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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mark S
Non classifié
2 658
Piano & claviers
Piano seul
1 062
Piano Facile
453
Piano, Voix
418
Piano, Voix et Guitare
218
Piano (partie séparée)
164
Orgue
130
Instruments en Do
93
Accompagnement Piano
18
Piano Trio: piano, violon, violoncelle
15
1 Piano, 4 mains
15
Piano grosses notes
10
Accordéon
10
Piano Quatuor: piano, violon, alto, violoncelle
7
2 Pianos, 4 mains
6
Orgue, Trompette (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Clavecin
3
Instrument seul et Orgue
1
Fake Book
1
2 Accordéons
1
2 Pianos, 8 mains
1
Ligne De Mélodie, Piano
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
338
2 Guitares (duo)
123
Guitare (partie séparée)
118
Guitare
90
Basse electrique
42
Ligne De Mélodie, (Paroles) et Accords
30
Ukulele
15
Paroles et Accords
10
Dulcimer
6
Piano, Guitare (duo)
6
Banjo
5
4 Guitares (Quatuor)
5
3 Guitares (trio)
4
Basse électrique (partie séparée)
4
Ensemble de guitares
2
Ensemble de Ukulélés
2
Mandoline
1
Ukulele Baryton
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
632
Chorale 3 parties
255
Chorale TTBB
154
Chorale Unison
127
Pack Instrumental pour Chorale
115
Chorale 2 parties
107
Chorale SSAA
59
Chorale
18
Voix Soprano, Piano
8
Voix haute
8
Voix duo
7
Voix duo, Piano
7
Voix moyenne, Piano
6
Voix seule
5
Voix Baryton, Piano
5
Voix Alto, Piano
4
Voix Soprano
3
Soli, choeur mixte et accompagnement
3
Voix basse, Piano
2
Voix Tenor
2
Chorale SSAATB
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
+ 18 instrumentations
Retracter
Vents
Saxophone (partie séparée)
1 732
Clarinette (partie séparée)
792
Flute (partie séparée)
312
Flûte et Guitare
303
Hautbois (partie séparée)
291
2 Saxophones (duo)
186
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
139
2 Flûtes traversières (duo)
123
2 Clarinettes (duo)
116
Saxophone Alto
108
Flûte traversière
100
Quatuor de Saxophones: 4 saxophones
91
Clarinette
87
Saxophone Tenor
87
Flûte traversière et Piano
81
Quintette de Saxophone: 5 saxophones
76
Flûte, Hautbois, Clarinette, Basson
76
Saxophone Alto et Piano
61
Quatuor de Clarinettes: 4 clarinettes
58
Clarinette et Piano
53
Hautbois, Piano (duo)
51
Saxophone Tenor et Piano
36
Ensemble de Clarinettes
32
Saxophone Soprano et Piano
28
Saxophone Baryton, Piano
19
3 Saxophones (trio)
16
2 Hautbois (duo)
16
3 Clarinettes (trio)
14
Quintette de Clarinettes: 5 clarinettes
13
Hautbois
12
Ensemble de Flûtes
11
Trio de Flûtes: 3 flûtes
11
Ensemble de saxophones
10
Quatuor de Flûtes à bec
9
Clarinette Basse, Piano
9
Quintette de Flûte : 5 flûtes
9
Saxophone
8
Quatuor de Flûtes : 4 flûtes
8
Flûte à bec Soprano
7
3 Flûtes à bec (trio)
7
Flûte, Violon
7
Flûte, Clarinette (duo)
7
Clarinette, Violon (duo)
7
Hautbois, Clarinette (duo)
5
Hautbois, Flûte
5
5 Flûtes à bec
5
Hautbois, Basson (duo)
5
Saxophone Baryton
5
Clarinette, Trompette (duo)
5
Cor anglais, Piano
5
Flûte, Trompette (duo)
4
Saxophone Soprano
4
Cor Anglais
4
Flûte, Hautbois, Clarinette (trio)
4
2 Flûte à bec (duo)
4
Flûte, Alto (duo)
4
Saxophone, Clarinette (duo)
4
Clarinette, Basson (duo)
3
Flûte, Clarinette et Basson
3
Hautbois, violon (duo)
3
Flûte, Saxophone (duo)
2
Hautbois, Harpe
2
Ensemble De Flûte à bec
2
Saxophone et Harpe
2
Clarinette, Guitare (duo)
2
Saxophone et Guitare
2
Piccolo
2
Flûte à bec Alto
2
Flûte, Violon et Violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Clarinette, Trombone (duo)
1
Clarinette et Alto
1
Flûte, Hautbois, Basson
1
Flûte à bec Tenor
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Violoncelle (duo)
1
2 Cors Anglais Et Pianoforte
1
Flute, harpe et violon
1
Flûte, Clarinette, Piano (trio)
1
Cornemuse
1
Flûte à bec Alto, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violoncelle
1
3 Hautbois
1
Hautbois, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à Bec
1
Flûte à bec Soprano, Piano
1
Flûte irlandaise
1
+ 89 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
1 386
Trombone (partie séparée)
1 327
Cor (partie séparée)
308
Tuba (partie séparée)
223
2 Trompettes (duo)
125
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
125
Trompette
105
Trombone
100
Quatuor de Cuivres : 2 trompettes, trombone, tuba
91
Trompette, Piano
46
Trombone et Piano
40
Cor
36
Euphonium (partie séparée)
29
Tuba
29
Cor et Piano
24
Tuba et Piano
22
2 Trombones (duo)
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Quatuor de Cuivres
16
Ensemble de Trombones
15
2 Cors (duo)
11
Trompette, Trombone (duo)
11
Euphonium, Piano (duo)
