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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Move On
Non classifié
1 892
Piano & claviers
Piano seul
984
Piano Facile
248
Piano, Voix
160
Orgue
150
Piano, Voix et Guitare
101
1 Piano, 4 mains
41
Piano Trio: piano, violon, violoncelle
34
Instruments en Do
28
2 Pianos, 4 mains
15
Accompagnement Piano
9
Piano grosses notes
8
Accordéon
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Clavecin
4
Piano (partie séparée)
4
Accordéon, Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
2
Clavier
2
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
+ 18 instrumentations
Retracter
Guitares
Guitare
135
Guitare notes et tablatures
74
2 Guitares (duo)
25
Piano, Guitare (duo)
22
Ligne De Mélodie, (Paroles) et Accords
14
Ukulele
14
Paroles et Accords
13
Basse electrique
11
Guitare (partie séparée)
8
Mandoline
7
4 Guitares (Quatuor)
5
3 Guitares (trio)
3
Ensemble de guitares
2
Dulcimer
2
Cithare
1
Banjo
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
395
Chorale 3 parties
71
Chorale 2 parties
61
Chorale TTBB
47
Chorale SSAA
41
Chorale Unison
32
Voix Baryton, Piano
7
Voix Soprano, Piano
6
Voix duo
6
Voix duo, Piano
4
Voix basse, Piano
3
Voix Tenor, Piano
3
Voix haute
2
Soli, choeur mixte et accompagnement
2
Chorale SSAATTBB
2
Chorale SSATTB
2
Voix Tenor
2
Voix Soprano
1
Voix seule
1
Voix Alto, Piano
1
Chorale SSATB
1
Voix moyenne, Piano
1
Chorale
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
226
Quatuor de Saxophones: 4 saxophones
121
Flûte traversière et Piano
119
Quintette de Saxophone: 5 saxophones
112
Clarinette et Piano
107
Hautbois, Piano (duo)
91
Quatuor de Clarinettes: 4 clarinettes
79
Saxophone Alto et Piano
69
2 Saxophones (duo)
68
Flûte, Hautbois, Clarinette, Basson
58
2 Flûtes traversières (duo)
54
Clarinette
52
Ensemble de saxophones
49
2 Clarinettes (duo)
41
Ensemble de Clarinettes
40
Saxophone Tenor et Piano
39
Saxophone (partie séparée)
38
Flûte traversière
36
Saxophone Soprano et Piano
34
3 Saxophones (trio)
29
Quatuor de Flûtes : 4 flûtes
29
Hautbois (partie séparée)
28
2 Flûtes traversières, Piano
27
Saxophone Alto
26
Saxophone Baryton, Piano
26
Flûte, Clarinette (duo)
23
Quintette de Flûte : 5 flûtes
23
Cor anglais, Piano
22
Ensemble de Flûtes
20
3 Clarinettes (trio)
19
Quintette de Clarinettes: 5 clarinettes
19
Saxophone, Clarinette (duo)
17
Saxophone Tenor
17
2 Hautbois (duo)
16
Flûte et Guitare
16
Clarinette Basse, Piano
16
Hautbois, Basson (duo)
14
2 Flûte à bec (duo)
14
Trio de Flûtes: 3 flûtes
13
Hautbois, Flûte
12
Clarinette, Violon (duo)
10
Hautbois, Clarinette (duo)
9
Flûte, Hautbois, Clarinette (trio)
9
Hautbois
8
Clarinette, Trompette (duo)
8
Quatuor de Flûtes à bec
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Clarinette, Guitare (duo)
7
Flûte, Clarinette et Basson
7
Flûte, Saxophone (duo)
6
Flûte, Violon
6
Clarinette, Basson (duo)
6
Flute (partie séparée)
6
3 Flûtes à bec (trio)
6
Flûte à bec Alto
6
Clarinette et Alto
5
Flûte irlandaise
5
Clarinette (partie séparée)
4
Saxophone et Orgue
4
Flûte à bec Soprano, Piano
4
Flûte, Trompette (duo)
4
Flûte à Bec
4
Flûte, Alto (duo)
4
Saxophone Baryton
4
Hautbois, Guitare (duo)
4
5 Flûtes à bec
4
Flûte, Violon, Piano
3
Ocarina
3
Saxophone
3
Flûte à bec Tenor
3
Saxophone Soprano
3
Piccolo, Piano
3
Flûte à bec Soprano
3
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle
2
Flûte, Trombone (duo)
2
3 Hautbois
2
Cor anglais, Guitare (duo)
2
2 Saxophones, Piano
2
Harmonica
2
Hautbois, Harpe
2
Flûte, Hautbois, Basson
2
Clarinette, Harpe (duo)
2
2 Clarinettes, Piano
2
Clarinette, Tuba
1
Saxophone, Tuba (duo)
1
Flûte, Basson et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette Basse
1
Hautbois, Violoncelle
1
Clarinette, Contrebasse (duo)
1
Cor anglais et Harpe (duo)
1
