"2018 Chamber Music Contest Entry"
Shenandoah
arr. Phyllis Avidan Louke

One of America?s best loved songs began asa sea shanty. The Shenandoah spoken ofin the song is not about a place, but is about an Indian chief living along theMissouri River.

Oh Shenandoah,
I long to hearyou,
Away you rollingriver,
Oh Shenandoah,
I long to hearyou,
Away, I?m boundaway
?Cross the wide Missouri

Oh Shenandoah,
I love yourdaughter,
Away you rollingriver,
Oh Shenandoah,
I love yourdaughter,
Away, I?m boundaway
?Cross the wide Missouri.

This arrangementopens with a haunting Flute 1 and Alto Flute duet. The instruments are featuredin various combinations throughout the piece to explore the different of colorsproduced by the flute choir. Harmoniesand rhythms are altered during various sections--most notably a duet betweenthe bass flute and alto flute. Piccolo,alto and bass flutes play prominent roles.

Folk Song
American Folk Song


This piece isscored for piccolo, 3 flutes, alto flute, bass flute, and optional contrabassflute. Level 3, 5:30



Phyllis Avidan Louke is aflutist and award-winning composer and arranger with more than 70 publishedpieces to her credit. www.phyllislouke.com and www.fabulousflute.com

"Mary,Did You Know?" is a Christmas song written by Mark Lowry andmusic written by Buddy Greene in 1991. This song was recorded and performedwith famous singers such as Kenny Rogers & Wynonna Judd, Mary J. Blige, ClayAiken, Pentatonix and many more!https://youtu.be/2-jWPg_SS8g

A beautiful song in minor key, arranged for flutechoir by me, Ray-Michael Kauffman, a flutist and performer and arranger offlute choir/music. Since I play all flutes of the flute family, I like tothink I understand the complexities of what works and what doesn't for all fluteschoirs/ ensembles.

This arrangement gives every instrument a chance to shine, whetherplaying a solo or melody in that instrument part (from bass, alto, flutes topiccolo). This would make an amazing piece to add to your holiday performance,or singularly for church/secular or school program. scored forpiccolo, flute 1-5, alto and bass (which may also be played by contra bass).overall, it is intermediate plus but arrangement allows for less seasonedplayers to play flute 3, 4 or 5. flute 5 is not required for performance butadds extra harmony, structure and support of the arrangement. May be playedfrom a small group or larger ensemble. larger ensemble please take note inrehearsal A marking where for several measures, the higher flutes (2 and 1) arelimited in players where as not to overpower the bass flute solo. Thankyou for checking my arrangement out and I hope you love it as much as I do.

** Note this is the original and deluxe flute choir / ensemble version. There is other "Mary did you know " titles for flute , but they are at a small group , and basic entry level ability and those versions suited for basic elementary or middle school quartet flutes.

My title is suited for adult, advanced players of an actual flute choir. enjoy.

https://www.youtube.com/watch?v=2-jWPg_SS8g

This beautiful song comes from the musical Yentl, starring Barbra Streisand.

As an instrumental piece, dynamics, tempo changes - of which there are many - and the attention to the overall emotion of the song will make this piece soar as it should.

This arrangement is for flute choir: 4 C flutes, alto, bass, contrabass, and optional cello to help give the bass line a stronger presence.

I hope you and your audience will enjoy this piece.

Duration: 3.5 minutes

The theme song from the 2020 James Bond film 'No Time To Die' by Billie Eilish, arranged carefully for the ensemble so that all parts are fun to play and it is highly effective in performance.

Have a listen and look at the whole score at https://youtu.be/_orCSPrfEuM

You can also hear a live YouTube live performance at the top of this page, which was brilliantly put together by Jenny Argent. Subscribe to her channel at https://www.youtube.com/channel/UCHgBt0mL0vcpB9wqwhRu7zA (copy and paste to new window).

Also search for my other James Bond songs 'Skyfall' and 'Live and Let Die'.

Flute choir meets heavy metal!