11
Euphonium
9
Quatuor de cuivres: 4 trombones
7
Trio de Cuivres
7
Ensemble de Trompettes
6
2 Tubas (duo)
5
Trombone basse
5
Cor anglais, Piano
5
Quatuor de cuivres: 4 cors
4
Trompette, Saxophone (duo)
4
Cor Anglais
4
Trompette, violon (duo)
3
Bass Clef Instruments
3
Trombone, violoncelle (duo)
2
Cor et Harpe
2
Tuba et Orgue
2
Trompette, Harpe
2
2 Euphoniums et 2 Tubas
2
Cor anglais et Harpe (duo)
1
Ensemble de Cors
1
Trombone et orchestre
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
2 Cors Anglais Et Pianoforte
1
Trombone, Orgue
1
Trompette, Violoncelle (duo)
1
Trombone basse et Piano
1
4 Tubas
1
Trompette, Basson (duo)
1
+ 45 instrumentations
Retracter
Cordes
Contrebasse (partie séparée)
344
Quatuor à cordes: 2 violons, alto, violoncelle
337
Violon (partie séparée)
277
2 Violons (duo)
140
Harpe
121
Violon et Piano
111
Violon
109
Violoncelle (partie séparée)
108
Violoncelle
103
2 Harpes (duo)
89
Alto (partie séparée)
85
Violoncelle, Piano
68
Alto, Piano
57
Trio à Cordes: violon, alto, violoncelle
49
Alto seul
47
Violon, Violoncelle (duo)
41
Contre Basse
30
2 Violoncelles (duo)
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
29
Violon, Alto (duo)
23
2 Altos (duo)
16
Contrebasse, Piano (duo)
16
Trio à Cordes: 2 violons, violoncelle
10
Trio à cordes: 3 violins
7
Ensemble de Violons
7
Ensemble d'Altos
6
Violon, Guitare (duo)
6
Harpe (partie séparée)
6
4 Violoncelles
4
Violoncelle , Guitare (duo)
4
Harpe, Flûte (duo)
4
Trio à Cordes: 3 violoncelles
4
2 Contrebasses (duo)
4
Violoncelle, Contrebasse (duo)
3
Alto et Harpe
2
Harpe, Violon (duo)
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 altos
2
Quatuor à cordes: 4 violons
1
4 Contrebasses
1
Quatuor à cordes : 4 altos
1
Piano Trio: Violon, Alto, Piano
1
Alto, Guitare (duo)
1
Alto et orchestre
1
Harpe, Trombone (duo)
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Alto et Basson
1
3 Harpes
1
Harpe, Violoncelle (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
420
Percussion (partie séparée)
254
Orchestre à Cordes
206
Ensemble Jazz
193
Orchestre
168
Batterie (partie séparée)
164
Timbales (partie séparée)
107
Ensemble de cuivres
58
Cloches
57
Fanfare
50
Orchestre de chambre
48
Batterie
26
Ensemble de Percussions
16
Jazz combo
16
Vibraphone (partie séparée)
12
Vibraphone
7
Xylophone
4
Percussion
4
Marimba
3
Xylophone (partie séparée)
3
Piano et Orchestre
2
Xylophone, Piano
1
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Marimba, Piano (duo)
1
+ 21 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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TUBA
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VIOLONCELLE
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
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Crtitères actifs :
Mark S
Ensemble de Flûtes
Partitions à imprimer
11 partitions trouvées
<
1
Victoria's Secret
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Jax
#
Lisa Ochoco
#
Victoria's Secret
#
Lisa L Ochoco
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1256790 By Jax. By Dan Henig, Jacqueline Miskanic, and Mark Nilan Jr. Arranged b...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1256790 By Jax. By Dan Henig, Jacqueline Miskanic, and Mark Nilan Jr. Arranged by Lisa Ochoco. Contemporary,Pop. 28 pages. Lisa L Ochoco #850162. Published by Lisa L Ochoco (A0.1256790). This song by Jax has a catchy tune and fun beat.  It's a song that talks about the beauty standards that women are faced with in our everyday lives.  Having struggled with body image issues herself, Jax wrote this song that directly calls out the lingerie company, Victoria's Secret, for cashing in on body issues, selling skin and bones with big boobs. The song has been an international hit. This arrangement is just so that people who love the song can play it.  I will admit that it is repetitious, but it's just a catchy tune! Scored for flute choir - 3 C, alto, bass, and contrabass flutes. If your choir doesn't have a contrabass, then it can be substituted by another bass, or any C instrument in a similar range, but it is a part that needs to be covered, as it has important (but quite simple bass lines).  There is an optional upright string bass part that doubles the contrabass an octave below.   There are 2 body percussion parts that are quite simple, but particularly important.  It's a stomp and clap (or snap).  You could also use 2 different drums, buckets, etc.  Substitute a low pitch for the stomp and a higher one for the clap. Duration: 3 minutes.
