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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Move Along
Non classifié
250
Piano & claviers
Piano seul
113
Piano Facile
67
Piano, Voix
42
Piano, Voix et Guitare
30
2 Pianos, 4 mains
7
Piano Trio: piano, violon, violoncelle
5
Instruments en Do
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
1 Piano, 4 mains
5
Orgue
3
Clavecin
2
Orgue, Piano (duo)
2
Accompagnement Piano
1
Piano (partie séparée)
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
17
Guitare
8
Ukulele
5
Guitare (partie séparée)
2
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
1
Ensemble de guitares
1
Basse electrique
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
39
Chorale 3 parties
6
Chorale Unison
5
Chorale 2 parties
4
Chorale TTBB
4
Chorale SSAA
3
Voix duo
1
+ 2 instrumentations
Retracter
Vents
Flûte traversière et Piano
36
Clarinette et Piano
33
Quatuor de Saxophones: 4 saxophones
27
Hautbois, Piano (duo)
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Saxophone Alto et Piano
21
Flûte, Hautbois, Clarinette, Basson
17
Clarinette
17
Saxophone Soprano et Piano
15
Hautbois (partie séparée)
14
2 Flûtes traversières (duo)
14
Flûte traversière
14
Quatuor de Clarinettes: 4 clarinettes
10
Quintette de Saxophone: 5 saxophones
10
Saxophone Tenor et Piano
9
Saxophone (partie séparée)
7
Ensemble de Flûtes
6
Hautbois, Flûte
6
Ensemble de Clarinettes
6
Cor anglais, Piano
5
Quatuor de Flûtes : 4 flûtes
5
3 Saxophones (trio)
4
2 Saxophones (duo)
4
Ensemble de saxophones
4
Saxophone Tenor
4
Clarinette, Violoncelle, Piano (trio)
3
3 Clarinettes (trio)
3
Saxophone Alto
3
Flûte irlandaise
3
Flûte à bec Soprano, Piano
3
Flûte et Guitare
3
Flûte, Clarinette et Basson
2
Flûte à bec Soprano
2
Quintette de Flûte : 5 flûtes
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette Basse, Piano
2
Clarinette, Guitare (duo)
1
Instruments en Mib
1
Piccolo, Piano
1
2 Hautbois (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Baryton, Piano
1
2 Clarinettes (duo)
1
Hautbois, Guitare (duo)
1
Flute (partie séparée)
1
2 Clarinettes, Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Alto, Piano
1
+ 43 instrumentations
Retracter
Cuivres
Trompette, Piano
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trombone et Piano
19
Trompette
11
Tuba
11
Cor et Piano
8
Tuba et Piano
8
Trombone
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette (partie séparée)
6
Euphonium, Piano (duo)
6
Cor
6
Cor anglais, Piano
5
Trombone (partie séparée)
4
Euphonium
3
2 Cors (duo)
2
Quatuor de cuivres: 4 trombones
2
Trompette, Trombone (duo)
2
2 Tubas (duo)
1
2 Trompettes (duo)
1
Trio de Cuivres
1
Tuba et Orgue
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres
1
Trombone basse
1
Bass Clef Instruments
1
Instruments en Sib
1
2 Euphoniums et 2 Tubas
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon et Piano
45
Alto, Piano
34
Violoncelle, Piano
33
Trio à Cordes: violon, alto, violoncelle
13
Violon
11
Violoncelle
9
2 Violons (duo)
8
Violon, Alto (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Harpe
7
Contrebasse, Piano (duo)
7
Violoncelle, Contrebasse (duo)
6
Contre Basse
5
Alto (partie séparée)
4
4 Violoncelles
3
Trio à Cordes: 2 violons, violoncelle
3
2 Violoncelles (duo)
3
Contrebasse (partie séparée)
2
Alto seul
2
Harpe, Voix
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Guitare (duo)
1
4 Contrebasses
1
Quatuor à cordes: 4 violons
1
2 Altos (duo)
1
Quatuor à cordes : 4 altos
1
Alto et Harpe
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
31
Orchestre à Cordes
26
Orchestre
19
Orchestre de chambre
10
Ensemble Jazz
8
Ensemble de cuivres
8
Cloches
6
Ensemble de Percussions
4
Fanfare
3
Batterie
3
Xylophone, Piano
1
Vibraphone
1
Batterie (partie séparée)
1
+ 8 instrumentations
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
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FUNK
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Vous avez sélectionné:
Move Along
Ensemble de Flûtes
Partitions à imprimer
6 partitions trouvées
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Can Can
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Dirk Schweppe, Jacques Auguste
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Sean Sullivan
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Can Can
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Sean Sullivan
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.981288 Composed by Dirk Schweppe, Jacques Auguste Ignace (Dp) Offenbach, and Jac...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.981288 Composed by Dirk Schweppe, Jacques Auguste Ignace (Dp) Offenbach, and Jacques Offenbach. Arranged by Sean Sullivan. Contemporary. 15 pages. Sean Sullivan #4996773. Published by Sean Sullivan (A0.981288). The unforgettable melody from Offenbach's operetta, Orpheus in the Underworld, this arrangement for flute choir really moves along, using dynamics and clean scoring to create a quick, light sound. The audience won't be able to resist clapping along! Arranged for four flutes, alto flute and optional bass flute.
