https://youtu.be/VLqdkBVG3Cg

From the Disney's movie , and Tim Burton is This is Halloween from The Nightmare before Christmas for flute choir / ensemble.
Perfect for Holiday themed, movie themed, Halloween themed, Christmas themed, or any time you want fun, and challenging music for your ensemble/ flute choir.
This arrangement will be a sure crows pleaser, and one the flutists will actually enjoy to play.

Just in time for Halloween, at a special "spooky price " of $13.13 that will disappear faster than those ghosts and goblins

This setting of the famous coloratura aria makes a wonderful feature for your piccolo player in this rich arrangement from Mozart's "The Magic Flute".

Instrumentation
Piccolo
Flute 1
Flute 2
Flute 3
Flute 4
Flute 5
Flute 6 (substitute for Alto Flute 1)
Flute 7 (substitute for Alto Flute 2)
Alto Flute 1
Alto Flute 2
Alto Flute 3 (substitute for Bass Flute)
Bass Flute
Opt. String Bass

Alan Silvestri is one of my favorite movie composers. He composes mainly for the film industry, and wrote fantastic scores for movies like Forrest Gump, Back to the Future, and Night at the Museum, to name a few.

This piece comes from the movie, Cast Away. The movie didn't have much music in it, which was intended to create a feeling of isolation. Needless to say, when music was played during a scene, it made a big impact. Silvestri won a Grammy Award for his music score in this movie.

This arrangement of the theme song is written for 2 altos, 3 basses, contra-alto in G, and contrabass flutes. The Bass 3 part is optional if you have a contra-alto in G. The optional cello part is to provide extra support to the contrabass, if needed.

This piece is very soothing and meditative. I hope your choir and your audience will enjoy it.

Item Number: H0.894341-SC001261623

"Bohemian Rhapsody" is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 studio album A Night at the Opera. It is a six-minute suite, consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. The song is a more accessible take on the 1970s progressive rock genre and was the most expensive single ever made at the time of its release. I have arranged it here for flute ensemble with optional drum kit, and kept it true to the original version.