Ensemble de Hautbois
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Trombone (duo)
1
2 Cors Anglais Et Pianoforte
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Clarinettes, Basson
1
Cor Anglais
1
Saxophone et Harpe
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
+ 99 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
165
Quatuor de Cuivres : 2 trompettes, trombone, tuba
123
Trombone et Piano
75
Trompette, Piano
60
Ensemble de Trompettes
51
Trompette
50
Cor et Piano
46
Trombone
38
Trombone (partie séparée)
35
Tuba et Piano
31
Trompette (partie séparée)
31
Ensemble de Trombones
30
Euphonium, Piano (duo)
27
Cor anglais, Piano
22
Cor
22
Tuba
22
Quatuor de Cuivres
18
2 Trombones (duo)
17
2 Trompettes (duo)
17
Trompette, Trombone (duo)
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Trompette, Saxophone (duo)
11
2 Cors (duo)
9
3 Trombones (trio)
9
Quatuor de cuivres: 4 trombones
8
Ensemble de Cors
8
Trompette, Cor (duo)
7
Quatuor de cuivres: 4 cors
7
Quatuor de cuivres: 4 trompettes
5
Trombone, Orgue
5
Cor (partie séparée)
5
3 Trompettes (trio)
5
4 Tubas
5
Trombone basse
4
3 Tubas (trio)
4
Tuba (partie séparée)
3
Euphonium
3
2 Tubas (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Cors (trio)
3
Trio de Cuivres
2
Trombone, Cor (duo)
2
Tuba et Orgue
2
Cor anglais, Guitare (duo)
2
2 Euphoniums et 2 Tubas
2
Euphonium, Tuba (duo)
2
2 Euphoniums (duo)
2
3 Euphoniums
2
2 Trompettes, Clavier (piano ou orgue)
1
Trombone basse et Piano
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor Anglais
1
Trompette, Tuba (duo)
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
302
Violon et Piano
164
Violoncelle, Piano
105
Alto, Piano
89
Violon
68
2 Violons (duo)
56
Violoncelle
55
Violon, Violoncelle (duo)
46
Violon, Alto (duo)
45
Trio à Cordes: violon, alto, violoncelle
44
Harpe
40
Alto seul
31
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
2 Altos (duo)
20
Contrebasse, Piano (duo)
19
Contre Basse
19
2 Violoncelles (duo)
17
Alto (partie séparée)
15
Contrebasse (partie séparée)
15
Trio à cordes: 3 violins
12
Trio à Cordes: 2 violons, violoncelle
11
Ensemble de Violons
10
Violoncelle, Contrebasse (duo)
10
Violon (partie séparée)
10
Harpe, Flûte (duo)
9
Trio à Cordes: 3 violoncelles
9
Ensemble d'Altos
9
Trio à cordes: 3 altos
8
Alto, Violoncelle (duo)
7
Violon, Guitare (duo)
6
4 Violoncelles
6
Trio à Cordes: 2 violons, alto
5
Quatuor à cordes: 4 violons
5
Violoncelle , Guitare (duo)
4
Piano Trio: Violon, Alto, Piano
4
Quatuor à cordes : 4 altos
4
Alto, Guitare (duo)
4
Harpe, Violon (duo)
3
Violoncelle (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Harpes (duo)
2
Violon, Clarinette, Piano (trio)
2
3 Contrebasses
2
Harpe, Violoncelle (duo)
2
4 Contrebasses
1
Violon, Violoncelle, Clarinette
1
Ensemble de Violoncelles
1
Harpe, Voix
1
Flûte, Contrebasse (duo)
1
Harpe et Piano
1
2 Contrebasses (duo)
1
Harpe, Trombone (duo)
1
Violoncelle, Orgue
1
Violoncelle, Orchestre
1
Alto et Harpe
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
643
Orchestre
256
Orchestre à Cordes
170
Orchestre de chambre
132
Ensemble de cuivres
82
Ensemble Jazz
41
Cloches
30
Ensemble de Percussions
19
Percussion (partie séparée)
15
Batterie
15
Jazz combo
8
Fanfare
7
Marimba
5
Batterie (partie séparée)
4
Vibraphone
4
Orchestre, Violon
2
Xylophone
2
Vibraphone et Marimba
2
Xylophone, Piano
2
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Conga
1
2 Xylophones
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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Instruments
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BANJO
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BASSON
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
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FLUTE A DIX…
