie séparée)
2
Saxophone Baryton
2
Flûte traversière, Orgue (duo)
2
Cor anglais et Harpe (duo)
2
Flute (partie séparée)
2
2 Flûtes traversières, Piano
1
Flûte et Trio à cordes
1
Saxophone et Guitare
1
Flûte à bec Soprano
1
Saxophone Soprano
1
Hautbois
1
2 Hautbois, Piano
1
Ocarina
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Flûte à bec Soprano, Piano
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Orgue
1
Harmonica
1
Saxophone et Piano
1
Flûte, Basson et Piano
1
2 Hautbois et Basson
1
Hautbois et alto (duo)
1
3 Flûtes à bec (trio)
1
Clarinette et Alto
1
5 Flûtes à bec
1
Flûte et Guitare
1
Flûte, Clarinette, Piano (trio)
1
+ 83 instrumentations
Retracter
Cuivres
Cor anglais, Piano
178
Cor et Piano
148
Trombone et Piano
140
Trompette, Piano
137
Euphonium, Piano (duo)
121
Trompette
62
2 Cors (duo)
60
Tuba et Piano
58
2 Trombones (duo)
44
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
2 Trompettes (duo)
37
2 Euphoniums (duo)
36
Trompette (partie séparée)
16
2 Tubas (duo)
15
Trombone (partie séparée)
15
2 Cors Anglais Et Pianoforte
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Cor
10
Trombone
8
Tuba
7
Trompette, Trombone (duo)
6
Cor, Violoncelle (duo)
6
3 Trombones (trio)
5
Trio de Cuivres
5
Quatuor de cuivres: 4 trombones
4
Ensemble de Trombones
4
Euphonium
4
Trompette, Saxophone (duo)
4
Trombone basse et Piano
3
Trombone, Tuba (duo)
3
Euphonium, Tuba (duo)
3
Tuba et Orgue
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Tuba (duo)
2
Trombone, violoncelle (duo)
2
Quatuor de Cuivres
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 cors
2
Cor anglais et Harpe (duo)
2
Ensemble de Trompettes
2
2 Trompettes, Clavier (piano ou orgue)
1
3 Cors (trio)
1
Trombone basse
1
Trompette, Violoncelle (duo)
1
Trompette, Trombone, Piano
1
Cor, Tuba (duo)
1
+ 42 instrumentations
Retracter
Cordes
Violon et Piano
1 039
Quatuor à cordes: 2 violons, alto, violoncelle
351
Violoncelle, Piano
273
Alto, Piano
246
Trio à Cordes: violon, alto, violoncelle
95
2 Violoncelles (duo)
70
2 Violons (duo)
63
2 Altos (duo)
60
Violoncelle
41
Violon
38
Violon, Violoncelle (duo)
34
Harpe
19
2 Contrebasses (duo)
16
Violon, Alto (duo)
15
Harpe, Flûte (duo)
14
Alto, Violoncelle (duo)
14
Alto seul
13
Harpe, Violon (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
4 Violoncelles
5
Trio à Cordes: 3 violoncelles
5
Alto (partie séparée)
5
Trio à cordes
5
Violoncelle, Contrebasse (duo)
4
Piano Trio: Violon, Alto, Piano
4
Contrebasse (partie séparée)
4
Harpe, Violoncelle (duo)
3
Contrebasse, Piano (duo)
3
Ensemble de Violoncelles
2
Alto et Harpe
2
Quatuor à cordes : 4 altos
2
Ensemble d'Altos
1
Violoncelle, Orgue
1
Trio à Cordes: 2 violons, alto
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Orgue
1
Ensemble de Violons
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
121
Ensemble de cuivres
44
Orchestre d'harmonie
35
Ensemble Jazz
27
Orchestre
12
Batterie
12
Jazz combo
11
Fanfare
9
Cloches
8
Orchestre de chambre
8
Batterie (partie séparée)
4
Marimba et Orgue
3
Vibraphone
3
Ensemble de Percussions
2
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
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CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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VIOLON
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
XYLOPHONE
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ASIE
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COMEDIES MUSICALES -…
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
James M
Ensemble de Flûtes
Partitions à imprimer
15 partitions trouvées
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1
Simon & Garfunkel: Bridge Over Troubled Water for Flute Choir
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Ensemble de Flûtes
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Simon And Garfunkel
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James M
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Simon & Garfunkel: Bridge Over
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jmsgu3
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SheetMusicPlus
By Simon And Garfunkel. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 27 pages. Published by jmsgu3 (H0.293325-97800). - Score,Set of Parts - - jms...
