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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Once: Cello
Non classifié
3 331
Piano & claviers
Piano Trio: piano, violon, violoncelle
292
Piano seul
148
Piano Quatuor: piano, 2 violons, violoncelle
136
Piano Quatuor: piano, violon, alto, violoncelle
74
Piano Quintette: piano, 2 violons, alto, violoncelle
55
Piano, Voix
31
Piano Facile
26
Accompagnement Piano
25
Orgue
15
2 Pianos, 4 mains
8
Piano, Voix et Guitare
7
1 Piano, 4 mains
7
Instruments en Do
5
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
Accordéon, Corde(s)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
17
2 Guitares (duo)
8
Guitare, Violon, Violoncelle (trio)
5
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
3
Guitare, Orchestre
1
Piano, Guitare (duo)
1
+ 2 instrumentations
Retracter
Voix
Pack Instrumental pour Chorale
807
Chorale SATB
59
Chorale 3 parties
40
Chorale 2 parties
31
Voix duo
15
Chorale Unison
10
Voix duo, Piano
6
Voix Baryton, Piano
3
Chorale TTBB
3
Voix Soprano, Piano
3
Voix Tenor, Piano
1
Chorale SSAA
1
Voix seule
1
Chorale SSAATTBB
1
Chorale
1
Voix Alto, Piano
1
Voix basse, Piano
1
+ 12 instrumentations
Retracter
Vents
Flûte traversière et Piano
86
Flûte, Violon et Violoncelle
76
Flûte, Violoncelle
60
Hautbois, Piano (duo)
60
2 Saxophones (duo)
55
Clarinette et Piano
50
Clarinette, Violoncelle (duo)
47
2 Clarinettes (duo)
42
Clarinette, Violoncelle, Piano (trio)
41
Saxophone Alto et Piano
40
Flûte, Violoncelle, Piano (trio)
39
2 Flûtes traversières (duo)
27
3 Clarinettes (trio)
27
Quatuor de Clarinettes: 4 clarinettes
25
Quatuor de Saxophones: 4 saxophones
25
Saxophone Tenor et Piano
22
Clarinette
20
Saxophone (partie séparée)
18
Saxophone Soprano et Piano
18
Flûte, Violon, Violoncelle et Piano
18
3 Saxophones (trio)
18
Flûte, Hautbois, Clarinette, Basson
17
2 Hautbois (duo)
16
Clarinette (partie séparée)
16
Flûte traversière
12
Quatuor de Flûtes : 4 flûtes
11
Ensemble de Flûtes
11
2 Flûte à bec (duo)
11
Hautbois (partie séparée)
11
Trio de Flûtes: 3 flûtes
10
4 Hautbois
10
3 Hautbois
9
Hautbois, Violoncelle
8
Saxophone Tenor
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Saxophone Alto
8
Flûte, Hautbois, Clarinette (trio)
8
Cor anglais, Piano
8
Ensemble de Clarinettes
6
Quintette de Saxophone: 5 saxophones
6
Flûte, Violoncelle, Guitare
4
Saxophone Baryton, Piano
4
Hautbois
4
Flûte et Trio à cordes
4
Flûte à Bec
3
Flûte à bec Soprano
3
Clarinette, Basson (duo)
3
Saxophone Soprano
3
Quatuor de Flûtes à bec
3
Flûte, Harpe et Violoncelle
3
Clarinette Basse, Piano
3
Ensemble De Flûte à bec
3
Flûte, Violon, Piano
3
Flûte à bec Alto
2
Flûte à bec Tenor
2
Flûte à bec Alto, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte et Guitare
2
Flûte, Hautbois, Basson
2
Flûte, Alto (duo)
2
Clarinette et Alto
2
3 Flûtes à bec (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Guitare (duo)
2
Flûte à bec Soprano, Piano
2
Flute (partie séparée)
2
Flûte, Clarinette et Basson
2
Flute, harpe et violon
2
Saxophone, Clarinette (duo)
1
Hautbois et Orchestre
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble de saxophones
1
Flûte et Quatuor à Cordes
1
2 Clarinettes, Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes, Piano
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte, Clarinette (duo)