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FORMATION M…
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LUTH, THEOR…
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VIOLON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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PIANO
SAXOPHONE
SYNTHETISEUR
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FUNK
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JEUX VIDEOS
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
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Vous avez sélectionné:
Move On
Ensemble de Flûtes
Partitions à imprimer
20 partitions trouvées
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1
Fantasia on the Dargason
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Gustav Holst
#
D Telgen
#
Fantasia on the Dargason
#
Neglet Music
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1453518 Composed by Gustav Holst. Arranged by D Telgen. Classical,Folk. ...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1453518 Composed by Gustav Holst. Arranged by D Telgen. Classical,Folk. 56 pages. Neglet Music #1032748. Published by Neglet Music (A0.1453518). Flute choir arrangement of movement 4 of Gustav Holst's classic Second Suite in F for military band, Fantasia on the Dargason. This one uses a hemiolas (three against two) in the sections where Greensleeves is woven into the main folk tune dance. Arranged for flute choir by D. Telgen: Four C flutes (first flute on piccolo), two alto flutes, two bass flutes, and optional contrabass flute part.
$14.99
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
A Bit Of Earth
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Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Lucy Simon
#
Lisa Ochoco
#
A Bit Of Earth
#
Lisa L Ochoco
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559783 Composed by Lucy Simon. Arranged by Lisa Ochoco. Broadway,Contemporary,Mu...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559783 Composed by Lucy Simon. Arranged by Lisa Ochoco. Broadway,Contemporary,Musical/Show. 18 pages. Lisa L Ochoco #4782903. Published by Lisa L Ochoco (A0.559783). The Secret Garden is a musical that premiered on Broadway in 1991, based on a novel by Frances Hodgson Burnett. It is a story about a 10 year old girl named Mary, who is forced to move from India to England to live with relatives after her parents' death from cholera. Her new home is an unhappy one, as Mary's uncle, Archibald, is still mourning the death of his wife. Mary finds a garden that is locked and learns that it had once belonged to Archibald's wife. The garden has been locked since her death. Mary asks her uncle if she can plant a garden of her own. This is the song that Archibald sings after Mary asks him for a bit of earth.
$16.00
Come To My Garden
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Lucy Simon
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Lisa Ochoco
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Come To My Garden
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559784 Composed by Lucy Simon. Arranged by Lisa Ochoco. Broadway,Contemporary,Mu...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559784 Composed by Lucy Simon. Arranged by Lisa Ochoco. Broadway,Contemporary,Musical/Show. 26 pages. Lisa L Ochoco #4783753. Published by Lisa L Ochoco (A0.559784). The Secret Garden is a musical based on the novel by Frances Hodgson Burnett. The musical premiered on Broadway in 1991. It is the story about a 10 year old girl, Mary, who loses her parents to cholera. She is forced to move from India to England to live with relatives who are strangers to her. At her new home, she finds a garden that once was cared for by her late aunt and wants to bring it back to life.