Avenged Sevenfold is one of my absolute favorite heavy metal bands. I don't usually hear a flute choir when I listen to their songs, or mostly any heavy metal songs for that matter, but A Little Piece of Heaven is so creative, so musical, and so funny, that I couldn't help it. Also, Oingo Boingo headed up the instrumental parts of the original song, which is evident.

If you are unfamiliar with heavy metal, you don't need to know anything about this song, other than it's incredibly unique and has to be played with an attitude. Accentuate the down beats, lay off the full vibratos, keep pushing the tempo - it never should slow down, and channel your inner rocker.

This song was the brainchild of the late James "The Rev" Sullivan. With the help of Oingo Boingo musicians, the song was scored to include an orchestra, full wind section, and choir. This arrangement is less than half the length of the original song, but it still clocks in at around 3 1/2 minutes.

This arrangement is scored for 4 flutes, alto, bass, contrabass, and upright string bass or keyboard. It is essential that there is a strong bass line. The upright bass part could also be played by any bass clef C instrument, like a euphonium, trombone, or tuba. If you are lucky enough to know a drummer, that would help a great deal too. I did not include a drum part, only because I am not knowledgeable enough at writing for drums and would rather leave it out than mess it up!

I hope you and your group will enjoy playing this song as much as I enjoyed arranging it. And I hope your audience will like it too!

This Christmas song is one of the classics. Every time I hear it, I picture the characters from "Peanuts" skating on the ice. This piece has great jazz chords and it helps bring calm to a sometimes hectic time of year. It's a great piece to add to your Christmas program!

This arrangement is for low flute choir - Altos, Basses, and Contra bass.

2018 Chamber Music Contest Entry
The Impossible Dream from Man of La Mancha
Program Notes

The Impossible Dream (The Quest) is the most popular song from the1965 Broadway musical Man of LaMancha and is also featured in the 1972 film of the same name. The song was composed by Mitch Leigh,with lyrics written by Joe Darion. It was awarded the Contemporary Classics Award from the Songwriter?sHall of Fame.

I have always found the lyrics of TheImpossible Dream extremely moving:

Todream the impossible dream,
To fight the unbeatable foe,
To bear with unbearable sorrow,
To run where the brave dare not go.

To right the unrightable wrong,
To love pure and chaste from afar,
To try when your arms are too weary,
To reach the unreachable star.

This is my quest,
To follow that star
No matter how hopeless,
No matter how far.

To fight for the right
Without question or pause,
To be willing to march
Into hell for a heavenly cause.

And I know if I'll only be true
To this glorious quest
That my heart will be peaceful and calm
When I'm laid to my rest.

And the world will be better for this,
That one man scorned and covered with scars
Still strove with his last ounce of courage.
To fight the unbeatable foe.
To reach the unreachable star.

This arrangement for flute choir can be performed with asfew as 5 players or a full flute choir with multiple players on a part. It is scored for 3 flutes, alto flute, bassflute, and optional contrabass flute.

Broadway
Movies
Popular
Ballad

Phyllis Avidan Louke is a flutist and award-winning composerand arranger with more than 70 published pieces to her credit. www.phyllislouke.com

A list of Phyllis Louke?s SMP publications with full lengthrecordings can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/

This absolutely fabulous song comes from the 1965 slapstick comedy film, The Great Race. I first heard it on James Galway's album, In the Pink, which features Galway playing 13 of Henry Mancini's songs.

This piece just screams fun in the middle of a gazillion notes just flying by. Filled with arpeggios, this is a workout for the fingers and requires quite a bit of precision for the song to sound really good. As with most of my arrangements, I have tried to give every part something interesting to play, with the exception of the contrabass flute and optional upright bass, which could also be played by any C instrument in the bass clef range. These lower parts are important in helping maintain good downbeats.

Scored for 5 C flutes, alto, bass, contrabass, and optional upright bass. There are 2-part divisis in flutes 1 - 4. This piece is for the more advanced flute choir and would be a great opener or encore for your recitals.

Duration: 2.75 minutes