1
Clarinette, Basson, Piano (trio)
1
2 Flûtes, Basse continue
1
5 Flûtes à bec
1
Clarinette Basse
1
+ 80 instrumentations
Retracter
Cuivres
Trombone et Piano
37
Trompette, Violoncelle et Piano
28
Cor et Piano
25
Trompette, Piano
21
2 Trombones (duo)
20
2 Trompettes (duo)
20
Trompette
19
2 Cors (duo)
18
2 Tubas (duo)
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette, Violoncelle (duo)
11
Trombone
9
Cor anglais, Piano
8
Cor, Violoncelle (duo)
7
Cor
6
Tuba et Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Euphonium
4
Bass Clef Instruments
4
Trombone (partie séparée)
4
Quatuor de cuivres: 4 trompettes
3
Tuba
3
Euphonium, Piano (duo)
3
Tuba (partie séparée)
3
Quatuor de cuivres: 4 trombones
2
Euphonium, Tuba (duo)
2
Trompette, Trombone (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette (partie séparée)
2
Quatuor de Cuivres
1
Trombone, Cor (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Cor (partie séparée)
1
2 Euphoniums (duo)
1
Cor, Violoncelle et Piano
1
4 Tubas
1
Ensemble de Trompettes
1
Trompette, Cor (duo)
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 370
Violoncelle, Piano
1 754
Violon, Violoncelle (duo)
802
Violoncelle
752
Violoncelle (partie séparée)
724
2 Violoncelles (duo)
619
Trio à Cordes: violon, alto, violoncelle
561
Alto, Violoncelle (duo)
204
Trio à Cordes: 2 violons, violoncelle
192
4 Violoncelles
138
Quintette à cordes: 2 violons, alto, violoncelle, basse
106
Alto, Piano
99
Violon
93
Violon et Piano
82
Trio à Cordes: 3 violoncelles
62
Violoncelle , Guitare (duo)
41
Violoncelle, Contrebasse (duo)
35
Alto seul
29
2 Violons (duo)
27
Violon (partie séparée)
27
Violon, Alto (duo)
26
2 Altos (duo)
23
Violoncelle, Orchestre
22
Harpe, Violoncelle (duo)
21
Violoncelle, Orgue
16
2 Contrebasses (duo)
15
Contrebasse (partie séparée)
15
Harpe
14
Alto (partie séparée)
13
Harpe, Violon (duo)
12
Ensemble de Violoncelles
12
Alto et Harpe
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Harpe, Flûte (duo)
10
Trio à cordes: 3 violins
10
Trio à cordes: 3 altos
9
2 Violoncelles, Piano
8
Contrebasse, Piano (duo)
7
Contre Basse
6
Violoncelle, Basse continue
6
Violon, Guitare (duo)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Alto, Guitare (duo)
5
Harpe, Violon, Violoncelle
5
Violon, Violoncelle, Clarinette
3
Trio à cordes
3
Piano Trio: Violon, Alto, Piano
3
Quatuor à cordes: 4 violons
2
Harpe, Voix
2
Alto, Orgue
2
Alto et orchestre
2
Trio à Cordes: 2 violons, alto
2
2 Violons et Basse continue
1
Violon, Basse continue
1
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
708
Orchestre à Cordes
624
Orchestre
240
Orchestre de chambre
171
Ensemble de Percussions
28
Ensemble de cuivres
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
Ensemble Jazz
7
Piano et Orchestre
6
Cloches
6
Batterie
1
Percussion (partie séparée)
1
Orchestre, Violon
1
Percussion
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
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COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Once: Cello
Ensemble de Flûtes
Partitions à imprimer
11 partitions trouvées
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1
Bach: Brandenburg Concerto No. 3 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Brandenburg Concerto No.