$16.00
A Bit Of Earth
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Lucy Simon
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Lisa Ochoco
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A Bit Of Earth
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560094 Composed by Lucy Simon. Arranged by Lisa Ochoco. Broadway,Contemporary,Mu...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560094 Composed by Lucy Simon. Arranged by Lisa Ochoco. Broadway,Contemporary,Musical/Show. 19 pages. Lisa L Ochoco #6434771. Published by Lisa L Ochoco (A0.560094). The Secret Garden is a musical that premiered on Broadway in 1991, based on a novel by Frances Hodgson Burnett. It is a story about a 10 year old girl named Mary, who is forced to move from India to England to live with relatives after her parents' death from cholera. Her new home is an unhappy one, as Mary's uncle, Archibald, is still mourning the death of his wife. Mary finds a garden that is locked and learns that it had once belonged to Archibald's wife. The garden has been locked since her death. Mary asks her uncle for a bit of earth so she can plant a garden of her own. This is the song that Archibald sings about his niece.
$16.00
Come To My Garden
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Lucy Simon and Marsha Norman
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Lisa Ochoco
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Come To My Garden
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1242100 Composed by Lucy Simon and Marsha Norman. Arranged by Lisa Ochoco. 20th ...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1242100 Composed by Lucy Simon and Marsha Norman. Arranged by Lisa Ochoco. 20th Century,Broadway,Musical/Show. 29 pages. Lisa L Ochoco #837457. Published by Lisa L Ochoco (A0.1242100). The Secret Garden is a musical based on the novel by Frances Hodgson Burnett. Â The musical premiered on Broadway in 1991. Â It is the story about a 10 year old girl, Mary, who loses her parents to cholera. Â She is forced to move from India to England to live with relatives who are strangers to her. Â At her new home, she finds a garden that once was cared for by her late aunt and wants to bring it back to life.This beautiful song can be performed for any occasion. It is scored for 4 altos, 2 basses, and contrabass flutes. Â Optional parts are contra alto in G and double string bass. Â Altos 1 and 2 have divisis in the second half of the song.Duration: 5.5 minutes.
$16.00
Divertimento For Flute Choir
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Ensemble de Flûtes
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AVANCÉ
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Tooti Flooti
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Divertimento For Flute Choir
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Geraldine
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.1314344 By Tooti Flooti. By Geraldine (Denny) Green. 21st Century,Chambe...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.1314344 By Tooti Flooti. By Geraldine (Denny) Green. 21st Century,Chamber,Contemporary. 117 pages. Geraldine (Denny) Green at Oakmountmusic #903088. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314344). ALL PURCHASES COME WITH SCORE AND PARTSThe Divertimento for Flute Choir was requested by flautist David Greenalgh for the Flute choir Tooti Flooti and was written in June and July 2016. It has 3 short movements and a total duration of about 15 minutes.The outer movements are speedy, light hearted and sunny natured, while the middle movement is slower and rather haunting. The 3rd movement is the only one with a title, “The June Prune Tuneâ€, and there is a funny story behind the name. Many summers ago, my husband, Bob, and I were playing guitar and penny whistle together at home and I just happened to be snacking on dried prunes at the time. Bob joked that I should write a tune called the Prune Tune. I went a step further and said, June prune Tune, but it had to be written in June and I had to be eating prunes while actually writing it. Well, for the two Junes of 2014 and 2015 I tried to do it but no tune came. Nothing. Silence! Then, on the 1st June 2016 I was dashing home from work and I dived into a small corner shop for a sandwich and happened to spot a pack of dried prunes along with other dried fruits. So, in the local park, I stopped to have my butty and prunes while watching the birds and as I was eating the prunes a tune suddenly was there in my mind and I was subconsciously humming it. Like a thunderbolt it hit me! This was it! The June Prune Tune had arrived. Luckily I nearly always have paper on me so at once I scribbled it down, while munching very deliberately on the only two prunes left in the pack! Music doesn’t always have to be filled with sorrow and sadness and turmoil, even though much of mine is. But sometimes it’s just great to let the humour and flippancy flow,too, and simply enjoy having a good joke and a laugh. The Instrumentation is:Flute 1 – doubling Piccolo, Flute 2 – doubling piccolo, Flute 3 – doubling piccolo, Flute 4, Alto flute, Bass flute and string Double Bass.As the work was written for a specific group of players, the parts are single and do not divide within themselves. This, however, should not prevent it also working well with more than one player per part.The double bass part sometimes doubles the bass flute line, but also is an independent part in its own right.