$15.00
Victoria's Secret
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Jax
#
Lisa Ochoco
#
Victoria's Secret
#
Lisa L Ochoco
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1261527 By Jax. By Dan Henig, Jacqueline Miskanic, and Mark Nilan Jr. Arranged b...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1261527 By Jax. By Dan Henig, Jacqueline Miskanic, and Mark Nilan Jr. Arranged by Lisa Ochoco. Contemporary,Pop. 28 pages. Lisa L Ochoco #854605. Published by Lisa L Ochoco (A0.1261527). This song by Jax has a catchy tune and fun beat.  It's a song that talks about the beauty standards that women are faced with in our everyday lives.  Having struggled with body image issues herself, Jax wrote this song that directly calls out the lingerie company, Victoria's Secret, for cashing in on body issues, selling skin and bones with big boobs. The song has been an international hit. This arrangement is just so that people who love the song can play it.  I will admit that it is repetitious, but it's just a catchy tune! Scored for low flute choir - 3 altos, bass, and contrabass flutes. There is an optional contra alto (in G) part that is a mix between the bass and contrabass flute parts. There is also an optional upright string bass part that doubles the contrabass.  There are 2 body percussion parts that are quite simple, but particularly important.  It's a stomp and clap (or snap).  You could also use 2 different drums, buckets, etc.  Substitute a low pitch for the stomp and a higher one for the clap. Duration: 3 minutes.
$15.00
Dance The Night
#
Ensemble de Flûtes
#
INTERMÉDIAIRE/AVANCÉ
#
Dua Lipa
#
Joel Scianna
#
Dance The Night
#
Joel William Music
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - SKU: A0.1309628 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - SKU: A0.1309628 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Joel Scianna. Contemporary,Film/TV,Pop. 28 pages. Joel William Music #898795. Published by Joel William Music (A0.1309628).  If you didn't hear Dua Lipa's latest bop during the Barbie movie, you've probably heard it on the radio recently! Add something modern to your Flute Choir setlist with this intricate and dynamic arrangement, scored for piccolo, four flute parts, alto flute, bass flute, and optional contrabass and contra alto flute parts. This arrangement has quick runs, spicy syncopations, great dynamic contrast, and a breakdown (Rehearsal mark E) that makes sure to feature each flute voice. Your audience will be bobbing their heads along to this recognizable dance track, and each part has its own moment to shine. Â
$25.00
Menuet Sur Le Nom D'Haydn
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Maurice Ravel
#
Myrick Crampton
#
Menuet Sur Le Nom D'Haydn
#
MDC Music LLC
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1456718 Composed by Maurice Ravel. Arranged by Myrick Crampton. 20th Century,Cha...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1456718 Composed by Maurice Ravel. Arranged by Myrick Crampton. 20th Century,Chamber,Classical. 15 pages. MDC Music LLC #1035786. Published by MDC Music LLC (A0.1456718). This piece was written in 1909 to mark the centenary of Joseph Haydn’s death. The theme is based on Haydn’s name where H is B natural, Y is D natural, and N is G natural and is played forward, inverted, and retrograde.Arranged for (P, F1-3, AF 3-4, BF 5-6, Contra 7)Time: 1’ 45”.
$12.99
Bach Goes To Town
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Jazz
#
Benny Goodman
#
Lisa Ochoco
#
Bach Goes To Town
#
Lisa L Ochoco
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560006 By Benny Goodman. By Alex Templeton. Arranged by Lisa Ochoco. Jazz. 29 pa...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560006 By Benny Goodman. By Alex Templeton. Arranged by Lisa Ochoco. Jazz. 29 pages. Lisa L Ochoco #6211185. Published by Lisa L Ochoco (A0.560006). Alec Templeton was a Welsh musician who was born blind. He studied music at the Royal Academy of Music in England and moved to the United States in his early 30's to make his mark.