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.549922 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Instructional,Standards. 136...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.549922 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Instructional,Standards. 136 pages. Jmsgu3 #4287833. Published by jmsgu3 (A0.549922). Bach: Brandenburg Concerto for arranged for flute choir. Instrumentation: 3 concert flutes, 3 alto flutes, 3 bass flutes, 1 cello (optional), 1 cembalo (optional)Score: 70 pages.
$49.95
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Gabrieli
#
James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Pavane for flute choir / flute ensemble by Gabriel Faure
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Classique
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Gabriel Faure
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Ray-Michael Kauffman
#
by Gabriel Faure
#
Pavane for flute choir / flute
#
as do Ray meflute studio production
#
SheetMusicPlus
Small Ensemble Alto Flute,Bass Flute,Cello,Piccolo - Level 3 - SKU: A0.874241 Composed by Gabriel Faure. Arranged by Ray-Michael Kauffman. Concert,Film/...
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Small Ensemble Alto Flute,Bass Flute,Cello,Piccolo - Level 3 - SKU: A0.874241 Composed by Gabriel Faure. Arranged by Ray-Michael Kauffman. Concert,Film/TV,Romantic Period,Standards. Score and parts. 37 pages. As do Ray meflute studio production #3450257. Published by as do Ray meflute studio production (A0.874241). https://www.youtube.com/watch?v=awNpinXhjTo&feature=youtu.bePavane : for flute choir/ ensemble by Gabriel Faure from Pavane in f sharp minor, Op. 50arranged by Ray-Michael Kauffmanfinally a flute ensemble arrangement that honors this beautiful master piece. A simple, but haunting powerful melody, featuring all members off the flute choir and giving every player a chance to shine as any good flute choir piece should.a sure crowd pleaser as well as a piece the flute members will love to play over and over again.Great piece for concert settings, church, pop concerts, school/ college, in any season of the year.has parts for piccolo, flute 1, 2 , 3 , 4 , 5 alto flute, bass flute, contra bass flute and opt. cello. works well with small and large ensembles.
$14.50
Bach: Jesu, Joy of Man's Desiring for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
J
#
James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$49.95
Mussorgsky: Night on Bald Mountain for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Night on Bald Moun
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549955 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Romantic Period,Standards. 227...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549955 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Romantic Period,Standards. 227 pages. Jmsgu3 #4337561. Published by jmsgu3 (A0.549955). Score: 140 pages. Duration ca. 11:00. Instrumentation: 1 piccolo, 3 concert flutes, 2 alto flutes, 1 bass flute, 1 cello (optional). Piccolo part: 7 pages, Flute 1 part: 14 pages, Flute 2 part: 13 pages, Flute 3 part: 10 pages, Alto Flute 1 part: 10 pages, Alto Flute 2 part: 11 pages, Bass Flute part: 11 pages, Cello part: 11 pages.Mussorgsky's Night on Bald Mountain is significant for several reasons. Composed in 1867, it is a tone poem inspired by the Russian legend of nocturnal revels on St. John's Night, involving a witches' Sabbath on Bald Mountain near Kiev. The piece is known for its high drama, dark textures, and bold harmonies, which Mussorgsky's colleagues considered excitingly expressive and raw. The work was unpublished and unrevised at the time of the composer's death, and his colleagues, including Rimsky-Korsakov, later revised it. The composition remains a powerful representation of Russian folk tradition. It is associated with the pagan festivities of the midsummer Slavic holiday, making it a significant piece in the history of Russian classical music.The legend of the nocturnal revels on St. John's Night in June on a hill called Lysa Hora near Kiev is a prominent Slavic tale that inspired Modest Mussorgsky's Night on Bald Mountain. The legend tells of a demon, Chernobog, who leads the revels until a far-off church bell sounds disperse the Spirits of Darkness. This tale is associated with the pagan festivities of the midsummer Slavic holiday and is a significant part of Russian folklore and culture. Lysa Hora, meaning Bald Mountain or Barren Mountain, is a large wooded hill in the Ukrainian capital Kyiv, near the confluence of the Dnipro and Lybid' rivers, and is the traditional site of the witch gatherings in Slavic folklore. The legend's themes of darkness, supernatural gatherings, and the triumph of light have made it a compelling source of inspiration for various artistic works, including Mussorgsky's musical composition.