$50.00
Cloud Images for Flute choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Phyllis Avidan Louke
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Phyllis Avidan Louke, ASCAP
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Cloud Images for Flute choir
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #44052...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #4405244. Published by Louke Publishing (A0.736289). For Flute Choir Cloud Images By Phyllis Avidan Louke Cloud Images is a programmatic work in five movements for Flute Choir dedicated to Albert Weatherly of Sankyo Flutes, USA. The inspiration for this piece came from the beauty of the cloud formations observed during a long plane flight. Movement 1, Rising Above the Clouds, features a soaring melody played first by the bass and alto flute over an ostinato played by the flutes. The piccolo adds a countermelody which contributes to the feeling of being above the clouds. (1:30)  Movement 2, Billowing Clouds, features a melody in 7/8 time, alternating with another in 6/8 time, to convey the the shape and roundness of clouds.  (2:00) Movement 3, Oh Look! There’s an Alligator!, is a whimsical look at the different shapes that can be found in clouds. A running bass line in the bass flute supports a jaunty melody which seems to be on the prowl to find various shapes in the clouds. Several different animal shapes are seen: a hippo, an elephant, and finally, an alligator. Vocals can also be utilized in this movement to better communicate these animal shapes to the audience. (2:20)  Movement 4, With Your Head in the Clouds, is in a light-hearted soft shoe style. The melodies describe the feeling of skipping through life, not having a care in the world. For a Lawrence Welk ending, one of the players with rests can blow bubbles during the last measure. (1:40)  Movement 5, Through a Sea of Clouds, has a dream-like quality imagining what it would be like to travel through a sea of clouds and touch their whispy softness. The bass flute is prominently featured, and later joined by the alto flute. The piccolo adds the frosting on top. (2:30)  Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com  Â
$18.00
Three Uneven Dances
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Adrian Dee
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Three Uneven Dances
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Adrian Dee
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - SKU: A0.817939 Composed by Adrian Dee. Contemporary. 73 pages. Adrian Dee #44139...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - SKU: A0.817939 Composed by Adrian Dee. Contemporary. 73 pages. Adrian Dee #4413997. Published by Adrian Dee (A0.817939). This work consists of three short movements in irregular meters. The contrabass part is not optional but may be played on a regular bass flute if no contra is available. The first movement, Stomp is in 9/8, conducted in 4: (initially 3 + 2 + 2 + 2 changing to 2 + 2 + 2 + 3 halfway through) with a heavy pulse and a bluesy chord progression in E minor. The second movement, Waltz is in 3 (3 + 3 + 2) with a momentary straight 3 in the middle section. This sweet little melody in G major is a bright contrast to the aggressive first movement. The final movement, Reeling is in 5/8 (2 + 3) with a brief detour to 2/4 near the end, in E major. It is a joyous dizzy layering of twirling notes in the upper voices against a rising grounded melody in the lower voices. Each movement is 2 ½ to 3 minutes in length. This work is also available in a version for flute quartet (3 C-flutes and alto flute, or 4 C-flutes). Let me know what you think! adriandeeflute@gmail.com
$19.95
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Anitra's Dance - From Peer Gynt - Flute Choir Septet (4 Flutes; 2 alto Flutes and Bass Flute)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Raymond Fenech
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Anitra's Dance - From Peer Gyn
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Raymond Fenech
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.760078 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.760078 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. 25 pages. Raymond Fenech #3501817. Published by Raymond Fenech (A0.760078). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for Flute Choir Septet (4 Flutes; 2 Alto Flutes and Bass Flute) . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$12.99
Allegro (from "Sonata for Trumpet") (Bb) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Henry Purcell
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.813588 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.813588 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 13 pages. Regis Bookshar #6429837. Published by Regis Bookshar (A0.813588). Flute Octet - Advanced/Intermediate - . This arrangement of the Allegro movement from Henry Purcell's Sonata for Trumpet would be a fabulous addition to any music library and could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. This selection is one of the arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library, many of which are being made available for the first time. They have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions. The original composition was written in D Major but Regis Bookshar has transposed it to Bb Major, making it a little easier for many modern musicians. Included are a score and a complete set of parts (13 pages). The 17th century composer, Henry Purcell, is generally considered to be one of the greatest English composers of his generation. His Sonata for Trumpet and Strings in D Major, composed in 1694, was probably written for the London Theatre, where a fine tradition of trumpet playing had developed. Purcell almost certainly had in mind either John Shore or his brother, William, the most renowned trumpet players in England at the time. The trumpets of the time were normally tuned in D and there were no valves on the Baroque trumpets, so they were limited in the number of notes that they could play. The term Sonata here probably means no more than a piece of incidental music and looks forward to the style that would become the solo concerto where soloist and strings are pitted against each other but also looks back to an older type of instrumental music which emphasized equality between members of the ensemble. The music is in three movements and looks forward to the fast-slow-fast plan popularized by Vivaldi's concertos. Regis Bookshar thought that it would be wonderful if other instrumentalists, besides trumpet players, could also have the opportunity to play the Allegro movement from Purcell's Sonata for Trumpet, so he has created other arrangements of this selection. This particular arrangement is for a Flute Octet, consisting of 8 Flutes, but there are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this piece. You may find something else that may suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a wide variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are added as often as possible. I'm certain that this exciting arrangement of Purcell's Allegro from his Sonata for Trumpet will continue to entertain both performers and audiences alike for years to come.