$12.99
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Divertimento For Flute Choir
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Ensemble de Flûtes
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AVANCÉ
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Tooti Flooti
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Divertimento For Flute Choir
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Geraldine
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.1314344 By Tooti Flooti. By Geraldine (Denny) Green. 21st Century,Chambe...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.1314344 By Tooti Flooti. By Geraldine (Denny) Green. 21st Century,Chamber,Contemporary. 117 pages. Geraldine (Denny) Green at Oakmountmusic #903088. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314344). ALL PURCHASES COME WITH SCORE AND PARTSThe Divertimento for Flute Choir was requested by flautist David Greenalgh for the Flute choir Tooti Flooti and was written in June and July 2016. It has 3 short movements and a total duration of about 15 minutes.The outer movements are speedy, light hearted and sunny natured, while the middle movement is slower and rather haunting. The 3rd movement is the only one with a title, “The June Prune Tuneâ€, and there is a funny story behind the name. Many summers ago, my husband, Bob, and I were playing guitar and penny whistle together at home and I just happened to be snacking on dried prunes at the time. Bob joked that I should write a tune called the Prune Tune. I went a step further and said, June prune Tune, but it had to be written in June and I had to be eating prunes while actually writing it. Well, for the two Junes of 2014 and 2015 I tried to do it but no tune came. Nothing. Silence! Then, on the 1st June 2016 I was dashing home from work and I dived into a small corner shop for a sandwich and happened to spot a pack of dried prunes along with other dried fruits. So, in the local park, I stopped to have my butty and prunes while watching the birds and as I was eating the prunes a tune suddenly was there in my mind and I was subconsciously humming it. Like a thunderbolt it hit me! This was it! The June Prune Tune had arrived. Luckily I nearly always have paper on me so at once I scribbled it down, while munching very deliberately on the only two prunes left in the pack! Music doesn’t always have to be filled with sorrow and sadness and turmoil, even though much of mine is. But sometimes it’s just great to let the humour and flippancy flow,too, and simply enjoy having a good joke and a laugh. The Instrumentation is:Flute 1 – doubling Piccolo, Flute 2 – doubling piccolo, Flute 3 – doubling piccolo, Flute 4, Alto flute, Bass flute and string Double Bass.As the work was written for a specific group of players, the parts are single and do not divide within themselves. This, however, should not prevent it also working well with more than one player per part.The double bass part sometimes doubles the bass flute line, but also is an independent part in its own right.
$50.00
Anitra's Dance - From Peer Gynt - Flute Choir Septet (4 Flutes; 2 alto Flutes and Bass Flute)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Raymond Fenech
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Anitra's Dance - From Peer Gyn
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Raymond Fenech
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.760078 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.760078 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. 25 pages. Raymond Fenech #3501817. Published by Raymond Fenech (A0.760078). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for Flute Choir Septet (4 Flutes; 2 Alto Flutes and Bass Flute) . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$12.99
Christmas Joy Medley for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn, J
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Stephanie Daige
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Christmas Joy Medley for Flute
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.796895 Composed by Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Traditional. Arranged by Stephani...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.796895 Composed by Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Traditional. Arranged by Stephanie Daige. Christian,Christmas,Concert,Sacred,Traditional. 28 pages. Stephanie Daige #5178771. Published by Stephanie Daige (A0.796895). This arrangement of seven traditional Christmas favorites will make your heart joyful as you prepare for the holiday season! The melody moves around from instrument to instrument in a conversation-like way, with rich harmonies and beautiful descants enhancing the melodies. There are parts for piccolo, flute 1, flute 2, alto flute, and bass flute. I’ve included a transposition of the alto flute part for an optional third C flute in case you don’t have an alto flute available. This triumphant medley is in the key of concert G major. Christmas carols featured are:• Hark! The Herald Angels Sing• O Come, All Ye Faithful• O Little One Sweet• Bring A Torch, Jeannette, Isabella• It Came Upon the Midnight Clear• O Little Town of Bethlehem• We Wish You a Merry ChristmasI hope you will enjoy performing this medley as much as I have enjoyed arranging it! Audiences are sure to love it. This medley works well in a variety of venues during the Christmas season: school concert, church, shopping mall background music, chamber music recital, prelude to a choral performance/ sing-along, etc. It'd perfect for anywhere you want to lift people's spirits with beautiful, familiar seasonal music. Duration is approximately 4.5 minutes. There are also versions of this medley available for piano and other chamber music ensembles.
$17.99
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Move Along