$58.95
Mouton: Christmas Motet for Flute Choir
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Ensemble de Flûtes
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FACILE
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Noël
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Jean Mouton
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James M
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Mouton: Christmas Motet for Fl
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 2 - SKU: A0.550372 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards...
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Woodwind Ensemble Flute - Level 2 - SKU: A0.550372 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards. 25 pages. Jmsgu3 #4616051. Published by jmsgu3 (A0.550372). A quadruple canon at the fifth. Duration: ca. 3:00, Score: 7 pages, Parts 2 pages each. Instrumentation: 3 concert flutes, 3 alto flutes, 2 bass flutes, 1 cello (optional).
$49.95
Die Libelle (The Dragon Fly) by Josef Strauss - Flute Choir by Monty Adams
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Josef Strauss
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Monty Adams
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Die Libelle
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Adams Magnificent Music
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.796439 Composed by Josef Strauss. Arranged by Monty Adams. Concert,Romantic Period. 40 pages. Adams Magnific...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.796439 Composed by Josef Strauss. Arranged by Monty Adams. Concert,Romantic Period. 40 pages. Adams Magnificent Music #6201659. Published by Adams Magnificent Music (A0.796439). Die Libelle (The Dragon Fly) by Josef StraussHere is a gorgeous piece by Josef Strauss from the Romantic period arranged for flute choir scored for 4 C flutes, alto and bass with an optional cello part either to be added or used in place of a bass flute
$26.99
Italian Polka by Sergei Rachmaninoff - flute choir - Pic, 4 C flutes, 2 alto lutes, bass
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Monty Adams
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Italian Polka by Sergei Rachma
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Adams Magnificent Music
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.796442 Composed by Sergei Rachmaninoff. Arranged by Monty Adams. Concert,Romantic Period,World. 38 pages. Ad...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.796442 Composed by Sergei Rachmaninoff. Arranged by Monty Adams. Concert,Romantic Period,World. 38 pages. Adams Magnificent Music #6207647. Published by Adams Magnificent Music (A0.796442). Italian Polka by Sergei Rachmaninoff was originally written for two pianos is now arranged for flute choir – Piccolo, 4 C flutes, 2 Alto flutes, and bass flute with optional cello and string bass parts. This piece has a distinctive Russian sound.
$15.99
Beethoven: Sonata Op. 49 No. 2 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and 1 cello (optional). - Intermediate - Digital Download Composed b...
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Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and 1 cello (optional). - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 103 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute choir. Duration: ca: 10:15 Score: 60 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute choir.
$49.95
His Yoke is Easy from Handel's Messiah for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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His Yoke is Easy from Handel's
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Lisa Ochoco
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SheetMusicPlus
Flute Choir - Advanced Intermediate - Digital Download Composed by George Frideric Handel (1685-1759). Arranged by Lisa Ochoco. Baroque Period, Chri...
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Flute Choir - Advanced Intermediate - Digital Download Composed by George Frideric Handel (1685-1759). Arranged by Lisa Ochoco. Baroque Period, Christian, Sacred, Christmas, Recital. Score, Set of Parts. 18 pages. Published by Lisa Ochoco
Handel's Messiah is one of the most popular musical works of all time, and choirs around the world perform Part 1 of Messiah every Christmas season.
His Yoke is Easy would be a great closer for your Christmas concert. It is the last movement in the Christmas section of Messiah. The Hallelujah Chorus is usually what is sung after this.
This arrangement is for the more advanced choir, however, parts 5 & 6 could be used for those who aren't as advanced.
Scored for 6 C flutes, alto, bass, and optional contrabass. There is also a cello part, which can also be played by any C instrument in a similar range, such as a bassoon.
$14.00
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