$15.00
Evening Commute (flute choir)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Adrian Dee
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Evening Commute
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Adrian Dee
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - SKU: A0.817941 Composed by Adrian Dee. Contemporary. 90 pages. Adrian Dee #45749...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - SKU: A0.817941 Composed by Adrian Dee. Contemporary. 90 pages. Adrian Dee #4574905. Published by Adrian Dee (A0.817941). This piece began as a tune in my head while I was on the bus on the way home from work one evening, hence the title. I first wrote it as a flute quartet (also available) and then arranged it for flute choir. The movements are: Traffic, Watch for Bicycles, Yield to Pedestrians, and Home Soon. The piece is playful, rhythmically challenging, a little humorous, and completely joyful. Play time is aprox. 10 1/2 minutes. Very upbeat 4th movement would make a good concert closer. Let me know what you think! adriandeeflute@gmail.com
$24.95
Recordare (from "Requiem") (F) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1112877 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Class...
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Flute Choir,Woodwind Ensemble Flute - Level 4 - SKU: A0.1112877 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714833. Published by Regis Bookshar (A0.1112877). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Flute Octet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Flute Octet, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Flute Octet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
Suite from the Spanish Lady
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Robert Rainford
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Suite from the Spanish Lady
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Forton Music - Digital
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SheetMusicPlus
Flute Choir - flutes, alto, bass, contra bass. - Intermediate-Advanced - SKU: F2.FM014 Composed by Edward Elgar. Arranged by Robert Rainford. Score and ...
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Flute Choir - flutes, alto, bass, contra bass. - Intermediate-Advanced - SKU: F2.FM014 Composed by Edward Elgar. Arranged by Robert Rainford. Score and parts. 57 pages. Forton Music - Digital #FM014. Published by Forton Music - Digital (F2.FM014). ISBN 9790708085133.Flute Choir/Ensemble Piccolo, 2 first flutes, 2 second flutes, alto flute (or 3rd concert flute), bass flute (or alto/contra-alto flute), optional contrabass flute. Five movements: Country Dance, Burlesco, Adagio, Sarabande and Bouree. Whilst playable by six players, this works better with multiple performers on each part, and is a firm favourite with our local flute choir. The third and fourth movements are relatively easy, with slower tempi and notes not surpassing top E. About grade 5 standard. The other movements are more complicated, involving faster tempi, complicated rhythms and key changes. Flute one goes up to top C, but this is optional! About grade 7-8 standard.