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By Simon And Garfunkel. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 27 pages. Published by jmsgu3 (H0.293325-97800). - Score,Set of Parts - - jmsgu3
$65.95
The Moody Blues: Nights In White Satin for Flute Choir
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Ensemble de Flûtes
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The Moody Blues
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James M
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The Moody Blues: Nights In Whi
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jmsgu3
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SheetMusicPlus
By The Moody Blues. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 14 pages. Published by jmsgu3 (H0.293851-589270). - Score,Set of Parts - - jmsgu3...
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By The Moody Blues. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 14 pages. Published by jmsgu3 (H0.293851-589270). - Score,Set of Parts - - jmsgu3
$69.95
Bach: Jesu, Joy of Man's Desiring for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$49.95
Gabrieli: Jubilate Deo Ch. 136 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457115. Published by jmsgu3 (A0.549191). Giovanni Gabrieli: Jubilate Deo (Ch. 136) Instrumentation: 1 piccolo, 5 flutes, 1 alto flute, 1 bass flute, 1 cello (or contrabass flute) Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not at all difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations.
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Bach: Brandenburg Concerto No. 3 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No.
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.549922 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Instructional,Standards. 136...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.549922 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Instructional,Standards. 136 pages. Jmsgu3 #4287833. Published by jmsgu3 (A0.549922). Bach: Brandenburg Concerto for arranged for flute choir. Instrumentation: 3 concert flutes, 3 alto flutes, 3 bass flutes, 1 cello (optional), 1 cembalo (optional)Score: 70 pages.
$49.95
Mussorgsky: Night on Bald Mountain for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Night on Bald Moun
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549955 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Romantic Period,Standards. 227...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549955 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Romantic Period,Standards. 227 pages. Jmsgu3 #4337561. Published by jmsgu3 (A0.549955). Score: 140 pages. Duration ca. 11:00. Instrumentation: 1 piccolo, 3 concert flutes, 2 alto flutes, 1 bass flute, 1 cello (optional). Piccolo part: 7 pages, Flute 1 part: 14 pages, Flute 2 part: 13 pages, Flute 3 part: 10 pages, Alto Flute 1 part: 10 pages, Alto Flute 2 part: 11 pages, Bass Flute part: 11 pages, Cello part: 11 pages.Mussorgsky's Night on Bald Mountain is significant for several reasons. Composed in 1867, it is a tone poem inspired by the Russian legend of nocturnal revels on St. John's Night, involving a witches' Sabbath on Bald Mountain near Kiev. The piece is known for its high drama, dark textures, and bold harmonies, which Mussorgsky's colleagues considered excitingly expressive and raw. The work was unpublished and unrevised at the time of the composer's death, and his colleagues, including Rimsky-Korsakov, later revised it. The composition remains a powerful representation of Russian folk tradition. It is associated with the pagan festivities of the midsummer Slavic holiday, making it a significant piece in the history of Russian classical music.The legend of the nocturnal revels on St. John's Night in June on a hill called Lysa Hora near Kiev is a prominent Slavic tale that inspired Modest Mussorgsky's Night on Bald Mountain. The legend tells of a demon, Chernobog, who leads the revels until a far-off church bell sounds disperse the Spirits of Darkness. This tale is associated with the pagan festivities of the midsummer Slavic holiday and is a significant part of Russian folklore and culture. Lysa Hora, meaning Bald Mountain or Barren Mountain, is a large wooded hill in the Ukrainian capital Kyiv, near the confluence of the Dnipro and Lybid' rivers, and is the traditional site of the witch gatherings in Slavic folklore. The legend's themes of darkness, supernatural gatherings, and the triumph of light have made it a compelling source of inspiration for various artistic works, including Mussorgsky's musical composition.
$58.95
Mouton: Christmas Motet for Flute Choir
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Ensemble de Flûtes
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FACILE
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Noël
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Jean Mouton
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James M
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Mouton: Christmas Motet for Fl
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 2 - SKU: A0.550372 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards...