$17.00
Monkeys Spinning Monkeys
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Kevin MacLeod
#
Lisa Ochoco
#
Monkeys Spinning Monkeys
#
Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1167899 By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Ochoco. Comedy,Cont...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1167899 By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Ochoco. Comedy,Contemporary. 31 pages. Lisa L Ochoco #768254. Published by Lisa L Ochoco (A0.1167899). If you’ve ever seen a funny video on YouTube, Facebook, TikTok, etc., chances are that you’ve heard this tune before…many many times.  It makes cute and funny videos, well, cuter and funnier.Kevin Macleod wrote this cute and funny tune, and it’s written to loop until the video ends.  The longer the video, the higher it goes (I think, although having a cute video last more than 5 minutes may wear you out.)  While I could have modulated it 5 times, I didn’t.  There is one key change, and after that key change, this cute and funny tune goes Radio City Rockette-ish before definitely coming to an end at around the 2 minute mark.Scored for flute choir – 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that can help bring out the staccato notes in the contrabass, which can also be played by any C instrument in a similar range, such as a bassoon.This would be a great recital opener, closer, or filler.  Or, you could have a few members of your group act out a cute and funny scene to it.  The possibilities are endless!Duration: 2 minutes.
$15.00
Ave Maris Stella
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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Robert Rainford
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Ave Maris Stella
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Forton Music - Digital
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SheetMusicPlus
Flute Choir - 4 flutes, alto, bass - Intermediate-Advanced - SKU: F2.FM036 Composed by Edvard Grieg. Arranged by Robert Rainford. Score and parts. 10 pa...
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Flute Choir - 4 flutes, alto, bass - Intermediate-Advanced - SKU: F2.FM036 Composed by Edvard Grieg. Arranged by Robert Rainford. Score and parts. 10 pages. Forton Music - Digital #FM036. Published by Forton Music - Digital (F2.FM036). ISBN 9790708085355.Flute Choir/Ensemble - 4 Flutes, alto flute, bass flute. An ideal piece for the less experienced flute choir. 44 bars long in G major with an Allegretto tempo marking, this was originally a choral piece which has been transcribed for flute choir. Flute one and two reach top G, whilst the third and fourth part go no higher than 2nd octave D (although there are some A#'s to deal with). The alto and bass parts are very simple, allowing players less certain on these instruments to find their feet. The second half of this piece is an identical repeat of the first half, with flute one changing material with flute two, and flute three changing with flute 4. A useful concert piece.
$9.95
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Sing Joyfully (Eb) (Flute Sextet)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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William Byrd
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Regis Bookshar
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Sing Joyfully
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Regis Bookshar
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1449852 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instr...
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Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1449852 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instructional,Renaissance. 27 pages. Regis Bookshar #1029616. Published by Regis Bookshar (A0.1449852). Sing Joyfully - William Byrd - Flute Sextet - Advanced/Intermediate - .William Byrd was the greatest British composer of the late Renaissance, and just maybe, the greatest Bristish composer ever. He wrote a huge body of choral music, some of it profound and timeless. He also composed brilliant, virtuoso pieces and his motet-like anthem, Sing Joyfully, a polyphonic setting of Psalm 81, written in 1590, is perhaps his best-known one, It is enchanting to listen to and is fun to sing. Regis Bookshar thought that instrumental performers should have the same opportunity that singers have experienced for years so he has now transcribed, edited and arranged this wonderful selection for a Flute Sextet.Since no tempo is indicated and there are no written dynamic or phrase markings in William Byrd's original score, Regis Bookshar has taken the liberty to add them in order to provide direction and life to the piece. This arrangement is suitable for high school and college students and is perfect for concerts and recitals and perhaps even church services, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages).This selection is readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numeous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of William Byrd's delightful, Sing Joyfully', will continue to entertain both peformers and audiences alike for many years to come.
$30.00
Canzon Duodecimi Toni a 10, Ch. 177
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Renaissance
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Giovanni Gabrieli
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Adrian Dee
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Canzon Duodecimi Toni a 10, Ch
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Adrian Dee
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1037658 Composed by Giovanni Gabrieli (c.1554/7 - 1612). Arranged by Adrian Dee....
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1037658 Composed by Giovanni Gabrieli (c.1554/7 - 1612). Arranged by Adrian Dee. Renaissance. 27 pages. Adrian Dee #642563. Published by Adrian Dee (A0.1037658). Here is one for the big flutes. Arranged for 3 C-flutes, 2 alto flutes, 2 bass flutes, and 2 contrabass flutes. Each voice is unique, so all parts are required, including both contra parts. You may add piccolo players (one on each part) to double the first and second flute parts. This piece is a typical example of Gabrieli’s masterful counterpoint. Keep all notes cleanly separated as though they were marked staccato, especially repeated notes. Bring out the moving notes and drop back on longer notes.
$10.99
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Mark S