$19.95
Twitter, for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Greg Danner
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Twitter, for Flute Choir
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Avanti Music
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Ava...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Avanti Music (A0.778282). Twitter, founded in March of 2006, is a social networking and micro-blogging service that allows users to post short messages of no more that 140 characters. Because it works as an application on cell phones people can share information immediately. In its short time, Twitter has become embedded in our increasingly networked society. The composition Twitter takes five famous tweets-some serious, others funny, and some historic and presents a musical interpretation. In keeping with the idea that a tweet is a short message, each movement of Twitter is approximately 140 seconds long. 1. There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy. Janis Krums, 12:36 p.m. Jan15, 2009Janis Krums posted this text and the first photo of US Airways flight 1549 moments after the plane made an emergency landing in the Hudson River after hitting a flock of birds. His quick action helped to notify rescue workers and the media. 2. Today I interviewed a squirrel in my backyard and then threw to commercial. Somebody help me.Conan O’Brien, 3:54 p.m. Feb. 24, 2009 Shortly after being dismissed from the Tonight Show and finding himself in-between jobs, Conan O’Brien joined Twitter. As with many celebrities, a Twitter account can allow fans to stay in touch and feel connected. What was amazing in this case was that in just two hours after this first tweet he had over 125,000 followers-the largest number ever in such a short time. His number has since grown to nearly 3 million. 3. ArrestedJames Buck, 9:30 a.m. April 10 A graduate student from the University of California-Berkeley, James Buck was covering an anti-government protest in Egypt. Buck was caught up in a demonstration, and while being taken to jail had time to post a one-word tweet-arrested. Within seconds colleagues in the United States got word of his arrest and notified the university, the US Embassy, and a number of press organizations on his behalf, leading to his freedom. 4. We just made history. All of this happened because you gave your time, talent and passion. All of this happened because of you. Thanks. Barack Obama, 11:34 a.m. Nov. 5, 2008 The Obama 2008 campaign was historic on a number of counts, and the use of technology and social media was one of them. This tweet was sent to over 2.6 million followers just after the election. 5. Are you ready to celebrate? Well, get ready: We have ICE!!!!! Yes, ICE, *WATER ICE* on Mars! w00t!!! Best day ever!! MarsPhoenix, 5:14 PM Jun 19th, 2008 NASA’s Jet Propulsion Laboratory has made an innovative use of twitter by sending messages from the Mars Phoenix lander’s point of view. The message above is undoubtedly the most exciting news ever to be tweeted on behalf of an extraterrestrial robot.
$40.00
After Midnight for Flute Choir (3 flutes, Alto and Bass flutes with a Flute 4/Alto alternate part)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Michelle Coon
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After Midnight for Flute Choir
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M. Coon
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.569667 Composed by Michelle Coon. 20th Century,Contemporary. 13 pages. M. Coon #179078. Published by M. Coon (A0.5...
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Woodwind Ensemble - Level 3 - SKU: A0.569667 Composed by Michelle Coon. 20th Century,Contemporary. 13 pages. M. Coon #179078. Published by M. Coon (A0.569667). This is a piece written for Flute Choir with the Alto and Bass being important parts. The impetus behind this work was an unplanned stay in an unfamiliar airport overnight waiting for a connection that had been cancelled. Its is interesting that a lot actually can go on after midnight in a mostly empty airport especially as it moves towards early morning. (The audio clip starts in bar 4).
$10.00
Sea States for Flute Sextet
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Julian Harvey
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Sea States for Flute Sextet
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Julian Harvey
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - SKU: A0.954520 Composed by Julian Harvey. Contemporary. 68 pages. Julian Harvey ...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - SKU: A0.954520 Composed by Julian Harvey. Contemporary. 68 pages. Julian Harvey #4729115. Published by Julian Harvey (A0.954520). Having lived for a time on the sea it seemed logical to write music inspired by it. The work consists of four movements: Reflets d'Argent, Night Calm, Boats at Anchor, Waterspout, and Bloom of Jellyfish/Passing Storm. Reflets d'argent means reflections of silver, a waterspout is a tornado-like occurrence on the water, and a bloom of jellyfish is a large group of jellyfish.
$15.00
Romance from Op 22 for Flute Choir - 3 flutes, alto and bass
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Clara Wieck-Schumann
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Michelle Coon
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Romance from Op 22 for Flute C
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M. Coon
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.555268 Composed by Clara Wieck-Schumann. Arranged by Michelle Coon. Classical,Romantic Period. 18 pages. M. ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.555268 Composed by Clara Wieck-Schumann. Arranged by Michelle Coon. Classical,Romantic Period. 18 pages. M. Coon #164878. Published by M. Coon (A0.555268). This is an arrangement of a Romance for violin and piano for flute choir - 3 flutes, alto flute and bass flute. Although Clara Wieck-Schumann did not compose anything for the flute, this movement works well on flute and gives flutists the chance to experience her lovely music.
$10.00
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