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Woodwind Ensemble Flute - Level 2 - SKU: A0.550372 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards. 25 pages. Jmsgu3 #4616051. Published by jmsgu3 (A0.550372). A quadruple canon at the fifth. Duration: ca. 3:00, Score: 7 pages, Parts 2 pages each. Instrumentation: 3 concert flutes, 3 alto flutes, 2 bass flutes, 1 cello (optional).
$49.95
Scarlatti: Andante mosso for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Domenico Scarlatti
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James M
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Scarlatti: Andante mosso for F
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.550385 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.550385 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards. 14 pages. Jmsgu3 #4626605. Published by jmsgu3 (A0.550385). Sonata 33 for Flute Choir - an unusually expressive, intricate, serious and meditative piece. Perfect for weddings, receptions, meditations, church services, recitals or recital encores.Score: 7 pages. Duration: ca 6:38. .
$38.95
Saint-Saëns: Danse Macabre for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Halloween
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Camille Saint- Saens
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James M
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Saint-Saëns: Danse Macabre fo
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jmsgu3
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SheetMusicPlus
Composed by Camille Saint- Saens (1835-1921). Arranged by James M. Guthrie. Concert, Halloween, Instructional, Romantic Period, Standards. 95 pages. Jm...
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Composed by Camille Saint- Saens (1835-1921). Arranged by James M. Guthrie. Concert, Halloween, Instructional, Romantic Period, Standards. 95 pages. Jmsgu3 #4362853. Published by jmsgu3
$79.95
Beethoven: Sonata Op. 49 No. 2 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and 1 cello (optional). - Intermediate - Digital Download Composed b...
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Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and 1 cello (optional). - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 103 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute choir. Duration: ca: 10:15 Score: 60 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute choir.
$49.95
Twitter, for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Greg Danner
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Twitter, for Flute Choir
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Avanti Music
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Ava...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Avanti Music (A0.778282). Twitter, founded in March of 2006, is a social networking and micro-blogging service that allows users to post short messages of no more that 140 characters. Because it works as an application on cell phones people can share information immediately. In its short time, Twitter has become embedded in our increasingly networked society. The composition Twitter takes five famous tweets-some serious, others funny, and some historic and presents a musical interpretation. In keeping with the idea that a tweet is a short message, each movement of Twitter is approximately 140 seconds long. 1. There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy. Janis Krums, 12:36 p.m. Jan15, 2009Janis Krums posted this text and the first photo of US Airways flight 1549 moments after the plane made an emergency landing in the Hudson River after hitting a flock of birds. His quick action helped to notify rescue workers and the media. 2. Today I interviewed a squirrel in my backyard and then threw to commercial. Somebody help me.Conan O’Brien, 3:54 p.m. Feb. 24, 2009 Shortly after being dismissed from the Tonight Show and finding himself in-between jobs, Conan O’Brien joined Twitter. As with many celebrities, a Twitter account can allow fans to stay in touch and feel connected. What was amazing in this case was that in just two hours after this first tweet he had over 125,000 followers-the largest number ever in such a short time. His number has since grown to nearly 3 million. 3. ArrestedJames Buck, 9:30 a.m. April 10 A graduate student from the University of California-Berkeley, James Buck was covering an anti-government protest in Egypt. Buck was caught up in a demonstration, and while being taken to jail had time to post a one-word tweet-arrested. Within seconds colleagues in the United States got word of his arrest and notified the university, the US Embassy, and a number of press organizations on his behalf, leading to his freedom. 4. We just made history. All of this happened because you gave your time, talent and passion. All of this happened because of you. Thanks. Barack Obama, 11:34 a.m. Nov. 5, 2008 The Obama 2008 campaign was historic on a number of counts, and the use of technology and social media was one of them. This tweet was sent to over 2.6 million followers just after the election. 5. Are you ready to celebrate? Well, get ready: We have ICE!!!!! Yes, ICE, *WATER ICE* on Mars! w00t!!! Best day ever!! MarsPhoenix, 5:14 PM Jun 19th, 2008 NASA’s Jet Propulsion Laboratory has made an innovative use of twitter by sending messages from the Mars Phoenix lander’s point of view. The message above is undoubtedly the most exciting news ever to be tweeted on behalf of an extraterrestrial robot.
$40.00
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